There are at least four artists with this name
1. An Australian rock ban… Read Full Bio ↴There are at least four artists with this name
1. An Australian rock band
2. An American girl group best known for "My Boyfriend's Back", a #1 hit in the United States in 1963
3. An American R&B group
none of these are to be confused with any of the artists called Angels, without the definite article.
4. Israeli house music duo,
(1) The Angels (Australia)
USA as Angel City (1980-1985), The Angels from Angel City (1988-1989), The Angels (1992).
In November 1970, brothers Rick and John Brewster formed The Moonshine Jug and String Band. In 1971 the band was joined by Irish immigrant Bernard "Doc" Neeson.
The band in 1973 released their debut EP Keep You on the Move, which made the top 5 in Adelaide. This was followed in 1974 by the single "That's All Right With Me". Both these releases were on John Woodruff's Sphere label. Woodruff went on to become the band's manager for most of its career.
In 1974 they changed their name to The Keystone Angels, switched to electric instruments and began playing 1950s rock and roll on the pub circuit.
In 1975, the band supported AC/DC during a South Australian tour, and later performed as the backing band for Chuck Berry.
In 1975, the band was offered a recording deal with the Alberts label and became The Angels. As this point the band was a four-piece with Neeson on bass guitar, Charlie King (Peter Christopolous) on drums, Rick Brewster on lead guitars and John Brewster on lead vocals and rhythm guitar. The band recorded “Am I Ever Gonna See Your Face Again” and was released on Rocka album.
The Angels' first single, “Am I Ever Gonna See Your Face Again”, was released in April 1976. The Angels made their debut TV appearance on Countdown. Later in the year, Charlie King was replaced by Graham "Buzz" Bidstrup on the drums.
Chris Bailey and Bon Scott were members of Mount Lofty Rangers in 1974. They released Round and Round, later remixed by Vince Lovegrove as Round and Round and Round in 1996.
Chris Bailey joined the band on bass, to allow Neeson to concentrate on vocals. The move to specialist frontman allowed the band to develop an energetic and theatrical live presence. As a foil, Rick Brewster would remain motionless, his head cocked to one side, for the entire performance.
July of 1977, saw the release of the band's second single, "You're A Lady Now", followed a month later by their self-titled debut LP, The Angels
In August 1978, Face to Face album reached #16 in November and stayed on the Australian charts for 79 weeks. Mark Opitz engineered, and along with The Angels, co-produced the album.
Peter Ledger, who designed the cover, won Best Australian Album Cover Design Award. In November 1978, the band www.bowiedownunder.com/artistconnections/theangels.jpg supported David Bowie on his first Australian tour, resulting in The Tour EP single.
In June 1979, No Exit entered the Australian album chart at #8 upon its release and again at #15 in September. George Young contributed as a backing vocalist to Out of The Blue. In October 1979, Albert released the Out Of The Blue EP.
On New Year's Eve 1979, the band performed in front of almost 100,000 people on the steps of the Sydney Opera House. Their show, however, was cut short when a riot broke out in the audience. Doc Neeson was hit on the head with a sign and Chris Bailey was knocked unconscious by a flying bottle and hospitalised.
In March 1980, the band signed an international contract with CBS Records and released, Face to Face, a compilation of tracks from the Australian Face to Face and No Exit albums, on the Epic label. The band renamed themselves as Angel City to avoid confusion with "Angel" in the USA .
In June 1980, Dark Room, produced by the Brewster brothers, The overseas version of this album featured re-recorded versions of "Ivory Stairs" and "Straight Jacket" in place of "Alexander" and "I'm Scared". American band Great White would later cover "Face The Day", from this LP as well as "Can't Shake It" from Face to Face.
In March 1981, drummer Graham Bidstrup left the band, reportedly due to non-musical differences, and was replaced by New Zealander Brent Eccles.
In October 1981, Never So Live EP, received heavy airplay and on the strength of the new song "Fashion And Fame" went to sell some 80,000 copies. In November 1981 Night Attack, produced by Ed Thacker and the Brewsters.
The band's third international album, Night Attack Early in 1982, American Jim Hilbun was recruited as replacement for Chris Bailey.
In May 1983, Watch The Red, produced by The Angels and engineered by Andrew Scott and Al Wright, was issued. The first single "Stand Up" was release and was written by Hilbun, was a success.
The album, critically acclaimed for its musical inventiveness, featured saxophone leads from Hilbun, John Brewster on lead vocals for one track, and even a piano accordion.
In November 1984, the Two Minute Warning album was released following a three-month recording session in Los Angeles. The American version of the album, on MCA, included a new version of "Be With You". Metal Blade Records re-issued the album in 1990.
John Brewster left the band in February 1986. In his place, the band hired ex-Skyhooks guitarist Bob Spencer in March 1986.
In October of the same year Howling was released on the band's new label Mushroom Records. This album included a cover version of The Animals hit, "We Gotta Get Out Of This Place" which, at #6, became the band's highest charting single up to that point.
In December 1987, the double live album Liveline was released. The collection spanned ten years of the band's career. The CD version of Liveline included several songs not included on the vinyl release. A live version of "Am I Ever Gonna See Your Face Again" was issued as a single.
Following the success of the album, The Angels embarked on a massive tour of Australia with a lengthy two-hour set that covered the entire history of the group.
In November of 1989, Chrysalis Records in the US issued Beyond Salvation (known as The Angels From Angel City).
It included four new songs, three of which would later appear on the Australian version of the album, and new recordings of the classics "I Ain't The One", "Can't Shake It", "Who Rings The Bell", "City Out of Control" and "Am I Ever Gonna See Your Face Again", none of which was made available in Australia.
Alan Niven was signed on as manager of the band's affairs in the US. At the time, Niven was also managing Great White and Guns N' Roses.
Jim Hilbun left during these recording sessions and was replaced by Australian James Morley on bass.
In February 1990, Beyond Salvation was released and became the band's first and only No. 1 album. Produced by Terry Manning, the LP spawned five successful singles, including "Dogs are Talking" and "Backstreet Pickup".
The flipside of "Dogs are Talking" featured demo tracks by three new Australian bands that The Angels had chosen to support them on their upcoming tour, including The Desert Cats, The Hurricanes and the John Woodruff-managed Baby Animals.
The Angels then hit the road on their "Beyond Salvation" Tour with Cheap Trick as supporting act. The video for "Backstreet Pickup" was filmed the day the band were told of the album reaching number one on the charts and shows a very buoyant and enthusiastic band performing for the cameras.
in November of 1991, Red Back Fever, were recorded in Memphis. The band toured for two years, and the song "Tear Me Apart" was included a multi-million dollar government campaign highlighting alcohol related violence.
In July 1992 Mushroom re-issued Red Back Fever / Left Hand Drive as a two CD set. In 1992, both Bob Spencer and James Morley left the band. John Brewster and Jim Hilbun to return, and thus the classic line-up of Brewster-Neeson-Brewster-Eccles-Hilbun was reunited. They immediately set out to write new material.
In December 1994, Evidence a career-spanning collection of the band's hits. In April 1995, The Hard Evidence Tour EP was issued to coincide with the Barbed Wire Ball tour, a national tour that also featured The Screaming Jets and The Poor.
The band then took a break from recording and touring, reconvening in mid-1996 at Darling Harbour studios for the start of what would become the sessions for their last studio album.
In July 1997, The Angels hit the road with The Lounge Lizard Tour with Angry Anderson from Rose Tattoo and Ross Wilson from Mondo Rock and Daddy Cool. The band backed each singer acoustically through classics from their respective bands.
In August 1997, The Angels signed a recording deal with Shock Records in Australia. In October, "Caught in the Night" was the band first single from the album.
In March 1998, Skin and Bone a moderately successful, the album was nominated by ARIA as one of the year's best Australian recordings.
In October 1998, The Angels were inducted into the ARIA Hall of Fame by Angry Anderson. In November 1998 the band performed a brief set at the Concert of the Century in Melbourne to celebrate Mushroom Records' 25th anniversary.
After suffering severe neck and spinal injuries in a horrific car accident in 1999, Doc Neeson announced his departure from the band.
In November 2000, Shock Records reissued Left Hand Drive, previously released by Mushroom in 1992 as a limited-edition collection of unreleased versions and B-sides.
In March of 2001, The Angels reformed as Members of The Angels with John and Rick Brewster, Buzz Bidstrup, Chris Bailey and Jim Hilbun on lead vocals, in March of 2001, for the Gimme Ted - The Ted Mulry Benefit Concert (released on video as Gimme Ted).
In June 2002, Shock Records issued The Complete Sessions 1980-1983, 4-CD box set collection of the band's recorded output from the period between the Dark Room and Watch the Red albums.
In December 2006, Live at The Basement containing all the classics with Brewster, Bailey, Bidstrup and Brewster.
In July 2006, Liberation reissued the The Angels' catalogue. Albums included: Dark Room, Night Attack, Watch the Red, Two Minute Warning, Howling, Beyond Salvation, Red Back Fever, and Wasted Sleepless Night - The Definitive Greatest Hits.
In June 2007, Wasted Sleepless Nights - The Videos. Includes live footage never before released and tracks recorded live from ABC's Studio 22.
The Angels reformed in 2008, featuring Doc Neeson on vocals, the Brewster brothers on lead and rhythm guitar, Chris Bailey on bass and Graham "Buzz" Bidstrup on drums. As of October 2009, the group continues to tour across Australia.
Members
John Brewster, (rhythm guitar, vocals), 1976-1985, 2001-
Rick Brewster (lead guitar, vocals), 1976-
Chris Bailey (bass), 1977-1982, 2001-
Graham "Buzz" Bidstrup (drums, vocals), 1976-1981, 2001-
Doc Neeson (lead vocals), 1976-2000, 2008 -
Brent Eccles (drums), 1981-2000
Jim Hilbun (bass, vocals), 1982-1989,1993-2000
Bob Spencer (rhythm guitar, vocals), 1985-1993
James Morley (bass, vocals), 1990-1992
(2) The Angels (USA)
Formed in New Jersey as The Starlets with Linda Malzone, Bernadette Carroll with sisters Barbara and Phyliss "Jiggs" Allbut in 1960.
The Starlets released two singles “P.S. I Love You" and “Romeo and Juliet" with Astro Records in 1960. Linda Malzone and Bernadette Carroll both leave the group. The Starlets disband in 1961.
Signed up with Caprice label as The Blue Angels and recorded "'Till" and "Cry Baby Cry" in 1961. Released single "Till" entered the Billboard Pop Charts at number 14 as The Blue Angels.
The Blue Angels drop blue and become The Angels with Peggy Santiglia (ex The Delicates) who replaced Linda Jansen (Linda Jankowski) in disagreement with the group leaves and goes solo under the name of Carol Lynn Brent in 1962.
The Angels were an American girl group best known for their 1963 hit "My Boyfriend's Back". The spoken intro and lead vocal is by Peggy Santiglia. The song was originally meant as a demo for The Shirelles to consider recording. However, the music publishers liked The Angels' version so much that they released it as is, and the single became a #1 hit in the USA.
The Angels released several more lesser-known singles but were never able to repeat the success of "My Boyfriend's Back". Eventually, the group members became session vocalists.
Renamed themselves as The Powder Puffs
and released single "(You Can't Take) My Boyfriend's Woody" with Imperial label in 1964. Followed by The Beach Nuts featuring Peggy Santiglia, Phyllis "Jiggs" Allbut, Barbara Allbut, Jean Thomas, Richard Gotteher, Robert Feldman and Jerry Goldstein.
Next band The Halos with Toni Mason (Angie & The Chicklettes) who replaced Peggy Santiglia after leaving of abscence from group In 1964. Featuring Toni Mason, Barbara Allbut and Phyllis "Jiggs" Allbut. Released single "Do I" with Congress in 1965. Debra Swisher (The Pixies Three) who who replaced Toni Mason in 1967.
The Angels featured Bernadette Carroll with sisters Barbara and Phyliss "Jiggs" Allbut in 1967. Peggy Santiglia rejoined the group and disband in 1968. They last single “You're All I Need To Get By” in 1974.
(3) The Angels (USA)
The Angels R&B were formed in Philadelphia 1954. Lead tenor Bernard Lynn, Nelson Martin, baritone, Bill Wright, and bass Melvin Maxwell first got together in 1955.
In early October 1956, the Angels showed up to record two songs. The first was the old standard “The Glory Of Love,” which had been written by Billy Hill back in 1936, when it had become a #1 hit for the Benny Goodman Orchestra.
On the strength of the record, the Angels were booked into the Apollo Theater, with an Alan Freed show, for the week beginning November 23, 1956. The end of the Angels came in 1958 with Nelson Martin got married and couldn't devote as much time to the group, and Herbert Meyers was “locked up for embezzlement.”
4) Israeli Duo The Angels have been enjoying multiple success with their releases on HMWL, Sony Music, Deep Root Tribe and Go Deeva.
https://www.beatport.com/artist/the-angels-il/913642
Moran & Steven Angel are much more than your average married couple. While your date night might be dinner & a movie - their date night is setting a dance-floor on fire during one of their DJ sets, or blazing house & techno beats in the studio. This Dynamic duo of well-experienced DJs & Producers from Tel Aviv, who have played in all the top clubs of the Holy-land, know how to get the crowd Bumpin’, while crafting mesmerizing dj sets that flow thru house, Tec-House and Techno, infused with disco, latin & afro vibes.
1. An Australian rock ban… Read Full Bio ↴There are at least four artists with this name
1. An Australian rock band
2. An American girl group best known for "My Boyfriend's Back", a #1 hit in the United States in 1963
3. An American R&B group
none of these are to be confused with any of the artists called Angels, without the definite article.
4. Israeli house music duo,
(1) The Angels (Australia)
USA as Angel City (1980-1985), The Angels from Angel City (1988-1989), The Angels (1992).
In November 1970, brothers Rick and John Brewster formed The Moonshine Jug and String Band. In 1971 the band was joined by Irish immigrant Bernard "Doc" Neeson.
The band in 1973 released their debut EP Keep You on the Move, which made the top 5 in Adelaide. This was followed in 1974 by the single "That's All Right With Me". Both these releases were on John Woodruff's Sphere label. Woodruff went on to become the band's manager for most of its career.
In 1974 they changed their name to The Keystone Angels, switched to electric instruments and began playing 1950s rock and roll on the pub circuit.
In 1975, the band supported AC/DC during a South Australian tour, and later performed as the backing band for Chuck Berry.
In 1975, the band was offered a recording deal with the Alberts label and became The Angels. As this point the band was a four-piece with Neeson on bass guitar, Charlie King (Peter Christopolous) on drums, Rick Brewster on lead guitars and John Brewster on lead vocals and rhythm guitar. The band recorded “Am I Ever Gonna See Your Face Again” and was released on Rocka album.
The Angels' first single, “Am I Ever Gonna See Your Face Again”, was released in April 1976. The Angels made their debut TV appearance on Countdown. Later in the year, Charlie King was replaced by Graham "Buzz" Bidstrup on the drums.
Chris Bailey and Bon Scott were members of Mount Lofty Rangers in 1974. They released Round and Round, later remixed by Vince Lovegrove as Round and Round and Round in 1996.
Chris Bailey joined the band on bass, to allow Neeson to concentrate on vocals. The move to specialist frontman allowed the band to develop an energetic and theatrical live presence. As a foil, Rick Brewster would remain motionless, his head cocked to one side, for the entire performance.
July of 1977, saw the release of the band's second single, "You're A Lady Now", followed a month later by their self-titled debut LP, The Angels
In August 1978, Face to Face album reached #16 in November and stayed on the Australian charts for 79 weeks. Mark Opitz engineered, and along with The Angels, co-produced the album.
Peter Ledger, who designed the cover, won Best Australian Album Cover Design Award. In November 1978, the band www.bowiedownunder.com/artistconnections/theangels.jpg supported David Bowie on his first Australian tour, resulting in The Tour EP single.
In June 1979, No Exit entered the Australian album chart at #8 upon its release and again at #15 in September. George Young contributed as a backing vocalist to Out of The Blue. In October 1979, Albert released the Out Of The Blue EP.
On New Year's Eve 1979, the band performed in front of almost 100,000 people on the steps of the Sydney Opera House. Their show, however, was cut short when a riot broke out in the audience. Doc Neeson was hit on the head with a sign and Chris Bailey was knocked unconscious by a flying bottle and hospitalised.
In March 1980, the band signed an international contract with CBS Records and released, Face to Face, a compilation of tracks from the Australian Face to Face and No Exit albums, on the Epic label. The band renamed themselves as Angel City to avoid confusion with "Angel" in the USA .
In June 1980, Dark Room, produced by the Brewster brothers, The overseas version of this album featured re-recorded versions of "Ivory Stairs" and "Straight Jacket" in place of "Alexander" and "I'm Scared". American band Great White would later cover "Face The Day", from this LP as well as "Can't Shake It" from Face to Face.
In March 1981, drummer Graham Bidstrup left the band, reportedly due to non-musical differences, and was replaced by New Zealander Brent Eccles.
In October 1981, Never So Live EP, received heavy airplay and on the strength of the new song "Fashion And Fame" went to sell some 80,000 copies. In November 1981 Night Attack, produced by Ed Thacker and the Brewsters.
The band's third international album, Night Attack Early in 1982, American Jim Hilbun was recruited as replacement for Chris Bailey.
In May 1983, Watch The Red, produced by The Angels and engineered by Andrew Scott and Al Wright, was issued. The first single "Stand Up" was release and was written by Hilbun, was a success.
The album, critically acclaimed for its musical inventiveness, featured saxophone leads from Hilbun, John Brewster on lead vocals for one track, and even a piano accordion.
In November 1984, the Two Minute Warning album was released following a three-month recording session in Los Angeles. The American version of the album, on MCA, included a new version of "Be With You". Metal Blade Records re-issued the album in 1990.
John Brewster left the band in February 1986. In his place, the band hired ex-Skyhooks guitarist Bob Spencer in March 1986.
In October of the same year Howling was released on the band's new label Mushroom Records. This album included a cover version of The Animals hit, "We Gotta Get Out Of This Place" which, at #6, became the band's highest charting single up to that point.
In December 1987, the double live album Liveline was released. The collection spanned ten years of the band's career. The CD version of Liveline included several songs not included on the vinyl release. A live version of "Am I Ever Gonna See Your Face Again" was issued as a single.
Following the success of the album, The Angels embarked on a massive tour of Australia with a lengthy two-hour set that covered the entire history of the group.
In November of 1989, Chrysalis Records in the US issued Beyond Salvation (known as The Angels From Angel City).
It included four new songs, three of which would later appear on the Australian version of the album, and new recordings of the classics "I Ain't The One", "Can't Shake It", "Who Rings The Bell", "City Out of Control" and "Am I Ever Gonna See Your Face Again", none of which was made available in Australia.
Alan Niven was signed on as manager of the band's affairs in the US. At the time, Niven was also managing Great White and Guns N' Roses.
Jim Hilbun left during these recording sessions and was replaced by Australian James Morley on bass.
In February 1990, Beyond Salvation was released and became the band's first and only No. 1 album. Produced by Terry Manning, the LP spawned five successful singles, including "Dogs are Talking" and "Backstreet Pickup".
The flipside of "Dogs are Talking" featured demo tracks by three new Australian bands that The Angels had chosen to support them on their upcoming tour, including The Desert Cats, The Hurricanes and the John Woodruff-managed Baby Animals.
The Angels then hit the road on their "Beyond Salvation" Tour with Cheap Trick as supporting act. The video for "Backstreet Pickup" was filmed the day the band were told of the album reaching number one on the charts and shows a very buoyant and enthusiastic band performing for the cameras.
in November of 1991, Red Back Fever, were recorded in Memphis. The band toured for two years, and the song "Tear Me Apart" was included a multi-million dollar government campaign highlighting alcohol related violence.
In July 1992 Mushroom re-issued Red Back Fever / Left Hand Drive as a two CD set. In 1992, both Bob Spencer and James Morley left the band. John Brewster and Jim Hilbun to return, and thus the classic line-up of Brewster-Neeson-Brewster-Eccles-Hilbun was reunited. They immediately set out to write new material.
In December 1994, Evidence a career-spanning collection of the band's hits. In April 1995, The Hard Evidence Tour EP was issued to coincide with the Barbed Wire Ball tour, a national tour that also featured The Screaming Jets and The Poor.
The band then took a break from recording and touring, reconvening in mid-1996 at Darling Harbour studios for the start of what would become the sessions for their last studio album.
In July 1997, The Angels hit the road with The Lounge Lizard Tour with Angry Anderson from Rose Tattoo and Ross Wilson from Mondo Rock and Daddy Cool. The band backed each singer acoustically through classics from their respective bands.
In August 1997, The Angels signed a recording deal with Shock Records in Australia. In October, "Caught in the Night" was the band first single from the album.
In March 1998, Skin and Bone a moderately successful, the album was nominated by ARIA as one of the year's best Australian recordings.
In October 1998, The Angels were inducted into the ARIA Hall of Fame by Angry Anderson. In November 1998 the band performed a brief set at the Concert of the Century in Melbourne to celebrate Mushroom Records' 25th anniversary.
After suffering severe neck and spinal injuries in a horrific car accident in 1999, Doc Neeson announced his departure from the band.
In November 2000, Shock Records reissued Left Hand Drive, previously released by Mushroom in 1992 as a limited-edition collection of unreleased versions and B-sides.
In March of 2001, The Angels reformed as Members of The Angels with John and Rick Brewster, Buzz Bidstrup, Chris Bailey and Jim Hilbun on lead vocals, in March of 2001, for the Gimme Ted - The Ted Mulry Benefit Concert (released on video as Gimme Ted).
In June 2002, Shock Records issued The Complete Sessions 1980-1983, 4-CD box set collection of the band's recorded output from the period between the Dark Room and Watch the Red albums.
In December 2006, Live at The Basement containing all the classics with Brewster, Bailey, Bidstrup and Brewster.
In July 2006, Liberation reissued the The Angels' catalogue. Albums included: Dark Room, Night Attack, Watch the Red, Two Minute Warning, Howling, Beyond Salvation, Red Back Fever, and Wasted Sleepless Night - The Definitive Greatest Hits.
In June 2007, Wasted Sleepless Nights - The Videos. Includes live footage never before released and tracks recorded live from ABC's Studio 22.
The Angels reformed in 2008, featuring Doc Neeson on vocals, the Brewster brothers on lead and rhythm guitar, Chris Bailey on bass and Graham "Buzz" Bidstrup on drums. As of October 2009, the group continues to tour across Australia.
Members
John Brewster, (rhythm guitar, vocals), 1976-1985, 2001-
Rick Brewster (lead guitar, vocals), 1976-
Chris Bailey (bass), 1977-1982, 2001-
Graham "Buzz" Bidstrup (drums, vocals), 1976-1981, 2001-
Doc Neeson (lead vocals), 1976-2000, 2008 -
Brent Eccles (drums), 1981-2000
Jim Hilbun (bass, vocals), 1982-1989,1993-2000
Bob Spencer (rhythm guitar, vocals), 1985-1993
James Morley (bass, vocals), 1990-1992
(2) The Angels (USA)
Formed in New Jersey as The Starlets with Linda Malzone, Bernadette Carroll with sisters Barbara and Phyliss "Jiggs" Allbut in 1960.
The Starlets released two singles “P.S. I Love You" and “Romeo and Juliet" with Astro Records in 1960. Linda Malzone and Bernadette Carroll both leave the group. The Starlets disband in 1961.
Signed up with Caprice label as The Blue Angels and recorded "'Till" and "Cry Baby Cry" in 1961. Released single "Till" entered the Billboard Pop Charts at number 14 as The Blue Angels.
The Blue Angels drop blue and become The Angels with Peggy Santiglia (ex The Delicates) who replaced Linda Jansen (Linda Jankowski) in disagreement with the group leaves and goes solo under the name of Carol Lynn Brent in 1962.
The Angels were an American girl group best known for their 1963 hit "My Boyfriend's Back". The spoken intro and lead vocal is by Peggy Santiglia. The song was originally meant as a demo for The Shirelles to consider recording. However, the music publishers liked The Angels' version so much that they released it as is, and the single became a #1 hit in the USA.
The Angels released several more lesser-known singles but were never able to repeat the success of "My Boyfriend's Back". Eventually, the group members became session vocalists.
Renamed themselves as The Powder Puffs
and released single "(You Can't Take) My Boyfriend's Woody" with Imperial label in 1964. Followed by The Beach Nuts featuring Peggy Santiglia, Phyllis "Jiggs" Allbut, Barbara Allbut, Jean Thomas, Richard Gotteher, Robert Feldman and Jerry Goldstein.
Next band The Halos with Toni Mason (Angie & The Chicklettes) who replaced Peggy Santiglia after leaving of abscence from group In 1964. Featuring Toni Mason, Barbara Allbut and Phyllis "Jiggs" Allbut. Released single "Do I" with Congress in 1965. Debra Swisher (The Pixies Three) who who replaced Toni Mason in 1967.
The Angels featured Bernadette Carroll with sisters Barbara and Phyliss "Jiggs" Allbut in 1967. Peggy Santiglia rejoined the group and disband in 1968. They last single “You're All I Need To Get By” in 1974.
(3) The Angels (USA)
The Angels R&B were formed in Philadelphia 1954. Lead tenor Bernard Lynn, Nelson Martin, baritone, Bill Wright, and bass Melvin Maxwell first got together in 1955.
In early October 1956, the Angels showed up to record two songs. The first was the old standard “The Glory Of Love,” which had been written by Billy Hill back in 1936, when it had become a #1 hit for the Benny Goodman Orchestra.
On the strength of the record, the Angels were booked into the Apollo Theater, with an Alan Freed show, for the week beginning November 23, 1956. The end of the Angels came in 1958 with Nelson Martin got married and couldn't devote as much time to the group, and Herbert Meyers was “locked up for embezzlement.”
4) Israeli Duo The Angels have been enjoying multiple success with their releases on HMWL, Sony Music, Deep Root Tribe and Go Deeva.
https://www.beatport.com/artist/the-angels-il/913642
Moran & Steven Angel are much more than your average married couple. While your date night might be dinner & a movie - their date night is setting a dance-floor on fire during one of their DJ sets, or blazing house & techno beats in the studio. This Dynamic duo of well-experienced DJs & Producers from Tel Aviv, who have played in all the top clubs of the Holy-land, know how to get the crowd Bumpin’, while crafting mesmerizing dj sets that flow thru house, Tec-House and Techno, infused with disco, latin & afro vibes.
The Reason
The Angels Lyrics
Jump to: Overall Meaning ↴
If sis could tell you a million reasons not to trust Man
She would say that we are complacent
Complicit in the destruction of her lands
I know she wondering why we gotta be this way
I know she contemplating how to rid us of her plains
Whether it's worth it to wait for us to change our ways
Is it
I think every time she awakens to her oceans dying
She sees how we are utterly careless to her feelings
The coral reefs not strong enough to withstand our harm
Her forests struggling to maintain any charm
Fires, gases, toxins, oils
All the things we contribute
In making her scorn
Endless blood, senseless wars
All the things that we contribute in making her scorn
As she turns around
She's still displaying her crown
Her anger continues to grow
While everybody pretend they don't know
To the point that man can no longer ignore her shows
Everything to make her look less beautiful
Wondering why we treat her like she's expendable
She was better off when we were in the water
Far from her shores so nobody could kill each other
Where we couldn't grasp the idea of currency
At least then the only green that we see were algae
Fires, gases, toxins, oils
All the things that we contribute
To make her scorn
Endless blood, senseless wars
All the things that we contribute in making her scorn
As she turns around
She's still displaying her ground
Her anger continues to grow
While everybody pretend they don't know
To the point that man can no longer ignore her shows
Her reason
Her reason
Her reason
Her reason
Her reasons
Her reasons
If sis could give you a million reasons not to trust Man
She would say that we never think before destroying her lands
She has her reasons why she'll never trust Man
She has her reasons
Her reason
Her reason
Her reason
Her reason
Do you care
She would say that we are complacent
Complicit in the destruction of her lands
I know she wondering why we gotta be this way
I know she contemplating how to rid us of her plains
Whether it's worth it to wait for us to change our ways
Is it
I think every time she awakens to her oceans dying
The coral reefs not strong enough to withstand our harm
Her forests struggling to maintain any charm
Fires, gases, toxins, oils
All the things we contribute
In making her scorn
Endless blood, senseless wars
All the things that we contribute in making her scorn
As she turns around
She's still displaying her crown
Her anger continues to grow
While everybody pretend they don't know
To the point that man can no longer ignore her shows
Everything to make her look less beautiful
Wondering why we treat her like she's expendable
She was better off when we were in the water
Far from her shores so nobody could kill each other
Where we couldn't grasp the idea of currency
At least then the only green that we see were algae
Fires, gases, toxins, oils
All the things that we contribute
To make her scorn
Endless blood, senseless wars
All the things that we contribute in making her scorn
As she turns around
She's still displaying her ground
Her anger continues to grow
While everybody pretend they don't know
To the point that man can no longer ignore her shows
Her reason
Her reason
Her reason
Her reason
Her reasons
Her reasons
If sis could give you a million reasons not to trust Man
She would say that we never think before destroying her lands
She has her reasons why she'll never trust Man
She has her reasons
Her reason
Her reason
Her reason
Her reason
Do you care
The lyrics of The Angels' song "The Reason" delve into the theme of environmental destruction through the perspective of Mother Nature, personified as "sis" in the lyrics. The singer personifies the Earth as a female figure who is deeply hurt by the actions of mankind and is fed up with the destruction of her lands. The repeated questioning of why humanity continues to harm the Earth reflects the frustration and disbelief of the Earth towards human behavior.
The lyrics paint a vivid picture of the Earth's distress, with references to dying oceans, struggling forests, and the harmful impacts of human activities like fires, gases, toxins, and wars on the environment. The Earth's anger and frustration are expressed through the imagery of her crown symbolizing her power and authority being disrespected by humanity's disregard for her well-being.
The Earth's longing for a time when humans lived in harmony with nature, depicted as being in the water and free from the concept of currency, portrays a sense of nostalgia for a simpler and more sustainable way of life. The lyrics highlight the contrast between the past when humans coexisted peacefully with nature and the present reality of environmental degradation caused by human actions.
In the final lines of the song, the repeated emphasis on the Earth's "reasons" not to trust mankind serves as a powerful reminder of the urgent need for humanity to change its ways and prioritize environmental preservation. The lyrics challenge listeners to reflect on their relationship with the Earth and to consider the impact of their actions on the planet. The Earth's plea for understanding and care is a poignant call to action for individuals to take responsibility for protecting and respecting the natural world.
Lyrics © O/B/O DistroKid
Written by: Tara Hardin
Lyrics Licensed & Provided by LyricFind
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TWitherspoon
@Damien Turner
"HE CHOOSES TO COME."
Nope, he was sent. As a human sacrifice.
God sent one of his sons to be tortured and killed as a sacrificial offering (a practice adopted from Paganism).
Christians worship a father who sent one of his sons to be tortured and executed (and literally called it as a sacrifice) as part of a ritual intended to appease a god (in Christian theology atonement refers to the forgiving of sin through the sacrifice of Jesus).
Romans 8:32
"He who did not spare his own Son but gave him up for us all."
1 Corinthians 5:7
"Christ our passover is sacrificed for us."
Romans 3:25
"God presented Christ as a sacrifice of atonement."
Romans 5:8
"But God showed his great love for us by sending Christ to die for us while we were still sinners."
Hebrews 10:10
"We are sanctified through the offering of the body of Jesus Christ once for all."
TWitherspoon
@MarWilliams Williams
God warned:
1. "Apart from me there is no savior."
2. "You shall have no other gods other than me".
3. "God is not a man."
4. "The LORD is one."
Jesus cannot be the messiah-
God specifically warned against worshiping false saviors such as Jesus!
Isaiah 43:10
"Before me no god was formed, nor will there be one after me. I am the Lord, and apart from me there is no savior."
Hosea 13:4
"Thou shalt know no God but me, for there is no savior other than me."
Isaiah 45:5
"I am the Lord, and there is no other; apart from me there is no God."
Exodus 20:2 and Deuteronomy 5:6
“You shall have no other gods other than me".
Isaiah 44:6
"I am the first and I am the last; apart from me there is no God."
Numbers 23:19
"God is not a man, so he does not lie. He is not human, so he does not change his mind."
Deuteronomy 6:4
God specifically stated that he is one:
"Hear, O Israel: The LORD our God, the LORD is one."
Hosea 11:9
"For I am God and not a man."
1 Samuel 15:29
"And also the Glory of Israel will not lie or have regret, for he is not a man, that he should have regret.”
God does not change:
Malachi 3:6
For I am the Lord, I change not.
Isaiah 42:8
"I am the Lord; that is My name! I will not yield My glory to another."
Isaiah 7:14 prophesied that the messiah's name will be Emmanuel.
But Emmanuel is not one of the many New Testament names of the Bible figure commonly known as Jesus.
It is Biblically impossible for Jesus to be the messiah.
Matthew 1:12 lists Jeconiah (also known as Jehoiachin or Coniah who succeeded Jehoiakim as king of Judah) as Jesus' ancestor, and God states in Jeremiah 22:30 that descendants of Jeconiah are cursed and that no ancestor of Jeconiah will ever sit on the throne of David (heaven) or ever rule in Judah.
TWitherspoon
@MarWilliams Williams
Have you told your mother that you hate her and have you abandoned all of your possessions as your savior has commanded you to do?
Jesus will only grant you everlasting life if you hate your mother, abandon your family, and give up all of your possessions-
Luke 14:26-27
“If anyone comes to me and does not hate his father and mother, his wife and children, his brothers and sisters - yes, even his own life - he cannot be my disciple."
Matthew 10:34-37
"Do not suppose that I have come to bring peace to the earth. I did not come to bring peace, but a sword. For I have come to turn a man against his father, a daughter against her mother, a daughter-in-law against her mother-in-law - a man’s enemies will be the members of his own household."
Matthew 19:29
"And every one that hath forsaken houses, or brothers, or sisters, or father, or mother, or wife, or children, or lands, for my name's sake, shall receive a hundredfold, and shall inherit everlasting life."
Luke 14:33
“…therefore, none of you can become my disciple if you do not give up all your possessions."
Jesus also says disobedient children must be killed as required by Old Testament law:
Mark 7:9-10
"And he said to them, “You have a fine way of rejecting the commandment of God in order to establish your tradition! For Moses said, ‘Honor your father and your mother’, and ‘Whoever reviles father or mother must surely die.’"
(See Ex 21:15, Lev 20:9, Dt 21:18-21)
TWitherspoon
@MarWilliams Williams
I condemn ritual human sacrifice, rape, and cannibalism; Christians literally worship them and their savior is a zombie (an undead corporeal revenant created through the reanimation of a corpse).
Ritual Human Sacrifice-
God sent one of his sons to be tortured and killed as a sacrificial offering (a practice adopted from Paganism).
Christians worship a father who sent one of his sons to be tortured and executed (and literally called it as a sacrifice) as part of a ritual intended to appease a god (in Christian theology atonement refers to the forgiving of sin through the sacrifice of Jesus).
Romans 8:32
"He who did not spare his own Son but gave him up for us all."
1 Corinthians 5:7
"Christ our passover is sacrificed for us."
Romans 3:25
"God presented Christ as a sacrifice of atonement."
Romans 5:8
"But God showed his great love for us by sending Christ to die for us while we were still sinners."
Hebrews 10:10
"We are sanctified through the offering of the body of Jesus Christ once for all."
John 3:16
"For God so loved the world, that he gave his only begotten Son."
1 John 4:10
"This is love; not that we loved God, but that he loved us and sent his Son as an atoning sacrifice for our sins."
~~~~~~~~~~~
Rape-
God raped ("overshadowed") Mary while she was engaged to Joseph and while God was married to Asherah, Aholah and Aholibah (who were sisters). God's sons also "ravished" human females and impregnated them.
God sent one of his representatives to tell Mary (who was between ages 12 and 14 at the time), that even though she was engaged to Joseph and frightened by the encounter, that God would impregnate her. A child cannot consent to pregnancy by an authority figure.
The Bible uses the word "overshadow", which is the Greek word, "επισκιάζω" (episkiazó). Some Christians interpret "overshadow" to mean that some sort of mystical cloud or divine wind hovered over Mary and then she became pregnant. But the literal translation of the word is, "to overshadow, to use influence upon by a looming presence (skiá)" and figuratively means "to invest with preternatural (extraordinary, exceeding what is normal) influence". So, the "overshadowing" was God using what the Bible describes as the "extraordinary" coercion of his greater power and status to dominate and overpower Mary's desires and will by forcing his own desire to force unwanted sexual contact from frightened Mary with the intent of impregnating her.
The word Mary uses to accept the command to be impregnated is "ginomai", which means "let it not be, far be it from, God forbid".
In Mary's praise and thanksgiving to God in Luke 1:48 she says, “God has lifted up his humble maidservant.” The Greek word for “humble” is the same one that the Septuagint (the old Greek version of the Hebrew Bible) uses to describe the rape of Dinah in Genesis and other incidents of sexual violation.
~~~~~~~~~~~
Cannibalism is a core doctrine of Christianity-
John 6:53
"Jesus said to them, "I tell you the truth, unless you eat the flesh of the Son of Man and drink his blood, you have no life in you. Whoever gnaws my flesh and drinks my blood has eternal life, and I will raise him up at the last day. For my flesh is real food and my blood is real drink. Whoever eats my flesh and drinks my blood remains in me, and I in him. On hearing it, many of his disciples said, “This is a difficult and harsh and offensive statement. Who can accept it?" From this time, many of his disciples turned back and no longer followed him."
Elie Abi-lamah
The reference of Angels in my text in here is for Heavenly Angels , God’s Angels 👼;
I agree that angels are not to be worshipped neither I hath heard about an Angel that was looking to be worshipped
Angels do carry out the works that God the Father ordains and so is Jesus Christ and so is our Heavenly Mother the Virgin Mary ,
Angels are capable of carrying and delivering blessings in the name of God, Jesus Christ and the Virgin Mary
I have faith that Gods Angels are capable of sanctification among the many other works that they do and perform according to the law of their operations;
I love my Angels 👼
True that angels do not mediate but true as well that angels tell God all the time what is happening on earth and yes it’s mentioned in the Old Testament
And yes intercession is made through Angels as well when we pray to God, Jesus Christ and the Virgin Mary,
I think there’s much for you to learn about the operations of the angels, it’s seems to me that you are not giving them the right value that is due unto them; there’s lack of knowledge in this video but that won’t dismiss the lack of information that thou have in regards to how this creation operates;
Amen
IC XC
Tim Haley
The first time a materialized angel (that spoke as if he was God, being "the Word" or God's chief spokesman, later known as Jesus Christ, see John 1:1) is seen with humans was in the garden of Eden (though not written down, this angel had to previously informed Adam to not eat from the forbidden tree, as well as other details, Gen 2:16, 17)), immediately upon the rebellion, whereby Adam and Eve had violated God's command to not eat from "the tree of knowledge of good and bad", listening to now God's archenemy, "the serpent" or Satan.(Gen 3:1-6; Note: the name Satan means "resistor", for he was the first to resist to take a stand against God, becoming the first apostate (that means "to abandon, fall away" from loyal worship of God), by telling the first lie, see John 8:44)
Then, almost 2,100 years later, this angel materializes again when Abraham was about 75 years old (in 1943 B.C.E.), telling him: "Go out from your land (of Ur of the Chaldeans, Acts 7:2-4) and away from your relatives and from the house of your father to the land (of Canaan) that I will show you. I will make you a great nation, and I will bless you, and I will make your name great, and you will become a blessing. I will bless those who bless you, and I will curse him who calls down evil on you, and all the families of the ground will certainly be blessed by means of you."(Gen 12:1-3)
The word "angel", Hebrew mal·’akh´ and the Greek ag´ge·los literally mean “messenger", occurring from Genesis to Revelation nearly 400 times. At Psalms 103, it says: "Praise Jehovah (God's name, see Isa 12:2, KJV), all you his angels, mighty in power, who carry out his word, obeying his voice. Praise Jehovah, all his (angelic) armies, His ministers who do his will."(Ps 103:20, 21)
At Daniel 7:9, 10, Daniel saw in a vision of some 100 million angels standing before "the Ancient of Days", Jehovah God, awaiting for any assignment that he gives them.(see 2 Sam 24:10-17; 1 Kings 22:19-23; 2 Kings 19:35)
So, angels are superhuman spirits (even Satan, for God allowed him to cause a great wind that destroyed the house Job's ten children were in, so that they died, Job 1:18, 19), but the loyal angels obeys Jehovah's word, while the rebel angels are "cursed" (see Jude 6), to be thrown "into the everlasting fire prepared for the Devil and his angels", meaning everlasting destruction, NOT everlasting torment.(Matt 25:41; Note: "the everlasting fire" is the same as Gehenna that Jesus spoke of at Matt 10:28 (in which the King James Bible and Catholic Douay Version reads as "hell"), and is the same as "the lake of fire" (or "second death") at Revelation 20:14, 15)
MERLIN
I will never worship any being other than the one true Creator.
🙏
FAITH MINTGREEN67 🫂VARIETY ⚘
This is one of the reason why God telling us to read the Holy Bible thoroughly❤🙏, in Jesus name Amen
Sophia Chin
They are God's creation... We do not worship creation but rather the Almighty CREATOR in Yeshuah Mighty name. Giving Thanks Always unto YHWH in gratitude and adoration. HALLELUJAH & AMEN
Tim Tooker
Thank you for reminding us about this. It seems like there's alot of these videos that claim they are various angels. It never made any sense to me. I mean, why go to the angels for direction when God will give us everything we need. Another thing, how would we know if we're dealing with one of the fallen angels that are present here in the vicinity of the earth? These words are the truth. TT2022
Steve Guti
God will make a way praise God praying for everyone everyday God bless you all
Essey Jourlney
The voice that contains power is powerful and bring life and death in all
Nebulatoni
You're so right brother. Yahweh's angels don't listen to prayers but evil ones will to deceive humans into believing it's okay with the ALMIGHTY. Good one brother.
Anthony Dsouza
Praise to our Lord Jesus ✝️🙏Amen
Aman tsegu
@TWitherspoon He will be revealed to you at the judgement day
TWitherspoon
@Jacob
If you have evidence that the Bible figure known as Jesus existed, provide it.
However, it is an absolute fact that there is literally no contemporaneous evidence that Jesus ever existed.
Paul made up the Jesus fiction in 48 AD after the Daniel 9:25 prophesy failed to fulfill.
Shouldn't we expect that if God was walking around for thirty years that the locals would have noticed?
Fun fact: none of the Gospel authors witnessed Jesus.