Temple began her film career in 1932 at the age of three and, in 1934, found international fame in Bright Eyes, a feature film designed specifically for her talents. She received a special Juvenile Academy Award in February 1935 for her outstanding contribution as a juvenile performer to motion pictures during 1934, and film hits such as Curly Top and Heidi followed year after year during the mid-to-late 1930s. Licensed merchandise that capitalized on her wholesome image included dolls, dishes, and clothing. Her box office popularity waned as she reached adolescence, and she left the film industry in her teens. She appeared in a few films of varying quality in her mid-to-late teens, and retired completely from films in 1950 at the age of 22. She was the top box-office draw four years in a row (1935–38) in a Motion Picture Herald poll.
Temple returned to show business in 1958 with a two-season television anthology series of fairy tale adaptations. She made guest appearances on television shows in the early 1960s and filmed a sitcom pilot that was never released. She sat on the boards of corporations and organizations including The Walt Disney Company, Del Monte Foods, and the National Wildlife Federation. In 1988, she published her autobiography, Child Star. Temple was the recipient of awards and honors including Kennedy Center Honors and a Screen Actors Guild Life Achievement Award.
Temple ranks 18th on the American Film Institute's list of the greatest female American screen legends of all time.
Temple began dance classes at Meglin's Dance School in Hollywood in 1931, at the age of 3. Her film career began when a casting director from Educational Pictures visited her class. Although Temple hid behind the piano in the studio, she was chosen by the director, invited to audition, and, eventually, signed to a contract with Educational.
Temple worked at Educational from 1932 to 1933, and appeared in two series of short subjects for the studio. Her first series, Baby Burlesks, satirized recent motion pictures and politics. In the series "Baby Burlesks", Shirley would dress up in a diaper, but then be wearing adult clothes everywhere else. The series was considered controversial by some viewers because of its depiction of young children in adult situations. Her second series at Educational, Frolics of Youth, was a bit more acceptable, and cast her as a bratty younger sister in a contemporary suburban family.
While working for Educational Pictures, Temple also performed many walk-on and bit player roles in various films at other studios. She is said to have auditioned for a lead role in Hal Roach's Our Gang comedies (later known as The Little Rascals) in the early 1930s; various reasons are given for her not having been cast in the role. Roach stated that Temple and her mother were unable to make it through the red tape of the audition process, while Our Gang producer/director Robert F. McGowan recalls that the studio wanted to cast Temple, but they refused to give in to Temple's mother's demands that Temple receive special star billing. Temple, in her autobiography Child Star, denies that she ever auditioned for Our Gang at all. However, Temple had some connection with Our Gang in that Temple's carpool friend, David Holt, had a small role in the 1933 Little Rascals film Forgotten Babies.
Temple was finally signed to Fox Film Corporation (which later merged with 20th Century Pictures to become 20th Century Fox) in late 1933 after appearing in Stand Up and Cheer! with James Dunn. Later, she was paired with Dunn in several films.
Temple would stay with Fox until 1940, becoming the studio's most lucrative player. Her contract was amended several times between 1933 and 1935, and she was loaned to Paramount for a pair of successful films in 1934. For four solid years, she ranked as the top-grossing box office star in America. Shirley's birth certificate was altered to hold on to her babyhood; her birth year was advanced from 1928 to 1929. She was not told her real age until her twelfth (actually thirteenth) birthday.
Her popularity earned her both public adulation and the approval of her peers. Even at the age of five, the hallmark of her acting work was her professionalism: she always had her lines memorized and dance steps prepared when shooting began.
Temple also made pictures with Carole Lombard, Gary Cooper, Adolphe Menjou, and many others. Arthur Treacher appeared as a kindly butler in several of Temple's films.
Temple's ability as a dancer (especially a tap dancer) is well known and celebrated. Even in her earliest films she danced, and she was able to handle complex tap choreography by the age of five. She was teamed with famed dancer Bill "Bojangles" Robinson in The Little Colonel, The Littlest Rebel, Rebecca of Sunnybrook Farm and Just Around the Corner. Robinson also coached and developed her choreography for many of her other films. Because Robinson was African-American, and the South was replete with racism, his scenes holding hands with Temple had to be edited out in many cities in the South.
Aside from the films, there were many Shirley Temple product during the 1930s. Ideal's numerous Temple dolls, dressed in costumes from the movies, were top sellers. Original Shirley Temple dolls bring in hundreds of dollars on the secondary market today. Other successful Temple items included a line of girls' dresses and hairbows. Several of Temple's film songs, including "On the Good Ship Lollipop"(from 1934's Bright Eyes), "Animal Crackers in My Soup" (from 1935's Curly Top) and "Goodnight My Love" (from 1936's Stowaway) were popular radio hits. She frequently lent her likeness and talent to promoting various social causes, including the Red Cross.
Temple was the first recipient of the special Juvenile Performer Academy Award in 1935 for recognition of her outstanding contribution to screen entertainment in 1934. Seventy years later, Temple is still the youngest performer ever to receive this honor, or any Oscar. She is also the youngest actress to add foot and hand prints to the forecourt at Grauman's Chinese Theatre.
At the Codfish Ball
Shirley Temple Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Next Friday night your all invited
To dance from 8 to 5
All the fishes still alive
Are having a ball
Its some affair they'll all be there
From the Herring to the Whale
They'll turn out to shake a scale
Come along and follow me
To the bottom of the sea
We'll join in the Jamboree
At the Codfish ball
Lobsters dancing in a row
Shuffle off to Buffalo
Jelly fish sway to and fro
At the Codfish ball
Finn-an-haddie leads the eel
Thought an Irish reel
The Catfish is a dancing man
But he can't can-can like a sardine can
Tunas trucking left and right
Minnies mooching what a night
There won't be a hook in site
At the Codfish ball
The song "At the Codfish Ball" by Shirley Temple is a lively and fun tune about a party in the shape of an aquatic dance. The lyrics talk about an event where all the fish are invited to dance from 8 to 5, and from the smallest herring to the largest whale, everyone is expected to attend. According to the lyrics, it is a very important event, and all the fish are excited to show off their dancing moves in Neptune's Hall at the bottom of the sea. The song creates a vibrant picture of the sea creatures, each with their unique dance style, including lobsters dancing in rows doing the Shuffle Off to Buffalo, the jellyfish swaying to and fro, and the Catfish, who is a dancing man but can't do the can-can like a sardine can. The tempo of the song is upbeat, and the tune starts out slow and builds in speed and volume, all making it a fun and easy-to-sing-along-to tune.
Line by Line Meaning
Next Friday night your all invited
You are cordially invited to a grand ball next Friday night
To dance from 8 to 5
The dancing will last from 8 PM until 5 AM
All the fishes still alive
This is an event for all sea creatures still living
Are having a ball
Everyone's going to have an amazing time
Its some affair they'll all be there
This is going to be a grand event, and everyone will attend
From the Herring to the Whale
All sea creatures, small and large, will attend
They'll turn out to shake a scale
Everyone will come and dance
In Neptune's Hall
The ball will take place in the grand hall of the sea god Neptune
Come along and follow me
Join me and let's go together
To the bottom of the sea
We're headed to the ocean floor
We'll join in the Jamboree
We'll take part in the lively party
At the Codfish ball
This is the location of the exciting dance party
Lobsters dancing in a row
The lobsters are doing a dance performance in a line
Shuffle off to Buffalo
They're doing a dance move called 'Shuffle off to Buffalo'
Jelly fish sway to and fro
The jellyfish are swaying back and forth to the music
Finn-an-haddie leads the eel
Finn-an-haddie is leading a dance with the eel
Thought an Irish reel
The dance being led by Finn-an-haddie and the eel is an Irish dance
The Catfish is a dancing man
The catfish is a great dancer
But he can't can-can like a sardine can
However, he isn't as skilled as the sardine at a particular dance move called the 'can-can'
Tunas trucking left and right
The tunas are dancing by moving quickly from side to side
Minnies mooching what a night
The small fish, called minnows or 'minnies', are having a great time
There won't be a hook in site
Despite all the fish, there's no danger of being caught by a fisherman
Contributed by Mila I. Suggest a correction in the comments below.
Reg
on I'm Gettin Nuttin for Christmas
This isn't Shirley Temple. She was 27 and long retired from show biz when it came out in 1955. The voice is Barry Gordon's, backed by the Art Mooney Orchestra.