She's Not On the Menu
SNFU Lyrics

Who is that new waitress?
The singer sees a new woman in a service position and expresses curiosity about their identity.

He wants her on his plate
The singer expresses a sexually objectifying desire to consume the woman, using culinary metaphor.

Everytime he sees her
The singer describes a repeated experience of encountering the woman.

He just has to masturbate
The artist confesses to sexual arousal from thoughts of the woman and implies a lack of self-control in this regard.

He wants her luscious breasts
The artist lusts after a specific aspect of the woman's anatomy in crude terms.

On the end of his fork
The singer continues the culinary metaphor of objectification and consumption.

But all this menu offers
The singer contrasts their desire with the limited options available in the specific context of the service industry.

Is chicken, beef or pork
The artist lists the standard menu offerings as a way to emphasize the narrowness of their perspective and desire.

I don't want that girl to be mine
The artist disavows the earlier objectifying desire and takes a stance against possessive attitudes towards others.

For breakfast, lunch or suppertime
The artist rejects the idea of consuming the woman in any context, whether literal or figurative, and uses mealtimes as a metaphor for this.

She's not a sex object, she's a person too
The singer acknowledges the woman's humanity and autonomy, contrasting with their earlier objectification of her.

I know that she's not on the menu
The artist affirms that the woman cannot be reduced to a commodity or a source of pleasure, and expresses respect for her boundaries.

He wants to eat her body
The singer repeats their earlier crude desire to consume the woman, but now with more direct imagery.

Just like a plate of fries
The singer continues the culinary metaphor and equates the woman with an objectified and disposable side dish.

And suck out all the gravy
The singer once again emphasizes the idea of taking pleasure from the woman's body in crude terms.

That seeps into her thighs
The artist focuses on a specific part of the woman's anatomy in a fetishizing and objectifying way.

He says he 'loves' that girl
The artist uses the word 'love' in a disingenuous and self-justifying way to describe their attraction to the woman.

And thinks that it is true
The singer acknowledges that their claim of 'love' may not be authentic or reciprocated by the woman.

'Cause every time she speaks to him
The singer reveals their sense of entitlement and attempts to justify their objectification of the woman by citing her interactions with them.

He cums into his soup
The artist describes an orgasmic response to thoughts of the woman, once again emphasizing their lack of self-control and prioritization of their own desires over the woman's autonomy.