Stan Getz (Stanley Gayetzky, February 2, 1927 Philadelphia – June 6, 19… Read Full Bio ↴Stan Getz (Stanley Gayetzky, February 2, 1927 Philadelphia – June 6, 1991 Malibu, California) was an American jazz tenor saxophone player. Known as "The Sound" because of his warm, lyrical tone, Getz's prime influence was the wispy, mellow tone of his idol, Lester Young.

His parents were Ukrainian Jews who immigrated from Kyiv city, Ukraine in 1903. The family later moved to New York City for better jobs. Stan worked hard in school receiving straight "A's" on average and finished 6th grade close to the top of his class. Stan's major interest was in musical instruments, and he felt a need to play every instrument in his sight. He played a number of instruments before his father bought him his first saxophone at the age of 13. Even though his father also got him a clarinet, Stan instantly fell in love with the saxophone and began practicing 8 hours a day. In 1941, he was accepted into the All City High School Orchestra of New York City. This gave Stan a chance to receive a private, free tutor from the New York Philharmonic, Simon Kovar - a bassoon player. He also began to spend more time playing the saxophone. He eventually dropped out of school in order to pursue his musical career, but was later sent back to the classroom by the school system’s truancy officers.

In 1943, he was accepted into Jack Teagarden's band, and because of his youth he became Teagarden's ward. Getz also played along with Nat King Cole and Lionel Hampton. After playing for Stan Kenton, Jimmy Dorsey, and Benny Goodman, Getz was a soloist with Woody Herman from 1947 to 1949 in 'The Second Herd' and he first gained wide attention as one of the band's saxophonists, who were known collectively as 'The Four Brothers', the others being Serge Chaloff, Zoot Sims and Herbie Steward. With Herman, he had a hit with "Early Autumn" and after Getz left 'The Second Herd' he was able to launch his solo career. He would be the leader on almost all of his recording sessions after 1950.

During the early '50s, Getz broke away from the Lester Young style to form his own musical identity and he was soon among the most popular of all jazzmen. He discovered Horace Silver in 1950 and used him in his quartet for several months. After touring Sweden in 1951, he formed an exciting quintet that co-featured guitarist Jimmy Raney; their interplay on up-tempo tunes and tonal blend on ballads was quite memorable. Getz's playing helped Johnny Smith have a hit in "Moonlight in Vermont," during 1953-1954 Bob Brookmeyer made his group a quintet and, despite some drug problems during the decade, Getz was a constant poll winner. After spending 1958-1960 in Europe, the tenorman returned to the U.S. and recorded his personal favorite album, Focus, with arranger Eddie Sauter's Orchestra.

Getz became a central figure in introducing bossa nova music to the U.S. audience. Teaming with guitarist Charlie Byrd, who had just returned from a U.S. State Department tour of Brazil, Getz recorded Jazz Samba in 1962 and it became a hit. The title track was an adaptation of Antonio Carlos Jobim's "One Note Samba". Getz won the Grammy for Best Jazz Performance of 1963 for "Desafinado". As a follow-up, Getz recorded Jazz Samba Encore! with one of the originators of bossa nova, Brazilian guitarist Luiz Bonfa.

He then recorded the album Getz/Gilberto with Tom Jobim, João Gilberto and his wife, Astrud Gilberto. Their "The Girl from Ipanema" won a Grammy Award. The piece became one of the most well-known latin jazz cuts of all time. Getz/Gilberto won two Grammys (Best Album and Best Single), besting The Beatles' A Hard Day's Night, a victory for Bossa Nova and Brazilian jazz. A live album, Getz/Gilberto Vol. 2, followed, as did Getz Au Go Go, a recording made live at the Cafe Au Go Go. Unfortunately, Getz' affair with Astrud Gilberto brought an end to his musical partnership with her and her husband and he began to move away from bossa-nova and back to cool jazz. Even while still working with the Gilbertos, he recorded Nobody Else But Me an album of straightforward jazz with a new quartet including vibraphonist Gary Burton, but Verve Records, wishing to continue building the Getz brand with bossa-nova, refused to release it. It eventually came out 30 years later, after Getz had died.

In 1972, Getz recorded in the fusion idiom with Chick Corea and Stanley Clarke. This group, without Getz, went on to become the famous Return to Forever, and many of the pieces including "La Fiesta" remained in their repertoire. In this period Getz experimented with an Echoplex on his saxophone, for which critics vilified him. He eventually discarded fusion and "electric jazz", returning to acoustic jazz, while at the same time gradually de-emphasizing the Bossa Nova, opting for more esoteric and less-mainstream jazz. He had a cameo in the movie The Exterminator (1980).

Towards the end of his life the now drug-free Getz had another creative peak with a group including the pianist Kenny Barron, whom Getz described as "my musical other half".

In 1986, he was inducted into the Down Beat Jazz Hall of Fame.

Getz married Beverly Byrne, a vocalist with the Gene Krupa band, on 7 November 1946; they had three children together: Steven, David, and Beverly (who married Michael McGovern).

Getz became involved with drugs and alcohol while a teenager. In 1954, he was arrested for attempting to rob a pharmacy to get a morphine fix. As he was being processed in the prison ward of Los Angeles County-USC Medical Center, Beverly gave birth to their third child one floor below.

Getz tried to escape his narcotics addiction by moving to Copenhagen. He married Swedish aristocrat Monica Silfverskiöld on 3 November 1956 and had two children with her: Pamela and Nicolas. In 1957 Swedish girlfriend Inga Torgnér gave birth to a son Peter. Stan divorced Monica in 1987.

Zoot Sims, who had known Getz since their time with Herman, once described him as 'a nice bunch of guys', as a consequence of the wide behavioural range of which Getz was capable. In the final stages of his life Getz was able to end his addictions.

Getz died of liver cancer in 1991. His body was cremated and the ashes scattered at sea, off the coast of Malibu, California.

In 1998 the 'Stan Getz Media Center and Library' at the Berklee College of Music was dedicated through a donation from the Herb Alpert Foundation.

Like Someone in Love
Stan Getz Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Lately, I find myself out gazing at stars,
Hearing guitars like someone in love.
Sometimes the things I do astound me,
Mostly whenever you're around me.
Lately I seem to walk as though I had wings,
Bump into things like someone in love.
Each time I look at you,
I'm limp as a glove,

And feeling like someone in love.

Overall Meaning

The opening line of "Lately, I find myself out gazing at stars, Hearing guitars like someone in love" suggests that the singer is experiencing a sense of awe and wonder about the world around him. The idea of being "out gazing at stars" implies that he is contemplating his place in the universe, and the "guitars" add to the dreamy, romantic atmosphere of the song. The second line, "Hearing guitars like someone in love," reinforces the idea that the singer is in a state of romantic infatuation, and his senses are heightened by the experience.

The next verse, "Sometimes the things I do astound me, Mostly whenever you're around me," suggests that the singer is not entirely in control of his emotions, and that he is surprised by his own reactions to the object of his affection. He is aware that he is acting in irrational or uncharacteristic ways, and he attributes this to the presence of the other person.

The final verse, "Each time I look at you, I'm limp as a glove, And feeling like someone in love," confirms that the singer is deeply infatuated with the other person, to the point that he is physically affected by their presence. The metaphor of a limp glove implies that he is powerless and vulnerable in the face of his feelings, and he cannot resist the pull of love.

Overall, "Like Someone In Love" is a song about the overwhelming feelings of infatuation and romance, and how these emotions can make us behave in unexpected ways. The dreamy, romantic atmosphere of the music and the lyrics captures the magic of falling in love and the sense of awe and wonder that comes with it.

Line by Line Meaning

Lately, I find myself out gazing at stars,
Recently, I have caught myself staring at the stars outside, admiring their beauty and wonder as if I were enamored with someone or something.

Hearing guitars like someone in love.
As I listen to the music of guitars, I feel the same emotions that one might feel when truly in love, as if the music were speaking directly to my heart and soul.

Sometimes the things I do astound me,
Occasionally, my own behavior and actions surprise and shock me, especially when I am in your presence, as if I am capable of anything when I am with you.

Mostly whenever you're around me.
Typically, these moments occur when you are near me, and my feelings for you intensify and become overwhelming.

Lately I seem to walk as though I had wings,
In recent times, I feel light and free, as though I am flying or gliding when I move, almost as if I were walking on air, similar to the feeling one gets when they are in love.

Bump into things like someone in love.
Despite feeling light and free, I still have moments where my thoughts are scattered and unfocused, causing me to bump into objects and obstacles like someone who is completely smitten and in love.

Each time I look at you,
Every time I gaze upon your face and into your eyes,

I'm limp as a glove,
I become weak and powerless, unable to defend myself or my emotions, as if my heart were completely exposed and vulnerable like a glove without a hand inside.

And feeling like someone in love.
I am filled with the same sentiments and passion that one might associate with being truly in love, and these feelings continue to grow and blossom each time I am around you.

Lyrics © Warner/Chappell Music, Inc.
Written by: J. BURKE, J. VAN HEUSEN

Lyrics Licensed & Provided by LyricFind

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