Philip Charles Lithman (June 17, 1949 - July 1, 1987), who performed under … Read Full Bio ↴Philip Charles Lithman (June 17, 1949 - July 1, 1987), who performed under the stage name Snakefinger, was an English musician, singer and songwriter. A multi-instrumentalist, he was best known for his guitar work and his collaborations with The Residents.
Lithman was born in London, England, and came from the British Blues scene. He moved to San Francisco in 1971 and became associated with the avant-garde group The Residents. It is said he was given the name 'Snakefinger' by The Residents themselves when they saw his proficiency with the guitar during their first live performance together. Another explanation for the name comes from a story concerning a party in San Francisco, at The Residents' collective, wherein all in attendance watched Lithman's fingers dart snake-like at the neck of his violin.
In 1972 Lithman returned to England and formed the pub rock band Chilli Willi & The Red Hot Peppers with Martin Stone, a fellow ex-member of Junior's Blues Band. As a duo, they released the album "Kings of the Robot Rhythm". In 1974, as a full band and popular live act in Britain, they released "Bongos Over Balham".
Chilly Willy lasted until 1975, their last record not selling well, and by 1976 Lithman was back in the United States, this time in Los Angeles, California, seeking a recording contract, shopping his rock-style demos.
After a few years, Lithman moved back to San Francisco, reconnected with The Residents, and performed and recorded with them. Lithman's solo records, recorded under the name Snakefinger, were released by The Residents' record label Ralph Records.
His first album on Ralph was "Chewing Hides the Sound" in 1979, featuring original material co-written with The Residents as well as esoteric covers like Kraftwerk's "The Model". The songs showcased Lithman's distinctive slide guitar playing and often surreal imagery. This album was followed by "Greener Postures" in 1980, which included his first solo compositions as Snakefinger.
While on tour in Australia in 1980, Lithman had a heart attack that left him hospitalized for six months.
In 1982 Lithman formed his backing band The Vestal Virgins with former Captain Beefheart sideman Eric Drew Feldman. Snakefinger and The Vestal Virgins released "Manual of Errors" on Ralph in 1982. This was followed by the blues cover album "Snakefinger's History Of The Blues- Live In Europe" in 1984 and a new collection of largely original material in 1986 called "Night of Desirable Objects".
Lithman performed with The Residents on their 13th Anniversary Tour in 1986. On July 1st, 1987, Snakefinger and his band, The Vestal Virgins, were in Linz, Austria, on the European Night tour. During a performance at the Posthof Club Lithman suffered a fatal heart attack. On that same day his single, "There's No Justice in Life", was released.
Snakefinger was buried in England. The Residents participated in a wake for him, known as The Snakey Wake, in San Francisco.
Snakefinger is sorely missed by all.
Lithman was born in London, England, and came from the British Blues scene. He moved to San Francisco in 1971 and became associated with the avant-garde group The Residents. It is said he was given the name 'Snakefinger' by The Residents themselves when they saw his proficiency with the guitar during their first live performance together. Another explanation for the name comes from a story concerning a party in San Francisco, at The Residents' collective, wherein all in attendance watched Lithman's fingers dart snake-like at the neck of his violin.
In 1972 Lithman returned to England and formed the pub rock band Chilli Willi & The Red Hot Peppers with Martin Stone, a fellow ex-member of Junior's Blues Band. As a duo, they released the album "Kings of the Robot Rhythm". In 1974, as a full band and popular live act in Britain, they released "Bongos Over Balham".
Chilly Willy lasted until 1975, their last record not selling well, and by 1976 Lithman was back in the United States, this time in Los Angeles, California, seeking a recording contract, shopping his rock-style demos.
After a few years, Lithman moved back to San Francisco, reconnected with The Residents, and performed and recorded with them. Lithman's solo records, recorded under the name Snakefinger, were released by The Residents' record label Ralph Records.
His first album on Ralph was "Chewing Hides the Sound" in 1979, featuring original material co-written with The Residents as well as esoteric covers like Kraftwerk's "The Model". The songs showcased Lithman's distinctive slide guitar playing and often surreal imagery. This album was followed by "Greener Postures" in 1980, which included his first solo compositions as Snakefinger.
While on tour in Australia in 1980, Lithman had a heart attack that left him hospitalized for six months.
In 1982 Lithman formed his backing band The Vestal Virgins with former Captain Beefheart sideman Eric Drew Feldman. Snakefinger and The Vestal Virgins released "Manual of Errors" on Ralph in 1982. This was followed by the blues cover album "Snakefinger's History Of The Blues- Live In Europe" in 1984 and a new collection of largely original material in 1986 called "Night of Desirable Objects".
Lithman performed with The Residents on their 13th Anniversary Tour in 1986. On July 1st, 1987, Snakefinger and his band, The Vestal Virgins, were in Linz, Austria, on the European Night tour. During a performance at the Posthof Club Lithman suffered a fatal heart attack. On that same day his single, "There's No Justice in Life", was released.
Snakefinger was buried in England. The Residents participated in a wake for him, known as The Snakey Wake, in San Francisco.
Snakefinger is sorely missed by all.
The Spot
Snakefinger Lyrics
We have lyrics for 'The Spot' by these artists:
Juvenile Haha With my nigga Ben in the studio With my nigga…
Kelis This week seemed it had no end No time to even…
Mr. Kinetik Write me a postcard addressed to the past With all of…
R. Stevie Moore Trynna get me a spot on the board Trynna get me…
Razakel (Verse 1) Speak Now Fake Bxtches Or Forever Hold Your Peace…
The B.A.C.K Ups One day Just be ready To just save me a spot Yuh, and…
The Residents A pox upon a chicken or a fight about a…
Vivien Yap Do you have a thunderstorm I could borrow? Cause I have…
Your Smith I was feeling crazy That summer when he let me go…
We have lyrics for these tracks by Snakefinger:
Children Of The Sea Residents: Hey! Hey Snakefinger! Snakefinger: What? RZ: He…
Golden Goat No way up and no way down No room in the…
I Come From an Island I come from an island (listen) I come from an I…
Save Me From Dali The light bulb went out Late last night And left me wanting …
The Golden Goat No way up and no way down No room in the…
The Man in the Dark Sedan I'm the man in the dark sedan and I have…
The Picture Makers Residents: Hey! Hey Snakefinger! Snakefinger: What? RZ: He…
The Picture Makers vs. Children of the Sea Residents: Hey! Hey Snakefinger! Snakefinger: What? RZ: He…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@GerardGraadmeter
I miss you
@lisesbrunhart2410
Snakefinger you write the best, most energetic music ...love your "Nino Rota" paraphrases and Golden Goat, and Beatnik Party...genius songwriting !!
@Preliminimal
the essence of something not wanting a category box, a restless soul music, yet i'd say snakefinger was at the heart of punk/new wave more than all the cliche los angeles bands. phillip lithman and early tuxedomoon, chrome, the oil tasters, early devo, throbbing gristle and der plan all had the right humor and hallucinatory glimpses of enlightened insanity
@bungy62
Thanks for posting this, I've got the original but its hidden away, I'm going to try and find Smelly Tongues now
@wk4max
got the ±spot /residents satisfaction yellow vinyl and devo satisfaction on the same day at probe records in liverpool 1978
@stevemurrell6167
What a great day! :)
@arcrs40
LOVEEEEEEEEEEEEEEEEEEEEEE.. EVER
@duaneanderson1275
SNAKE FINGER
I love the guitar tones, the rhythm
All the sound are so off and yet the composition and arrangement use the sound really well
Devoes early work could be compared.
@zhiracs
Early Devo and Snakefinger... sounds like a match made in heaven that I want to hear.
@stevemurrell6167
I love them both, The Spot was my first experience of Snakefinger, wow.....went perfectly with my love for Devo. A collaboration would have been brilliant!