Such Great Heights
Streetlight Manifesto Lyrics
I am thinking it's a sign
that the freckles in our eyes are mirror images
and when we kiss they're perfectly aligned
And I have to speculate
that God himself did make us into corresponding shapes
like puzzle pieces from the clay
True, it may seem like a stretch,
but its thoughts like this that catch my troubled
Head when you're away and I am missing you to death
for several weeks of shows and when you scan
The radio, I hope this song will guide you home
They will see us waving from such great
Heights, 'come down now', they'll say
But everything looks perfect from far away,
'come down now', but we'll stay...
I tried my best
to leave this all on your machine
but the persistent beat it sounded thin upon listening
That frankly will not fly
you will hear the shrillest highs and lowest lows
with the windows down when this is guiding you home
They will see us waving from such great
Heights, 'come down now', they'll say
But everything looks perfect from far away,
'come down now', but we'll stay...
(2x)
Contributed by Austin G. Suggest a correction in the comments below.
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Streetlight Manifesto is a third wave ska punk band from New Brunswick, New Jersey, under the creative leadership of singer/guitarist Tomas Kalnoky. Since forming in 2002, the band has released four full-length albums.
Several of Streetlight's members were already well known among the New Jersey ska community for their roles in past ska bands from that area, most notably Catch 22's Tomas Kalnoky, James Egan, Mike Soprano, and Josh Ansley, as well as One Cool Guy's Stuart Karmatz, Pete Sibilia, Dan Ross, and Chris Paszik. Read Full BioStreetlight Manifesto is a third wave ska punk band from New Brunswick, New Jersey, under the creative leadership of singer/guitarist Tomas Kalnoky. Since forming in 2002, the band has released four full-length albums.
Several of Streetlight's members were already well known among the New Jersey ska community for their roles in past ska bands from that area, most notably Catch 22's Tomas Kalnoky, James Egan, Mike Soprano, and Josh Ansley, as well as One Cool Guy's Stuart Karmatz, Pete Sibilia, Dan Ross, and Chris Paszik.
The band's first album, Everything Goes Numb, was released on August 26, 2003, and was distributed by Victory Records. They headlined their first ever show at Rutgers University on December 9, 2003 in front of a sold out audience.
The line-up has gone through several changes since the band's conception and currently consists of Matt Stewart on trumpet, Mike Brown on alto and baritone saxophone, Jim Conti on alto and tenor saxophone, Tomas Kalnoky on guitar and lead vocals, Pete McCullaugh on bass guitar, Karl Lyden on trombone, and Chris Thatcher on drums.
Though the band has enjoyed little mainstream commercial success, they have received acclaim in alternative music circles, and their debut album is currently in Interpunk.com's top 100 items, over 2 years after its release. In addition, they regularly sell out their live shows, and their first few shows at Rutgers and The Stone Pony not only sold out, but had people coming from as far as Minnesota and Canada. Their second album, a reworking of Catch 22's Keasbey Nights was released on March 7, 2006.
Streetlight Manifesto's third album, entitled Somewhere in the Between came out on November 13, 2007. Rumors also have it that the band is currently working on a series of 8 albums entitled "The 99 Songs of Revolution" in co-operation with Bandits of the Acoustic Revolution, a side-project of singer Tomas Kalnoky slated for release in early 2009.
On November 17, 2009, the band's website announced that "99 Songs of Revolution: Volume One" has been ready for release for quite some time but "some record labels are just plain horrendous." They are also in the process of arranging a tour for 2010 but will spend some time in the studio until they have "a few records to release."
The first album of 99 Songs of Revolution was released on March 16, 2010. On this CD, the band covered songs by artists such as The Postal Service, Radiohead, and NOFX.
Band Members:
Mike Brown - Baritone Sax
Karl Lyden - Trombone
Jim Conti - Tenor Sax
Matt Stewart - Trumpet
Chris Thatcher - Drums
Tomas Kalnoky - Guitar, Vocals
Pete McCullaugh - Bass
www.streetlightmanifesto.com
Several of Streetlight's members were already well known among the New Jersey ska community for their roles in past ska bands from that area, most notably Catch 22's Tomas Kalnoky, James Egan, Mike Soprano, and Josh Ansley, as well as One Cool Guy's Stuart Karmatz, Pete Sibilia, Dan Ross, and Chris Paszik. Read Full BioStreetlight Manifesto is a third wave ska punk band from New Brunswick, New Jersey, under the creative leadership of singer/guitarist Tomas Kalnoky. Since forming in 2002, the band has released four full-length albums.
Several of Streetlight's members were already well known among the New Jersey ska community for their roles in past ska bands from that area, most notably Catch 22's Tomas Kalnoky, James Egan, Mike Soprano, and Josh Ansley, as well as One Cool Guy's Stuart Karmatz, Pete Sibilia, Dan Ross, and Chris Paszik.
The band's first album, Everything Goes Numb, was released on August 26, 2003, and was distributed by Victory Records. They headlined their first ever show at Rutgers University on December 9, 2003 in front of a sold out audience.
The line-up has gone through several changes since the band's conception and currently consists of Matt Stewart on trumpet, Mike Brown on alto and baritone saxophone, Jim Conti on alto and tenor saxophone, Tomas Kalnoky on guitar and lead vocals, Pete McCullaugh on bass guitar, Karl Lyden on trombone, and Chris Thatcher on drums.
Though the band has enjoyed little mainstream commercial success, they have received acclaim in alternative music circles, and their debut album is currently in Interpunk.com's top 100 items, over 2 years after its release. In addition, they regularly sell out their live shows, and their first few shows at Rutgers and The Stone Pony not only sold out, but had people coming from as far as Minnesota and Canada. Their second album, a reworking of Catch 22's Keasbey Nights was released on March 7, 2006.
Streetlight Manifesto's third album, entitled Somewhere in the Between came out on November 13, 2007. Rumors also have it that the band is currently working on a series of 8 albums entitled "The 99 Songs of Revolution" in co-operation with Bandits of the Acoustic Revolution, a side-project of singer Tomas Kalnoky slated for release in early 2009.
On November 17, 2009, the band's website announced that "99 Songs of Revolution: Volume One" has been ready for release for quite some time but "some record labels are just plain horrendous." They are also in the process of arranging a tour for 2010 but will spend some time in the studio until they have "a few records to release."
The first album of 99 Songs of Revolution was released on March 16, 2010. On this CD, the band covered songs by artists such as The Postal Service, Radiohead, and NOFX.
Band Members:
Mike Brown - Baritone Sax
Karl Lyden - Trombone
Jim Conti - Tenor Sax
Matt Stewart - Trumpet
Chris Thatcher - Drums
Tomas Kalnoky - Guitar, Vocals
Pete McCullaugh - Bass
www.streetlightmanifesto.com
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Jose Catez
For those wondering, fuck yes they can pull this off live. and in their usual fashion they do it faster. every member of this band is insanely talented
ialsolovebees
Saw them do it live in Dallas. The trick is that they're alternating the notes for the treble.
Pocket Infinity
Jose Catez yeah i totally agree. go ahead and google the guitar tab for red rubber ball and try to play it at the same pace, i dare everyone who sees this comment.
Pocket Infinity
Gaby Uribe nice comment
Gaby Uribe
MyEverythingBurrito
Covering a song is really hard, because if you do it your own way, like Streetlight Manifesto and Confide both did, then people can easily criticise it for not suiting the song. But if you make it too similar to the original, people will say you just copied it and didn't try to make it original.
Tetsuc4bra
I really like the As It Is version the most. It's also pretty different from the original.
Someone you dont need to know
@Fajar Jarjarbinks honestly they did it pretty good but the mood of the song doesn't fit the death metall stuff they pulled off.
Fajar Jarjarbinks
But confide's version is sucks
trdl23
This is personally my favorite version of the song. It captured the jubilant energy of the lyrics perfectly in the horn flares, and that intro was SICK! I loved the original, and I loved this too.