Brightman has received over 180 Gold and Platinum sales awards in over 40 different countries around the world and is the only artist to hold #1 spots on the Billboard Classical and Dance charts simultaneously, her other achievements feature her ranking by the Recording Industry Association of America as the best-selling female classical artist of the twenty-first century and a Guinness World Record for the success of “Time to Say Goodbye,” the best-selling single in German recording history.
She has established herself as the world's biggest selling soprano of all time, She has sold 78 million albums worldwide, including 40 million copies of the soundtrack of The Phantom of the Opera (1986 musical), 26 million albums, over two million DVDs and 10 million copies of the single " Time to Say Goodbye "as a soloist.
She made her debut as a dancer in troupes such as Hot Gossip and later released a string of disco singles. She was a musical theatre performer and partner of theatre composer Andrew Lloyd Webber, with whom she originated roles including Christine Daaé in The Phantom of the Opera.
After her divorce, Brightman became a crossover artist with former Enigma producer Frank Peterson. Her style, a blend of classical vocals and pop-inspired instrumentation and arrangement, earned her further success.
She is often cited as the woman who paved the way for other international success stories such as Il Divo, Andrea Bocelli and Josh Groban. She is said to be worth as much as £30m (about US$49m).
Gus: The Theatre Cat
Sarah Brightman Lyrics
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Gus is the cat at the theatre door
His name, as I ought to have told you before
Is really Asparagus, but that's a fuss to pronounce
That we usually call him just Gus
His coat's very shabby, he's thin as a rake
And he suffers from palsy that makes his paw shake
But no longer a terror to mice or to rats
For he isn't the cat that he was in his prime
Though his name was quite famous, he says, in his time
And whenever he joins his friends at their club
(Which takes place at the back of the neighbouring pub)
He loves to regale them, if someone else pays
With anecdotes drawn from his palmiest days
For he once was a star of the highest degree
He has acted with Irving, he's acted with Tree
And he likes to relate his success on the halls
Where the gallery once gave him seven cat calls
But his grandest creation as he loves to tell
Was Firefrorefiddle, the fiend of the fell
Sir John
I have played in my time every possible part
And I used to know seventy speeches by heart
I'd extemporize backchat, I knew how to gag
And I knew how to let the cat out of the bag
I knew how to act with my back and my tail
With an hour of rehearsal, I never could fail
I'd a voice that would soften the hardest of hearts
Whether I took the lead, or in character parts
I have sat by the bedside of poor little Nell
When the curfew was rung then I swung on the bell
In the pantomime season, I never fell flat
And I once understudied Dick Whittington's cat
But my grandest creation, as history will tell
was Firefrorefiddle, the fiend of the fell
Sarah
Then, if someone will give him a toothful of gin
He will tell how he once played a part in East Lynne
At a Shakespeare performance he once walked on pat
When some actor suggested the need for a cat
Sir John
And I say now these kittens, they do not get trained
As we did in the days when Victoria reigned
They never get drilled in a regular troupe
And they think they are smart just to jump through a hoop
Sarah
And he says as he scratches himself with his claws
Sir John
Well the theatre is certainly not what is was
These modern productions are all very well
But there's nothing to equal from what I hear tell
That moment of mystery when I made history
As Firefrorefiddle, the fiend of the fell
The song “Gus: The Theatre Cat” by Sarah Brightman describes the life of a once-successful but now aged, thin and crippled theater cat named Asparagus or Gus. Gus is known to the other cats in the surrounding area as a once-great actor in his prime. He may be old and shabby now but, when reminisces about his glory days and old performances, he's the star of the room. Gus is not the best hunter on the list of cats, but he is the best one when it comes to theatre experiences. He used to perform in productions with notable actors like Sir Henry Irving and Herbert Beerbohm Tree, and also served as Dick Whittington's understudy.
Throughout the song, in between Gus’s nostalgic remembrances, Sir John, another aged but established theater cat, shares his experiences and impressions about how the theatre has changed since his time in it, lamenting the loss of passion, dedication, and discipline. It is a song that praises past accomplishments, reflecting on golden years, and laments changes in the art over time.
Line by Line Meaning
Gus is the cat at the theatre door
Gus is a cat who hangs around at the entrance of a theater
His name, as I ought to have told you before
Is really Asparagus, but that's a fuss to pronounce
Gus' real name is Asparagus but it's too difficult to say, so he goes by Gus
That we usually call him just Gus
He is usually referred to as Gus
His coat's very shabby, he's thin as a rake
And he suffers from palsy that makes his paw shake
Gus is in poor physical condition and has a condition that causes his paw to shake
For he was in his youth quite the smartest of cats
But no longer a terror to mice or to rats
In his youth Gus was a skillful hunter, but now he's too feeble to pursue prey successfully
For he isn't the cat that he was in his prime
Though his name was quite famous, he says, in his time
Gus recognizes that he's no longer as effective as he once was, but he still remembers his days of fame
And whenever he joins his friends at their club
(Which takes place at the back of the neighbouring pub)
Gus meets with his friends at a club set up at the back of a nearby pub
He loves to regale them, if someone else pays
With anecdotes drawn from his palmiest days
Gus enjoys telling stories about his past, especially if someone else is buying the drinks
For he once was a star of the highest degree
He has acted with Irving, he's acted with Tree
Gus was a highly regarded performer who worked with notable directors such as Irving and Tree
And he likes to relate his success on the halls
Where the gallery once gave him seven cat calls
But his grandest creation as he loves to tell
Was Firefrorefiddle, the fiend of the fell
Gus reminisces about his days performing at theaters, where he was once so successful that he received several cat-calls from the audience. His proudest accomplishment was a role he played called Firefrorefiddle, the fiend of the fell.
I have played in my time every possible part
And I used to know seventy speeches by heart
Sir John has acted in many roles and has memorized a large number of speeches
I'd extemporize backchat, I knew how to gag
And I knew how to let the cat out of the bag
Sir John was skilled in improvisation and had a talent for humor. He was also good at revealing secrets
I knew how to act with my back and my tail
With an hour of rehearsal, I never could fail
Sir John had mastered physical acting and could learn a role in a short amount of time
I'd a voice that would soften the hardest of hearts
Whether I took the lead, or in character parts
Sir John had a beautiful voice that could evoke strong emotions in the audience, whether he was in a starring role or a supporting one
I have sat by the bedside of poor little Nell
When the curfew was rung then I swung on the bell
Sir John has acted in roles where he played a character who sat by the bedside of a sick child, and also played the character who rang the curfew bell
In the pantomime season, I never fell flat
And I once understudied Dick Whittington's cat
Sir John's performances during the pantomime season were always successful. He had also served as an understudy for the role of Dick Whittington's cat
Then, if someone will give him a toothful of gin
He will tell how he once played a part in East Lynne
At a Shakespeare performance he once walked on pat
When some actor suggested the need for a cat
Gus likes to brag about having played a small part in a production of East Lynne, and also once walked onstage during a Shakespeare performance when someone said they needed a cat
And I say now these kittens, they do not get trained
As we did in the days when Victoria reigned
They never get drilled in a regular troupe
And they think they are smart just to jump through a hoop
Sir John reminisces about the old days when cats were trained to perform in a professional troupe. He thinks that cats today aren't trained as well and just perform simple tricks.
And he says as he scratches himself with his claws
Gus scratches himself with his claws as Sir John is speaking
Well the theatre is certainly not what is was
These modern productions are all very well
But there's nothing to equal from what I hear tell
That moment of mystery when I made history
As Firefrorefiddle, the fiend of the fell
Sir John feels that the theater has changed a lot and that modern productions are fine, but nothing compares to the moment when he achieved fame playing the role of Firefrorefiddle, the fiend of the fell.
Lyrics © IMAGEM U.S. LLC
Written by: A.L. WEBER, RICHARD STILGOE, TREVOR NUNN
Lyrics Licensed & Provided by LyricFind