No Fun
T.G.T. Lyrics

You're back now at the jack-off hour, this is DJ EZ Dicc
The singer welcomes the listener back to the late-night radio hour and introduces themselves as DJ EZ Dicc.

On WBALLZ, right now, somethin' new, by Snoop Doggy Dogg
The singer announces the radio station and that they are playing a new song by Snoop Doggy Dogg.

And this one goes out to the ladies, from all the guys
The singer dedicates the song to women everywhere, from all the men listening.

A big bow wow wow, 'cause we gon' make it a little misty here tonight
The artist makes a sexual joke and suggests that the song will have a romantic or sensual vibe.

This is DJ EZ Dicc
The artist reminds the listener of their name and role as the DJ.

On the station that slaps you across your fat ass
The singer describes the radio station as aggressive and powerful, using violence for emphasis.

With a fat dick
The singer uses crude language to describe the station's power and virility.

When I met you last night, baby
The artist begins a narrative about meeting someone the previous night.

Before you opened up your gap
The artist uses vulgar language to refer to the woman's genitals.

I had respect for you, lady
The artist initially had admiration for the woman.

But now I take it all back
The singer has lost respect for the woman due to her sexual behavior.

'Cause you gave me all your pussy
The artist has sex with the woman, using crude language to describe it.

And you even licked my balls
The singer received oral sex from the woman, using crude language to describe it.

Leave your number on the cabinet
The singer asks the woman to leave her phone number for future sexual encounters.

And I promise, baby, I'll give you a call
The singer makes a promise to the woman for future sexual encounters.

Next time I'm feelin' kinda horny
The artist expects to be sexually aroused again in the future.

You can come on over, and I'll break you off
The artist invites the woman to come over for sex, using crude language to describe it.

And if you can't fuck that day, baby
The singer acknowledges that the woman may not always be available for sex.

Just lay back, and open your mouth
The singer suggests that the woman can still provide oral sex if she is unable to have intercourse.

'Cause I have never met a girl
The artist makes a statement about all women based on his limited experience.

That I love in the whole wide world
The artist claims to have never felt genuine affection for any woman.

Well, if Kurupt gave a fuck about a bitch I'd always be broke
The artist uses the name Kurupt to refer to himself and suggests that caring about women would make him financially unstable.

I'd never have no motherfuckin' indo to smoke
The singer suggests that prioritizing women would prevent him from affording drugs like marijuana.

I gets loc'd and looney, bitch, you can't do me
The artist brags about his recklessness and suggests that women cannot control or stop him.

Do we look like BBD? You hoochie groupie
The singer uses the name BBD to refer to the group Bell Biv Devoe and implies that the woman is promiscuous and desperate for attention.

I have no love for hoes
The singer views women as sexual objects and does not value them as individuals.

That's somethin' that I learnt in Tha Pound
The singer learned to disrespect women through his experiences in a specific location or community (Tha Pound).

So how the fuck am I supposed to pay this ho
The artist suggests that the woman is expecting payment or compensation for her sexual services.

Just to lay this ho?
The artist questions the idea of paying for sex and suggests that it is not worth the money.

I know the pussy's mines, I'ma fuck a couple more times
The singer claims ownership over the woman's body and intends to have sex with her again in the future.

And then I'm through with it, there's nothin' else to do with it
The singer does not intend to form any kind of emotional or long-term relationship with the woman.

Pass it to the homie, now you hit it
The artist suggests that the woman can have sex with one of his male friends after he is done with her.

'Cause she ain't nothin' but a bitch to me
The artist asserts that the woman is not worth respecting or valuing.

And y'all know, that bitches ain't shit to me
The artist repeats his disdain for women and implies that other people share his views.

I gives a fuck, why don't y'all pay attention?
The singer challenges anyone who disagrees with his views and suggests that they should listen to him more attentively.

Approach it with a different proposition, I'm Kurupt
The artist invites others to suggest a different perspective, but immediately reasserts his identity (Kurupt) as the final arbiter of truth.

Hoe, you'll never be my only one, trick ass bitch
The singer insults the woman and reinforces his rejection of genuine emotional connection with anyone.

It ain't no fun, if the homies can't have none
The singer asserts that sex is only enjoyable if shared with friends or companions.

Guess who's back in the motherfuckin' house?
The singer returns to the present moment and asks a rhetorical question to create excitement or anticipation.

With a fat dick for your motherfuckin' mouth
The artist uses crude language and sexual imagery to describe themselves.

Hoes recognize, niggas do too
The artist suggests that both men and women are aware of their sexual prowess and attractiveness.

'Cause when bitches get scandalous and pull a voodoo
The singer suggests that women are devious and manipulative, and can use supernatural means to control men.

What you gon' do? You really don't know
The singer asks a rhetorical question, implying that men may be powerless to resist women's charms or curses.

So I'd advise you not to trust that hoe
The artist warns his male listeners to avoid trusting or becoming emotionally involved with women.

Silly of me to fall in love with a bitch
The artist admits to having emotional attachments to women in the past, but dismisses them as foolish or misguided.

Knowin' damn well I'm too caught up with my grip
The artist suggests that his preoccupation with money or status prevents him from forming meaningful relationships with women.

Now as the sun rotates and my game grows bigger (uh-huh)
The singer boasts about his increasing success and attractiveness to women.

How many bitches wanna fuck this nigga named Snoop Doggy?
The artist asks how many women are interested in having sex with him.

I'm all the above
The singer answers his own question, implying that many women want to sleep with him.

I'm too swift on my toes to get caught up with you hoes
The singer describes himself as agile and evasive, suggesting that he can avoid emotional entanglements with women.

But see, it ain't no fun, if my homies can't get a taste of it
The singer repeats his earlier assertion that sex is more enjoyable when shared with friends or companions.

'Cause you know I don't love 'em
The artist reiterates his disdain for women and their emotional needs.

Woo! Hey, now ya know, inhale, exhale with my flow
The artist adds an exclamation and encourages the listener to follow along with his lyrics.

One for the money, two for the bitches
The singer counts down and uses crude language to refer to women.

Three to get ready, and four to hit the switches
The singer continues counting down and uses car-related imagery to emphasize his own power or coolness.

In my Chevy, six-fo', red to be exact
The artist boasts about his car, emphasizing its color and model number.

With bitches on my side, and bitches on my back
The artist describes himself as surrounded by women and their sexual attention.

So back up bitch because I'm strugglin'
The artist uses double entendre to describe his resistance to sexual advances from women and to also suggest he is dealing with personal struggles.

Just get on your knees and then start jugglin'
The singer makes a sexual request to the woman and uses crude language to describe it.

These motherfuckin' nuts in your mouth
The artist uses more crude language to describe his sexual request to the woman.

It's me, Warren G, the nigga with the clout (woo)
The singer introduces himself as Warren G and implies that he is powerful or influential.

It ain't no fun, if the homies can't have none
The singer repeats his earlier assertion that sex is best shared with friends or companions.

It ain't no fun, if the homies can't have none
The singer repeats his earlier assertion that sex is best shared with friends or companions.

It ain't no fun, if the homies can't have none
The artist repeats his earlier assertion that sex is best shared with friends or companions.

It ain't no fun, if the homies can't have none
The artist repeats his earlier assertion that sex is best shared with friends or companions.

(Soul)
The song concludes with a brief musical outro.