Early years and formation of the Miracles
Robinson was born and raised in Detroit, Michigan, and was nicknamed "Smokey" as a child, because of his love of westerns. The name originally came when an uncle (who would take a young Robinson to see westerns) gave him the name "Smokey Joe", Robinson began being called "Smokey" whilst in his teens. In 1955, Robinson founded a group he called "The Five Chimes" with his best friend Ronnie White, and Northern High School classmates Pete Moore, Clarence Dawson, and James Grice. By 1957, the group was called "The Matadors" and included cousins Bobby Rogers and Claudette Rogers in place of Dawson and Grice. With Robinson as lead singer, the Matadors began touring the local Detroit venues. In 1958, Robinson met songwriter Berry Gordy, Jr., who co-wrote for them the single "Got a Job," an answer song to The Silhouettes' hit single "Get A Job." The group renamed itself The Miracles, and issued singles on both End Records and Chess Records before Robinson suggested to Berry Gordy that he start a label of his own.
In 1959, Gordy founded Tamla Records, which he soon reincorporated as Motown. The Miracles were among the label's first signees. Gordy and Robinson had a synergistic relationship, with Robinson providing a foundation for Motown's hit-making success and Gordy acting as a mentor for the budding singer and songwriter. By 1961, Gordy had appointed Robinson vice-president of Motown Records, a title Robinson held for as long as Gordy remained with the company.
Motown and The Miracles
The 1960 single "Shop Around" was Motown's first #1 hit on the R&B singles chart, and the first big hit for The Miracles. They scored many more hits over the years, including "You've Really Got a Hold on Me" (1962), "Mickey's Monkey" (1963), "Ooo Baby Baby (1965), "The Tracks of My Tears" (1965), "Going to a Go-Go" (1965), "More Love" (1967), and "I Second That Emotion" (1967).
Besides penning hits for his own group, Robinson also wrote and produced hits and album tracks for other Motown artists. Mary Wells had a big hit with the Robinson-penned "My Guy" (1964), and Robinson served as The Temptations primary songwriter and producer from 1963 to 1966, penning hits such as "The Way You Do the Things You Do," "My Girl," "Since I Lost My Baby," and "Get Ready." Among Robinson's numerous other Motown compositions are "Still Water (Love)" by The Four Tops, "Don't Mess With Bill" by The Marvelettes, "When I'm Gone" by Brenda Holloway, "Ain't That Peculiar" and "I'll Be Doggone" by Marvin Gaye, "My Guy" by Mary Wells and "First I Look at the Purse" by The Contours.
Fellow singer/songwriter Bob Dylan described Robinson as "America's greatest living poet." Robinson's hit ballads also earned him the title "America's poet laureate of love." Over the course of his almost 50-year career in music, Robinson has over 4,000 songs to his credit.
After marrying Claudette Rogers, Robinson started a family, and named both of his children after Motown: his son was named Berry after the company's founder, and his daughter was named Tamla after the Motown imprint for which Robinson and The Miracles recorded.
The Miracles remained a premier Motown act through most of the 1960s. Albums were released as "Smokey Robinson & the Miracles" after 1965. By 1969, the group's fortunes began to falter, and Robinson decided to quit The Miracles so that he could remain at home with his family and concentrate on his duties as vice president. The group stopped recording and Robinson prepared to leave the group. Unexpectedly, however, their 1966 recording of "The Tears of a Clown" was released as a single in 1970, and became a #1 hit in both the United States and the United Kingdom.
Due to the surprise success of "Tears of a Clown," Robinson was convinced to remain with The Miracles for a few more years. In 1972, he followed through on his original plans to leave the group, and The Miracles began a six-month farewell tour. On July 16, 1972, Smokey and Claudette Robinson gave their final performances as Miracles at the Carter Barron Amphitheater in Washington, DC, and Robinson introduced the group's new lead singer, Billy Griffin. The Miracles went on for a while, even having another #1 hit, "Love Machine," in 1976.
Successful solo career
Smokey Robinson began a low-key solo career while concentrating on his duties as vice-president of Motown, releasing his first solo LP, Smokey, in 1973. His first hit single, "Sweet Harmony" (1973), was dedicated to The Miracles.
In 1975, Robinson's solo career went into full-drive after the success of the #1 R&B hit "Baby That's Backatcha." Robinson's 1976 single "Quiet Storm" and its accompanying album typified a smooth, slow style of R&B that is today called "quiet storm." Other Robinson solo hits include "Cruisin'" (1979), "Being With You" (a UK #1 hit) (1981), "Tell Me Tomorrow" (1982), and "Ebony Eyes," a duet with labelmate Rick James (1983). He also recorded the soundtrack to the film Big Time (1977).
Spokesmanship
Smokey Robinson is the spokesman of the Great American Smokeout, which takes place annually one week before Thanksgiving. It's a day when smokers quit smoking for at least a day. In 2006, It takes place on November 16th.
Later years
During the mid-1980s, Robinson fell victim to cocaine addiction. His recording slowed, and his marriage to Claudette faltered; the two were divorced in 1986. Robinson eventually overcame the addiction and revitalized his career, scoring hits in 1987 with "Just To See Her" and "One Heartbeat." Also in 1987, British band ABC scored a US and UK hit with their tribute to Robinson, entitled "When Smokey Sings". In 1988, Robinson published his autobiography, Smokey, and was inducted into the Rock and Roll Hall of Fame.
Upon Motown's sale to MCA in 1988, Robinson resigned from his position as vice-president. After one last album for Motown, Love, Smokey (1990), Robinson departed the company. He released one record for SBK Records, Double Good Everything (1991), the same year he won a Soul Train Music Award for Career Achievement. Eight years later, he returned to Motown, which by then was a subsidiary of Universal Music Group, and released Intimate (1999).
Since then, Robinson has continued to periodically perform and tour. In 2003, Robinson served as a guest judge for American Idol during "Billy Joel Week." He issued a gospel LP, Food for the Spirit in 2004. A new album of pop standards from the early 20th century, Timeless Love, was released in June 2006. It was originally recorded with a jazz combo, but strings were added after the fact, giving the album more of a lush sound but removing much of the jazz feeling of the disc.
In 2004, Robinson's company, SFGL Foods, launched a special brand of gumbo called "Smokey Robinson's 'The Soul is in the Bowl' Gumbo." [1].
In May 2006, at its 138th Commencement Convocation, Howard University conferred on Robinson the degree of Doctor of Music, honoris causa.
Smokey Robinson is scheduled to appear on Duets on Fox along with Randy Travis, Patti Labelle, Chaka Khan, Dionne Warwick, Aaron Neville, Clint Black, Michael Bolton, Kenny Loggins, Brian McKnight, Macy Gray, Richard Marx, and Cyndi Lauper. David Foster will be a judge.
On 27th October 2006 Smokey appeared on Friday Night with Jonathan Ross.
Let Me Be The Clock
Smokey Robinson Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Ooh, ooh
Let me be the clock for the time of your life, oh, yeah
Let me be the pendulum that strikes your chime
For the first time
I'm a cuckoo I know
When the door to my heart will open
It's for sure that I will be hopin', hopin' that you
Will let me be the clock for the time of your life
Oh, yeah, baby, oh, yeah, babe
And let me be the pendulum that strikes your chime
For the first time, let it begin
'Cause every moment we're apart is some good feeling wasted
A good feeling deep down inside me, told me
A good time for me to try to get you to hold me
Is right here and now
So let me be the clock for the time of your life
Oh, yeah, oh, yeah, baby
And let me be the pendulum that strikes your chime
For the first time, for the first time
I wanna be your pendulum, baby
Striking your chime
Hickory dickory dock
I want to be your clock
Just set me for lifetime
And I'll wake you up every morning
Woo, woo, ooh, let me
Let me be the clock for the time of your life
For the time of your life
Let me be the pendulum striking your chime
For the first time and every time after that
'Cause I know where it's at
So let me, let me, let me, let me
Let me, let me, baby, ooh, ooh
Let me be the pendulum striking your chime
For the first time, for the first time
Ooh, ooh, ooh, ooh
Ooh, ooh, ooh, ooh
Strike your chime one time, baby
Strike your chime one time
Let me be the pendulum striking your chime
For the first time
Let me be the clock for the time of your life, oh, yeah
And let me be the pendulum who's striking your chime
For the first time and every time after that
'Cause I know where it's at
So let me, let me, let me, let me
Let me, let me, baby, ooh, ooh
Let me be the pendulum striking your chime
In Smokey Robinson's song Let Me Be The Clock, the lyrics are a plea from the singer to be the constant in their lover's life. He wants to be the clock and the pendulum that measures the time they spend together. He sees himself as a cuckoo, counting the hours until they can be reunited. He hopes that one day his heart will be open to his lover and that they can be together at last.
The lyrics are a metaphor for a deep longing for companionship and love. The clock and the pendulum represent the singer's desire for stability and consistency in his relationship. He wants to be the one who sets the rhythm of their time together, and who makes sure that they are always in sync.
The lyrics are also a call to action. The singer is asking his lover to take a chance on him and to let him be the clock and the pendulum in their life. He is saying that he knows where it's at and that he is willing to put in the time and effort to make their relationship work.
Overall, the lyrics to Smokey Robinson's Let Me Be The Clock speak to the universal desire for love and companionship. They are a representation of the hope and longing that we all feel for meaningful connections with others.
Line by Line Meaning
Let me be the clock for the time of your life, oh, yeah
I want to be with you every moment of your life
Let me be the pendulum that strikes your chime for the first time
Let me be the one who ignites your passion and desire for love, for the first time
Counting hours till we will be together
I'm eagerly waiting to be with you
When the door to my heart will open
I'm hoping that you will become a part of my life
Every moment we're apart is some good feeling wasted
I feel sad and incomplete without you
A good time for me to try to get you to hold me is right here and now
I want to seize the moment and express my love for you
Let me be the pendulum striking your chime for the first time and every time after that 'cause I know where it's at
I'm confident that I can be the one who brings happiness and joy to your life
Just set me for lifetime and I'll wake you up every morning
I want to be with you forever and be the first thing you see every morning
Lyrics Β© O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
@loriskillman2580
Goosebumps β€
@patricknguemaessame2504
Que dire, toute mon enfance, j' ai des frissons,respect.
@oupamodikeng3240
Grandeur William Smokey Robinson
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@jamieowens6247
Flawless.
@johnmcgloson6570
Sexy smooth so good don't ya agree
@danielbelardino7662
πππΆπ΅π΅π΅πΆπΆFOR THE FIRST TIMEπΆπΆπ΅π΅ππΆπ΅
@sonyabowman7100
Strike yo chime...umm humm come on wit it and every time after that cuz I know where it's at!!!!!
@BeverlyRufus-rl8cz
What What What πwhat
@cynthiawilkins9057
Take. To. Moutain. .Top