Early years
Prior to becoming Stiff Little Fingers, Jake Burns, vocals and guitar, Henry Cluney, guitar, Gordon Blair, bass, and Brian Faloon, drums, were playing in a rock music cover band, Highway Star, in Belfast. Upon the departure of Gordon Blair (who went on to play with another Belfast group, Rudi), Ali McMordie took over on bass. Cluney had by this time discovered punk, and introduced the rest of the band to it. They decided that Highway Star wasn't a punk enough name, and after a brief flirtation with the name "The Fast", decided to call themselves Stiff Little Fingers, after the Vibrators song of the same name.
It was while they were doing a gig at the Glenmachan Hotel that they met up with Gordon Ogilvie, who was a Marxist journalist with the Daily Express newspaper, invited along for the evening by Colin McClelland, another journalist, with whom Jake had been corresponding.
Ogilvie suggested they play material based upon their experience of the Troubles. McClelland arranged to get the band some recording time at a local radio station, and in the studio normally used to record jingles, they recorded "Suspect Device". The single was packaged in the form of a cassette, with a cover depicting a cassette bomb, apparently causing great hilarity in the group, when one record company phoned them and asked for another copy, as they'd thrown the first one in a bucket of water for fear that it was a real bomb.
A copy of the single was sent to John Peel. He played it repeatedly leading to a distribution deal through Rough Trade. The single was released on the band's own Rigid Digits label and sold over 30,000 copies. Peel would later do the same with the first single by another famous Northern Irish band, The Undertones. There were a number of well-publicised arguments between the two bands; the Undertones accused Stiff Little Fingers of sensationalising the Northern Ireland conflict, while they retorted that The Undertones ignored it.
The lyrics of many Stiff Little Fingers' songs concerning the troubles are extremely critical of the paramilitary organisations and governments involved, showing them to be exploititative of ordinary people (particularly the young) and all as bad as each other. Their second single, "Alternative Ulster", was originally intended to be given away free with the fanzine of the same name.
Inflammable Material
In the second half of 1978, they toured with the Tom Robinson Band, and in 1979, they released their first album, Inflammable Material. The band agreed a contract with Island Records, but it fell through, leaving the band to release the album on their own label. Despite the album's independent release, it reached number 14 in the UK Albums Chart and reached Silver status, selling over 50,000 copies. Inflammable Material was the first album distributed Rough Trade records, and the first independent album to chart in the UK. This inspired their move to London, which led to the departure of Brian Faloon and Colin McClelland (who along with Gordon Ogilvie had been joint manager of the band up until that point).
Jim Reilly became their drummer in time for the "Gotta Gettaway" single, and played in the Rock Against Racism tour.
Nobody's Heroes and Go for It
In mid-1979, Stiff Little Fingers signed their Rigid Digits label to Chrysalis Records, and in 1980 released their second album, Nobody's Heroes. 1981's Go for It followed. Soon after the Go for It tour, Jim Reilly left the band. His place was taken by Brian 'Dolphin' Taylor, who Jake remembered from Taylor's days with the Tom Robinson Band.
Breakup
Now Then...
In 1982 came a 4 song EP called £1.10 or Less and then their fourth studio album, Now Then... (although their fifth album, as they had released a live LP, Hanx, between Nobody's Heroes and Go for It). By this time they had diversified musically, and Now Then had an almost pop feel about it in places. This led some of their more hardcore fans to feel alienated, and in the face of low sales and concert attendances, they broke up in 1983, when Burns said: "Our last LP Now Then was to my mind the best album we have made. But it is also unfortunately the best I think we will ever make. So I have decided to call it a day." The band later revealed the original split had been somewhat acrimonious, with bandmembers apparently having fistfights rather than talking through their differences.
Reformation
They reformed in 1987; according to Burns, because they were "skint and wanted to make a bit of cash to get back to Ireland for Christmas". They released some live albums and did short tours towards the end of the 1980s, and by 1990 were thinking of reforming permanently.
Flags and Emblems
Ali McMordie decided he could not commit the time to tour full-time or record, and so left, being replaced by Bruce Foxton (previously bass guitarist in The Jam) in time to record 1991's Flags and Emblems. In Britain, the single from this album, "Beirut Moon", was withdrawn from sale on the first day of release, allegedly because it criticised the government for not acting to free hostage John McCarthy, who had been held in the Lebanon.
In 1993 Burns made what he described as one of the hardest decisions of his life and asked Henry Cluney to leave the band, and the trio of Jake Burns, Bruce Foxton and Dolphin Taylor continued for the next four years, joined on live shows by either Dave Sharp or Ian McCallum.
Get a Life
In 1994 they released Get a Life in the UK, releasing it in the U.S. in 1996. By the end of 1996 Taylor left due to family commitments. Burns called in Steve Grantley who had played drums for Jake Burns and the Big Wheel in the late 1980s.
Tinderbox - Guitar and Drum
The trio of Burns, Foxton and Grantley recorded 1997's Tinderbox album, with help from Ian McCallum who joined as a full time member for 1999's and best of all...Hope Street . This same line-up recorded 2003's Guitar and Drum.
Lineup change
On 18 January 2006, the following announcement appeared on the SLF Website. Bruce Foxton has announced that he is to leave Stiff Little Fingers with immediate effect. After 15 years of writing, recording and touring with SLF Bruce says it is time to move on and concentrate on other projects. "The situation is amicable" says Foxton. "I have enjoyed my time with Jake, Ian and Steve and will miss them. Naturally I wish them all continued success and hope to catch up with the boys during their spring tour."
Obviously, we as well wish Bruce every success in everything he goes on to do in the future. He has been a fantastic asset to the band and we'll miss him as well.
Jake, Steve, Ian.
On 23 January 2006, it was announced that original bass guitarist Ali McMordie was to rejoin the band for the duration of their upcoming March tour. The tour was a success, with many fans writing into SLF's message board saying how much they enjoyed it, and how fired up the band seemed to be. After much discussion regarding the status of McMordie within the band after the tour, on 21 April 2006, Burns posted the following on the message board.
"For the time being Mr. McMordie is happy to continue as long as his busy schedule allows. It may be that occasionally we have to bring on a "substitute", if he is up to his eyes and we need to do something, but hopefully we can avoid that.
Cheers,
Jake."
New album
On 9 March 2007, Jake Burns announced that Stiff Little Fingers would be recording a new album which would hopefully be completed by the end of 2007. They have previewed a track from the new album, "Liars Club", at live concerts. The track is named after a bar Jake drove past on his way home whilst listening to a press report about Tony Blair, George W. Bush and the Iraq War. As of February 2009, the new album is still unreleased. This is mainly due to the fact that Burns had more or less completed writing, when he decided on a change of direction, and scrapped most of the songs.
Doesn't Make It All Right
Stiff Little Fingers Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
It doesn't mean that you're no good
Just because there's a reason
It doesn't mean that it's understood
Doesn't make it all right
It doesn't make it all right
Now, it's the worst excuse in the world
Just because you're a black boy
Just because you're a white
It doesn't mean that you've got to hate them
It doesn't mean you got to fight
It doesn't make it all right
Doesn't make it all right
It's the worst excuse in the world
And it doesn't make it all right
Doesn't make it all right
It doesn't make it all right
It's the worst excuse in the world
And it, it doesn't make it all right
Some people think they're really clever
They'll bang your head against a wall
And then they'll say 'you got it my way'
They really think they know it all
But it doesn't make it all right
It doesn't make it all right
'Cause it's the worse excuse in the world
It doesn't make it all right
No!
Go!
Hah!
Doesn't make it all
Doesn't make it all
Doesn't make it all
Doesn't make it all right
Doesn't make it all
Doesn't make it all
Doesn't make it all
Doesn't make it all right
Doesn't make it all
Doesn't make it all
Doesn't make it all
Doesn't make it all right
Doesn't make it all
Doesn't make it all
Doesn't make it all
Doesn't make it all right
All right, all right, all right, all right, all right, all right
Doesn't make it all right, all right, all right, all right, all right, all right
Doesn't make it all right
Doesn't make it all
Doesn't make it all
Doesn't make it all
Doesn't make it all right
Doesn't make it all
Doesn't make it all
Doesn't make it all
Doesn't make it all right, all right, all right, all right, all right, all right
Doesn't make it all right, all right, all right, all right, all right
Doesn't make it all right, all right, all right, all right, all right (does it make it all, does it make it all)
Doesn't make it all right, all right, all right, all right, all right (does it make it all, does it make it all)
Doesn't make it all right
Doesn't make it all
Doesn't make it all
Doesn't make it all right
The song “Doesn’t Make it All Right” by Stiff Little Fingers is a powerful commentary on the dangers of prejudice and hate. The lyrics are a call to action for people to recognize that just because someone is different or marginalized, it doesn’t mean that they are lesser or not worthy of respect. The song challenges the notion that there is any justification for bigotry and prejudice, insisting that it is never “all right” to hate or discriminate against anyone.
The opening lines of the song set the tone immediately, with the lyrics “Just because you’re nobody, it doesn’t mean that you’re no good.” This is a reminder that everyone has value, regardless of their social status or station in life. Later, the lyric “Just because you’re a black boy, just because you’re a white, it doesn’t mean that you’ve got to hate them” highlights the way that racism and prejudice are learned behaviors, and that they can be unlearned with effort and empathy.
The chorus of the song, where the phrase “doesn’t make it all right” is repeated several times, drives home the message that there can never be any justification for hate and discrimination. The song ends with a powerful repetition of the phrase, emphasizing that this message is something that needs to be heard and understood.
Overall, “Doesn’t Make It All Right” is a powerful song that challenges listeners to examine their own biases and work towards creating a more inclusive and accepting world.
Line by Line Meaning
Just because you're nobody
Just because you have a low status in society or feel insignificant does not mean that you lack value or worth
It doesn't mean that you're no good
Your worth as a person does not depend on your social status or perceived importance
Just because there's a reason
Just because there is an explanation or justification for something, does not necessarily make it acceptable or right
It doesn't mean that it's understood
Just because something has a reason behind it, does not mean that it is comprehensible or acceptable to everyone
Doesn't make it all right
Just because there is a reason or justification for something, does not mean that it makes it a morally or socially acceptable thing to do
Now, it's the worst excuse in the world
Justifying bad behavior or actions with a reason is the worst excuse someone could make, it does not make it okay
Just because you're a black boy
Your skin color does not determine your character or how you should treat others
Just because you're a white
Your skin color does not determine your character or how you should treat others
It doesn't mean that you've got to hate them
Just because someone is different from you, does not mean you should hate or discriminate them
It doesn't mean you got to fight
Disagreements and differences should not always lead to violence or aggression
Some people think they're really clever
Some people believe that they are smarter or better than others
They'll bang your head against a wall
These people will try to force their ideas or perspectives onto you, even if it is harmful to you
And then they'll say 'you got it my way'
These people will claim that they were right and you should have listened to them in the first place
They really think they know it all
These people have an over-inflated sense of their intelligence and believe they know everything
No!
This behavior and attitude is not acceptable!
Go!
We must take action to stop and prevent this kind of behavior
Hah!
This is a moment of triumph and power over the people who think they know everything
Doesn't make it all
Just because there is a reason or justification for something, does not mean it is okay or right
All right, all right, all right, all right, all right, all right
Repeating this phrase indicates a sense of reinforcement and conviction to the previous statement
Doesn't make it all right, all right, all right, all right, all right, all right
Repeating this phrase emphasizes and strengthens the idea that justification is a poor excuse for bad behavior
Doesn't make it all
Justification does not excuse immoral, unethical or bad behavior or actions.
Lyrics © BMG RIGHTS MANAGEMENT
Written by: JERRY DAMMERS, DAVID JOHN GOLDBERG
Lyrics Licensed & Provided by LyricFind