Sgt. Pepper's Lonely Hearts Club Band / [John Lennon and Paul McCartney about A Day in the
The Beatles Lyrics


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It was twenty years ago today,
Sgt. Pepper taught the band to play,
They've been going in and out of style
But they're guaranteed to raise a smile.

So may I introduce to you
The act you've known for all these years
Sgt. Pepper's Lonely Hearts Club Band.

We're Sgt. Pepper's Lonely Hearts Club Band
We hope you will enjoy the show,
We're Sgt. Pepper's Lonely Hearts Club Band
Sit back and let the evening go.

Sgt. Pepper's lonely, Sgt. Pepper's lonely,
Sgt. Pepper's Lonely Hearts Club Band
It's wonderful to be here
It's certainly a thrill
You're such a lovely audience
We'd like to take you home with us
We'd love to take you home

I don't really like to stop the show
But I thought that you might like to know
That the singer's going to sing a song
And he wants you all to sing along

So let me introduce to you




The one and only Billy Shears
And Sgt. Pepper's Lonely Hearts Club Band.

Overall Meaning

The opening lines of this song set the scene as a retrospective look at the past, specifically 20 years ago when Sgt. Pepper taught the band to play. It's a nostalgic reflection on the band's growth and evolution over the years - from being "in and out of style" to now being a guaranteed smile-raiser. The chorus introduces a concept that ties the whole song together - Sgt. Pepper's Lonely Hearts Club Band - as the band members introduce themselves to the audience and invite them to sit back and enjoy the show.


As the song progresses, the Beatles break the fourth wall and interact with their audience, pretending to be the Sgt. Pepper's Lonely Hearts Club Band. The crowd is a "lovely audience," and the band is enjoying playing for them. The lyrics in the outro build up the anticipation for the next song as they introduce a new character, Billy Shears, and the whole band comes together to perform it.


Overall, this song sets the stage for the album and the concept behind it - a fictional band with a distinct sound and style that invites the listener along for the ride. It encapsulates the Beatles' playfulness, creativity, and knack for catchy hooks that made them one of the most beloved bands of all time.


Line by Line Meaning

It was twenty years ago today,
Today marks the twentieth anniversary of the day when Sgt. Pepper first taught the band how to play music


Sgt. Pepper taught the band to play,
Sgt. Pepper was responsible for teaching the band how to play music


They've been going in and out of style
Over the years, the band's popularity has fluctuated


But they're guaranteed to raise a smile.
Despite the ups and downs, the band is always able to make audiences happy and bring a smile to their faces


So may I introduce to you
Allow me to introduce to you


The act you've known for all these years
The band that has been known and loved by audiences for many years


Sgt. Pepper's Lonely Hearts Club Band.
The name of the band, which emphasizes their focus on bringing people together and creating a sense of community


We're Sgt. Pepper's Lonely Hearts Club Band
We're the band that is dedicated to bringing people together and creating a sense of community


We hope you will enjoy the show,
We hope that you will have a good time and be entertained by our performance


Sit back and let the evening go.
Relax and enjoy the show as the evening unfolds


Sgt. Pepper's lonely, Sgt. Pepper's lonely,
The name of the band emphasizes the idea of loneliness, which is a common feeling that people experience


Sgt. Pepper's Lonely Hearts Club Band
But by creating a sense of community and bringing people together, the band is able to combat this loneliness


It's wonderful to be here
We are thrilled to be performing for you today


It's certainly a thrill
Being able to perform for such a great audience is a truly exciting experience


You're such a lovely audience
The band is grateful for the wonderful audience that they are performing for


We'd like to take you home with us
The band wishes to extend the sense of community beyond just the evening's performance and invite the audience to be a part of their ongoing journey


We'd love to take you home
The band deeply cares about their audience and wishes to continue connecting with them even after the show is over


I don't really like to stop the show
The band wishes to continue performing and entertaining the audience without interruption


But I thought that you might like to know
However, there is important information that the band wishes to share with the audience


That the singer's going to sing a song
The band invites the audience to participate in a special moment where the singer will lead them in singing a song together


And he wants you all to sing along
The singer encourages the audience to join in and become a part of the performance


So let me introduce to you
Allow me to introduce to you


The one and only Billy Shears
The singer who will be leading the audience in song, emphasizing his importance to the band and to the evening's performance


And Sgt. Pepper's Lonely Hearts Club Band.
The band as a whole, emphasizing the sense of community and togetherness that they have worked to create




Lyrics © Sony/ATV Music Publishing LLC
Written by: JOHN LENNON, JOHN WINSTON LENNON, PAUL MCCARTNEY, PAUL JAMES MCCARTNEY

Lyrics Licensed & Provided by LyricFind
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Most interesting comment from YouTube:

@gutgolf74

@@potato-whiz
Well, there are still people not convinced that the earth is round and Trump is a crook and a dangerous person...
While in both cases the evidence is even bigger than this one, you can rest assured: It's literally impossible to be John.

Why it shouldn't be John:
It's Paul's part, end of story. No need for John to sing lead on Paul's part in Paul's dream.
That's also why we only see PAUL during this part in the official video to ADITL. No John AT ALL - but he returns right when HIS part, the last verse, starts.
They were finished recording John's vocals for ADITL 2 weeks before and just returned for recording Paul's part on February 3rd. John NEVER sang this part when he had the chance to.
Also, note the position of the voices in the stereo-picture: John is on the right, Paul on the left. The "aaahs" start on Paul's side and move over to cue John's return.
Why it couldn't be John:
Since -- in contrast to Emerick's fairy-tale - there is absolutely no cut between the "dream" and the "aaah", it must be still the same lead singer, Paul. You can even hear him take a breath between the "dream" and the "aaah" on the isolated vocal track.
Since John is doing his trademark NASAL high falsetto in the background AT THE SAME TIME it's impossible for him to also do the lead aaah.
Also, the lead aaah doesn't sound like John AT ALL.
It's a chest voice that would have been too high for him to do. Please name a single example where John sings like that - I bet you can't! Note how the example of "Mother" from this video is a FALSETTO part!! That's only proving it's Paul doing the "aah".
With Paul you only have to go as far as "Lovely Rita" to find a very similar example.
There are many experts who very thoroughly listened to all the actual reels and went through all the paperwork and wrote very highly praised books, like Kevin Ryan and Brian Kehew (from the book "Recording the Beatles", p. 444): "Though many have understandably attributed this vocal to John Lennon in the past, isolation of the vocal reveals it to be Paul. As the part progresses, his voice takes on a more nasal tone; this, in combination with an application of Repeat Echo similar to that already applied to John's, does much to give an impression of it being Lennon."
Or John C. Winn, who actually pointed out all the little differences between every single mix every made of any Beatles song: (from the book "That magic feeling - The Beatles' recorded legacy, p. 86): "Paul then corrected his vocal blunder by taping a new vocal on track 2, also adding some soaring "aahs" over the circle-of-fifths segment that linked back to the final verse".
And of course Sam Okell, who did the freaking Sgt. Pepper's REMIX: "Paul's main vocal track is in stereo, because we gave it some spread with the Waves S1 Stereo Imaging plug-in, so it has a different sound than John's lead. We also split off two little bits to be able to pan them left and right. His fourth vocal track is the 'aaah' section, and below it is an 'Aah delay' aux track." "Inside Sgt. Pepper's": Sound On Sound. SOS Publications Group. 26 October 2021



All comments from YouTube:

@arsonne

This song feels like the end-credits for life.

@Rfoz51

Funny you should say that - this was played at a funeral I attended, just surreal and so weird!

@pr.paradox1970

SO TRUE

@lindaklase3821

Yes, Paul’s death November 9, 1966. And replacement with Billy Shepherd aka Billy Shears. Ringo sings Billy Shears.

@ots1634

ew, i gotta turn it off- that depresses/scares me

@jona.scholt4362

@2:49 would be the part I agree with the most regarding the end of the world comment.

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@seektruth8662

Another fun fact: This is 2 songs melded together. Paul wrote the middle part (woke up,fell out of bed) and John the rest. Both songs were incomplete and both artists had no idea how to finish them. So they put them together and created one of the greatest songs ever.

@bondarmsman

Tnx. I didn't know that. The McCartney part was shitty though. He should not have messed with it. Another Lennon song stolen by McCartney and credited to Lennon-McCartney like "In my life".

@porflepopnecker4376

The transition from the Paul segment back to the John song is so utterly sublime that to omit it would deprive the song of a great deal of its beauty and power. The two segments work together magically.

@marguskiis7711

John used to lease Maccas ideas a lot. This Maccas part he used in his "Remember" 1970.

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