Edward "Sonny" Stitt (born Edward Boatner, Jr., February 2, 1924 – July 22,… Read Full Bio ↴Edward "Sonny" Stitt (born Edward Boatner, Jr., February 2, 1924 – July 22, 1982), was an American jazz saxophonist of the bebop/hard bop idiom. He was one of the most well-documented saxophonists of his generation, recording over 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern, in reference to his relentless touring and devotion to jazz.
Early life
Edward Boatner was born in Boston, Massachusetts[1] and grew up in Saginaw, Michigan. He had a musical background; his father, Edward Boatner, was a baritone singer, composer and college music professor, his brother was a classically trained pianist, and his mother was a piano teacher.[1] Boatner was soon adopted by another family, the Stitts, who gave him his new surname. He later began calling himself "Sonny".
In 1943, Stitt first met Charlie Parker, and as he often later recalled, the two men found that their styles had an extraordinary similarity that was partly coincidental and not merely due to Stitt's emulation. Stitt's improvisations were more melodic/less dissonant than those of Parker. Stitt's earliest recordings were made in 1945 with Stan Getz and Dizzy Gillespie. He had also played in some swing bands, though he mainly played in bop bands. Stitt was featured in Tiny Bradshaw's big band in the early forties. Stitt replaced Charlie Parker in Dizzy Gillespie's band in 1945.[2]
Stitt played alto saxophone in Billy Eckstine's big band alongside future bop pioneers Dexter Gordon and Gene Ammons from 1945 until 1956, when he started to play tenor saxophone more frequently, in order to avoid being referred to as a Charlie Parker imitator. Later on, he played with Gene Ammons and Bud Powell. Stitt spent time in a Lexington prison between 1948–49 for selling narcotics.
Stitt, when playing tenor saxophone, seemed to break free from some of the criticism that he was imitating Charlie Parker's style, although it appears in the instance with Ammons above that the availability of the larger instrument was a factor. Indeed, Stitt began to develop a far more distinctive sound on tenor.[1] He played with other bop musicians Bud Powell and Eddie "Lockjaw" Davis, a fellow tenor with a distinctly tough tone in comparison to Stitt, in the 1950s and recorded a number of sides for Prestige Records label as well as albums for Argo, Verve and Roost. Stitt experimented with Afro-Cuban jazz in the late 1950s, and the results can be heard on his recordings for Roost and Verve, on which he teamed up with Thad Jones and Chick Corea for Latin versions of such standards as "Autumn Leaves."
Stitt joined Miles Davis briefly in 1960, and recordings with Davis' quintet can be found only in live settings on the tour of 1960. Concerts in Manchester and Paris are available commercially and also a number of concerts (which include sets by the earlier quintet with John Coltrane) on the record Live at Stockholm (Dragon), all of which featured Wynton Kelly, Jimmy Cobb and Paul Chambers. However, Miles fired Stitt due to the excessive drinking habit he had developed, and replaced him with fellow tenor saxophonist Hank Mobley. Stitt, later in the 1960s, paid homage to one of his main influences, Charlie Parker, on the album Stitt Plays Bird, which features Jim Hall on guitar and at Newport in 1964 with other bebop players including J.J. Johnson.
He recorded a number of memorable records with his friend and fellow saxophonist Gene Ammons, interrupted by Ammons' own imprisonment for narcotics possession. The records recorded by these two saxophonists are regarded by many as some of both Ammons and Stitt's best work, thus the Ammons/Stitt partnership went down in posterity as one of the best duelling partnerships in jazz, alongside Zoot Sims and Al Cohn, and Johnny Griffin with Eddie "Lockjaw" Davis. Stitt would venture into soul jazz, and he recorded with fellow tenor saxophonist Booker Ervin in 1964 on the Soul People album. Stitt also recorded with Duke Ellington alumnus Paul Gonsalves in 1963 for Impulse! on the Salt And Pepper album in 1963. Around that time he also appeared regularly at Ronnie Scott's in London, a live 1964 encounter with Ronnie Scott, The Night Has A Thousand Eyes, eventually surfaced, and another in 1966 with resident guitarist Ernest Ranglin and British tenor saxophonist Dick Morrissey. Stitt was one of the first jazz musicians to experiment with an electric saxophone (the instrument was called a Varitone), as heard on the albums What's New in 1966 and Parallel-A-Stitt in 1967.
Later life
In the 1970s, Stitt slowed his recording output slightly, and in 1972, he produced another classic, Tune Up, which was and still is regarded by many jazz critics, such as Scott Yanow, as his definitive record. Indeed, his fiery and ebullient soloing was quite reminiscent of his earlier playing. He also recorded another album with Varitone, Just The Way It Was - Live At The Left Bank in 1971 which was released in 2000.
Stitt joined the all-star group Giants of Jazz, which also featured Art Blakey, Dizzy Gillespie, Thelonious Monk, Kai Winding and bassist Al McKibbon) and made albums for Atlantic Records, Concord Records and Emarcy Records. His last recordings were made in Japan. In 1982, Stitt suffered a heart attack, and he died on July 22 in Washington, D.C..[2]
Early life
Edward Boatner was born in Boston, Massachusetts[1] and grew up in Saginaw, Michigan. He had a musical background; his father, Edward Boatner, was a baritone singer, composer and college music professor, his brother was a classically trained pianist, and his mother was a piano teacher.[1] Boatner was soon adopted by another family, the Stitts, who gave him his new surname. He later began calling himself "Sonny".
In 1943, Stitt first met Charlie Parker, and as he often later recalled, the two men found that their styles had an extraordinary similarity that was partly coincidental and not merely due to Stitt's emulation. Stitt's improvisations were more melodic/less dissonant than those of Parker. Stitt's earliest recordings were made in 1945 with Stan Getz and Dizzy Gillespie. He had also played in some swing bands, though he mainly played in bop bands. Stitt was featured in Tiny Bradshaw's big band in the early forties. Stitt replaced Charlie Parker in Dizzy Gillespie's band in 1945.[2]
Stitt played alto saxophone in Billy Eckstine's big band alongside future bop pioneers Dexter Gordon and Gene Ammons from 1945 until 1956, when he started to play tenor saxophone more frequently, in order to avoid being referred to as a Charlie Parker imitator. Later on, he played with Gene Ammons and Bud Powell. Stitt spent time in a Lexington prison between 1948–49 for selling narcotics.
Stitt, when playing tenor saxophone, seemed to break free from some of the criticism that he was imitating Charlie Parker's style, although it appears in the instance with Ammons above that the availability of the larger instrument was a factor. Indeed, Stitt began to develop a far more distinctive sound on tenor.[1] He played with other bop musicians Bud Powell and Eddie "Lockjaw" Davis, a fellow tenor with a distinctly tough tone in comparison to Stitt, in the 1950s and recorded a number of sides for Prestige Records label as well as albums for Argo, Verve and Roost. Stitt experimented with Afro-Cuban jazz in the late 1950s, and the results can be heard on his recordings for Roost and Verve, on which he teamed up with Thad Jones and Chick Corea for Latin versions of such standards as "Autumn Leaves."
Stitt joined Miles Davis briefly in 1960, and recordings with Davis' quintet can be found only in live settings on the tour of 1960. Concerts in Manchester and Paris are available commercially and also a number of concerts (which include sets by the earlier quintet with John Coltrane) on the record Live at Stockholm (Dragon), all of which featured Wynton Kelly, Jimmy Cobb and Paul Chambers. However, Miles fired Stitt due to the excessive drinking habit he had developed, and replaced him with fellow tenor saxophonist Hank Mobley. Stitt, later in the 1960s, paid homage to one of his main influences, Charlie Parker, on the album Stitt Plays Bird, which features Jim Hall on guitar and at Newport in 1964 with other bebop players including J.J. Johnson.
He recorded a number of memorable records with his friend and fellow saxophonist Gene Ammons, interrupted by Ammons' own imprisonment for narcotics possession. The records recorded by these two saxophonists are regarded by many as some of both Ammons and Stitt's best work, thus the Ammons/Stitt partnership went down in posterity as one of the best duelling partnerships in jazz, alongside Zoot Sims and Al Cohn, and Johnny Griffin with Eddie "Lockjaw" Davis. Stitt would venture into soul jazz, and he recorded with fellow tenor saxophonist Booker Ervin in 1964 on the Soul People album. Stitt also recorded with Duke Ellington alumnus Paul Gonsalves in 1963 for Impulse! on the Salt And Pepper album in 1963. Around that time he also appeared regularly at Ronnie Scott's in London, a live 1964 encounter with Ronnie Scott, The Night Has A Thousand Eyes, eventually surfaced, and another in 1966 with resident guitarist Ernest Ranglin and British tenor saxophonist Dick Morrissey. Stitt was one of the first jazz musicians to experiment with an electric saxophone (the instrument was called a Varitone), as heard on the albums What's New in 1966 and Parallel-A-Stitt in 1967.
Later life
In the 1970s, Stitt slowed his recording output slightly, and in 1972, he produced another classic, Tune Up, which was and still is regarded by many jazz critics, such as Scott Yanow, as his definitive record. Indeed, his fiery and ebullient soloing was quite reminiscent of his earlier playing. He also recorded another album with Varitone, Just The Way It Was - Live At The Left Bank in 1971 which was released in 2000.
Stitt joined the all-star group Giants of Jazz, which also featured Art Blakey, Dizzy Gillespie, Thelonious Monk, Kai Winding and bassist Al McKibbon) and made albums for Atlantic Records, Concord Records and Emarcy Records. His last recordings were made in Japan. In 1982, Stitt suffered a heart attack, and he died on July 22 in Washington, D.C..[2]
Later
Sonny Stitt Lyrics
We have lyrics for 'Later' by these artists:
aftertheparty Yeah, I guess I'll see you later (later) Yeah, I alread…
Alex Siegel It's hard to watch her eyes Behind her love disguise If ever…
Alexander Hanson Later... When is later? All you ever hear is "Later, Henrik,…
Amaal I was slowly, breaking my own rules Thinking I could usually…
André Hazes Als jij bij mij bent Gaan de uren snel voorbij Even ben…
Aus A day in the life of a never ending war Tuesday,…
B-Jam Yeah 1 year later since I've been without you So much…
Balthazar Lay low don't put your head up high This time is…
Bazart Lay low don't put your head up high This time is…
Brandon Richie It's fine sweetie it's fine. I don't really want to…
Bunchofuckingoofs Halfway isn't good enough Tomorrow isn't worth shit Your…
Cat Stevens Later, I want to talk it out with you Try to get…
Chris Mathieu Left home out on my own Had to leave cause I…
Cones Goodbye friend I′m going home again Reintroduce myself See y…
Dr Didg I've got a job I've got to move this paper I guess…
Dr. Didg Yeah it's hard We all know it's hard To fix a broken…
Dr. Dog I've got a job I've got to move this paper I guess…
Drewboy Uh (We are X game′s mode) Ayy I got a buzz like a…
Ella Fitzgerald A little bit later on A little bit later on Just wait…
Ella Fitzgerald With Sy Oliver And His Orchestra You and I said goodbye With a friendly kiss And though I'm…
emawK Showed you what I did Told you what I said Gave you…
Example Head spins around Lost in the crowd It's early morning Your…
Fra Lippo Lippi How could you come with me When you knew all along That…
Free Weed Well, I woke up this morning was asleep on the…
Gabrielle Anderson Later when you. Later when you. Later when you. Later when y…
Heavy Trevy GOOD BYE AND FUCK YOU cant you see that its…
Herman van Veen Later gaan wij naast elkaar wandelen op de overtoom Drinken …
Hi-Fly (See you later, alligator) Well, I saw my baby walkin' with…
ICE Bonjour, ik moet uitchecken Ik ruik parfum en ze vraagt of…
II-J Ignite my fire In the rain I sacrificed too much Ignore the …
Jean-Paul Celea David Liebman Wolfgang Reisinger Imma hit you up sooner or later See if you fixed…
Jed Madela How could you come with me When you knew all along That…
Jordan Pruitt I've seen you around a lot before Always looking like a…
Joy Frost Hey you with the guitar Who do you think you are You're…
Kafetti Smoke another up Hit the double cup Lookin like a dead man I…
Kloudink On under the sun, it's never too young (I'm ready,…
Louis Smith Enjoy yourself while you're still in the pink Enjoy yourself…
Lycia I see the sky so blue and it reaches to…
Mr Drew Mr Drew Sele, Kelvynboy Another, Another Mr Drew Sele, Kelvy…
Plazma Luck... Everybody knows it slips Luck... Sometimes it is now…
Side A How could you come with me When you knew all along…
Side A & Freestyle "Later" G …
Sondheim Later... When is later? All you ever hear is "Later, Henrik,…
Sonja Bishop & Amber Later mag je groter zijn Kleine meid, blijf nog maar fijn. I…
SuperKnova We're under the table Down on our knees Sweaty palms I can…
Suy How could you come with me When you knew all along That…
Tara Blaise Here it goes putting on shows Here come the big…
The Comets (See you later, alligator) Well, I saw my baby walkin' with…
V.I.P Spud Ignite my fire In the rain I sacrificed too much Ignore the …
Zerky i know i should be honest think i shoulb be honest…
We have lyrics for these tracks by Sonny Stitt:
'Round Midnight It begins to tell 'Round midnight, midnight I do pretty well…
After You're Gone Now won't you listen honey, while I say, How could…
Ain't Misbehavin' No one to talk with All by myself No one to walk…
Alexander's Ragtime Band Come on and hear, come on and hear Alexander's Ragtime Band …
All God's Children Got Rhythm Chillun', listen here to me This is my philosophy To see me…
All God's Chillun Got Rhythm Chillun', listen here to me This is my philosophy To see m…
Am I Blue Everyday, everyday I have the blues Ooh everyday, everyday I…
Angel Eyes Try to think that love's not around But it´s uncomfort…
At Last At last, my love has come along my lonely days are…
Autumn in New York It's time to end my holiday and bid the country…
Autumn Leaves The falling leaves drift by the window The autumn leaves of…
Back In Your Own Back Yard We leave home expecting to find a blue bird, Hoping ev'ry…
Between the Devil and the Deep Blue Sea I don't want you, but I'd hate to lose you You've…
Blue Mode Blue moon you saw me standing alone Without a dream in…
Body and Soul My heart is sad and lonely For you I sigh, for…
But Not for Me Old man sunshine listen you Never tell me dreams come true J…
Bye Bye Blackbird No one here can love or understand me Oh, what hard…
Bye Bye Blues No one here can love or understand me Oh, what hard…
Can't We Be Friends Took each word she said as gospel truth the way…
Candy Some say that love is sweet as a rose, Some say…
Confessin I'm confessin' that I love you, Tell me, do you love…
Constellation Xiang yao chuansong yi feng jianxun gei ni wo hao xiang hao…
Coquette Hear me, why you keep fooling Little coquette, making fun of…
Count Every Star Count every star in the midnight sky Count every rose,…
Day By Day Everyday, everyday I have the blues Ooh everyday, everyday I…
Do Nothin' Till You Hear From Me Someone told someone and someone told you But they wouldn't…
Don't Worry Don't worry 'bout me I'll get along Forget about me Just be …
Don't Worry ‘Bout Me Don't worry 'bout me I'll get along Forget about me Just …
Down With It Homesick tired All alone in a big city Why should…
East Of The Sun East of the sun and west of the moon We'll build…
Everything Happens To Me Black cats creep across my path Until I'm almost mad I must…
Fine and Dandy Please forgive this platitude But I like your attitude You a…
Fools Rush In "Romance is a game for fools" I used to say A game…
How Do You Do Someone told someone and someone told you But they wouldn't …
How High the Moon Somewhere there's music How faint the tune Somewhere there's…
I Can't Give You Anything But Love Gee, but it's tough to be broke, kid. It's not a…
I Cover the Waterfront I cover the waterfront, I'm watching the sea, Will the one I…
I Don't Stand a Ghost of a Chance WIth You I need your love so badly, I love you, oh,…
I Let a Song Go Out of My Heart I let a song go out of my heart It was…
I Never Knew You, get me feelin' crazy There always on my mind And I…
I Remember You How did I know that the warmth of the glow…
I Want To Be Happy I'm a very ordinary man Trying to work out life's happy…
I'll Be Seeing You I'll be seeing you in all the old familiar places That…
I'll Remember April This lovely day will lengthen into evening We'll sigh goodby…
I'm Confessin' I'm confessin' that I love you, Tell me, do you love…
I'm Getting Sentimental Over You Never thought I'd fall, But now I hear love call, I'm gettin…
I'm In The Mood For Love I'm in the mood for love Simply because you're near me. Funn…
If I Had You I could show the world how to smile I could be…
If You Are But a Dream If you are but a dream I hope I never waken, It's…
If You Could See Me Now If you could see me now, you'd know how blue…
Imagination Magic mirror come and search my heart Can you tell me…
In A Sentimental Mood In A Sentimental Mood I can see the stars come…
It Might as Well Be Spring I'm as restless as a willow in a windstorm I'm as…
It's Wonderful They say that falling love is wonderful It's wonderful, so t…
It's You or No One How did I know that the warmth of the glow…
Jeeper's Creepers I don't care what the weatherman says When the weatherman sa…
Just Friends Just friends, lovers no more Just friends, but not like befo…
Just You Just Me Just you, just me Let's find a cozy spot To cuddle and…
Laura You know the feeling of something half remembered Of somethi…
Let It Be I'm as restless as a willow in a windstorm I'm as…
Love Walked In I'm in the mood for love Simply because you're near me. Funn…
Lover I don't know why but I'm feeling so sad I long…
Mean To Me You're mean to me Why must you be mean to me? Gee,…
My Foolish Heart The night is like a lovely tune Beware my foolish heart How…
Nevertheless I knew the time had to come When I'd be held…
Nice Work If You Can Get It The man who only lives for making money Lives a life…
Oh Lady Be Good Listen to my tale of woe, It's terribly sad but…
On Green Dolphin Street It seems like a dream, yet I know it happened A…
On The Sunny Side Of The Street Walked with no one and talked with no one And I…
Out In The Cold Again The song that you sang so sweetly You called it our…
Over The Rainbow Somewhere over the rainbow, way up high There's a land that…
P.S. I Love You As I write this letter, send my love to you Remember…
Pennies From Heaven Every time it rains, it rains pennies from heaven Don't you…
People Will Say We're in Love Why do they think up stories that link my name…
Perdido Perdido, I look for my heart it's perdido I lost it…
Please Don't Talk About Me When I'm Gone Please don't talk about me when I'm gone Honey, though our…
Ps. I Love You As I write this letter, send my love to you Remember…
Sea Sea Rider I don't want you, but I'd hate to lose you You've…
Shadows The shadow of your smile When you have gone Will color all…
Singin' In the Rain I'm singin' in the rain, just singin' in the rain What…
Stairway to the Stars Let's build a stairway to the stars And climb that stairway…
Star Dust And now the purple dusk of twilight time Steals across the…
Star Eyes Star eyes, That to me is what your eyes are, Soft as…
Stardust And now the purple dusk of twilight time Steals across the…
Stars Fell on Alabama Moonlight and magnolia, starlight in your hair All the world…
Sunny Side Up Walked with no one and talked with no one And I…
Sweet and Lovely Sweet and lovely sweeter than the roses in May Sweet and…
Taking A Chance On Love Here I go again, I hear those trumpets blow again. All…
The More I See You Each time I look at you is like the first…
The Night Has A Thousand Eyes They say that you're a run-around lover Though you say…
The Shadow of your Smile The shadow of your smile When you have gone Will color all…
There Is No Greater Love There is no greater love Than what I feel for you No…
They Say It's Wonderful They say that falling love is wonderful It's wonderful, so t…
This Can't Be Love This can't be love Because I feel so well No sobs, no…
This Is Always This isn't sometimes, this is always. This isn't maybe, thi…
Time After Time Lying in my bed I hear the clock tick, And think…
Time On My Hands When the day fades away into twilight The moon is my…
Until The Real Thing Comes Along I'd wait for you I'd slave for you I'd be a beggar…
Walk On By If you see me walking down the street And I start…
We This time we almost made the pieces fit Didn't we? This time…
When It's Sleepy Time Down South Homesick tired All alone in a big city Why should…
Where Is Love There is no greater love Than what I feel for you No…
You Are the Sunshine of My Life You are the sunshine of my life That's why I'll always…
You Don´t Know What Love Is You don't know what love is 'Til you've learned the meaning…
You'd Be so Nice to Come Home To You'd be so nice to come home to You'd be so…
You'll Never Know You'll never know just how much I miss you You'll never…
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Grant Koeller
This is a Bb blues, He is on the tenor, up high, in the tenor Key of C
His highest note is a high E on the tenor..
Great lines, I've had a load of high school students play this, some without the 16th notes.
The tempo is ...Quarter note =178 BPM Beats Per Minute, so 8th notes are BPM = 356, and 16th notes are BPM = 712 !!
Don't forget that the 16th notes are (very slightly) swung, so every 2nd one is about 1000bpm ;-)
The blues head is swingin', classic, timeless and so simple. This is Jazz Perfection!!
I hear lots of Prez in Sonny at this point, not just because it's tenor either.
On this cut is was .... Kenny Drew Piano, Tommy Potter Bass, and Art Blakey Drums
It's a real gem, learned it 25yrs ago myself
it's a happy blues....
His approach was so in the pocket, absolutely perfect pitch and relaxed,
with a razor sharp wit ,and J.S. Bach like logical sense of melody.
Grant Koeller
Kaleidoscope (Sonny Stitt album)
Compilation album by Sonny Stitt
Released 1957
Recorded in February 17 and December 15, 1950, January 31 and February 1, 1951 and February 25, 1952
New York City
Genre Jazz
Length 44:26
Label Prestige
PRLP 7077
Producer Bob Weinstock
Kaleidoscope is an album by saxophonist Sonny Stitt compiling tracks recorded in 1950-52 and released on the Prestige label in 1957.[3] The 1991 CD reissue added four bonus tracks to the original LP.
Reception;
The Allmusic review stated "Deftly handling the alto, tenor, and baritone saxophone, bebop giant Sonny Stitt is heard to perfection here on a variety of early-'50s dates. Stitt not only shows off his patented speed throughout, but he goes a long way in dispelling criticisms of him being all fire and no grace".
Track listing;
All compositions by Sonny Stitt and Bill Massey except as indicated
"Stitt's It" - 2:35
"Cool Mambo" - 2:40
"Blue Mambo" - 2:25
"Sonny Sounds" - 2:29
"Ain't Misbehavin'" (Harry Brooks, Andy Razaf, Fats Waller) - 3:02
"Later" (Sonny Stitt) - 3:00
"P.S. I Love You" (Gordon Jenkins, Johnny Mercer) - 3:00
"This Can't Be Love" (Lorenz Hart, Richard Rodgers) - 2:47
"Imagination" (Johnny Burke, Jimmy Van Heusen) - 3:24
"Cherokee" (Ray Noble) - 2:33
"Can't We Be Friends" (Paul James, Kay Swift) - 2:41
"Liza (All the Clouds'll Roll Away)" (George Gershwin, Ira Gershwin, Gus Kahn) - 2:45
"To Think You've Chosen Me" (Bennie Benjamin, George David Weiss) - 3:11 Bonus track on CD reissue
"After You've Gone" (Henry Creamer, Turner Layton) - 2:25 Bonus track on CD reissue
"Our Very Own" (Jack Elliott, Victor Young) - 3:05 Bonus track on CD reissue
"'S Wonderful" (George Gershwin, Ira Gershwin) - 2:24 Bonus track on CD reissue
Recorded in New York City on February 17, 1950 (tracks 5 & 6), October 8, 1950 (tracks 13-16), December 15, 1950 (tracks 9 & 10), January 31, 1951 (tracks 11 & 12), February 1, 1951 (tracks 7 & 8) and February 25, 1952 (tracks 1-4)
Personnel[edit]
Sonny Stitt - tenor saxophone, baritone saxophone
John Hunt (tracks 1-4), Bill Massey (tracks 1-4 & 13-16), Joe Newman (tracks 1-4) - trumpet
Matthew Gee - trombone (tracks 13-16)
Gene Ammons - baritone saxophone (tracks 13-16)
Charlie Bateman (tracks 7, 8, 11 & 12), Kenny Drew (tracks 5 & 6), John Houston (tracks 1-4), Junior Mance (tracks 9-16) - piano
Tommy Potter (tracks 5 & 6), Ernie Shepherd (tracks 1-4), Teddy Stewart (tracks 7, 8, 11 & 12), Gene Wright (tracks 7-16) - bass
Art Blakey (tracks 5, 6, 9 & 10), Wes Landers (tracks 13-16), Shadow Wilson (tracks 1-4) - drums
Humberto Molares - congas (tracks 1-4)
Larry Townsend - vocals (tracks 13-16)
Like · Reply · 10 hrs · Edited
Jazz Donaby
0:33
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