Temple began her film career in 1932 at the age of three and, in 1934, found international fame in Bright Eyes, a feature film designed specifically for her talents. She received a special Juvenile Academy Award in February 1935 for her outstanding contribution as a juvenile performer to motion pictures during 1934, and film hits such as Curly Top and Heidi followed year after year during the mid-to-late 1930s. Licensed merchandise that capitalized on her wholesome image included dolls, dishes, and clothing. Her box office popularity waned as she reached adolescence, and she left the film industry in her teens. She appeared in a few films of varying quality in her mid-to-late teens, and retired completely from films in 1950 at the age of 22. She was the top box-office draw four years in a row (1935–38) in a Motion Picture Herald poll.
Temple returned to show business in 1958 with a two-season television anthology series of fairy tale adaptations. She made guest appearances on television shows in the early 1960s and filmed a sitcom pilot that was never released. She sat on the boards of corporations and organizations including The Walt Disney Company, Del Monte Foods, and the National Wildlife Federation. In 1988, she published her autobiography, Child Star. Temple was the recipient of awards and honors including Kennedy Center Honors and a Screen Actors Guild Life Achievement Award.
Temple ranks 18th on the American Film Institute's list of the greatest female American screen legends of all time.
Temple began dance classes at Meglin's Dance School in Hollywood in 1931, at the age of 3. Her film career began when a casting director from Educational Pictures visited her class. Although Temple hid behind the piano in the studio, she was chosen by the director, invited to audition, and, eventually, signed to a contract with Educational.
Temple worked at Educational from 1932 to 1933, and appeared in two series of short subjects for the studio. Her first series, Baby Burlesks, satirized recent motion pictures and politics. In the series "Baby Burlesks", Shirley would dress up in a diaper, but then be wearing adult clothes everywhere else. The series was considered controversial by some viewers because of its depiction of young children in adult situations. Her second series at Educational, Frolics of Youth, was a bit more acceptable, and cast her as a bratty younger sister in a contemporary suburban family.
While working for Educational Pictures, Temple also performed many walk-on and bit player roles in various films at other studios. She is said to have auditioned for a lead role in Hal Roach's Our Gang comedies (later known as The Little Rascals) in the early 1930s; various reasons are given for her not having been cast in the role. Roach stated that Temple and her mother were unable to make it through the red tape of the audition process, while Our Gang producer/director Robert F. McGowan recalls that the studio wanted to cast Temple, but they refused to give in to Temple's mother's demands that Temple receive special star billing. Temple, in her autobiography Child Star, denies that she ever auditioned for Our Gang at all. However, Temple had some connection with Our Gang in that Temple's carpool friend, David Holt, had a small role in the 1933 Little Rascals film Forgotten Babies.
Temple was finally signed to Fox Film Corporation (which later merged with 20th Century Pictures to become 20th Century Fox) in late 1933 after appearing in Stand Up and Cheer! with James Dunn. Later, she was paired with Dunn in several films.
Temple would stay with Fox until 1940, becoming the studio's most lucrative player. Her contract was amended several times between 1933 and 1935, and she was loaned to Paramount for a pair of successful films in 1934. For four solid years, she ranked as the top-grossing box office star in America. Shirley's birth certificate was altered to hold on to her babyhood; her birth year was advanced from 1928 to 1929. She was not told her real age until her twelfth (actually thirteenth) birthday.
Her popularity earned her both public adulation and the approval of her peers. Even at the age of five, the hallmark of her acting work was her professionalism: she always had her lines memorized and dance steps prepared when shooting began.
Temple also made pictures with Carole Lombard, Gary Cooper, Adolphe Menjou, and many others. Arthur Treacher appeared as a kindly butler in several of Temple's films.
Temple's ability as a dancer (especially a tap dancer) is well known and celebrated. Even in her earliest films she danced, and she was able to handle complex tap choreography by the age of five. She was teamed with famed dancer Bill "Bojangles" Robinson in The Little Colonel, The Littlest Rebel, Rebecca of Sunnybrook Farm and Just Around the Corner. Robinson also coached and developed her choreography for many of her other films. Because Robinson was African-American, and the South was replete with racism, his scenes holding hands with Temple had to be edited out in many cities in the South.
Aside from the films, there were many Shirley Temple product during the 1930s. Ideal's numerous Temple dolls, dressed in costumes from the movies, were top sellers. Original Shirley Temple dolls bring in hundreds of dollars on the secondary market today. Other successful Temple items included a line of girls' dresses and hairbows. Several of Temple's film songs, including "On the Good Ship Lollipop"(from 1934's Bright Eyes), "Animal Crackers in My Soup" (from 1935's Curly Top) and "Goodnight My Love" (from 1936's Stowaway) were popular radio hits. She frequently lent her likeness and talent to promoting various social causes, including the Red Cross.
Temple was the first recipient of the special Juvenile Performer Academy Award in 1935 for recognition of her outstanding contribution to screen entertainment in 1934. Seventy years later, Temple is still the youngest performer ever to receive this honor, or any Oscar. She is also the youngest actress to add foot and hand prints to the forecourt at Grauman's Chinese Theatre.
Get on Board
Shirley Temple Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I hear it yes at hand
I hear the car was movin'
And a rumblin' through the land
Oh get on board, get on board, get on board
There's room for many a more
A coming around the curve
She's playing all her steaming power
And straining every nerve
Oh get on board, get on board, get on board
There's room for many a more
The fare is cheap and all can go
The rich and poor are there
No second class on board this train
No difference in the fare
Oh get on board, get on board, get on board
There's room for many a more
She's there and now the station
Or better don't be late
But come and get your ticket
And be ready for this train
Oh get on board, get on board, get on board
There's room for many a more
Oh get on board, get on board, get on board
Little children
There's room for many a more
The song "Get on Board" by Shirley Temple is a gospel train song that represents the journey of life, where getting on board the train is a metaphor for accepting the religious faith. The lyrics indicate that the train is coming and everyone, irrespective of their status or position, is invited. The train represents an opportunity to escape the stress and anxiety of life and to embrace a life of joy and peace.
The opening line, "The Gospel Train is coming, I hear it yessirree" shows that the Gospel train is a metaphor for the spiritual journey towards God. The train is coming, and it is slowly approaching indicating that the time is running out, and every person should be prepared to get on board. The lyrics, "She's playing all her steaming power and straining every nerve" create an image that the journey to board the train will be a challenging one, and one must put in effort to get aboard. The fare here indicates accepting the faith without any differences and thus not subject to any discrimination.
The song shows that there is always a space available on this train, and everyone is welcome, especially the little children. The phrase "get on board" is repeated several times in the song to convey the urgency of getting aboard, and the repetition creates a sense of comfort that all can get on board irrespective of their past. To conclude, the song "Get on Board" is all about embracing the religious faith and journeying towards a better life.
Line by Line Meaning
The gospel train is a comin'
The train of faith is approaching
I hear it yes at hand
I can hear it approaching
I hear the car was movin'
I hear the train carriages moving
And a rumblin' through the land
And it's causing a rumble throughout the area
Oh get on board, get on board, get on board
Come be a part of it, join in, don't miss out
There's room for many a more
There's plenty of space for everyone
I hear the bell and twinkle
I can hear the bell and see the light
A coming around the curve
As it approaches the corner
She's playing all her steaming power
The train is using all her steam to move ahead
And straining every nerve
And trying hard to keep moving forward
The fare is cheap and all can go
The cost to ride is low and anyone can come
The rich and poor are there
Both the wealthy and the less fortunate are welcome
No second class on board this train
There is no distinction of class on this train
No difference in the fare
Everyone pays the same to ride
She's there and now the station
Now it's arriving at the station
Or better don't be late
Don't be tardy, or you'll miss it
But come and get your ticket
Come and grab your ticket
And be ready for this train
And be prepared to board when it comes
Oh get on board, get on board, get on board
Come be a part of it, join in, don't miss out
There's room for many a more
There's plenty of space for everyone
Oh get on board, get on board, get on board
Come be a part of it, join in, don't miss out
Little children
Children specifically
There's room for many a more
There's plenty of space for children too
Contributed by Evelyn T. Suggest a correction in the comments below.
@violapittman8039
This little girl's movie's were definitely the highlight of my Saturday afternoons, growing up in Chesapeake Virginia. Bless you and rest in peace Shirley.
@giodyvaborges3752
Loveee Shirley!!! 😊😍😍👏🏻👏🏻👏🏻👏🏻
@ndog37
Great classic MV
@suzanneabimoussa7903
Love youuu <3
@britainluver431
The gospel train is coming
I hear it just at hand
I hear the car wheels moving
And rumbling thro' the land
Get on board, children (3×)
For there's room for many a more
@ellenarochon6123
I play her
@alexbronynerfman
Fun anyone?
Play has no limits! PlayStation
@JoyManoppo
Fun, anyone?
@simonkanarazu83
Playstation 2
@velavideoentertainment
Fun anyone?
Play the world online