1. "The Chariot"
Th… Read Full Bio ↴There are five bands with a similar name:
1. "The Chariot"
The Chariot is a metalcore band signed to Solid State Records. The Chariot was formed in 2003 by ex-Norma Jean front man Josh Scogin.
Their debut full length album "Everything Is Alive, Everything Is Breathing, Nothing Is Dead, And Nothing Is Bleeding" was recorded entirely in one take, and was unmastered, which gave it more of a raw feel that was very similar to their live sound. Their wild and maniacal behavior onstage helped create a great impression for them in the underground, and despite numerous lineup changes they have managed to keep this reputation alive for the duration of their career.
In the winter of 2005 they released an EP entitled "Unsung" which featured two new songs, and four re-recordings from "Everything Is Alive, Everything Is Breathing, Nothing Is Dead, And Nothing Is Bleeding." This EP saw The Chariot's chaotic, feedback-inducing sound replaced by slightly more polished production, while still containing the rather harsh songwriting that they had become known for.
On April 3rd of 2007 they released their second full-length album called "The Fiancee." This album followed suit with the "Unsung EP", as the production was more well-defined and evened out. The last track on the album is the first and last verses of a hymn called "The Trumpet," sung by The Sacred Harp Singers choir (www.awakemysoul.com). The Sacred Harp Singers also sang at the end of "And Shot Each Other," and "Then Came To Kill" is a re-recording of "Kenny Gibler (Play The Piano Like A Disease)" from the "Unsung EP", and features Hayley Williams, the lead singer of Paramore on vocals.
In 2008, Dan Eaton and Jake Ryan left the band to pursue their band Queens Club. Jon Terry also left the band, but Jon Kindler, the bassist, stayed, marking the first time in the history of The Chariot that one member of the line-up had stayed for more than one album (with the exception of Josh Scogin, as to many he is The Chariot). The new (and still in place) Chariot lineup consists of various numbers from Canada natives I Hate Sally, and the local Georgia band The Rein. This line-up went on to tour throughout Europe for most of 2008 and then it was announced that they would be writing and recording their third full length, to be released on May 5th, 2009.
"Wars And Rumors Of Wars", the third full-length album from The Chariot, and fourth release overall, came out on May 5th, 2009. This album marked a slight return to the initial sound of their first album. While the cleaner production of "The Fiancee" was still in place, the overall feel of the album was much heavier and very reminiscent of their cacophonous sound. In other words, while being slightly more discernible, it is packed to the max with energy. The album was hand stamped and hand numbered, and was released at the dawn of The Chariot's first U.S. tour of 2009, supporting alongside Car Bomb for Gojira's "The Way Of The Flesh" Tour.
Band Members
Joshua Scogin - Vocals
Jon "KC Wolf" Kindler- Bass
Bryan Russell Taylor- Guitar / Vocals
David Kennedy- Drums
Dan Vokey- Guitar
Former Members
Keller Harbin - Guitar / Vocals
Tony Medina - Guitar
Joshua Beiser - Bass
Jeff Carter - Drums
Mark Nicks - Drums
Dan Eaton - Guitar / Vocals
Jake Ryan - Drums
John Terry - Guitar
2. "Chariot"
Chariot is a NWOBHM band from London. Their full-length debut was the hard-hitting "The Warrior" in 1984. A year later, they released an EP called "All Alone Again". In 1986, they released their second full-length album "Burning Ambition". The first two albums of this band are a very representative example of the eighties British hard rock. Some NWOBHM enthusiasts may describe their sound as a cross between Diamond Head and Motörhead with a more upbeat ambience. Their fan based extended from the UK and Europe right up to Japan. For a short time they played alongside the European tour of classic heavy metal act, Manowar. The Chariot disbanded in 1992. Some of its members continued playing in a newer band called “Dirty Deeds" with a more hard-rock sound. Dirty Deeds was lead by Pete Franklin.
The band reformed in 2004 and it was quite a busy year of Chariot releases! The same year they released two compilations -- "Early Days, Late Nights" and "What Goes Around", a DVD release of their 1986 live recording "Sweating Blood - Live At The Marquee" and additionally a demo Promo CD. In 2006, they came back with all new material with their full-length album "Behind the Wire". The last album strongly resonates their NWOBHM eighties days.
Current line-up
Pete Franklin - Guitars/Vocals
Paul Lane - Guitars
John Smith - Bass
Jeff Braithwaite - Drums
3. "Chariot"
A trio of the late 60s. Their music is often depicted as being influenced by the band Cream. All band members - except the drummer Pug Barker - apparently disappeared without a trace.
4. "Chariot"
A single album project involving The Posies' Ken Stringfellow and Brian Young (now in Fountains of Wayne), along with White Flag's Pat Fear and Javier Escovedo of The Zeros. The album was titled "I Am Ben Hur" and was released in 1997 and is punk/power pop in style. It features cover versions of songs by Alex Chilton, The Choir, Los Bravos, The Count Five and Paul Revere and the Raiders mixed with originals by all band members. A great album, but sadly their only album.
5. "Chariot"
A Christian metal band from the mid-80's. They recorded two demos and were in two compilations - White Metal Invasion (1989) and Underground Metal (1988). Paul Avilas was the vocalist and Louis Filardo was the lead guitarist.
Never I
The Chariot Lyrics
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you can send the harlot for the job of a pilgrim.
When we cast the script, we found it hard to tell either apart,
enter the modern world. Take rest my love because the thief is
blessed with sounding bells, the body count is all we got and I know
that is hollow still. Midnight is growing deer.
To sing of love or to sing of life is a lonely road but I walk in faith.
Shake up the press, raise the flag, I have seen way too much to let my heart break.
This is for the Earth that slept too late.
Bless the thief.
The Chariot's song "Never I" dives into the issues surrounding progress and profit, and how they bury important truths and values. The lyrics suggest that in this modern world, it's hard to distinguish between what's truly important and what's superficial. The line "face the facts, you can send the harlot for the job of a pilgrim" suggests that even someone who is seen as immoral (the harlot) may be more suited for the job of a pilgrim, or someone on a spiritual journey, than those who appear more proper or respectable.
The chorus of the song reinforces this idea of confusion and ambiguity: "Take rest my love because the thief is blessed with sounding bells, the body count is all we got and I know that is hollow still." The image of the thief being blessed with sounding bells implies that someone who is seen as a criminal or outsider may actually be more in tune with important truths. The use of "body count" suggests that the world is focused on death and destruction rather than love and life. The singer of the song, however, walks in faith and refuses to let their heart break despite seeing too much of the world's ugliness.
The bridge of the song brings in themes of history and distance: "With the father's past, how can distances be great? This is for the Earth that slept too late." The line "father's past" likely refers to the history of humanity, and how the actions of our ancestors have shaped the world we live in today. Despite this shared history, the world seems to be getting further and further apart (hence "distances"). This section of the song also references the trope of the "sleeping earth," suggesting that there is potential for growth and change if only we wake up to the problems around us.
Line by Line Meaning
Buried because of progress and profit, face the facts
Acknowledging the harms of progress and greed that have led to destruction, it's time to confront the truth.
you can send the harlot for the job of a pilgrim
Even someone who may seem immoral or unrighteous can still be capable of redemption and enlightenment.
When we cast the script, we found it hard to tell either apart, enter the modern world.
In this modern age, it can be difficult to distinguish between what is real and what is fake, true and untrue, genuine and artificial.
Take rest my love because the thief is blessed with sounding bells, the body count is all we got and I know that is hollow still.
Despite the ephemeral nature of life, take comfort that death is marked with ceremony and dignity, even though it ultimately means nothing in the grand scope of things.
Midnight is growing deer.
As the night grows darker, the burden of the world also falls heavily upon oneself, symbolized by the presence of deer.
To sing of love or to sing of life is a lonely road but I walk in faith.
Regardless of whether one chooses to sing of love or life, the journey towards understanding that truth is a solitary but worthwhile pursuit that requires unwavering faith.
Shake up the press, raise the flag, I have seen way too much to let my heart break.
Despite the horrors and pain of experiencing the world, one must rise beyond the brokenness and do something to enact change.
With the father's past, how can distances be great?
Despite the generational gaps and historical differences, certain aspects of human experience inevitably connect us all.
This is for the Earth that slept too late.
This is a lament for the inaction and neglect of the world towards the issues that plague it, even when solutions could have been found.
Bless the thief.
May the disruptors and contrarians be given their due, for they may bring about new ideas and paradigm shifts.
Contributed by Lucas Y. Suggest a correction in the comments below.