After Makem amicably left The Clancy Brothers And Tommy Makem in 1969, Bobby Clancy joined as the fourth lead vocalist. Two of the Furey Brothers, Finbar Furey and Eddie Furey, also joined at this time as instrumentalists and back-up singers. Paddy asked Finbar Furey if he would play the whistle and five-string banjo with the group. Finbar also added Uillean pipes to his performances, creating a new sound for the group on stage, recordings, and TV. The six-piece band recorded two new albums in the summer of 1969: "Clancy Brothers Christmas", released later that year, and "Flowers in the Valley", released in 1970. The latter was their final album for Columbia Records.
Finbar and Eddie Furey left in 1970, and, for a short time, just the four brothers, Paddy, Tom, Bobby and Liam, performed together. This line-up recorded only one album together, Welcome to Our House, in 1970 for their new label, Audio Fidelity Records. Later that same year, Liam and Bobby got into an argument that resulted in Bobby quitting the group. Bobby later said about his younger brother: "With Liam it was very hard to be equal. I try to make it as equal as possible and everybody's happy that way. It makes it a better sound."
In 1971, the remaining Clancys recruited English folk singer, Louis Killen, to play the banjo, concertina, and spoons with the group. Together they made two studio albums for Audio Fidelity, Save the Land and Show Me the Way, on which they experimented with modernising their sound, musical style, and material, even including pop songs like Elton John's "Country Comfort". They recorded their final album for Audio Fidelity, the more traditional Live on St. Patrick's Day, at the Bushnell Auditorium in Hartford, Connecticut in 1972. It was released the following year.
By the early 1970s, the Clancys reduced their touring schedule to five months a year. The brothers were moving in different directions In spite of the brothers' growing distance, but, in spite of this, the group made one more album with Killen for Vanguard Records, The Clancy Brothers' Greatest Hits, as well as several television appearances on the Irish Rovers Show in Canada and a TV special for Brockton television in 1974 (in which Bobby Clancy made a surprise guest appearance).
In early 1976, a scheduling conflict between a tour of Australia and a television role for Tom Clancy provoked Liam to leave the group. Beginning in 1977, the Clancy Brothers and Robbie O'Connell (who took on the role Liam had vacated) toured three months a year in March, August, and November.
In the summer of 1983, the group travelled to their hometown in Ireland to film a 20-minute special on sea songs, sung on location on the fishing ships in the area. It was called Songs of the Sea. Directed by Irish filmmaker David Donaghy, it was broadcast on the BBC Northern Ireland.
In 1984, Makem and Clancy's manager Maurice Cassidy brought the original foursome The Clancy Brothers And Tommy Makem together again for a documentary, followed by a concert and the album The Clancy Brothers and Tommy Makem Reunion.
In 1988, the Clancy Brothers (Paddy, Tom, and Bobby) with Robbie O'Connell recorded a poorly mixed live album at St. Anselm College in Goffstown, New Hampshire, titled "Tunes 'n' Tales of Ireland".
With the death of Tom Clancy in 1990, Liam again stepped in full-time with his brothers. This line-up experienced a more active schedule than the group had during the previous decade, with appearances on Regis and Kathie Lee in 1991, 1993 and 1995, a performance at the 30th Anniversary Bob Dylan concert at Madison Square Garden in 1992, seen by 20,000 live and 200 million people worldwide on television, and the formation of Irish Festival Cruises in 1991, an annual cruise of the Caribbean with live folk music. They also brought their own tour groups to Ireland, which Robbie O'Connell continues.
The Bob Dylan concert in 1992 inspired the recording of the first studio album by The Clancy Brothers in over twenty years (since 1973's Greatest Hits). Released in late 1995, "Older But No Wiser" introduced all newly recorded songs with the exception of "When the Ship Comes In", which the group performed at the Dylan concert. It was the only recording to feature the line-up of Paddy, Bobby, Liam Clancy, and Robbie O'Connell. Older But No Wiser was The Clancy Brothers' final album.
Before splitting up, The Clancy brothers and Robbie O'Connell gave a Farewell Tour of Ireland and America in February and March 1996. One performance in Clonmel, as part of their Irish tour, was televised and later released on video and DVD as The Clancy Brothers and Robbie O'Connell: Farewell to Ireland.
After the break-up, Paddy and Bobby continued touring as The Clancy Brothers, with Bobby's son Finbarr Clancy becoming an official member of the group. The trio added longtime friend of Bobby's daughter Aoife, Eddie Dillon, to the group for a thirteen city engagement in early 1997. The quartet was known as the Clancy Brothers and Eddie Dillon. Eddie Dillon, a Boston-based musician, is the only American ever to perform with the Clancy Brothers.
Liam Clancy and Robbie O'Connell toured for a while as a duo, but very soon added Liam's son Dónal Clancy to the mix, forming the group, Clancy, O'Connell & Clancy. They released two albums together, an eponymous debut album in 1997 and an album of sea songs in 1998, The Wild and Wasteful Ocean.
With three brothers having died (Tom in 1990, Pat in 1998, Bobby in 2002), the last surviving Clancy brother, Liam Clancy, continued to tour solo into the twenty-first century. He died in 2009.
As I Roved Out
The Clancy Brothers Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
On a May morning right early
I met my love upon the way
Oh, Lord but she was early
(Chorus)
And she sang lilt-a-doodle, lilt-a-doodle, lilt-a-doodle-dee,-
And she hi-di-lan-di-dee, and she hi-di-lan-di-dee and she lan- day
Her boots were black and her stockings white
And her buckles shone like silver
She had a dark and a rolling eye
And her ear-rings tipped her shoulder
(Chorus)
"What age are you my bonny wee lass
What age are you my honey?"
Right modestly she answered me
"I'll be seventeen on Sunday"
(Chorus)
"Where do you live my bonny wee lass
Where do you live my honey?"
"In a wee house up on the top of the hill
And I live there with my mammy"
(Chorus)
"If I went to the house on the top of the hill
When the moon was shining clearly
Would you arise and let me in
And your mammy not to hear you?"
(Chorus)
I went to the house on the top of the hill
When the moon was shining clearly
She arose to let me in
But her mammy chanced to hear her
(Chorus)
She caught her by the hair of the head
And down to the room she brought her
And with the butt of a hazel twig
She was the well-beat daughter
(Chorus)
"Will you marry me now my soldier lad
Will you marry me now or never?
Will you marry me now my soldier lad
For you see I'm done forever"
(Chorus)
"I can't marry you my bonny wee lass
I can't marry you my honey
For I have got a wife at home
And how could I disown her?"
(Chorus)
A pint at night is my delight
And a gallon in the morning
The old women are my heart break
But the young ones is my darling
(Chorus)
The Clancy Brothers's song, "As I Roved Out" tells the story of a young man who meets a woman he falls in love with on a May morning. The woman is charming, with black boots, white stockings, and shining silver buckles. She appears to be very young, modest, and innocent as she answers the young man's questions. The young man asks her where she lives, and she tells him that she lives in a small house on the top of a hill with her mother. The young man asks if he can meet her at her home later in the evening, and the girl agrees.
Later that day, the young man arrives at the girl's house, but her mother catches her trying to sneak him in. The mother physically beats the daughter and questions the young man about his intentions, to which he admits that he cannot marry her as he already has a wife.
The song is a reflection of the traditional nature of society where young people who were not married could not openly display their affection for each other. The song also highlights the importance of honesty in relationships, which is a significant theme in traditional Irish music.
Line by Line Meaning
As I roved out on a May morning
I went for a walk on a nice day in May
On a May morning right early
It was early in the morning in May
I met my love upon the way
I saw my loved one on my walk
Oh, Lord but she was early
She was up early and out walking too
[Chorus]
And she sang lilt-a-doodle, lilt-a-doodle, lilt-a-doodle-dee,-
And she hi-di-lan-di-dee, and she hi-di-lan-di-dee and she lan- day
She sang a fun tune with nonsensical lyrics
Her boots were black and her stockings white
She was wearing black boots and white stockings
And her buckles shone like silver
Her shoe buckles were shiny like silver
She had a dark and a rolling eye
She had beautiful, dark, expressive eyes
And her ear-rings tipped her shoulder
Her earrings were dangling and touching her shoulders
[Chorus]
The chorus with the repeated silly lyrics
"What age are you my bonny wee lass
What age are you my honey?"
I asked her age
Right modestly she answered me
She gave me a modest answer
"I'll be seventeen on Sunday"
She will turn seventeen on Sunday
[Chorus]
The chorus with the repeated silly lyrics
"Where do you live my bonny wee lass
Where do you live my honey?"
I asked where she lived
"In a wee house up on the top of the hill
And I live there with my mammy"
She lives in a small house with her mother on the hill
[Chorus]
The chorus with the repeated silly lyrics
"If I went to the house on the top of the hill
When the moon was shining clearly
Would you arise and let me in
And your mammy not to hear you?"
I asked if she would let me in quietly if I came to her house at night
[Chorus]
The chorus with the repeated silly lyrics
I went to the house on the top of the hill
When the moon was shining clearly
I went to the hill when it was bright outside
She arose to let me in
But her mammy chanced to hear her
She tried to let me in but her mother woke up
[Chorus]
The chorus with the repeated silly lyrics
She caught her by the hair of the head
And down to the room she brought her
And with the butt of a hazel twig
She was the well-beat daughter
Her mother punished her with physical violence
[Chorus]
The chorus with the repeated silly lyrics
"Will you marry me now my soldier lad
Will you marry me now or never?
Will you marry me now my soldier lad
For you see I'm done forever"
She asked me to marry her but I could not
[Chorus]
The chorus with the repeated silly lyrics
"I can't marry you my bonny wee lass
I can't marry you my honey
For I have got a wife at home
And how could I disown her?"
I explained that I have a wife and can't marry her
[Chorus]
The chorus with the repeated silly lyrics
A pint at night is my delight
And a gallon in the morning
I like to have a pint at night and a gallon in the morning
The old women are my heart break
But the young ones is my darling
I have trouble with older women but I love younger ones
[Chorus]
The chorus with the repeated silly lyrics
Lyrics © Peermusic Publishing
Written by: Traditional, J Baird, Pd Traditional
Lyrics Licensed & Provided by LyricFind
April O
Nobody does this song like Tommy. Extraordinary.
Julian Sturgeon
One of their best, and Tommy Makem brilliant. Such a brilliant, tragic song, as only the Irish can do. I love it.
cheerydavie
What a talent! Tommy Makem was thanks for posting
jeskehendriks
Very nice song :D
harsishava
What album was Bobby Clancy's version from?
s orr
They were the real thing Tommy Makem and the Clancy Bros - and their offspring(!) the High Kings are quite good also in the tradition...