Shirley Temple Black (born Shirley Jane Temple; April 23, 1928 – February 1… Read Full Bio ↴Shirley Temple Black (born Shirley Jane Temple; April 23, 1928 – February 10, 2014) was an American film and television actress, singer, dancer, and one-time U.S. ambassador to Ghana and Czechoslovakia. She also served as Chief of Protocol of the United States, 1976–1977.
Temple began her film career in 1932 at the age of three and, in 1934, found international fame in Bright Eyes, a feature film designed specifically for her talents. She received a special Juvenile Academy Award in February 1935 for her outstanding contribution as a juvenile performer to motion pictures during 1934, and film hits such as Curly Top and Heidi followed year after year during the mid-to-late 1930s. Licensed merchandise that capitalized on her wholesome image included dolls, dishes, and clothing. Her box office popularity waned as she reached adolescence, and she left the film industry in her teens. She appeared in a few films of varying quality in her mid-to-late teens, and retired completely from films in 1950 at the age of 22. She was the top box-office draw four years in a row (1935–38) in a Motion Picture Herald poll.
Temple returned to show business in 1958 with a two-season television anthology series of fairy tale adaptations. She made guest appearances on television shows in the early 1960s and filmed a sitcom pilot that was never released. She sat on the boards of corporations and organizations including The Walt Disney Company, Del Monte Foods, and the National Wildlife Federation. In 1988, she published her autobiography, Child Star. Temple was the recipient of awards and honors including Kennedy Center Honors and a Screen Actors Guild Life Achievement Award.
Temple ranks 18th on the American Film Institute's list of the greatest female American screen legends of all time.

Temple began dance classes at Meglin's Dance School in Hollywood in 1931, at the age of 3. Her film career began when a casting director from Educational Pictures visited her class. Although Temple hid behind the piano in the studio, she was chosen by the director, invited to audition, and, eventually, signed to a contract with Educational.

Temple worked at Educational from 1932 to 1933, and appeared in two series of short subjects for the studio. Her first series, Baby Burlesks, satirized recent motion pictures and politics. In the series "Baby Burlesks", Shirley would dress up in a diaper, but then be wearing adult clothes everywhere else. The series was considered controversial by some viewers because of its depiction of young children in adult situations. Her second series at Educational, Frolics of Youth, was a bit more acceptable, and cast her as a bratty younger sister in a contemporary suburban family.

While working for Educational Pictures, Temple also performed many walk-on and bit player roles in various films at other studios. She is said to have auditioned for a lead role in Hal Roach's Our Gang comedies (later known as The Little Rascals) in the early 1930s; various reasons are given for her not having been cast in the role. Roach stated that Temple and her mother were unable to make it through the red tape of the audition process, while Our Gang producer/director Robert F. McGowan recalls that the studio wanted to cast Temple, but they refused to give in to Temple's mother's demands that Temple receive special star billing. Temple, in her autobiography Child Star, denies that she ever auditioned for Our Gang at all. However, Temple had some connection with Our Gang in that Temple's carpool friend, David Holt, had a small role in the 1933 Little Rascals film Forgotten Babies.

Temple was finally signed to Fox Film Corporation (which later merged with 20th Century Pictures to become 20th Century Fox) in late 1933 after appearing in Stand Up and Cheer! with James Dunn. Later, she was paired with Dunn in several films.

Temple would stay with Fox until 1940, becoming the studio's most lucrative player. Her contract was amended several times between 1933 and 1935, and she was loaned to Paramount for a pair of successful films in 1934. For four solid years, she ranked as the top-grossing box office star in America. Shirley's birth certificate was altered to hold on to her babyhood; her birth year was advanced from 1928 to 1929. She was not told her real age until her twelfth (actually thirteenth) birthday.

Her popularity earned her both public adulation and the approval of her peers. Even at the age of five, the hallmark of her acting work was her professionalism: she always had her lines memorized and dance steps prepared when shooting began.

Temple also made pictures with Carole Lombard, Gary Cooper, Adolphe Menjou, and many others. Arthur Treacher appeared as a kindly butler in several of Temple's films.

Temple's ability as a dancer (especially a tap dancer) is well known and celebrated. Even in her earliest films she danced, and she was able to handle complex tap choreography by the age of five. She was teamed with famed dancer Bill "Bojangles" Robinson in The Little Colonel, The Littlest Rebel, Rebecca of Sunnybrook Farm and Just Around the Corner. Robinson also coached and developed her choreography for many of her other films. Because Robinson was African-American, and the South was replete with racism, his scenes holding hands with Temple had to be edited out in many cities in the South.

Aside from the films, there were many Shirley Temple product during the 1930s. Ideal's numerous Temple dolls, dressed in costumes from the movies, were top sellers. Original Shirley Temple dolls bring in hundreds of dollars on the secondary market today. Other successful Temple items included a line of girls' dresses and hairbows. Several of Temple's film songs, including "On the Good Ship Lollipop"(from 1934's Bright Eyes), "Animal Crackers in My Soup" (from 1935's Curly Top) and "Goodnight My Love" (from 1936's Stowaway) were popular radio hits. She frequently lent her likeness and talent to promoting various social causes, including the Red Cross.

Temple was the first recipient of the special Juvenile Performer Academy Award in 1935 for recognition of her outstanding contribution to screen entertainment in 1934. Seventy years later, Temple is still the youngest performer ever to receive this honor, or any Oscar. She is also the youngest actress to add foot and hand prints to the forecourt at Grauman's Chinese Theatre.

This Is a Happy Little Ditty
Shirley Temple Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Lyrics/Music W.Bullock/H.Spina
This is a happy little ditty
I know the music isn't pretty
You know the words are not so witty
Anyone can sing this song
Change keys it really doesn't matter
There's still a lot of silly chatter
Ho-hum where coming to the patter

Jack and Jill went up the hill
And for all I know their up there still
I must say the music isn't pretty
Must say the words are not so witty
This is a happy little ditty
You can sing it all day long
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This is a happy little ditty
I know the music isn't pretty
You know the words are not so witty
Anyone can sing this song
Change keys it really doesn't matter
Its just a lot of silly chatter
Hold on kids we're coming to the patter
There was an old woman who lived in a shoe
It must have been awful stuffy in there
Still say the music isn't pretty
Still say the words are not so witty
This is a happy little ditty
You can sing it all day long
-----
This is a happy little ditty
I know the music isn't pretty
You know the words are not so witty
Anyone can sing this song
Change keys it really doesn't matter
Its just a lot of silly chatter
Hold on we're coming to the patter
Early to bed, and early to rise
And your gal goes out with other guys
I still say the music isn't pretty
Still say the words are not so witty

This is a happy little ditty
You can sing it all day long

Overall Meaning

The lyrics of Shirley Temple's song "This Is a Happy Little Ditty" appear to be self-aware and tongue-in-cheek. The song is a lighthearted tune that acknowledges its own faults, with the suggestion that it doesn't matter if the music is unremarkable and the lyrics are unimaginative because the song is still enjoyable. The words express the idea that anyone can sing the song, and that it can be sung in any key. It contains references to two popular nursery rhymes, which further reinforce the playful and childlike quality of the tune.

The repetition of the phrase "I know the music isn't pretty" and variations of it throughout the song give the impression that the writers deliberately made a simple, almost forgettable melody. Similarly, the rhyme scheme is straightforward, relying mostly on basic rhymes such as "ditty" and "pretty". The song seems to mock itself and the genre of "happy little ditties" in general, but in a good-natured and playful way. The whole point of the song appears to be just to make the listener smile or laugh.

Line by Line Meaning

This is a happy little ditty
Despite its flaws, this song aims to bring joy to listeners

I know the music isn't pretty
The melody may not be very pleasant or catchy

You know the words are not so witty
The lyrics are lacking in cleverness or humor

Anyone can sing this song
This tune is simple enough for anyone to perform

Change keys it really doesn't matter
You can easily shift the musical key without affecting the song much

Its just a lot of silly chatter
The lyrics are mostly composed of nonsensical or meaningless phrases

Hold on kids we're coming to the patter
Stay tuned for the spoken portion of this song

There was an old woman who lived in a shoe
Here's an example of a classic nursery rhyme

It must have been awful stuffy in there
The woman's living conditions were probably quite uncomfortable

Still say the music isn't pretty
The melody remains less than ideal

Still say the words are not so witty
The lyrics are still lacking in cleverness or humor