Melody Maker described it as "a brightly unexpected mixture of black steel and pop disturbance".
The song's peculiar sound is due to the recording of the instrumental portion of the song (mostly percussion and an accordion) being backmasked. The song started with a loop in reverse of a brass part that the Banshees previously arranged in 1987 for a cover of John Cale's "Gun". The band liked the sound of the song when played backwards, so they began with the percussion track from Gun and added melody, which was recorded by playing it in reverse. Once the instrumental parts were finished, the recording was played back in reverse and Sioux sang her lyrics over it.
"Peek-a-Boo" has become one of Siouxsie & the Banshees' most recognizable and popular singles and it also was the first time the band entered the U.S. Billboard Hot 100, reaching number 53. The song was very popular on alternative rock radio and received heavy play on MTV.
"Peek-a-Boo" became Siouxsie & the Banshees' fifth top-twenty UK hit, peaking at number sixteen in the UK singles chart. In September 1988, Billboard magazine premiered a new Modern Rock Tracks chart which measures radio airplay on U.S. modern rock stations. "Peek-a-Boo" was the chart's first number-one song.
A minor controversy ensued after the single's release as the lines to the chorus ("...Golly jeepers / Where'd you get those peepers? / Peepshow, creepshow / Where did you get those eyes?...") were found to be too similar to the lyrics in the 1938 song "Jeepers Creepers". To remedy the situation and to avoid legal action, Siouxsie & the Banshees gave co-songwriting credit on "Peek-a-Boo" to Harry Warren and Johnny Mercer, the creators of "Jeepers Creepers".
Sir Mix-a-Lot used a sample of "Peek-a-Boo" in his song "The (Peek-a-Boo) Game" from his 1989 album Seminar. The song also appeared briefly in the film Jeepers Creepers in 2001.
Peek-A-Boo
Siouxsie and the Banshees Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Slinking into dark stalls
Shapeless and slumped in bath chairs
Furtive eyes peep out of holes
She has many guises
She'll do what you want her to
Playing dead and sweet submission
Peek-a-boo
Peek-a-boo
Peek-a-boo
Peek-a-boo
Reeking like a pigsty
Peeling back and gagging free
Flaccid ego in your hand
Chokes on dry tears, can you understand?
She's jeering at the shadows
Sneering behind a smile
Lunge and thrust to pout and pucker
Into the face of the beguiled
Peek-a-boo
Peek-a-boo
Peek-a-boo (Golly jeepers)
Peek-a-boo (Where'd you get those peepers?)
Peek-a-boo (Peepshow, creepshow)
Peek-a-boo (Where did you get those eyes?)
Strobe lights pump and flicker
Dry lips crack out for more
"Come bite on this rag doll, baby!
That's right now hit the floor"
They're sneaking out the back door
She gets up from all fours
Rhinestone fools and silver dollars
Curdle into bitter tears
Peek-a-boo
Peek-a-boo
Peek-a-boo
Peek-a-boo
Peek-a-boo (Golly jeepers)
Peek-a-boo (Where'd you get those peepers?)
Peek-a-boo (Peepshow, creepshow)
Peek-a-boo (Where did you get those eyes?)
Peek-a-boo (Golly jeepers)
Peek-a-boo (Where'd you get those peepers?)
Peek-a-boo (Peepshow, creepshow)
Peek-a-boo (Where did you get those eyes?)
Peek-a-boo (Golly jeepers)
Peek-a-boo (Where'd you get those peepers?)
Peek-a-boo (Peepshow, creepshow)
Peek-a-boo (Where did you get those eyes?)
Where did you get those eyes?
Where did you get those eyes?
The lyrics of Siouxsie and the Banshees's song "Peek-A-Boo" feature the dark and mysterious imagery of voyeurism, manipulation, and deception. The verses describe a figure lurking in the shadows, taking on various disguises and assuming different personas to manipulate and control others. The chorus repeats the phrase "Peek-a-boo" in a playful and almost childlike manner, adding to the eerie and unsettling tone of the song.
The opening lines set the scene with a sense of creeping and slinking around in secret, before introducing the character's many "guises" and her willingness to play dead or adopt a submissive role when needed. However, she's also described as cracking the whip and jeering at shadows, suggesting a hidden power and perhaps a darker side to this figure. The middle section of the song becomes more explicit, describing the grotesque and lurid scenes of a peepshow or strip club, with the character egging on the viewer and demanding more. The final lines bring a sense of closure and regret, with the figure left alone and bitter as those who sought to control her slip out the back door.
Overall, "Peek-A-Boo" is a sinister and seductive song that plays with themes of power, control, and voyeurism, and creates a mood of unease and uncertainty that lingers even after the song ends.
Line by Line Meaning
Creeping up the backstairs
She is sneaking in unnoticed, moving in secret
Slinking into dark stalls
She is moving in the shadows, hiding in the darkness
Shapeless and slumped in bath chairs
She adopts different personas and postures, depending on what is required of her
Furtive eyes peep out of holes
She is always watching and observing, from hidden or concealed places
She has many guises
She is versatile and can adapt to any situation or role
She'll do what you want her to
She is obedient and subservient, fulfilling the wishes of others
Playing dead and sweet submission
She appears meek and submissive, even to the point of feigning death
Cracks the whip deadpan on cue
She has the power to control others and will use it when necessary
Peek-a-boo
She is always watching, monitoring, and observing
Reeking like a pigsty
The atmosphere is unappealing, unpleasant, and uncomfortable
Peeling back and gagging free
Removing the layers, releasing what is hidden and repressed
Flaccid ego in your hand
You have the power to manipulate and control her, taking advantage of her vulnerability
Chokes on dry tears, can you understand?
She is deeply unhappy and miserable, but her suffering goes unnoticed and unacknowledged
She's jeering at the shadows
She is mocking and ridiculing those who are afraid or uncertain
Sneering behind a smile
She is sarcastic and contemptuous, even when pretending to be friendly or polite
Lunge and thrust to pout and pucker
She uses sexual gestures and movements to entice and manipulate others
Into the face of the beguiled
She is targeting those who are susceptible, vulnerable, and easily tempted
Strobe lights pump and flicker
The atmosphere is frenzied, chaotic, and disorienting
Dry lips crack out for more
She is insatiable, always wanting more, never satisfied
"Come bite on this rag doll, baby!
She is offering herself up to others, as a powerless and passive object
That's right now hit the floor"
She is demanding obedience, submission, and compliance
They're sneaking out the back door
Others are trying to escape and leave, unnoticed and hidden
She gets up from all fours
She is no longer in a submissive or vulnerable position, but is now in control
Rhinestone fools and silver dollars
The illusions and deceptions are revealed as worthless and meaningless
Curdle into bitter tears
The realization of the truth is painful and unpleasant
Where did you get those eyes?
She is questioning the motives and intentions of those who are watching and observing her
Lyrics Β© DOMINO PUBLISHING COMPANY, BMG Rights Management, Peermusic Publishing, Warner Chappell Music, Inc.
Written by: N SIOUX, STEVEN SEVERIN, JOHNNY MERCER, N BUDGIE, HARRY WARREN
Lyrics Licensed & Provided by LyricFind
@christopherbell4543
The lyrics to this song are absolutely amazing
Creeping up the backstairs
Slinking into dark stalls
Shapeless and slumped in bath chairs
Furtive eyes peep out of holes
She has many guises
She'll do what you want her to
Playing dead and sweet submission
Cracks the whip deadpan on cue
Peekaboo x4
Reeking like a pigsty
Peeling back and gagging free
Flaccid ego in your hand
Chokes on dry tears, can you understand
She's jeering at the shadows
Sneering behind a smile
Lunge and thrust to pout and pucker
Into the face of the beguiled
Peekaboo x2
Golly Jeepers
Where'd you get those peepers
Peepshow creepshow
Where did you get those eyes
Strobe lights pump and flicker
Dry lips crack out for more
Come bite on this rag doll baby
That's right now hit the floor
They're seeking out the backdoor
She gets up from all fours
Rhinestone fools and silver dollars
Curdle into bitter tears
Peekaboo x2
Golly Jeepers
Where'd you get those weepers
Peepshow creepshow
Where did you get those eyes
@chuckblatt2286
I'm 71 years old, and I love her music.
@tikaepixwhom666
I'm a teen and I love her music. Music is great for all ages if done right!!
@rpphoto555
Me too!
@briankaplan3588
βFlaccid ego in your handβ is an incredible line. π
@Mouse01011
Oh myyyyyyyyyyyyyyyyyy.
@paulrussell6930
Yer darn tootin
@verdancyhime
β€πβ€π
@verdancyhime
β@Paul Russell So... i figured what i would do is, i would take mushrooms and watch inland empire and then watch this entire series of videos. β€πβ€π
@jonathanmeyers633
That's right, get on the floor.
@endthelogin
Siouxsie lives by the motto βdance like no one is watchingβ what an icon.