Sérgio Santos Mendes, pron. IPA: ['sɛxʒiu 'sɐ̃tus 'mẽ'dʒis], (born February… Read Full Bio ↴Sérgio Santos Mendes, pron. IPA: ['sɛxʒiu 'sɐ̃tus 'mẽ'dʒis], (born February 11, 1941 in Niterói, Brazil) is a Grammy Award-winning Brazilian musician. He has released over thirty-five albums, and plays bossa nova heavily crossed with jazz and funk.

Mendes is married to Gracinha Leporace who regularly performs vocals for her husband and can also be heard on his 2006 version of the song Mas Que Nada with the Black Eyed Peas.

Early career
The child of a physician in Niterói, Brazil, Mendes attended the local conservatory with hopes of becoming a classical pianist. As his interest in jazz grew, he started playing in nightclubs in the late-1950s just as bossa nova, a jazz-inflected derivative of samba, was taking off. Mendes played with Antônio Carlos Jobim (whom he regarded as a mentor) and many U.S. jazz musicians who toured Brazil.

Mendes formed the Sexteto Bossa Rio and recorded Dance Moderno in 196. Touring Europe and the United States, Mendes recorded albums with Cannonball Adderley and Herbie Mann and played Carnegie Hall. Mendes moved to the U.S. in 1964 and cut two albums under the name Sergio Mendes and Brasil '65 with Capitol Records and Atlantic Records.

Brasil '66
When sales were tepid, he replaced his Brazilian born vocalist Wanda de Sa with the distinctive voice of Chicago native Lani Hall (who learned Mendes' Portuguese material phonetically), switched to Herb Alpert's A&M label, and released Herb Alpert Presents Sergio Mendes and Brasil '66, an album that went platinum based largely on the success of the single "Mas Que Nada" (a Jorge Ben cover) and the personal support of Alpert, with whom Mendes toured regularly.

The original lineup of Sérgio Mendes & Brasil '66 was Mendes (piano), vocalists Lani Hall and Janis Hansen, Bob Matthews (bass), Jose Soares (percussion), and Joao Palma (drums). John Pisano guested as guitarist. This lineup recorded three albums between 1966-1968 (including the best-selling Look Around LP), before there was a major personnel change for their fourth album Fool on the Hill.

Karen Philipp replaced Hansen as the second female vocalist, while veteran drummer Dom Um Romão teamed with Rubens Bassini to assume percussionist duties. Sebastiao Neto was the new bassist and Oscar Castro-Neves the guitarist. This lineup had a more orchestral and big band sound than their predecessors. Most significantly, in the early 1970s, lead singer Hall pursued a solo career and became Alpert's second wife. Some accounts claim that Mendes was upset with Alpert for years for "stealing" Hall away from his group.

Though his early singles with Brasil '66 (most notably "Mas Que Nada") met with some success, Mendes really burst into mainstream prominence when he performed the Oscar-nominated Burt Bacharach and Hal David song The Look of Love on the Academy Awards telecast in April 1968. Brasil '66's version of the song quickly shot into the top 10, peaking at #4, and eclipsing Dusty Springfield's version from the soundtrack of the movie, Casino Royale. Mendes spent the rest of 1968 enjoying consecutive top 10 and top 20 hits with his follow-up singles, "The Fool on the Hill" and "Scarborough Fair". From 1968 on, Mendes was arguably the biggest Brazilian star in the world, enjoying immense popularity worldwide and performing in venues as varied as stadium arenas and the White House, where he gave concerts for both Presidents Lyndon B. Johnson and Richard Nixon.

Middle career
Mendes' career in the U.S. stalled in the mid-1970s, but he remained very popular in South America and Japan. His two albums with Bell Records in 1973 and 1974, followed by several for Elektra from 1975 on, found Mendes continuing to mine the best in American pop music and post-bossa writers of his native Brazil, while forging new directions in soul with collaborators like Stevie Wonder, who wrote Mendes' R&B-inflected minor hit, "The Real Thing".

In 1983, he rejoined Alpert's A&M records and enjoyed huge success with a self-titled album and several follow-up albums, all of which received considerable adult contemporary airplay with charting singles. "Never Gonna Let You Go", featuring vocals by Joe Pizzulo and Leza Miller, equalled the success of his 1968 single "The Look of Love" by reaching #4 on the Billboard Hot 100 chart; it also spent four weeks atop the Billboard adult contemporary chart. In 1984, Mendes worked with singer Lani Hall again.

By the time Mendes released his Grammy-winning Elektra album Brasileiro in 1992, he was the undisputed master of pop-inflected Brazilian jazz. The late-1990s lounge music revival brought retrospection and respect to Mendes' oeuvre, particularly the classic Brasil '66 albums. His stature in his native Brazil is reflected by "Cantor de Mambo", a song by fellow Brazilians Os Mutantes, which they regularly dedicate to Mendes in concert.

Later career
Timeless features a wide array of neo-soul and alternative hip hop guest artists, most prominently will.i.am and the Black Eyed Peas. It was released February 14, 2006 by Concord Records.

The album features the Black Eyed Peas, Erykah Badu, Black Thought, Chali 2na of Jurassic 5, India.Arie, John Legend, Justin Timberlake, Q-Tip, Stevie Wonder and Pharoahe Monch.

The 2006 re-recorded version of "Mas que Nada" with the Black Eyed Peas had additional vocals by Gracinha Leporace (Mendes' wife); a version that is included on his album Timeless. In Brazil, the song is pretty well-known for being the theme song for the local television channel Globo's Estrelas.

The Black Eyed Peas' version also contains a sample of their 2004 hit "Hey Mama". The re-recorded song became popular on many European charts. On the UK Singles Chart, the song entered at #29 and rose to and peaked at #6 on its second week on the chart.

Official website of Sérgio Mendes: http://www.sergiomendesmusic.com

Keep This Heart
Sérgio Mendes Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Morning sun
On the rise
A breeze rolls in from the ocean
Describes an emotion
I seem to recognize
You and I
Together right where we both belong

Here's the place
Now's the time
Last night was just the beginning
I feel like we're winning
The daylight's on our side
Taste the prize
Love finally came around

Keep this heart
Take my hand
Open the door to your heart
Show me again and again
Keep this heart
Saved for you
Let me take care of your heart
That is so easy to do

Keep this heart
Take my hand
Open the door to your heart
Show me again and again
Keep this heart
Saved for you
Let me take care of your heart
That is so easy to do

Solidão
De manhã
Poeira tomando assento
Rajada de vento
Som de assombração
Coração
Sangrando toda a palavra sã

A paixão
Puro afã
Místico clã de sereia
Castelo de areia
Ira de tubarão
Ilusão
O sol brilha por si

Keep this heart
Take my hand
Open the door to your heart
Show me again and again
Keep this heart
Saved for you
Let me take care of your heart
That is so easy to do

Açaí, guardiã
Zum de besouro um imã
Branca é a tez da manhã
Açaí, guardiã
Zum de besouro um imã
Branca é a tez da manhã

Keep this heart
Take my hand
Open the door to your heart
Show me again and again
Keep this heart
Saved for you
Let me take care of your heart
That is so easy to do

Açaí, guardiã
Zum de besouro um imã
Branca é a tez da manhã
Açaí, guardiã
Zum de besouro um imã
Branca é a tez da manhã

Keep this heart
Take my hand
Open the door to your heart
Show me again and again
Keep this heart
Saved for you
Let me take care of your heart
That is so easy to do

Açaí, guardiã
Zum de besouro um imã
Branca é a tez da manhã

Açaí, guardiã
Zum de besouro um imã . . .

Overall Meaning

The lyrics to Sérgio Mendes's song "Keep This Heart" describe a beautiful moment between two people in love. The morning sun is rising, and a breeze is blowing in from the ocean, setting the scene for an emotion that the singer seems to recognize. The two lovers are together, right where they belong, and the time feels right. They are tasting the prize of love finally coming around, and the singer asks the listener to keep their heart, to take their hand and let them take care of their heart. The Portuguese lyrics in the song also seem to describe the mysterious and powerful nature of love.

Line by Line Meaning

Morning sun
The sun is rising in the morning

On the rise
The sun is rising

A breeze rolls in from the ocean
Wind coming from the ocean

Describes an emotion
The wind evokes a feeling

I seem to recognize
The feeling is familiar

You and I
Two people

Together right where we both belong
Together in the right place

Here's the place
This is the right place

Now's the time
This is the right time

Last night was just the beginning
Last night was just the start

I feel like we're winning
It feels like we're succeeding