His parents were Ukrainian Jews who immigrated from Kyiv city, Ukraine in 1903. The family later moved to New York City for better jobs. Stan worked hard in school receiving straight "A's" on average and finished 6th grade close to the top of his class. Stan's major interest was in musical instruments, and he felt a need to play every instrument in his sight. He played a number of instruments before his father bought him his first saxophone at the age of 13. Even though his father also got him a clarinet, Stan instantly fell in love with the saxophone and began practicing 8 hours a day. In 1941, he was accepted into the All City High School Orchestra of New York City. This gave Stan a chance to receive a private, free tutor from the New York Philharmonic, Simon Kovar - a bassoon player. He also began to spend more time playing the saxophone. He eventually dropped out of school in order to pursue his musical career, but was later sent back to the classroom by the school system’s truancy officers.
In 1943, he was accepted into Jack Teagarden's band, and because of his youth he became Teagarden's ward. Getz also played along with Nat King Cole and Lionel Hampton. After playing for Stan Kenton, Jimmy Dorsey, and Benny Goodman, Getz was a soloist with Woody Herman from 1947 to 1949 in 'The Second Herd' and he first gained wide attention as one of the band's saxophonists, who were known collectively as 'The Four Brothers', the others being Serge Chaloff, Zoot Sims and Herbie Steward. With Herman, he had a hit with "Early Autumn" and after Getz left 'The Second Herd' he was able to launch his solo career. He would be the leader on almost all of his recording sessions after 1950.
During the early '50s, Getz broke away from the Lester Young style to form his own musical identity and he was soon among the most popular of all jazzmen. He discovered Horace Silver in 1950 and used him in his quartet for several months. After touring Sweden in 1951, he formed an exciting quintet that co-featured guitarist Jimmy Raney; their interplay on up-tempo tunes and tonal blend on ballads was quite memorable. Getz's playing helped Johnny Smith have a hit in "Moonlight in Vermont," during 1953-1954 Bob Brookmeyer made his group a quintet and, despite some drug problems during the decade, Getz was a constant poll winner. After spending 1958-1960 in Europe, the tenorman returned to the U.S. and recorded his personal favorite album, Focus, with arranger Eddie Sauter's Orchestra.
Getz became a central figure in introducing bossa nova music to the U.S. audience. Teaming with guitarist Charlie Byrd, who had just returned from a U.S. State Department tour of Brazil, Getz recorded Jazz Samba in 1962 and it became a hit. The title track was an adaptation of Antonio Carlos Jobim's "One Note Samba". Getz won the Grammy for Best Jazz Performance of 1963 for "Desafinado". As a follow-up, Getz recorded Jazz Samba Encore! with one of the originators of bossa nova, Brazilian guitarist Luiz Bonfa.
He then recorded the album Getz/Gilberto with Tom Jobim, João Gilberto and his wife, Astrud Gilberto. Their "The Girl from Ipanema" won a Grammy Award. The piece became one of the most well-known latin jazz cuts of all time. Getz/Gilberto won two Grammys (Best Album and Best Single), besting The Beatles' A Hard Day's Night, a victory for Bossa Nova and Brazilian jazz. A live album, Getz/Gilberto Vol. 2, followed, as did Getz Au Go Go, a recording made live at the Cafe Au Go Go. Unfortunately, Getz' affair with Astrud Gilberto brought an end to his musical partnership with her and her husband and he began to move away from bossa-nova and back to cool jazz. Even while still working with the Gilbertos, he recorded Nobody Else But Me an album of straightforward jazz with a new quartet including vibraphonist Gary Burton, but Verve Records, wishing to continue building the Getz brand with bossa-nova, refused to release it. It eventually came out 30 years later, after Getz had died.
In 1972, Getz recorded in the fusion idiom with Chick Corea and Stanley Clarke. This group, without Getz, went on to become the famous Return to Forever, and many of the pieces including "La Fiesta" remained in their repertoire. In this period Getz experimented with an Echoplex on his saxophone, for which critics vilified him. He eventually discarded fusion and "electric jazz", returning to acoustic jazz, while at the same time gradually de-emphasizing the Bossa Nova, opting for more esoteric and less-mainstream jazz. He had a cameo in the movie The Exterminator (1980).
Towards the end of his life the now drug-free Getz had another creative peak with a group including the pianist Kenny Barron, whom Getz described as "my musical other half".
In 1986, he was inducted into the Down Beat Jazz Hall of Fame.
Getz married Beverly Byrne, a vocalist with the Gene Krupa band, on 7 November 1946; they had three children together: Steven, David, and Beverly (who married Michael McGovern).
Getz became involved with drugs and alcohol while a teenager. In 1954, he was arrested for attempting to rob a pharmacy to get a morphine fix. As he was being processed in the prison ward of Los Angeles County-USC Medical Center, Beverly gave birth to their third child one floor below.
Getz tried to escape his narcotics addiction by moving to Copenhagen. He married Swedish aristocrat Monica Silfverskiöld on 3 November 1956 and had two children with her: Pamela and Nicolas. In 1957 Swedish girlfriend Inga Torgnér gave birth to a son Peter. Stan divorced Monica in 1987.
Zoot Sims, who had known Getz since their time with Herman, once described him as 'a nice bunch of guys', as a consequence of the wide behavioural range of which Getz was capable. In the final stages of his life Getz was able to end his addictions.
Getz died of liver cancer in 1991. His body was cremated and the ashes scattered at sea, off the coast of Malibu, California.
In 1998 the 'Stan Getz Media Center and Library' at the Berklee College of Music was dedicated through a donation from the Herb Alpert Foundation.
Body & Soul
Stan Getz Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
For you I sigh, for you dear only
Why haven't you seen it
I'm all for you body and soul
I spend my days in longing
And wondering why it's me you're wronging
I tell you I mean it
I can't believe it
It's hard to conceive it
That you'd turn away romance
Are you pretending
It looks like the ending
Unless I could have just one more chance to prove, dear
My life a wreck you're making
You know I'm yours for just the taking
I'd gladly surrender myself to you body and soul
My life a wreck you're making
You know I'm yours for the very taking
I'd gladly surrender myself to you body and soul
The lyrics of "Body and Soul" by Stan Getz Quartet pay tribute to two legendary jazz musicians: Coleman Hawkins, who was known as The Bean for allegedly resembling a beanpole, and Eddie Jefferson, a jazz vocalist who gained fame for his vocalese adaptations of jazz solos. The first stanza is dedicated to Hawkins, who is described as the king of saxophones, capable of swinging and playing pretty at the same time. The singer admits to not paying much attention to the saxophone until Hawkins came along and wowed everyone with his sweet tone. The song "Body and Soul" is mentioned as a particular favorite, evoking the image of a band of angels in the sky.
The second stanza is dedicated to Eddie Jefferson, who is praised for his ability to sing "Body and Soul" as Hawkins played it and to write clever lyrics for songs. The lyrics convey a sense of admiration for Jefferson's talent and dedication, and assert that he was twenty years ahead of his time. By the end of the song, the singer hopes that both Hawkins and Jefferson would approve of this homage to their legacy.
Overall, the lyrics of "Body and Soul" express a deep appreciation for the contributions of two jazz icons who left an indelible mark on the genre. Through their saxophone playing and singing, respectively, they brought a unique sound and style that inspired many generations of music lovers.
Line by Line Meaning
Don't you know, he was the king of saxophones
Indeed, he was the best at playing the saxophone.
Talkin' 'bout the guy that made it sound so good
Referring to the musician who played the saxophone with great skill.
Some people knew him by the Bean
The artist was also known by the nickname 'Bean'.
But Hawkins was his name
However, the saxophonist's real name was Coleman Hawkins.
He sure could swing and play pretty too
The musician was skilled in playing both upbeat and mellow music.
Sounds good to me, should sound good to you
The music is pleasing to the ear.
I love to hear him playing Body and Soul
The song Body and Soul played by this musician is particularly enjoyable.
When I first heard it on the record
The first time the music was heard was from a recording.
I just stopped, right there,
The music was so good that the listener was compelled to stop.
Sounded like a band of angels in the sky,
The music was exquisite and divine.
And I have never ever heard a sweeter tone
The sound of the saxophone was the sweetest ever heard.
In fact I pay no 'ttention to the saxophone
The listener was not particularly interested in the saxophone before this performance.
Til Coleman Hawkins came along and spoke to everyone,
The saxophonist gave a performance that captured everyone's attention.
Saying better listen won't you hear me,
The musician demanded that the audience pay attention to the performance.
Sometimes it's hot
The music can be lively.
Then again it's blue
The music can also be melancholic.
My soul just seems to wander,
The music has a transcendental quality.
Pleasing each and everyone,
The music is enjoyed by all.
It's what I've long been craving for
The listener has been seeking music like this for a long time.
The doors have not been always open,
Opportunities have not always been available.
But I am trying to please you.
The musician strives to satisfy the audience.
Please don't try to stop me.
The musician wants to continue performing.
Hope you like it folks
The musician hopes that the listeners are enjoying the performance.
And then he started cookin',
The musician began to play exceptionally well.
Every time he played
The performances were consistently great.
Some melodic melody fast or slow
The music consisted of either fast or slow melodies.
You could tell that it was Hawkins,
The performances were unmistakably that of Coleman Hawkins.
No other one ever has
No other musician has been able to match his skills.
Quite captured his tone
None has been able to replicate his unique sound.
Just he alone,
Only he has the talent.
Has the sound that penetrates
His music has a deep and powerful effect.
It will sure go right through you
His music will move you deeply.
And every chorus gives you just another thrill
Each section of the music provides excitement.
Then along came Eddie Jefferson
Another musician named Eddie Jefferson entered the scene.
He sang the melody like Hawkins played it
He sang the same tune as Hawkins played it.
He sang it true
He sang it sincerely.
He sang it blue
He sang it with a melancholic tone.
Made words for it too
He also added lyrics to the song.
All his fans in New York loved him
Eddie Jefferson had many devoted fans in New York.
There's no one above him
He was considered the best among his contemporaries.
Here in the USA
Especially in the United States.
I've heard 'em say ol' Eddie was the man
Many people believed Eddie Jefferson was the best.
Oh how he could sing
Eddie Jefferson was an excellent singer.
Man did he swing
He had a great rhythm.
Sang on the wing, did his own thing
He performed freely and creatively.
Yes he did
He truly did.
Throughout the country,
All across the country.
Music lovers are still wiggin' on Eddie's singin'
People still enjoy Eddie Jefferson's music even today.
All around the world, he is known
Eddie Jefferson is renowned internationally.
Rhythm was his special joy,
He had a particular talent for creating rhythms.
He swung it like a horn
He used his voice in a way that was comparable to a saxophone.
He must have been born to be a singer
It seems like Eddie Jefferson was born to be a musician.
'Cause his lyrics were so sincere and true
His lyrics had a deep and honest quality.
Funny sad or blue
His music could be light-hearted, melancholic, or sad.
And we've got to remind you
The musicians want to emphasize something important.
Many years it took him
It took Eddie Jefferson many years to become successful.
Singing every day to achieve his first claim to fame
He was highly dedicated and committed to his music.
He was twenty years ahead of his time
He was very innovative and creative.
And he knew it
He was aware of his own talent.
But he kept right on-a singing
He continued to pursue his passion despite the challenges.
He went all around the world making rhythm
He traveled all over the world performing his music.
'Cause music sure was in him and he knew it was
He was born to be a musician.
Sang with Moody and Richie Cole
He collaborated with other musicians like Moody and Richie Cole.
He could sing it just like Bird
He could sing in the same style as saxophonist Charlie Parker.
But his forte was the words he wrote to
His strength was in the lyrics he wrote for the music.
Music that he sang
He sang the music that he himself composed.
So he sang, and he sang
He sang consistently, without giving up.
And he sang his words so clever
He wrote lyrics that were intelligent and witty.
And I know they'll silence him never
His music will never be forgotten.
'Cause he cut this masterpiece
He created a great work of art.
And now we're trying to sing it for you
The musicians aim to perform Eddie Jefferson's music for the audience.
Hope the Bean and Eddie both would still approve
The musicians hope that both Coleman Hawkins and Eddie Jefferson would still appreciate their performance.
There we go
Here we are.
We didn't mean to reminisce
The musicians did not intend to recall memories of the past.
You can surely bet
It is certain that...
That we won't forget
We will definitely remember.
'Cause we hear them yet
Their music can still be heard today.
Goodbye
Farewell.
Lyrics © Kanjian Music, Warner Chappell Music, Inc.
Written by: Paul Michael Barry, Phil Simpson
Lyrics Licensed & Provided by LyricFind