Squarepusher is a pseudonym of Chelmsford, Essex, England, electronic music… Read Full Bio ↴Squarepusher is a pseudonym of Chelmsford, Essex, England, electronic musician Tom Jenkinson (b. 1975), best known for his experimental drum and bass, with a heavy jazz fusion influence. A skilled bassist and multi-instrumentalist, Jenkinson's virtuoso playing is a staple of his music and one of the more obvious affiliations with jazz (although his formal arrangements are often as jazz-derived as his playing). His bass style includes melodic fretless playing, high-speed slap bass and intricate chordal work. The project débuted with Conumber E:P (1995, Spymania) and the latest is Be Up A Hello (January 2020, Warp).
The son of a jazz drummer, Jenkinson grew up listening to greats such as Miles Davis, Charlie Parker and Art Blakey, plus dub pioneers King Tubby and Augustus Pablo. He played bass and drums in high school but was frustrated by the limitations of playing with other musicians. Introduced to electronic music through experimental electro-techno artists such as LFO and Carl Craig as well as the local rave scene, Jenkinson soon began assembling these disparate influences into an amalgam of post-bop, avant-garde and progressive jazz with breakbeat techno, making heavy use of the Amen break.
Conumber E:P and another early EP, as Duke Of Haringey, Alroy Road Tracks (1995, Spymania), were initially disregarded as misplaced perversions of jungle's more obvious compositional principles. However, they found a ready audience in fans of post-acid house experimental listening music. Tracks from these EPs were later compiled onto the album Burningn'n tree.
His first album, Feed Me Weird Things (1996, Rephlex - Richard D. James' label) and from there he progressed to Warp Records for the Port Rhombus EP, classic second album Hard Normal Daddy (1997) and all subsequent releases to date - except, as Chaos A.D., an album of old acid techno tracks, Buzz Caner (1998, Rephlex).
For Music Is Rotted One Note (1998), he stopped using sampled drum breaks and instead multi-tracked himself playing drums, bass, and keyboards. The following year, he released two EPs: Budakhan Mindphone and Maximum Priest, plus album Selection Sixteen.
Go Plastic (summer 2001), marked a change of direction with entirely sampled and synthesized sounds. It includes the closest thing to a hit single Squarepusher had seen, "My Red Hot Car". His subsequent releases, e.g. Do You Know Squarepusher (2003) and Ultravisitor (2004), found him refining his fusion of composition, programming and musicianship.
More recently, Just A Souvenir (2008), with a more rock-influenced sound, was followed by Solo Electric Bass (2009), consisting of live recordings of Jenkinson on the titular instrument.
The son of a jazz drummer, Jenkinson grew up listening to greats such as Miles Davis, Charlie Parker and Art Blakey, plus dub pioneers King Tubby and Augustus Pablo. He played bass and drums in high school but was frustrated by the limitations of playing with other musicians. Introduced to electronic music through experimental electro-techno artists such as LFO and Carl Craig as well as the local rave scene, Jenkinson soon began assembling these disparate influences into an amalgam of post-bop, avant-garde and progressive jazz with breakbeat techno, making heavy use of the Amen break.
Conumber E:P and another early EP, as Duke Of Haringey, Alroy Road Tracks (1995, Spymania), were initially disregarded as misplaced perversions of jungle's more obvious compositional principles. However, they found a ready audience in fans of post-acid house experimental listening music. Tracks from these EPs were later compiled onto the album Burningn'n tree.
His first album, Feed Me Weird Things (1996, Rephlex - Richard D. James' label) and from there he progressed to Warp Records for the Port Rhombus EP, classic second album Hard Normal Daddy (1997) and all subsequent releases to date - except, as Chaos A.D., an album of old acid techno tracks, Buzz Caner (1998, Rephlex).
For Music Is Rotted One Note (1998), he stopped using sampled drum breaks and instead multi-tracked himself playing drums, bass, and keyboards. The following year, he released two EPs: Budakhan Mindphone and Maximum Priest, plus album Selection Sixteen.
Go Plastic (summer 2001), marked a change of direction with entirely sampled and synthesized sounds. It includes the closest thing to a hit single Squarepusher had seen, "My Red Hot Car". His subsequent releases, e.g. Do You Know Squarepusher (2003) and Ultravisitor (2004), found him refining his fusion of composition, programming and musicianship.
More recently, Just A Souvenir (2008), with a more rock-influenced sound, was followed by Solo Electric Bass (2009), consisting of live recordings of Jenkinson on the titular instrument.
F-Train
Squarepusher Lyrics
We have lyrics for 'F-Train' by these artists:
Chris Murray Well, the LED is hazy, the mirror's face is smeared, Poundi…
David Usher (Just one sec) (Lavalamps are good) Traveled on the F train…
We have lyrics for these tracks by Squarepusher:
#20 My Red Hot Car Use me out for all Let me tell you girl that…
01 My Red Hot Car you scream out for more let me tell you girl…
50 Cycles all great praise, eventually ice ?? dust puppy respected, re…
A Real Woman You are a member of society You are a member of…
Acid Tape even a stopped clock gives the right time twice a…
Circlewave hello, my name is thomas jenkins.…
Come on My Selector Let the bass kick! I'm the fucking daddy! Oh yeah its alri…
Do You Know Squarepusher squarepusher's your fucking daddy makes all different styles…
Fluxgate Quienes solicitudes por un beso intente a aprender otro idio…
Iambic 9 Poetry Genesis Supper's Ready Apocalypse In 9, 8 With the guards…
Illegal Dustbin ARE YOU DOWN WITH THE UNDERGROUND?…
Into The Blue Lost in the (park?) Lost in the place somewhere quite moving…
Love Will Tear Us Apart When routine bites hard, and ambitions are low And resentme…
My red hot car you scream out for more let me tell you girl…
My Red Hot Car you scream out for more let me tell you girl…
Plaistow Flex Out Yeah mate, welcome to Plaistow Flex Out.…
Plug Me In I've got to get in sync with you Do you wanna…
Schizm sort out the record (?) break it down like this…
Shin Triad Le shinav, sar le shin pre tu Ginav e djes, ginav…
Square Window i love you…
Talk About You & Me I love you girl Nothing you can do Gonna make you my…
The Coathanger Behold the coathanger! Observe the coathanger! It's over t…
Unreleased Track 1 sort out the record (?) break it down like this…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@charonsferryold
I often hear voices in my head, but they're not actually scary like all the stories about them are, usually they're just jarbled nonsense. This track captures it perfectly
@riverstanley5644
When I was in the E.R after I broke my wrist, in order to put it back in place they had to put me in a painkiller, and they gave my Ketamine thru an IV, and hearing the doctors sounded exactly like this song. This song is what ketamine feels like
@matingsequence5942
I'd have to concur. I've actually written a good amount of slam poetry on dissociatves
@toonalootown2331
1:54
@alexanderpetrenko539
The precursor to 50 cycles. I have almost all of his stuff on vinyl now. .......almost. * goes back to drawing board *
@Yesornoization
I've always really liked this track, and sort of wished he'd pursued this direction a bit further, because there's some cool territory to be mined; old by this point, but cool.
@KatachiuneTsachi
Have you heard 50 cycles yet
@Yesornoization
Late reply, but yes, and it's great. I like the backstory on that track, because it apparently convinced Tom that each individual song was taking too long to produce (he apparently spent two or three months on it, and established a one week in and out rule after). Good track though.
@thewonkwonk
Never too old!
@nameismetatoo4591
The dynamic range of this track is absurd lol