There is more than one artist with this name, including:
1) Spirit … Read Full Bio ↴There is more than one artist with this name, including:
1) Spirit was an American group formed by guitarist Randy California.
2) Spirit was a emo band from Montrose, Australia.
3) Spirit was UK drum and bass musician Duncan Busto (died 26 August 2018).
4) Spirit was an alias of UK techno duo 65D Mavericks, used for releasing on the Lost affiliated Cosmic label.
5) Spirit is a rock band from Slovakia, Levice.
6) Spirit is a modern metal band from Warsaw, Poland.
7) Spirit is a post-hardcore band from Cortez, Colorado.
8) Spirit was a 90s hardcore band from New Jersey. Formerly known as Kurbjaw.
1) Spirit was an American jazz/hard rock/psychedelic band founded in 1967, based in Los Angeles, California.
The original lineup
The original lineup of the group evolved from an earlier Los Angeles band, The Red Roosters, which included Randy California (guitars, vocals), Mark Andes (bass) and Jay Ferguson (vocals, percussion). With the addition of Ed Cassidy (drums) and keyboard player John Locke the new band was originally named the Spirits Rebellious (after a book by Khalil Gibran) but was soon shortened simply to Spirit. Randy California had also played with Jimi Hendrix (then known as Jimmy James) in Jimmy James and the Blue Flames in 1966.
Cassidy was instantly recognizable by his shaven head (hence his nickname "Mr. Skin") and his fondness for wearing black. He was around twenty years older than the rest of the group (born in 1923). His earlier career was primarily in jazz and included stints with Cannonball Adderley, Gerry Mulligan, Roland Kirk, Thelonious Monk and Lee Konitz. He was a founding member of Rising Sons with Taj Mahal and Ry Cooder.
1960s
The group's first album, Spirit, was released in 1968. "Mechanical World" was released as a single (it lists the playing time merely as "very long"). The album was a substantial underground hit, reaching #31 and staying on the charts for over eight months. The album displayed jazz influences, as well as using elaborate string arrangements (not found on their subsequent recordings) and is the most overtly psychedelic of their albums.
They capitalized on the success of their first album with another single, "I Got A Line On You". Released in November of 1968, a month before their second album, The Family That Plays Together, it became their biggest hit single, reaching #25 on the charts (#28 in Canada). The album matched its success, reaching #22. They also went on tour that year with support band Led Zeppelin, who were heavily influenced by Spirit -- Led Zeppelin played an extended medley during their early 1969 shows that featured "Fresh Garbage" among other songs, Jimmy Page's use of a theremin has been attributed to his seeing Randy California use one which he had mounted to his amplifier, and it is now widely believed that Page lifted the descending guitar figure from Spirit's instrumental "Taurus" for Led Zeppelin's signature tune "Stairway To Heaven". This led to years of litigation, which was finally judged against Spirit in 2020 when the court held that "a four-note sequence common in the music field is not the copyrightable expression in a song.”
After this success, the group was asked by French film director Jacques Demy to record the soundtrack to his film, Model Shop and they also made a brief appearance in the film. Their third album, Clear, released in 1969, reached #55 on the charts. Spirit were offered the spot right before Jimi Hendrix at Woodstock, but they were advised to turn it down and concentrate on a promotional tour for their third album. Record company managers felt that the festival would not be significant, which it did not seem so at that time, and so they missed out on the massive international exposure that the festival and the subsequent film documentary generated.
"1984" and the Sardonicus era
After the release of Clear, California was called upon again to give the group a hit single. With the group producing the record on their own, they recorded a song California had written called "1984". Though the title echoed the George Orwell book of the same name, it was one of California's finest, and it boasted an excellent production job (and was one of the most ferocious things that Spirit would ever record). And it looked at first like it would be the group's biggest hit yet. Soon after being released, it raced up the charts to #69.
In retrospect, nobody is completely sure why the single had such a brief chart life, but there are several possibilities. It is no secret that Lou Adler's alliance with Epic Records was uneasy at best, and at the time that the single was released, Adler's distribution deal with Epic came to an end. He had been eager to move distribution of the label to A&M Records, which he did as soon as the deal with Epic ended, which might have killed the commercial availability of the single (though Adler ended up giving Spirit's contract to Epic in the process). It has also been said that there was a tip sheet distributed to radio stations outlining the song's supposed political and social views, and opining that it might not be appropriate for air play . The song would finally see general release on The Best Of Spirit in 1973.
In 1970, Spirit started working on what is widely considered to be their best LP, Twelve Dreams of Dr. Sardonicus. On the recommendation of Neil Young the band chose David Briggs as the producer. It was a prolific time for the group's writers and the album was finally released in late 1970. Especially memorable was Randy California's poignant "Nature's Way", which was written in an afternoon when the group was playing at the Fillmore West in San Francisco.
Epic released an early mix of "Animal Zoo" as a single, but this only made it to #97 on the charts. Like The Who's Tommy and Pink Floyd's Dark Side of the Moon, it is critically regarded as a landmark of art-rock, with a tapestry of literary themes about the fragility of life and the complexity of the human experience, illustrated by recurring lyric "life has just begun", and continued the group's pioneering exploration of enviromnental issues in their lyrics (cf. "Fresh Garbage"). The album is also notable for its inventive production and the use of a modular Moog synthesizer.
1971-1973
After the group undertook a promotional tour to support the album Twelve Dreams of Dr. Sardonicus Ferguson and Andes left the group, forming Jo Jo Gunne.
Bass player John Arliss initially took Andes' place, and California was still in the line-up, but he soon left the group and attempted a solo career. Eventually, two brothers named Al Stahely and John Staehely joined the band, and with Cassidy and Locke, recorded the 1972 album Feedback. It was a different turn for the group, showing more of a country-rock influence pervading their jazzier tendencies, but it also met with a mild commercial response, reaching #63 in the charts (the same position, ironically, that Sardonicus reached). The tour for Feedback eventually found both Cassidy and Locke leaving the lineup, with the Staehely brothers recruiting other musicians to fill their roles. While the tour was well received critically, Spirit disbanded in early 1973. The brothers would release their own album, Sta-Hay-Lee, in 1973.
California, meanwhile, had recorded and issued his first solo album, Kapt. Kopter and the (Fabulous) Twirly Birds, in late 1972. It featured appearances by Noel Redding (as 'Clit McTorius'), Leslie Sampson (the drummer from Noels band Road, as 'Henry Manchovitz') and Cassidy and had a hard rock sound. After launching a brief tour to support the album, a follow-up album was recorded with Cassidy, entitled The Adventures Of Kaptain Kopter And Commander Cassidy In Potato Land. Though Locke made a guest appearance, it was not intended as a Spirit album at the time. Epic however rejected the completed album, and California moved to Molokai, Hawaii.
Epic Records decided to re-issue the group's first and third, and second and fifth, albums as two-fers in 1973, in response to Sardonicus continuing to sell well, despite being off of the charts. They also issued a compilation album, The Best Of Spirit, that year, as well as releasing the Sardonicus track "Mr. Skin" as a single. Surprisingly, "Mr. Skin" became a minor hit, and one of the two-fers hit the charts (along with The Best Of Spirit), and there was new demand for the group. Cassidy decided to capitalize on this and put together an entirely new group for touring purposes which lasted throughout the year.
The Mercury years (1974-1979)
In 1974 Cassidy made it a point to find California and re-establish contact. He eventually persuaded California to return to the mainland and give the band another shot. Andes worked with the duo for a while, but never intended to stay, as he was in the process of working with the group Firefall at the same time. Sound engineer/bassist Barry Keene, who had been a personal sound engineer for Frank Zappa, joined the band as its bass player.
In early 1975, the group was supposed to be the opening act for Ten Years After at a show in Florida, but when Ten Years After backed out at the last minute, Spirit was granted permission to take over the theatre for the evening. After going around to local radio stations to promote the show and setting a low ($3) ticket price, Spirit managed to sell out the 3,000 seat theatre. Using the profits from the show, they blocked out as much time as they could at a Tampa studio, "Studio 70".
After recording a huge amount of material at the studio, their manager at the time, Marshall Berle (the nephew of Milton Berle), offered the material to Mercury Records. On the basis of the material, the group was offered a contract, and a double-album entitled Spirit of '76 was culled from the material and released in May 1975. The album garnered a bit of FM airplay, so they quickly followed it up with Son of Spirit, released in October of that year and featuring many songs taken from the same sessions.
For the tour in support of Son of Spirit, Locke re-joined the group. Eventually, Andes returned to the line-up as well, and though Ferguson declined to participate in the group reunion at first, the band (with the addition of Mark's brother Matt Andes as a second guitarist) recorded an album entitled Farther Along.
The album returned the group to the U.S. charts one last time, peaking at #179. For a few shows at the Santa Monica Civic Auditorium, Ferguson re-joined the group. Disaster struck, however, when an inebriated Neil Young walked onto stage to join the band during the final show's encore of "Like a Rolling Stone". Sporting a new haircut, California did not recognize Young, and thinking that he was just a drunk, California pushed him away from his microphone. Ferguson and Locke did recognize him, and thinking that California's ego was flaring, promptly walked off stage. Cassidy initially quelled the situation by leaving his kit and joining both California and Young at the microphone to close out the song, but the damage had already been done, and the reunion ended that night.
Undaunted, California assembled what was basically a solo album as a Spirit album under the name Future Games: A Magical Kahuana Dream. Mercury released it in early 1977, but it received no promotion, and it ended what little bit of commercial momentum the group might have regained. It also (initially) ended their contract with Mercury. At the same time, former bandmate Jay Ferguson was having success in his solo career in late 1970s with the hits "Thunder Island" & "Shakedown Cruise".
The group, now down to a trio with new bassist Larry "Fuzzy" Knight, did extensive touring throughout 1978, recorded a live album which was released (in slightly different configurations) in several different countries by different independent labels. It was not a commercial success, and following the touring, California left the group again.
The 1980s and beyond
After Spirit's demise, California put together another group with the intent of re-starting his solo career. This was short-lived, but while in England, a fan presented him with a petition of 5,000 signatures, requesting the release of the Potato Land album from 1973. In 1981, California put out a half-hearted version of the album, featuring only part of the original album (and what was there featured overdubbing done after the fact) with the addition of a few unrelated songs that were recorded in the late 1970s. It was released in the U.S. by Rhino Records (being one of the first albums that they released) and in England by Beggars Banquet Records, where it actually reached #40 in the UK Albums Chart (the only time they would chart in England), possibly due to the album being played by BBC Radio 1.
California's second solo album, Euro-American, was released in 1982 by Beggar's Banquet. He would release two more solo albums during the decade.
In December 1982, the original Spirit line-up reformed and recorded several songs from their first four albums (as well as a few new tracks) live on a soundstage. Though the album Spirit of '84 was initially recorded for an audiophile label, Mercury Records re-signed the band (and gave California a solo deal) and released the album in 1984. Despite the fact that all five original members were on the recording, and MTV played the video, the album was only a moderate success. Some of the original members went to do other projects, but California and Cassidy continued touring with new members Scott Monahan on keys and Dave Waterbury on bass.
California headed to England and recorded his third solo album, the contemporary hard rock Restless, in late 1985. Following a few live dates in England, California returned to the United States and resumed touring extensively with Cassidy, Monahan and Waterbury.
There was one more solo album from California; a collection of material entitled Shattered Dreams that was released in 1986. California secured a deal with IRS Records, and Locke re-joined the band. They recorded an album in 1988 entitled Rapture in the Chambers, but it failed to return them to the charts.
The group self-released Tent Of Miracles in 1990 and set off on almost continually working for the next six years. Though they would release very few albums of new material during the decade, the group was always either recording or touring. California had his own home recording studio since the early 1980s, though he had been making home recordings for years prior to that. Sadly, this renewed vigor came to an end on January 2, 1997, when California drowned off the coast of Hawaii. He had been surfing with his son, who got caught in a riptide. He managed to push his son to safety, but ended up losing his own life.
Though Cassidy did play a few dates with some former Spirit alumni under the name "Spirit Revisited" in 1998, California's death was effectively the end of the group.
Locke died from complications due to lymphoma on 4 August 2006, although the date is sometimes given as 9 August.
Posthumous
California's passing, however, did not mark the end of the emergence of Spirit material. Starting in 2000, there have been five collections of previously unreleased studio and live material, four of which were two-CD sets. California had also prepared an anthology of material from the group's first stint with Mercury Records before he died entitled The Mercury Years. The two-CD set was released in early 1997, though it raised the ire of some fans who did not care for the fact that some of the material had been re-edited or featured overdubbing that was not present on the original releases.
Likewise, nearly all of Spirit's original albums are currently in print in CD. This is thanks to the efforts of Sony Records (with the Epic catalog, though Collector's Choice Music was the first to reissue Feedback on CD in the U.S., following a brief release on disc in France in the late 1990s) and Beat Goes On alongside Edsel, both UK labels (with the Mercury catalog, some of which had made it to CD prior to Beat Goes On and Edsel reissuing all of their Mercury albums). Their later independent albums are available through the group's website. The one album that is unavailable at this time is Rapture In The Chambers, which has not been reissued since the original release, though it was released on CD at that time.
Spirit has also found its work sampled by modern artists several times. The most notable of these was the "Extra P. Remix" of the song "Resurrection" by Common (which samples "Ice" from Clear) and "Feel Good Time" by Pink (which samples the track "Fresh Garbage").
2)
Spirit was a emo band from Melbourne, Australia. They were active in the late 90's. They released a 7'' entitled "In Memory Of..." in 1998 and a split 7'' with Blake.
3)
Spirit was Duncan Busto, a UK drum and bass musician (died 26 August 2018). He released on C.I.A., Metalheadz, Renegade Hardware and Inneractive (his own imprint).
Ipswich-based Busto took up DJ'ing in 1987, when he was at college in London.
He played alongside guests such as Mr. C. and Colin Faver. Duncan moved back to Ipswich in 1990 and straight into a residency at a club called Trance, alongside spots at Raindance and Raven, which became one of the biggest nights in East Anglia with crowds of over 1,000 people.
It was late 1994 when Busto started producing his own Drum 'n' Bass tracks under the name Spirit. Restricted to the confinements of his bedroom, he set up his studio in 1995 and teamed up with Klute from Certificate 18 Records. His tracks were released on Timeless and Fresh '80, gaining strong support from LTJ Bukem, Peshay, Grooverider and Fabio who has utmost respect for. He reckons that, “Fabio is a man who loves his music, is a blinding DJ and one of the nicest people I’ve ever met”. Since then two of his tracks "Solar Glide" by The Spirit, and "Shockwave" by Digital and The Spirit were released on Artcore 3 and 4 respectively, on React.
Influenced by “pretty much anything”, Busto appreciated the good and bad in any tune. He said, “The bad ones make me remember what not to do, but I love the way Drum ‘n’ Bass is becoming more world widely recognised and more people are introducing more fresh and new ideas”. In his free time, Busto listened to Hip-Hop, Drum ‘n’ Bass, Techno, House, Funk, Jazz and “some obscure electronic / industrial music from the early mid-eighties!” He produced much of his material with Digital, and the pair have proved to be an invincible team, releasing tunes on Metalheadz, Timeless and Photek and contributing to the Photek LP, “Sub Zero”. Busto was behind the record label Phantom Audio, which he set up in 1999 with partner Digital. Busto also has a regular spot writing Drum ‘n’ Bass reviews in Muzik Magazine once a month.
4) Spirit was an alias of UK techno duo 65D Mavericks, used for releasing on the Lost affiliated Cosmic label.
5) Spirit is a rock band from Slovakia, Levice.
6) Spirit is a modern metal band from Warsaw, Poland.
7) Spirit is a post-hardcore band from Cortez, Colorado.
8) Spirit was a 90s hardcore band from New Jersey. Formerly known as Kurbjaw.
1) Spirit … Read Full Bio ↴There is more than one artist with this name, including:
1) Spirit was an American group formed by guitarist Randy California.
2) Spirit was a emo band from Montrose, Australia.
3) Spirit was UK drum and bass musician Duncan Busto (died 26 August 2018).
4) Spirit was an alias of UK techno duo 65D Mavericks, used for releasing on the Lost affiliated Cosmic label.
5) Spirit is a rock band from Slovakia, Levice.
6) Spirit is a modern metal band from Warsaw, Poland.
7) Spirit is a post-hardcore band from Cortez, Colorado.
8) Spirit was a 90s hardcore band from New Jersey. Formerly known as Kurbjaw.
1) Spirit was an American jazz/hard rock/psychedelic band founded in 1967, based in Los Angeles, California.
The original lineup
The original lineup of the group evolved from an earlier Los Angeles band, The Red Roosters, which included Randy California (guitars, vocals), Mark Andes (bass) and Jay Ferguson (vocals, percussion). With the addition of Ed Cassidy (drums) and keyboard player John Locke the new band was originally named the Spirits Rebellious (after a book by Khalil Gibran) but was soon shortened simply to Spirit. Randy California had also played with Jimi Hendrix (then known as Jimmy James) in Jimmy James and the Blue Flames in 1966.
Cassidy was instantly recognizable by his shaven head (hence his nickname "Mr. Skin") and his fondness for wearing black. He was around twenty years older than the rest of the group (born in 1923). His earlier career was primarily in jazz and included stints with Cannonball Adderley, Gerry Mulligan, Roland Kirk, Thelonious Monk and Lee Konitz. He was a founding member of Rising Sons with Taj Mahal and Ry Cooder.
1960s
The group's first album, Spirit, was released in 1968. "Mechanical World" was released as a single (it lists the playing time merely as "very long"). The album was a substantial underground hit, reaching #31 and staying on the charts for over eight months. The album displayed jazz influences, as well as using elaborate string arrangements (not found on their subsequent recordings) and is the most overtly psychedelic of their albums.
They capitalized on the success of their first album with another single, "I Got A Line On You". Released in November of 1968, a month before their second album, The Family That Plays Together, it became their biggest hit single, reaching #25 on the charts (#28 in Canada). The album matched its success, reaching #22. They also went on tour that year with support band Led Zeppelin, who were heavily influenced by Spirit -- Led Zeppelin played an extended medley during their early 1969 shows that featured "Fresh Garbage" among other songs, Jimmy Page's use of a theremin has been attributed to his seeing Randy California use one which he had mounted to his amplifier, and it is now widely believed that Page lifted the descending guitar figure from Spirit's instrumental "Taurus" for Led Zeppelin's signature tune "Stairway To Heaven". This led to years of litigation, which was finally judged against Spirit in 2020 when the court held that "a four-note sequence common in the music field is not the copyrightable expression in a song.”
After this success, the group was asked by French film director Jacques Demy to record the soundtrack to his film, Model Shop and they also made a brief appearance in the film. Their third album, Clear, released in 1969, reached #55 on the charts. Spirit were offered the spot right before Jimi Hendrix at Woodstock, but they were advised to turn it down and concentrate on a promotional tour for their third album. Record company managers felt that the festival would not be significant, which it did not seem so at that time, and so they missed out on the massive international exposure that the festival and the subsequent film documentary generated.
"1984" and the Sardonicus era
After the release of Clear, California was called upon again to give the group a hit single. With the group producing the record on their own, they recorded a song California had written called "1984". Though the title echoed the George Orwell book of the same name, it was one of California's finest, and it boasted an excellent production job (and was one of the most ferocious things that Spirit would ever record). And it looked at first like it would be the group's biggest hit yet. Soon after being released, it raced up the charts to #69.
In retrospect, nobody is completely sure why the single had such a brief chart life, but there are several possibilities. It is no secret that Lou Adler's alliance with Epic Records was uneasy at best, and at the time that the single was released, Adler's distribution deal with Epic came to an end. He had been eager to move distribution of the label to A&M Records, which he did as soon as the deal with Epic ended, which might have killed the commercial availability of the single (though Adler ended up giving Spirit's contract to Epic in the process). It has also been said that there was a tip sheet distributed to radio stations outlining the song's supposed political and social views, and opining that it might not be appropriate for air play . The song would finally see general release on The Best Of Spirit in 1973.
In 1970, Spirit started working on what is widely considered to be their best LP, Twelve Dreams of Dr. Sardonicus. On the recommendation of Neil Young the band chose David Briggs as the producer. It was a prolific time for the group's writers and the album was finally released in late 1970. Especially memorable was Randy California's poignant "Nature's Way", which was written in an afternoon when the group was playing at the Fillmore West in San Francisco.
Epic released an early mix of "Animal Zoo" as a single, but this only made it to #97 on the charts. Like The Who's Tommy and Pink Floyd's Dark Side of the Moon, it is critically regarded as a landmark of art-rock, with a tapestry of literary themes about the fragility of life and the complexity of the human experience, illustrated by recurring lyric "life has just begun", and continued the group's pioneering exploration of enviromnental issues in their lyrics (cf. "Fresh Garbage"). The album is also notable for its inventive production and the use of a modular Moog synthesizer.
1971-1973
After the group undertook a promotional tour to support the album Twelve Dreams of Dr. Sardonicus Ferguson and Andes left the group, forming Jo Jo Gunne.
Bass player John Arliss initially took Andes' place, and California was still in the line-up, but he soon left the group and attempted a solo career. Eventually, two brothers named Al Stahely and John Staehely joined the band, and with Cassidy and Locke, recorded the 1972 album Feedback. It was a different turn for the group, showing more of a country-rock influence pervading their jazzier tendencies, but it also met with a mild commercial response, reaching #63 in the charts (the same position, ironically, that Sardonicus reached). The tour for Feedback eventually found both Cassidy and Locke leaving the lineup, with the Staehely brothers recruiting other musicians to fill their roles. While the tour was well received critically, Spirit disbanded in early 1973. The brothers would release their own album, Sta-Hay-Lee, in 1973.
California, meanwhile, had recorded and issued his first solo album, Kapt. Kopter and the (Fabulous) Twirly Birds, in late 1972. It featured appearances by Noel Redding (as 'Clit McTorius'), Leslie Sampson (the drummer from Noels band Road, as 'Henry Manchovitz') and Cassidy and had a hard rock sound. After launching a brief tour to support the album, a follow-up album was recorded with Cassidy, entitled The Adventures Of Kaptain Kopter And Commander Cassidy In Potato Land. Though Locke made a guest appearance, it was not intended as a Spirit album at the time. Epic however rejected the completed album, and California moved to Molokai, Hawaii.
Epic Records decided to re-issue the group's first and third, and second and fifth, albums as two-fers in 1973, in response to Sardonicus continuing to sell well, despite being off of the charts. They also issued a compilation album, The Best Of Spirit, that year, as well as releasing the Sardonicus track "Mr. Skin" as a single. Surprisingly, "Mr. Skin" became a minor hit, and one of the two-fers hit the charts (along with The Best Of Spirit), and there was new demand for the group. Cassidy decided to capitalize on this and put together an entirely new group for touring purposes which lasted throughout the year.
The Mercury years (1974-1979)
In 1974 Cassidy made it a point to find California and re-establish contact. He eventually persuaded California to return to the mainland and give the band another shot. Andes worked with the duo for a while, but never intended to stay, as he was in the process of working with the group Firefall at the same time. Sound engineer/bassist Barry Keene, who had been a personal sound engineer for Frank Zappa, joined the band as its bass player.
In early 1975, the group was supposed to be the opening act for Ten Years After at a show in Florida, but when Ten Years After backed out at the last minute, Spirit was granted permission to take over the theatre for the evening. After going around to local radio stations to promote the show and setting a low ($3) ticket price, Spirit managed to sell out the 3,000 seat theatre. Using the profits from the show, they blocked out as much time as they could at a Tampa studio, "Studio 70".
After recording a huge amount of material at the studio, their manager at the time, Marshall Berle (the nephew of Milton Berle), offered the material to Mercury Records. On the basis of the material, the group was offered a contract, and a double-album entitled Spirit of '76 was culled from the material and released in May 1975. The album garnered a bit of FM airplay, so they quickly followed it up with Son of Spirit, released in October of that year and featuring many songs taken from the same sessions.
For the tour in support of Son of Spirit, Locke re-joined the group. Eventually, Andes returned to the line-up as well, and though Ferguson declined to participate in the group reunion at first, the band (with the addition of Mark's brother Matt Andes as a second guitarist) recorded an album entitled Farther Along.
The album returned the group to the U.S. charts one last time, peaking at #179. For a few shows at the Santa Monica Civic Auditorium, Ferguson re-joined the group. Disaster struck, however, when an inebriated Neil Young walked onto stage to join the band during the final show's encore of "Like a Rolling Stone". Sporting a new haircut, California did not recognize Young, and thinking that he was just a drunk, California pushed him away from his microphone. Ferguson and Locke did recognize him, and thinking that California's ego was flaring, promptly walked off stage. Cassidy initially quelled the situation by leaving his kit and joining both California and Young at the microphone to close out the song, but the damage had already been done, and the reunion ended that night.
Undaunted, California assembled what was basically a solo album as a Spirit album under the name Future Games: A Magical Kahuana Dream. Mercury released it in early 1977, but it received no promotion, and it ended what little bit of commercial momentum the group might have regained. It also (initially) ended their contract with Mercury. At the same time, former bandmate Jay Ferguson was having success in his solo career in late 1970s with the hits "Thunder Island" & "Shakedown Cruise".
The group, now down to a trio with new bassist Larry "Fuzzy" Knight, did extensive touring throughout 1978, recorded a live album which was released (in slightly different configurations) in several different countries by different independent labels. It was not a commercial success, and following the touring, California left the group again.
The 1980s and beyond
After Spirit's demise, California put together another group with the intent of re-starting his solo career. This was short-lived, but while in England, a fan presented him with a petition of 5,000 signatures, requesting the release of the Potato Land album from 1973. In 1981, California put out a half-hearted version of the album, featuring only part of the original album (and what was there featured overdubbing done after the fact) with the addition of a few unrelated songs that were recorded in the late 1970s. It was released in the U.S. by Rhino Records (being one of the first albums that they released) and in England by Beggars Banquet Records, where it actually reached #40 in the UK Albums Chart (the only time they would chart in England), possibly due to the album being played by BBC Radio 1.
California's second solo album, Euro-American, was released in 1982 by Beggar's Banquet. He would release two more solo albums during the decade.
In December 1982, the original Spirit line-up reformed and recorded several songs from their first four albums (as well as a few new tracks) live on a soundstage. Though the album Spirit of '84 was initially recorded for an audiophile label, Mercury Records re-signed the band (and gave California a solo deal) and released the album in 1984. Despite the fact that all five original members were on the recording, and MTV played the video, the album was only a moderate success. Some of the original members went to do other projects, but California and Cassidy continued touring with new members Scott Monahan on keys and Dave Waterbury on bass.
California headed to England and recorded his third solo album, the contemporary hard rock Restless, in late 1985. Following a few live dates in England, California returned to the United States and resumed touring extensively with Cassidy, Monahan and Waterbury.
There was one more solo album from California; a collection of material entitled Shattered Dreams that was released in 1986. California secured a deal with IRS Records, and Locke re-joined the band. They recorded an album in 1988 entitled Rapture in the Chambers, but it failed to return them to the charts.
The group self-released Tent Of Miracles in 1990 and set off on almost continually working for the next six years. Though they would release very few albums of new material during the decade, the group was always either recording or touring. California had his own home recording studio since the early 1980s, though he had been making home recordings for years prior to that. Sadly, this renewed vigor came to an end on January 2, 1997, when California drowned off the coast of Hawaii. He had been surfing with his son, who got caught in a riptide. He managed to push his son to safety, but ended up losing his own life.
Though Cassidy did play a few dates with some former Spirit alumni under the name "Spirit Revisited" in 1998, California's death was effectively the end of the group.
Locke died from complications due to lymphoma on 4 August 2006, although the date is sometimes given as 9 August.
Posthumous
California's passing, however, did not mark the end of the emergence of Spirit material. Starting in 2000, there have been five collections of previously unreleased studio and live material, four of which were two-CD sets. California had also prepared an anthology of material from the group's first stint with Mercury Records before he died entitled The Mercury Years. The two-CD set was released in early 1997, though it raised the ire of some fans who did not care for the fact that some of the material had been re-edited or featured overdubbing that was not present on the original releases.
Likewise, nearly all of Spirit's original albums are currently in print in CD. This is thanks to the efforts of Sony Records (with the Epic catalog, though Collector's Choice Music was the first to reissue Feedback on CD in the U.S., following a brief release on disc in France in the late 1990s) and Beat Goes On alongside Edsel, both UK labels (with the Mercury catalog, some of which had made it to CD prior to Beat Goes On and Edsel reissuing all of their Mercury albums). Their later independent albums are available through the group's website. The one album that is unavailable at this time is Rapture In The Chambers, which has not been reissued since the original release, though it was released on CD at that time.
Spirit has also found its work sampled by modern artists several times. The most notable of these was the "Extra P. Remix" of the song "Resurrection" by Common (which samples "Ice" from Clear) and "Feel Good Time" by Pink (which samples the track "Fresh Garbage").
2)
Spirit was a emo band from Melbourne, Australia. They were active in the late 90's. They released a 7'' entitled "In Memory Of..." in 1998 and a split 7'' with Blake.
3)
Spirit was Duncan Busto, a UK drum and bass musician (died 26 August 2018). He released on C.I.A., Metalheadz, Renegade Hardware and Inneractive (his own imprint).
Ipswich-based Busto took up DJ'ing in 1987, when he was at college in London.
He played alongside guests such as Mr. C. and Colin Faver. Duncan moved back to Ipswich in 1990 and straight into a residency at a club called Trance, alongside spots at Raindance and Raven, which became one of the biggest nights in East Anglia with crowds of over 1,000 people.
It was late 1994 when Busto started producing his own Drum 'n' Bass tracks under the name Spirit. Restricted to the confinements of his bedroom, he set up his studio in 1995 and teamed up with Klute from Certificate 18 Records. His tracks were released on Timeless and Fresh '80, gaining strong support from LTJ Bukem, Peshay, Grooverider and Fabio who has utmost respect for. He reckons that, “Fabio is a man who loves his music, is a blinding DJ and one of the nicest people I’ve ever met”. Since then two of his tracks "Solar Glide" by The Spirit, and "Shockwave" by Digital and The Spirit were released on Artcore 3 and 4 respectively, on React.
Influenced by “pretty much anything”, Busto appreciated the good and bad in any tune. He said, “The bad ones make me remember what not to do, but I love the way Drum ‘n’ Bass is becoming more world widely recognised and more people are introducing more fresh and new ideas”. In his free time, Busto listened to Hip-Hop, Drum ‘n’ Bass, Techno, House, Funk, Jazz and “some obscure electronic / industrial music from the early mid-eighties!” He produced much of his material with Digital, and the pair have proved to be an invincible team, releasing tunes on Metalheadz, Timeless and Photek and contributing to the Photek LP, “Sub Zero”. Busto was behind the record label Phantom Audio, which he set up in 1999 with partner Digital. Busto also has a regular spot writing Drum ‘n’ Bass reviews in Muzik Magazine once a month.
4) Spirit was an alias of UK techno duo 65D Mavericks, used for releasing on the Lost affiliated Cosmic label.
5) Spirit is a rock band from Slovakia, Levice.
6) Spirit is a modern metal band from Warsaw, Poland.
7) Spirit is a post-hardcore band from Cortez, Colorado.
8) Spirit was a 90s hardcore band from New Jersey. Formerly known as Kurbjaw.
Once Again
Spirit Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
다시 너를 볼 수 있을까
다시 스쳐 지나가 버린
운명 앞에 서 있어
깨지 못할 꿈이었을까 우리
멀어지는 너에게
전하지 못했어.
한번도
널 사랑해
내 깊은 마음속
Don′t let me cry
넌 닿으면 없어질 꿈
녹아내려 버릴 눈
네가 그리워질 때면
난 너가 돼 있었고
잡지 않았어 널,
다시 올 줄 알고
그리워하다 보면
언젠가는 다시 볼 줄 알고
열병 같던 감정의 시작, 끝
그 시작, 끝에 서 있어
비상등처럼 어둠속 혼자
우두커니 불 켜있어
아무리 생각해도 답은 넌데
가슴에 틀린 답을 적네
밀어내도 남아있어
어느새 꿈속에 와있어
(I don't wanna lose you
Be without you
Anymore)
생각해도 모르겠어.
너 없이 사는 법
(I don′t wanna lose you
Be without you
Anymore)
다시 너를 볼 수 있을까 다시
스쳐 지나가 버린 운명
앞에 서 있어
깨지 못할 꿈이었을까 우리
멀어지는 너에게 전하지 못했어.
한번도
널 사랑해
내 깊은 마음속
Don't let me cry
딱 하루 돌아갈 수 있다면
그 날로 나 살 수 있다면
널 아프게 한 말과
행동 되돌릴 수 있다면
널 덜 외롭게 하고
더 꽉 안을 수 있다면
미치게 후회스러운
그 하루 다시 내게 주어진다면
다시는 내게서 네 손
절대로 놓지 않을게.
내가 넌 예쁘게만 피면 돼
널 위해서 가시가 될게. 내가
빌어먹을 왜 몰랐을까 그때
널 잡았다면 달랐을까
난 어차피 넌데
널 떠나봤자 결국
어차피 넌데
(I don't wanna lose you
Be without you
Anymore)
생각해도 모르겠어.
너 없이 사는 법
(I don′t wanna lose you
Be without you
Anymore)
다시 너를 볼 수 있을까 다시
스쳐 지나가 버린
운명 앞에 서 있어
깨지 못할 꿈이었을까 우리
멀어지는 너에게 전하지 못했어.
나의 마음을
아직도 울고 있잖아
(Don′t let me cry)
여기서 기다리잖아.
가슴이 지치도록
Don't say goodbye
내 곁에 돌아와
언제라도 찾아와
다시 스쳐 지나가 버린
운명 앞에 서 있어
깨지 못할 꿈이었을까 우리
멀어지는 너에게
전하지 못했어.
한번도
내 깊은 마음속
Don′t let me cry
넌 닿으면 없어질 꿈
녹아내려 버릴 눈
네가 그리워질 때면
난 너가 돼 있었고
잡지 않았어 널,
다시 올 줄 알고
그리워하다 보면
언젠가는 다시 볼 줄 알고
열병 같던 감정의 시작, 끝
그 시작, 끝에 서 있어
비상등처럼 어둠속 혼자
우두커니 불 켜있어
아무리 생각해도 답은 넌데
가슴에 틀린 답을 적네
밀어내도 남아있어
어느새 꿈속에 와있어
(I don't wanna lose you
Be without you
Anymore)
생각해도 모르겠어.
너 없이 사는 법
(I don′t wanna lose you
Be without you
Anymore)
다시 너를 볼 수 있을까 다시
스쳐 지나가 버린 운명
앞에 서 있어
깨지 못할 꿈이었을까 우리
멀어지는 너에게 전하지 못했어.
한번도
널 사랑해
내 깊은 마음속
Don't let me cry
딱 하루 돌아갈 수 있다면
그 날로 나 살 수 있다면
널 아프게 한 말과
행동 되돌릴 수 있다면
널 덜 외롭게 하고
더 꽉 안을 수 있다면
미치게 후회스러운
그 하루 다시 내게 주어진다면
다시는 내게서 네 손
절대로 놓지 않을게.
내가 넌 예쁘게만 피면 돼
널 위해서 가시가 될게. 내가
빌어먹을 왜 몰랐을까 그때
널 잡았다면 달랐을까
난 어차피 넌데
널 떠나봤자 결국
어차피 넌데
(I don't wanna lose you
Be without you
Anymore)
생각해도 모르겠어.
너 없이 사는 법
(I don′t wanna lose you
Be without you
Anymore)
다시 너를 볼 수 있을까 다시
스쳐 지나가 버린
운명 앞에 서 있어
깨지 못할 꿈이었을까 우리
멀어지는 너에게 전하지 못했어.
나의 마음을
아직도 울고 있잖아
(Don′t let me cry)
여기서 기다리잖아.
가슴이 지치도록
Don't say goodbye
내 곁에 돌아와
언제라도 찾아와
The lyrics of Spirit's song "Once Again" express a deep longing and regret for a lost love. The opening lines ask if the singer will ever be able to see their love again and contemplate whether the dream of being reunited was something that could never come true. The regret and pain of not being able to express their feelings to a distant love is also expressed. The lyrics then shift to the present where the singer is alone in the darkness with only their thoughts of the lost love to keep them company. The chorus repeats the message of never wanting to lose the love and the deep yearning to be reunited once again.
The second verse speaks of the possibility of going back in time to change things that caused the separation, expressing a desire to make amends and hold the lost love even tighter. The lyrics touch on the hurt that has been caused and the longing for forgiveness and to be together once again. The singer acknowledges their own faults and expresses a willingness to do whatever it takes to make things right so that they may never lose their love again. The song ends with the singer still waiting and hoping for their love to return to them, never wanting to be without them again.
Overall, the song expresses a deep yearning for a lost love and the regret of not having expressed one's feelings earlier. The lyrics convey a message of hope for reconciliation and never giving up on the possibility of being reunited with one's true love.
Line by Line Meaning
다시 너를 볼 수 있을까
Can I see you again?
다시 스쳐 지나가 버린
Passed by once again
운명 앞에 서 있어
I stand before destiny
깨지 못할 꿈이었을까 우리
Was it an unbreakable dream for us?
멀어지는 너에게
To you, who is getting further away
전하지 못했어. 한번도
I didn't express it. Not even once.
널 사랑해
I love you
내 깊은 마음속
Deep in my heart
Don′t let me cry
Don't let me cry
넌 닿으면 없어질 꿈
A dream that disappears when I touch you
녹아내려 버릴 눈
Eyes that will melt down
네가 그리워질 때면
When I miss you
난 너가 돼 있었고
I became you
잡지 않았어 널, 다시 올 줄 알고
I didn't hold onto you, thinking you will come back
그리워하다 보면 언젠가는 다시 볼 줄 알고
While missing you, I know I will see you again someday
열병 같던 감정의 시작, 끝
The beginning and the end of feverish emotions
그 시작, 끝에 서 있어
I stand at the beginning and end of it all
비상등처럼 어둠속 혼자
Alone in the darkness like a beacon light
우두커니 불 켜있어
The light is barely on
아무리 생각해도 답은 넌데
No matter how much I think, the answer is you
가슴에 틀린 답을 적네
But I am writing the wrong answer in my heart
밀어내도 남아있어
Even if I push it away, it lingers
어느새 꿈속에 와있어
Suddenly, I'm in a dream
(I don't wanna lose you
Be without you
Anymore)
I don't want to lose you, be without you, anymore
생각해도 모르겠어. 너 없이 사는 법
I don't even know how to live without you, no matter how much I think
딱 하루 돌아갈 수 있다면
If I could go back to just one day
그 날로 나 살 수 있다면
If I could live in that day
널 아프게 한 말과 행동 되돌릴 수 있다면
If I could take back the words and actions that hurt you
널 덜 외롭게 하고 더 꽉 안을 수 있다면
If I could make you less lonely and hold you tighter
미치게 후회스러운 그 하루 다시 내게 주어진다면
If that regretful day is given back to me
다시는 내게서 네 손 절대로 놓지 않을게
I will never let go of your hand again
내가 넌 예쁘게만 피면 돼
I just need to make sure you blossom beautifully
널 위해서 가시가 될게. 내가
I will become the thorn for your sake
빌어먹을 왜 몰랐을까 그때
Why didn't I realize it then?
널 잡았다면 달랐을까
Would it have been different if I held onto you?
난 어차피 넌데
Anyway, it's you
널 떠나봤자 결국 어차피 넌데
Even if I leave you, in the end, it's still you
(I don't wanna lose you
Be without you
Anymore)
I don't want to lose you, be without you, anymore
다시 너를 볼 수 있을까 다시
Can I see you again?
스쳐 지나가 버린 운명
The destiny that passed by
앞에 서 있어
I stand before it
깨지 못할 꿈이었을까 우리
Was it an unbreakable dream for us?
멀어지는 너에게 전하지 못했어. 한번도
I didn't express it to you, who is getting further away. Not even once.
나의 마음을
My heart
아직도 울고 있잖아
Is still crying
(Don′t let me cry)
Don't let me cry
여기서 기다리잖아.
I am waiting here.
가슴이 지치도록
Until my heart is exhausted
Don't say goodbye
Don't say goodbye
내 곁에 돌아와
Come back to my side
언제라도 찾아와
Come find me anytime
Writer(s): Randy Craig California, Ed Cassidy
Contributed by Isabella F. Suggest a correction in the comments below.
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john fletcher
we must all realize..this is one of the greatest albums of all time..magic wand
Jake J
Thanks for the uploads from this album. I had the vinyl when it came out