Early years
Prior to becoming Stiff Little Fingers, Jake Burns, vocals and guitar, Henry Cluney, guitar, Gordon Blair, bass, and Brian Faloon, drums, were playing in a rock music cover band, Highway Star, in Belfast. Upon the departure of Gordon Blair (who went on to play with another Belfast group, Rudi), Ali McMordie took over on bass. Cluney had by this time discovered punk, and introduced the rest of the band to it. They decided that Highway Star wasn't a punk enough name, and after a brief flirtation with the name "The Fast", decided to call themselves Stiff Little Fingers, after the Vibrators song of the same name.
It was while they were doing a gig at the Glenmachan Hotel that they met up with Gordon Ogilvie, who was a Marxist journalist with the Daily Express newspaper, invited along for the evening by Colin McClelland, another journalist, with whom Jake had been corresponding.
Ogilvie suggested they play material based upon their experience of the Troubles. McClelland arranged to get the band some recording time at a local radio station, and in the studio normally used to record jingles, they recorded "Suspect Device". The single was packaged in the form of a cassette, with a cover depicting a cassette bomb, apparently causing great hilarity in the group, when one record company phoned them and asked for another copy, as they'd thrown the first one in a bucket of water for fear that it was a real bomb.
A copy of the single was sent to John Peel. He played it repeatedly leading to a distribution deal through Rough Trade. The single was released on the band's own Rigid Digits label and sold over 30,000 copies. Peel would later do the same with the first single by another famous Northern Irish band, The Undertones. There were a number of well-publicised arguments between the two bands; the Undertones accused Stiff Little Fingers of sensationalising the Northern Ireland conflict, while they retorted that The Undertones ignored it.
The lyrics of many Stiff Little Fingers' songs concerning the troubles are extremely critical of the paramilitary organisations and governments involved, showing them to be exploititative of ordinary people (particularly the young) and all as bad as each other. Their second single, "Alternative Ulster", was originally intended to be given away free with the fanzine of the same name.
Inflammable Material
In the second half of 1978, they toured with the Tom Robinson Band, and in 1979, they released their first album, Inflammable Material. The band agreed a contract with Island Records, but it fell through, leaving the band to release the album on their own label. Despite the album's independent release, it reached number 14 in the UK Albums Chart and reached Silver status, selling over 50,000 copies. Inflammable Material was the first album distributed Rough Trade records, and the first independent album to chart in the UK. This inspired their move to London, which led to the departure of Brian Faloon and Colin McClelland (who along with Gordon Ogilvie had been joint manager of the band up until that point).
Jim Reilly became their drummer in time for the "Gotta Gettaway" single, and played in the Rock Against Racism tour.
Nobody's Heroes and Go for It
In mid-1979, Stiff Little Fingers signed their Rigid Digits label to Chrysalis Records, and in 1980 released their second album, Nobody's Heroes. 1981's Go for It followed. Soon after the Go for It tour, Jim Reilly left the band. His place was taken by Brian 'Dolphin' Taylor, who Jake remembered from Taylor's days with the Tom Robinson Band.
Breakup
Now Then...
In 1982 came a 4 song EP called £1.10 or Less and then their fourth studio album, Now Then... (although their fifth album, as they had released a live LP, Hanx, between Nobody's Heroes and Go for It). By this time they had diversified musically, and Now Then had an almost pop feel about it in places. This led some of their more hardcore fans to feel alienated, and in the face of low sales and concert attendances, they broke up in 1983, when Burns said: "Our last LP Now Then was to my mind the best album we have made. But it is also unfortunately the best I think we will ever make. So I have decided to call it a day." The band later revealed the original split had been somewhat acrimonious, with bandmembers apparently having fistfights rather than talking through their differences.
Reformation
They reformed in 1987; according to Burns, because they were "skint and wanted to make a bit of cash to get back to Ireland for Christmas". They released some live albums and did short tours towards the end of the 1980s, and by 1990 were thinking of reforming permanently.
Flags and Emblems
Ali McMordie decided he could not commit the time to tour full-time or record, and so left, being replaced by Bruce Foxton (previously bass guitarist in The Jam) in time to record 1991's Flags and Emblems. In Britain, the single from this album, "Beirut Moon", was withdrawn from sale on the first day of release, allegedly because it criticised the government for not acting to free hostage John McCarthy, who had been held in the Lebanon.
In 1993 Burns made what he described as one of the hardest decisions of his life and asked Henry Cluney to leave the band, and the trio of Jake Burns, Bruce Foxton and Dolphin Taylor continued for the next four years, joined on live shows by either Dave Sharp or Ian McCallum.
Get a Life
In 1994 they released Get a Life in the UK, releasing it in the U.S. in 1996. By the end of 1996 Taylor left due to family commitments. Burns called in Steve Grantley who had played drums for Jake Burns and the Big Wheel in the late 1980s.
Tinderbox - Guitar and Drum
The trio of Burns, Foxton and Grantley recorded 1997's Tinderbox album, with help from Ian McCallum who joined as a full time member for 1999's and best of all...Hope Street . This same line-up recorded 2003's Guitar and Drum.
Lineup change
On 18 January 2006, the following announcement appeared on the SLF Website. Bruce Foxton has announced that he is to leave Stiff Little Fingers with immediate effect. After 15 years of writing, recording and touring with SLF Bruce says it is time to move on and concentrate on other projects. "The situation is amicable" says Foxton. "I have enjoyed my time with Jake, Ian and Steve and will miss them. Naturally I wish them all continued success and hope to catch up with the boys during their spring tour."
Obviously, we as well wish Bruce every success in everything he goes on to do in the future. He has been a fantastic asset to the band and we'll miss him as well.
Jake, Steve, Ian.
On 23 January 2006, it was announced that original bass guitarist Ali McMordie was to rejoin the band for the duration of their upcoming March tour. The tour was a success, with many fans writing into SLF's message board saying how much they enjoyed it, and how fired up the band seemed to be. After much discussion regarding the status of McMordie within the band after the tour, on 21 April 2006, Burns posted the following on the message board.
"For the time being Mr. McMordie is happy to continue as long as his busy schedule allows. It may be that occasionally we have to bring on a "substitute", if he is up to his eyes and we need to do something, but hopefully we can avoid that.
Cheers,
Jake."
New album
On 9 March 2007, Jake Burns announced that Stiff Little Fingers would be recording a new album which would hopefully be completed by the end of 2007. They have previewed a track from the new album, "Liars Club", at live concerts. The track is named after a bar Jake drove past on his way home whilst listening to a press report about Tony Blair, George W. Bush and the Iraq War. As of February 2009, the new album is still unreleased. This is mainly due to the fact that Burns had more or less completed writing, when he decided on a change of direction, and scrapped most of the songs.
Touch and Go
Stiff Little Fingers Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
That night we met when were both alone
We knew at once that what we'd want was just that night
Knew it couldn't be forever
Cause we each told of another
And then found something all our own
[Chorus]
We said up front that's all we'd want and so
We took the love that felt so good and had to be
Just a case of touch and go
When we'd got that usual block out of the way
We both relaxed, sat back and felt so sure
Saw eye to eye and looked each other in the face
Hours we talked with warmth and laughter
And we still could talk more after
In the dark up on the seventh floor
[Chorus]
Some might joke I came and went
And snigger she's a whore
But there's two people know it meant much more
Looking back was not allowed that morning so
We stuck by what we'd said
Rose and left without regret
But for a moment it was touch and go
We both agreed we felt the need to touch and go
But oh, you know, it was touch and go
The song Touch and Go by Stiff Little Fingers is a story of two strangers who meet one night and make a connection. They both know that they can’t be together forever because they are each committed to someone else, but they decide to have one night of passion anyway. They are truthful with each other right from the start, and they both agree to keep it casual. They spend the night talking and getting to know each other, and they both have a good time. They leave the next morning without regret, but for a moment, it was touch and go.
The song explores the idea of seizing the moment and living in the present. It talks about how sometimes, it is important to take a chance on something even though it might not last forever. The lyrics also touch upon the idea of societal judgments and how two people can know the truth of what they shared, even if others might see it differently.
Overall, Touch and Go is a poignant representation of two people who find a moment of happiness amidst their busy lives, accepting and acknowledging that it will pass.
Line by Line Meaning
Looking back it's funny that we never lied
It's funny that they didn't lie about their intentions
That night we met when were both alone
They met when they were both alone
We knew at once that what we'd want was just that night
They both knew they wanted just one night together
Knew it couldn't be forever
They both knew that it couldn't last forever
Cause we each told of another
They each talked about their other relationships
And then found something all our own
They found something unique between them
[Chorus]
This is the chorus
We both agreed we felt the need that goes skin deep
They both agreed that they had a physical attraction
We said up front that's all we'd want and so
They said from the beginning that it was just a one night thing
We took the love that felt so good and had to be
They enjoyed the physical connection they had
Just a case of touch and go
It was just a one-time thing
When we'd got that usual block out of the way
When they had gotten past their initial reservations
We both relaxed, sat back and felt so sure
They both relaxed and felt comfortable with each other
Saw eye to eye and looked each other in the face
They were open and honest with each other
Hours we talked with warmth and laughter
They talked for hours and enjoyed each other's company
And we still could talk more after
They still had more to talk about
In the dark up on the seventh floor
They were on the seventh floor and it was dark
[Chorus]
This is the chorus
Some might joke I came and went
Some people might make fun of what happened
And snigger she's a whore
They might call her a whore for what she did
But there's two people know it meant much more
Only they know that it meant something more to them
Looking back was not allowed that morning so
They weren't allowed to look back and regret what they did
We stuck by what we'd said
They followed through with what they had agreed upon
Rose and left without regret
They left without any regrets
But for a moment it was touch and go
For a moment, it was uncertain what would happen
We both agreed we felt the need to touch and go
They both agreed they needed to have a physical connection
But oh, you know, it was touch and go
But at the time, it was uncertain what would happen
Lyrics © BMG Rights Management, Universal Music Publishing Group
Written by: HENRY CLUNEY, GORDON OGILVIE
Lyrics Licensed & Provided by LyricFind