Following the break-up of the band in 1996, members moved on to various other projects, most notably Bell who became the bassist for Oasis. In 2001, the band members briefly reunited for a one-off performance for a television show. On November 18th, 2014, the band announced their official reunion with tour dates in 2015.
Starting out (1988–1989)
Andy Bell and Mark Gardener had been to Cheney School in Oxford, appearing in the school's musical theatre productions, and in October 1988, they moved to Banbury to do Foundation Studies in Art & Design at North Oxfordshire College and the Oxfordshire School of Art & Design. There they met Laurence Colbert. Steve Queralt, who also went to Cheney School, was recruited from the local Our Price record shop where he worked as a singles buyer (although Bell and Queralt had already played together in an obscure reggae/pop band called "Big Spiderback"). After considering various names, the band settled for 'Ride', with its evocation of travel, and after the Ride cymbal. Bell has cited a performance by The Smiths as the inspiration for forming a band.
The band formed in the summer of 1988 and played their first gig as Ride for the College's Christmas Party towards the end of the year. While still at Banbury, the band produced a demo tape, recorded in Queralt's bedroom and hallway, including the tracks Chelsea Girl and Drive Blind. Queralt and his record shop boss and future Ride manager Dave Newton had started a live music night in Oxford called Local Support, and it was due to a cancellation by another band that Ride got their first proper gig at one of these nights. Jim Reid of The Jesus and Mary Chain heard a copy of the demo that was in the possession of the DJ Gary Crowley, and this led to interest from Mary Chain manager Alan McGee. After the band supported The Soup Dragons in 1989, McGee signed them to his Creation Records label.
Early Creation years (1989–1993)
Ride released three EPs between January and September 1990, entitled Ride, Play and Fall. All three EPs made it into the UK top 75, with Play and Fall reaching the top 40. Ride's top-75 placing was a first for Creation Records. The first two EPs were released together as Smile in the USA in July 1990 (and later released in the UK in 1992), while the Fall EP was incorporated into the CD version of their first album, Nowhere, released in October 1990.
The band were often labelled as part of the "shoegazing" scene, but the band rejected this, Bell stating "my first reaction was like, this is another boring tag. These days...that's pretty much still my reaction." Gardener said of the band's influences: "We liked the noisy bands of the time. When we were at art college we went to see My Bloody Valentine, The House of Love, The Stone Roses and Sonic Youth. I think these all had a lot of influence on us in the early days as they were great gigs.”
The band recorded two sessions for John Peel's BBC Radio 1 show in 1990, and their popularity with the show's listeners saw them with three tracks in the Festive Fifty that year, with Dreams Burn Down and Like a Daydream at numbers 3 and 4 respectively, and Taste at number 25.
Nowhere was a critical and commercial success, reaching No. 11 in the UK, and the media dubbed Ride "the brightest hope" for 1991. Demand for new material was high, and the band recorded another EP, Today Forever, released in March 1991. The EP marked a change in direction for the group away from the noisier early style. Ride made their first international tour to Japan, Australia and France later on that year. Tickets for the performances in Japan sold out within minutes.
In February 1992 the band broke into the UK top 10 with Leave Them All Behind, and the following month saw the release of the band's second album Going Blank Again. The strain within the band was already apparent, Bell stating "by the time the second album came out we were touring too much. We were tired. We then took time off, but it was too much time off.”
Change in musical direction (1994–1996)
Ride were able to see out 1993 riding on the success of Going Blank Again and a third LP was keenly anticipated. A double weekend of gigs with The Charlatans that year ('Daytripper') kept them in the public eye amid a wider lack of interest in the shoegazing scene. Their third LP, Carnival of Light, was released in June 1994, at a time when Britpop was the focus of the music press.
Produced by John Leckie and partly engineered by Nigel Godrich (future Radiohead producer) – except How Does it Feel to Feel? by Black Crowes producer George Drakoulias – and featuring a guest appearance on keyboards from Jon Lord of Deep Purple, the album was split between songwriters Gardener and Bell, with the former's songs making up the first half of the album and the latter's the second. Opening with the riff-heavy Moonlight Medicine, tracks also include From Time to Time, Birdman and a cover of The Creation's How Does It Feel to Feel?, which was released as a single.
The album was not well received by critics, Bell explaining "these were good times but the music took second place. When we recorded the Carnival of Light album we got indulgent." By the end of 1994 even the band themselves were critical of the album, referring to it within the group as "Carnival of Shite."
The breakup (1996)
1995 saw the dissolution of the band while recording Tarantula. Gardener and Bell had led the band away from their shoegazing roots to become more contemporary, hoping to change their style with the times. Queralt has remarked that the band had two future directions open to them, and they chose the wrong option. Gardener had become interested in dance music, and wanted Ride to incorporate that into their style, while Bell disagreed.
The track listing of Carnival of Light gives an indication of the tension that was mounting between the two guitarists, with the first half of the album being songs written by Mark Gardener and the last half of the album being songs written by Andy Bell - Andy Bell had refused to let his songs be interspersed with pieces written by Gardener. Years later Andy Bell explained "imagine an argument where the way you win, is by saying 'I don't want my songs on the same side of the album as yours' and it ACTUALLY HAPPENS. We were allowed by the people around us to behave like total babies."
By the time Tarantula appeared, the band was beginning to self-destruct. Bell penned most of the songs while Gardener provided only one - the tension within the band leading to an inability to write meaningful musical pieces. Castle on the Hill, written by Bell, was a lament for the band's situation and contains references to Gardener's self-imposed exile from the group. Gardener walked out during the album's mixing sessions, and the band announced their break-up shortly before its release in March 1996. The album was released and remained on sale for one week before being withdrawn.
Critics and fans alike had panned the album (although the first single off the album, Black Nite Crash, was awarded "single of the week" by weekly music magazine Melody Maker). The album was described by Allmusic as "an abomination of '70s/Lenny Kravitz clichés, full of third- and fourth-rate tunes and, ultimately, bad blood," going on to say "the words are just plain awful throughout, not even worth printing." Rolling Stone were more complimentary, stating "the album is saved from maudlin self-obsession because it's rawer and rocks harder than anything else Ride have recorded."
Since the break-up, both Bell and Gardener have been more reflective about the group's disintegration, with Bell especially admitting his own part in the process.
Post break-up years (1997–2001)
After the split, Andy Bell formed a new band called Hurricane No. 1 but this project was permanently dissolved when he was asked to play bass for Oasis after having turned down the opportunity to join Gay Dad. He lived in Stockholm during this period. Mark Gardener and Laurence Colbert joined with Sam Williams to form The Animalhouse. As BMG signings, they were successful in Japan. The band was, however, short lived and split in 2002. Gardener has also toured as a solo artist, while Colbert, Gardener and Bell have played in a Bob Dylan tribute band called The Zimmermen. Queralt appears to have retired from professional music. He spent the years following the break-up working in Oxford, playing 5-a-side football, and raising a family. He is now living in Hammersmith, London.
Channel Four and beyond (2001–2013)
On 16 October 2001, all four members of Ride agreed to be filmed by Channel 4. The footage was used for the show Pioneers, a documentary on Sonic Youth, and featured a twenty minute improvised jam. The recording of this song, plus two short sound checks, were released in 2002 as Coming up for Air. The interest in this limited release CD caused the band to consider future releases. In late 2002, Ride released a 3-CD box set which is made up of OX4_ The Best of Ride, Firing Blanks_ Unreleased Ride Recordings 1988-95 and Live_Reading Festival 1992. In 2003 they released Waves, a collection of tracks from five radio sessions recorded for the BBC.
Mark Gardener started pursuing a solo career. From 2003 to 2005, Gardener toured extensively, sometimes with the help of Oxford friends Goldrush, in order to personally fund a full-length studio album. During the tour, a three-track EP with Goldrush Falling Out Into the Night and a live album (the acoustic solo Live @ the Knitting Factory, New York City) were released. He also spent part of 2005 working with the French duo rinôçérôse. In late 2005, Gardener's album These Beautiful Ghosts was released in North America on United For Opportunity.
Any thoughts of permanently re-forming the band, however, have been explicitly denied by Bell, with the reasoning that it would not live up to expectations. However, the members, Bell included, have stated that they would not mind working with each other again. Since, Bell and Colbert made an appearance at one of Gardener's early shows; Bell later shared two nights of acoustic sets with Gardener in November 2003 when Gardener made a tour stop in Bell's current home of Stockholm.
Colbert has also started playing in a band again - as guitarist and vocalist. He also plays drums in different projects, most notably with the reformed The Jesus and Mary Chain, Supergrass (filling in for Danny Goffey), International Jetsetters with fellow Jesus and Mary Chain bandmate Mark Crozer, and Damo Suzuki (Can). In 2005, Gardener was stuck in France and unable to play the Truck Festival; Colbert's band filled the gap in the bill. Colbert studied on the 1 Year Diploma in Drum Performance at London's Drumtech after the split of Ride.
Reunion (2014–present)
On November 18th, 2014, it was announced that Ride officially reunited again, and will perform a series of tour dates in Europe and North America in May and June 2015. The band's fifth album, ''Weather Diaries'', was released on 16 June 2017 and peaked at #11 on the British charts.
Current Members:
Mark Gardener – vocals, guitar
Andy Bell – vocals, guitar
Steve Queralt – bass
Laurence Colbert – drums
Discography:
Studio Albums
1990 - Nowhere
1992 - Going Blank Again
1994 - Carnival of Light
1996 - Tarantula
2017 - Weather Diaries
2019 - This Is Not A Safe Place
Extended Plays:
1990 - Ride
1990 - Play
1990 - Fall
1991 - Today Forever
1992 - Grasshopper
1992 - Smile
2002 - Coming Up for Air
Singles:
1991 - Vapour Trail
1992 - Leave Them All Behind
1992 - Twisterella
1994 - Birdman
1994 - How Does it Feel to Feel?
1994 - I Don't Know Where It Comes From
1996 - Black Nite Crash
Compilation Albums:
1990 - Smile
2001 - Firing Blanks_ Unreleased Ride Recordings 1988-95
2001 - OX4_ The Best of Ride
Live Albums:
1991 - Town and Country Club, London, March 8, 1991
1994 - Cosmic Carnival
1995 - Live Light
2001 - Live_Reading Festival 1992
2003 - Waves
Here and Now
Ride Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Can't hold back what's inside
And the train above me
Sounds like the music in my head
My thoughts are undecided
I think it so I hide it
And the train rushes past
Like a day gone too fast
I wish that I was stronger
Could keep my head for longer
I sit and watch my fear
But it won't disappear
I can dream myself away
Lose myself for days
And the train rushes past
Like a day gone too fast
All I know is here and now
All I know is here and now
And the train rushes past
Like a day gone too fast
And the train rushes past
Like a life gone too fast
The lyrics of Ride's song "Here and Now" have a deeply contemplative and introspective tone. The song is about the struggle to confront one's own thoughts, emotions, and fears head-on. The opening line, "The bridge holds back the sky, can't hold back what's inside," is a metaphor for how the mind tries to contain an overwhelming flood of emotions but always falls short. The following line, "And the train above me sounds like the music in my head," paints a picture of a protagonist lost in thought, but at the same time, he has a sense of grandness about the moment.
The singer is unable to make decisions, as the lyrics say, "My thoughts are undecided, I think it so I hide it." He is afraid of what he might find within himself if he delves too deep. The train rushes past him, drawing a parallel with how swiftly time flies, and it seems like he isn't doing anything to understand himself. The lines "And the train rushes past like a day gone too fast" showcases the idea of time moving too quickly, without any notable progress. He feels lost, as he wishes he was stronger to confront his own insecurities, "I wish that I was stronger, could keep my head for longer."
The chorus, "All I know is here and now," is a call to action, striving to break free from his mental imprisonment and live in the present moment. The final lines of the song, "And the train rushes past like a life gone too fast," signify that time is slipping away, and it is important to face oneself before it is too late.
Line by Line Meaning
The bridge holds back the sky
The bridge seems to be strong enough to hold up the sky but in reality, it is just shallow symbolism
Can't hold back what's inside
No matter how strong an exterior facade someone puts on, their real feelings and emotions will ultimately surface
And the train above me
The train is a metaphor for the passing of time
Sounds like the music in my head
The sound of the train is almost musical in nature, and serves as a reminder of the ever-present ticking of time
My thoughts are undecided
The artist is unsure about what they want to do or think about a particular situation
I think it so I hide it
The singer keeps their thoughts and emotions hidden from the world for fear of judgement or rejection
And the train rushes past
The passing of time is relentless and unforgiving
Like a day gone too fast
Life passes by quicker than expected, and the artist is left feeling like they missed out on important moments
I wish that I was stronger
The artist wishes they had more control over their emotions and could handle situations better
Could keep my head for longer
The artist wishes they could maintain a level head for extended periods of time, as opposed to their current state of uncertainty
I sit and watch my fear
Instead of taking action to confront their fear, the singer watches it from afar
But it won't disappear
Despite the artist's desire to escape their fear, it remains a constant presence in their life
I can dream myself away
Escaping reality through daydreaming or fantasies is a tempting coping mechanism for the singer
Lose myself for days
The singer can get lost in their own thoughts and fantasies for extended periods of time
All I know is here and now
The only thing the singer knows for certain is their current reality
And the train rushes past
The progression of time is inevitable and unstoppable
Like a life gone too fast
Life is fleeting and can pass by quickly, leaving the artist feeling like they should have done more with the time they had
Lyrics © O/B/O DistroKid, Kobalt Music Publishing Ltd.
Written by: ANDY BELL, LAURENCE JOHN COLBERT, MARK STEPHEN GARDENER, STEPHEN PAUL QUERALT
Lyrics Licensed & Provided by LyricFind
@windowbar7477
The bridge holds back the sky, can't hold back what's inside
And the train above me sounds like the music in my head
My thoughts are undecided, I think it so I hide it
And the train rushes past like a day gone too fast
I wish that I was stronger, could keep my head for longer
I sit and watch my fear but it won't disappear
I can dream myself away, lose myself for days
And the train rushes past like a day gone too fast
All I know, all I know, all I know is here and now
[Instrumental break]
All I know, all I know, all I know is here and now
And the train rushes past like a day gone too fast
And the train rushes past like a life gone too fast
@dimmerk.7111
The bridge holds back the sky
Can't hold back what's inside
And the train above me
Sounds like the music in my head
My thoughts are undecided
I think it so I hide it
And the train rushes past
Like a day gone too fast
I wish that I was stronger
Could keep my head for longer
I sit and watch my fear
But it won't disappear
I can dream myself away
Lose myself for days
And the train rushes past
Like a day gone too fast
All I know
All I know
All I know
Is here and now
All I know
All I know
All I know
Is here and now
And the train rushes past
Like a day gone too fast
And the train rushes past
Like a life gone too fast
@panagiotischaralampopoulos7152
best drummer in whole indie scene.
no today's indie group can ever imagine write such masterpieces
@sundazed2975
Ok him and circa survives drummer for sure
@FortNada
September 2023 and still this is absolutely true!
@shoegazer93
This is RIDE's most underrated song. They can pull it off live too. Saw them play it on Nowhere25 tour, one of the highlights for sure!
@gattocattivo99
Yep - and with the harmonica too (which they never did back in the day)
@gutierrezanthony8146
Yeah. Harmonica is basically the train
@gutierrezanthony8146
Always loved this song
@ElenaArboria
Yeah I can't even with this song. It's insane.
@deepfocus888
Gonna admit. I was never a huge fan. Saw em do it live w the harmonica. Shot straight to #1 in my mental charts!
@wozonfly
How is it possible to put into words how much I love this song.. 30 years later.. still makes my soul fly through a blue moon