Wainwright was born in Rhinebeck, New York, USA, to folk singers Loudon Wainwright III and Kate McGarrigle (they divorced while he was a child). He began to play the piano at age six, and by age thirteen he was touring with his sister Martha Wainwright, mother Kate, and aunt Anna as the McGarrigle Sisters and Family.
His song I'm A-Runnin', which he performed in the movie Tommy Tricker and the Stamp Traveller (in which he also played a minor character), was nominated for the 1989 Genie Award for Best Original Song and earned him a nomination for the 1990 Juno Award for Most Promising Male Vocalist.
He lived in Montreal with his mother for most of his childhood and briefly attended McGill University, where he studied both classical and 'rock' piano. Some of his songs feature his mastery of French. Wainwright still maintains a residence in Canada.
He came out as gay while still a teen.
Wainwright became interested in opera throughout his adolescent years (for instance, his track Barcelona features lyrics of Giuseppe Verdi). He also became an enthusiast of such performers as Édith Piaf, Al Jolson and Judy Garland.
After having been a fixture on the Montreal club circuit, Wainwright cut a series of demo tapes, one of which found itself in the hands of DreamWorks executive Lenny Waronker. The label signed him and he released the self-titled Rufus Wainwright album in the spring of 1998. This album received much critical acclaim in Canada, and was recognized by Rolling Stone magazine as one of the best albums of the year. Wainwright's second album, Poses (2001), brought similar acclaim.
Wainwright's first main exposure to the American public came as an opener to singer Tori Amos in 2001 and 2002. He garnered praise for his performance and began touring as a main act shortly afterwards. He has frequently toured as the opener for Sting and co-headlined with Ben Folds and Guster in the summer of 2004. He still often performs with his sister Martha Wainwright (now herself an emerging artist) on backup vocals. Despite a growing cult following and critical acclaim, Wainwright has experienced only marginal commercial success in the United States.
In addition to being a pianist, Wainwright is a guitarist, often switching between the two instruments when performing live; however, his mastery of the guitar does not approach his talent with the piano within the Piano rock genre. While some of his most moving songs feature just Wainwright with his piano, many of his songs display complex layering and harmonies, occasionally comprising hundreds of individual parts. Wainwright is an avid opera fan, and the influences on his music are evident, as well as his love of Schubert 'Lieder'; his music has been described as "Popera" (Pop Opera) or "Baroque Pop." His lyrics are filled with allusions to opera, literature, pop culture, and, more recently, politics (in songs such as Gay Messiah and Waiting for a Dream). Wainwright is a recovering crystal meth addict and a rape survivor; he uses the press to bring awareness to these societal problems.
His talent has been widely recognized and praised by such artists as Elton John, Morrissey, John Mayer, and Sting, and he continues to influence artists like Keane, Alanis Morissette, Scissor Sisters, and Ben Folds.
Wainwright's Want Two, from which four songs were released as the EP Waiting for a Want, was released by DreamWorks/Geffen on November 16, 2004. It is a companion to the 2003 release Want One. His latest, a live iTunes Sessions EP entitled Alright Already, was released March 15, 2005. A DVD entitled All I Want, featuring a biographical documentary, music videos, and live performances, was released on both sides of the Atlantic in summer 2005. The same year was also notable for two major contributions as solo vocalist to a pair of important records: the Mercury Prize winning I am a Bird Now and At This Time.
The pair of Want albums was repackaged as Want for a late November 2005 release to coincide with the start of a British tour. The version of Want One is that which contains the two extra songs Es Mus Sein and Velvet Curtain Rag. The Want (Want One and Want Two combined) package in the UK has two new extra tracks: Chelsea Hotel No. 2 and In with the Ladies, which replace Coeur de Parisienne — Reprise d'Arletty and Quand Vous Mourez de Nos Amours from 2004's augmented edition.
Rufus' fifth studio album Release the Stars was released by Geffen on May 15, 2007. The album was executive produced by Neil Tennant of the Pet Shop Boys and featured Richard Thompson, Teddy Thompson, Martha Wainwright, Kate McGarrigle, Neil Tennant, Joan Wasser, Julianna Raye, Larry Mullins - pka Toby Dammit and Sian Phillips.[14]. It reached number 2 in the UK and debuted at number 23 in the USA. The first single of the album, "Going To A Town" was released on April 3, 2007 on the iTunes music store.
Rufus Does Judy at Carnegie Hall is his sixth album. It is a live recording of his June 2006 tribute concert to Judy Garland. Backed by a 36-piece orchestra under the conduction of Stephen Oremus, Wainwright recreated Garland's April 23, 1961 concert, often considered "the greatest night in show business history." After overcoming many personal problems, her comeback performance of 25+ American standards spawned the double album, "Judy at Carnegie Hall."
As well as Tommy Tricker and the Stamp Traveller, Wainwright has appeared in the films The Aviator and Heights. Rufus has music in the film Brokeback Mountain, for which he recorded The Maker Makes and King of the Road, as well as a minor cameo as a guitar player.
Wainwright released his sixth studio album All Days Are Nights: Songs For Lulu in March 2010. In stark contrast to the lush ornamentation of Release The Stars, the album is a simple voice and piano rendition of a song cycle that includes versions of three Shakespeare sonnets, and an excerpt from his 2009 opera Prima Donna.
The Lulu figure of the title is said by Wainwright to be "the dark, brooding, dangerous woman that lives within all of us", similar to the Dark Lady character in Shakespeare's sonnets. The first part of the title comes from the final couplet of William Shakespeare's "Sonnet 43" ("All days are nights to see till I see thee...").
What You Got
Rufus Wainwright Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And the couples we know are fondly kissing
Will I be with you or will I be among the missing?
Maybe it's much too early in the game
Oh, but I thought I'd ask you just the same
What are you doing New Year's, New Year's Eve?
When it's exactly twelve o'clock that night
Welcoming in the New Year, New Year's Eve
Maybe I'm crazy to suppose
That I could be the one you chose
Out of the thousand invitations you receive
How about in case I stand one little chance
Here comes the jackpot question in advance
What are you doin' New Year's, New Year's Eve?
What are you doin' New Year's Eve?
The lyrics to Rufus Wainwright's "What Are You Doing New Years Eve?" takes on a tone of uncertainty and longing wrapped up in the anticipation of New Year's Eve. The singer is wondering who they will be with when the clock strikes midnight on this holiday, a time when couples are usually found sharing a momentous kiss. They wonder if they will be among the missing, left alone to ponder their own situation.
The singer then asks the titular question "What are you doing New Year's Eve?" to someone, perhaps someone they have a romantic interest in, and admits that they may be crazy to hope that this person will choose to spend the holiday with them. They are curious to know whose arms will hold this person when the clock strikes midnight and the new year is ushered in.
The overall mood of the song is one of bittersweetness. Though the holiday is supposed to be a time of celebration and new beginnings, the singer can't help but feel a sense of loneliness and uncertainty about what the future holds. The lyrics capture the mixed emotions that many people experience during the holiday season, as well as the universal desire for human connection and love.
Line by Line Meaning
When the bells all ring and the horns are blown
When the clock strikes midnight and people celebrate
And the couples we know are fondly kissing
Our friends and loved ones are sharing a moment of passion
Will I be with you or will I be among the missing?
Am I going to be with you or not?
Maybe it's much too early in the game
Perhaps it's too early to ask
Oh, but I thought I'd ask you just the same
But I'll ask anyway
What are you doing New Year's, New Year's Eve?
Are you free to spend New Year's Eve with me?
Wonder whose arms will hold you good and tight
I wonder who will hold you close at midnight
When it's exactly twelve o'clock that night
At exactly midnight
Welcoming in the New Year, New Year's Eve
Welcoming the new year in style
Maybe I'm crazy to suppose
Perhaps I'm just imagining things
That I could be the one you chose
That I might be the person you want to spend the night with
Out of the thousand invitations you receive
Considering all the invitations you might get
How about in case I stand one little chance
What if I have a chance?
Here comes the jackpot question in advance
Here's the big question ahead of time
What are you doin' New Year's, New Year's Eve?
Are you going to celebrate New Year's Eve with me or someone else?
What are you doin' New Year's Eve?
Are you spending New Year's Eve with me or not?
Lyrics © Kobalt Music Publishing Ltd.
Written by: Frank Loesser
Lyrics Licensed & Provided by LyricFind
@paytonfit
When I was 15 yrs old, I realized I wasn't welcome inside or outside my house. I ran away to Ottawa Canada. Unfortunately I had to return to the United States. 50 yrs later, I wonder how different my life would have been had I been able to stay. A person never loses the desire to feel free or accepted. Still...after all these years. Thank you Rufus. This song touches me in such a deep and personal way. And you execute it so beautifully.
@lemurlover7975
hey I feel the same way :) I am a human trafficking survivor from America and although I escaped I feel let down by "the land of freedom and prosperity" where I was violently tortured with rape slavery ever since I was born by my family and the other people they brought into our various apartments and no one in America that I asked for help ever cared or tried to help me. For three whole decades! But I'm hoping to go to court and maybe things will turn out for me like they did for the enslaved Dred Scott which started the Civil War and led to the freedom and emancipation of all the slaves. I'm a white girl and mostly was tortured by other white people, although there were some people of color torturing me due to wanting vengeance on my ancestors for enslaving them, even though I'm an abolitionist myself. Also I am a Christian sustained by my faith in God, just like Uncle Tom, from Uncle Tom's Cabin, so I appreciate the line in the song about America saying I'm going to Hell for having loved, because I told the perverts that I am meant to be kind and loving to my enemies to convince them by conversation and empathy-building to stop torturing me and stop being evil and be kind instead and they insisted I was going to Hell, with them, that they'd be lonely in Hell without me. I was trying to live out the "love your enemies" goal. I was convinced they will kill me and I will go to Heaven and not Hell. Also I like the line about soaking the body of Jesus Christ in blood (because I feel the blood they were soaking His body in was mine and the blood of anyone else they have enslaved or raped. Rape is a very bloody experience, not to mention excruciating. And causes long term lifelong damage like the PTSD and nerve damage I now have) Anyway I like also how it says I'm never coming back to America and I have my own soul and my own dreams and my own life to live and there is no way I can fulfill any of that in the Hell-bound America because these are things I've said to American rapists and pedophiles who are all patriotic and going on and on about the benefits of America and how easy it is to torture people here. So much for rights and freedoms that America supposedly stands for. What freedom? I do have more freedom here than I would in Saudi Arabia so I'll give them that, I guess. Getting a college education is possible here and that has been my ticket out of slavery.
@lindacalder7766
You are not alone!
Greatest country.....what a sad, sick joke. I feel too old and scared but I’m planning my exit anyway.
This song makes me cry every time I hear it.
@conniebreines1725
Well written💜
@saryratha
You made me sobbed.... there is no place for hate of fellow human beings regardless of who he & she is..... glad you’re back and wish you all the best. Peace be with you, always.
@alexandredefreitas1123
thank you for your comment. my boyfriend always tell me that i listen to this song all the time, i've never noticed before. i feel related to it because my parents didn't accepted me as gay and throw me away from my home, my town and their hearts. it has been 5 years and i have to go back now, documents problem, and i really don't know what to feel about this. i never talked with them since them.
@cherylbrown8813
I am 70 years old and cannot believe that I am just now discovering this amazing musician. This song is prophetic and powerful.
@johnhiggins7865
<3
@jimswenson6131
What does being 70 years old have to do with anything you said? Are you saying that beyond 69 years old, one does not, should not, or typically doesn't discover new music or musicians?? That's ridiculous. People who love music discover it throughout their lifetime. Putting some sort of age-cap on that pursuit is just stupid.
@cherylbrown8813
@@jimswenson6131 No, I believe you misunderstood my comment completely. I simply am amazed that in all my years of loving music that I had not been aware of Rufus Wainwright and his stunningly beautiful music. If you knew me, you would know that I spent my professional career in higher education, working to help adult learners complete their degrees, and I am passionate about the lifelong learning paradigm.