The Cult's debut studio album Dreamtime was released in 1984 to moderate success, with its lead single "Spiritwalker" reaching No. 1 on the UK Indie Chart. Their second studio album, Love (1985), was also successful, charting at No. 4 in the UK and including singles such as "She Sells Sanctuary" and "Rain". The band's third album, Electric (1987), launched them new heights of success, also peaking at No. 4 in the UK and charting highly in other territories, and spawned the hit singles "Love Removal Machine", "Lil' Devil" and "Wild Flower". On that album, The Cult supplemented their post-punk sound with hard rock; the polish on this new sound was facilitated by producer Rick Rubin. After moving to Los Angeles, California, where the band has been based for the remainder of their career, The Cult continued the musical experimentation of Electric with its follow-up album Sonic Temple (1989), which marked their first collaboration with Bob Rock, who would produce several of the band's subsequent albums. Sonic Temple was their most successful album to that point, entering the Top 10 on the UK and US charts, and included one of the band's most popular songs "Fire Woman".
By the time of their fifth album Ceremony (1991), tensions and creative differences began to surface among the band members. This resulted in the recording sessions for Ceremony being held without a stable lineup, leaving Astbury and Duffy as the only two official members left, and featuring support from session musicians on bass and drums. The ongoing tension had carried over within the next four years, during which they released one more studio album, The Cult (1994), and called it quits in 1995. The Cult reformed in 1999 and released their seventh album Beyond Good and Evil two years later. The commercial failure of the album and resurfaced tensions led to the band going back on hiatus in 2002. They resumed activity in 2006, and have since released three more studio albums: Born into This (2007), Choice of Weapon (2012), and Hidden City (2016).
According to music critic Stephen Thomas Erlewine, the band fuse a "hardcore punk revivalist" sound with the "pseudo-mysticism ... of the Doors and Uriah Heep and the guitar-orchestrations of Led Zeppelin and The Cure ... while adding touches of post-punk goth rock". In 1985 Astbury said, "Our music is just melodies and guitars. We're like Big Country and U2, only better!".
On August 15, 2020, Duffy announced on his Twitter that the band were recording a new album with producer Tom Dalgety at Rockfield Studios, where The Cult had recorded their debut album Dreamtime 36 years earlier.
The Cult is also the name of a Las Vegas funk group that recorded one album in 1976, an Australian psych rock band that released one single in 1965, a UK punk band that released one 7" in 1980 and a garage rock band (featuring Allan Springfield of Chelsea Beige) that released two singles in 1965 and 1966.
Wild Hearted Son
The Cult Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Baby, the world didn't want me to run
To try and break me down to my knees, yeah
Wild hearted, yeah yeah
Yeah
Well now
You know, I shoot from the hip now
I'm a whirlwind dreamer, baby
With my head high in the clouds, yeah
Ow, don't take me too lightly
I got the blues power, baby
I'm just a breed of society
I'm pushin' hard and stealin' free
Don't you try to lay no trip on me, yeah
I'm a wild hearted son
I'm comin' down like a rolling stone
Wild hearted son, yeah
I'm a wild hearted son
Hey mama, the world didn't want me to run
Wild hearted son
Ow, I was born to the city
But I longed to roam free
Got a screaming horse in my belly
Scar on my heart
I live outside of convention
You know the people who stare
I'm just a breed of society
I'm pushin' hard and I'm stealin' free
Don't try to lay no trip on me, whoa
'Cause I'm a wild hearted son
I'm comin' down like a rolling stone, yeah
Wild hearted son
I'm a wild hearted son
Lil' honey, the world didn't want me to run, yeah
Wild hearted son
Baby, baby, yeah yeah
Wild hearted son, yeah
The world didn't want me to run
Try to break me down, down down down down
I'm a wild hearted son
I'm comin' down like a rolling stone, oh yeah
Wild hearted son
I'm a wild hearted son
Lil' honey, the world didn't want me to run
Wild hearted son, son, baby, yeah
Oh oh
The lyrics of The Cult's "Wild Hearted Son" describe a rebellious nature that emerges from a young "wild hearted son" who doesn't want to conform to society's expectations. The song is a celebration of the singer's wild spirit, one that is independent and unfazed by social conventions. The singer is determined to live free and refuses to be restricted in any way, which is reflected through the lines "I'm just a breed of society, I'm pushin' hard and stealin' free, don't you try to lay no trip on me." The song's final message is that of resilience and triumph, as the "wild hearted son" overcomes the world's attempts at breaking him down and remains unapologetically himself.
Line by Line Meaning
Wild hearted son
The singer identifies himself as a wild-hearted son, implying that he is a free-spirited person who doesn't conform to societal norms.
Baby, the world didn't want me to run
The singer suggests that the world tried to hold him back from pursuing his desires and that he had to overcome obstacles to achieve his goals.
To try and break me down to my knees, yeah
The singer asserts that others tried to destroy his self-esteem and make him feel powerless by pushing him down.
Well now
The artist is about to explain how he overcame the obstacles and challenges that he faced in life.
You know, I shoot from the hip now
The artist now handles situations with a bold and confident attitude, trusting his instincts rather than second-guessing himself.
My fist raised in the air
The singer displays a powerful and assertive gesture, indicating his strength and conviction.
I'm a whirlwind dreamer, baby
The singer is a person with a lot of ideas and imagination, constantly thinking and dreaming of new things to accomplish.
With my head high in the clouds, yeah
The artist is an idealist, with his sights set on lofty goals and aspirations.
Ow, don't take me too lightly
The artist warns others not to underestimate him, as he is a formidable person who has overcome many challenges in life.
I got the blues power, baby
The artist has strength and resilience, which comes from his painful experiences, which he refers to as the 'blues'.
I'm just a breed of society
The singer is a unique individual who doesn't fit the mold of conventional society.
I'm pushin' hard and stealin' free
The artist is striving for success and is willing to take risks and seize opportunities to achieve his goals.
Don't you try to lay no trip on me, yeah
The singer warns others not to try and manipulate him, as he is confident and independent and will not be easily influenced.
I'm comin' down like a rolling stone
The singer is determined and unstoppable, and nothing will stand in his way.
Hey mama, the world didn't want me to run
The singer is referring to his mother, telling her that he defied the odds and overcame the obstacles that were put in front of him.
Ow, I was born to the city
The artist was raised in an urban environment, but he has always felt a desire to explore and discover new things outside the city.
But I longed to roam free
The artist has a strong desire to be free and explore new places, even if it means leaving behind what is familiar to him.
Got a screaming horse in my belly
The singer has a wild and passionate spirit that he compares to a horse that he is trying to control.
Scar on my heart
The singer has been hurt in the past, and these experiences have left a lasting impact on him.
I live outside of convention
The artist doesn't follow traditional ways of thinking or behaving but instead chooses to live his life on his terms.
You know the people who stare
The artist is aware that others judge him for his choices and nonconformity.
'Cause I'm a wild hearted son
The artist reminds the listener that he is a free-spirited and independent person who follows his own path in life.
Lil' honey, the world didn't want me to run
The singer addresses someone he cares for, calling her 'lil honey,' and letting her know that the world attempted to hold him back from pursuing his dreams.
Wild hearted son, son, baby, yeah
The artist repeats the phrase 'wild-hearted son' as a reminder of who he is, a person who has defied the odds and overcome obstacles to achieve his goals.
The world didn't want me to run
The singer is emphasizing that he had to overcome obstacles and that the odds were against him, but he persevered.
Try to break me down, down down down down
The singer suggests that others wanted to destroy him and knock him down, but he refused to let their negativity get in the way of his dreams and aspirations.
Baby, baby, yeah yeah
The singer uses this phrase as an exclamation of triumph, expressing his joy at having overcome the obstacles put in front of him.
Lyrics © Warner Chappell Music, Inc.
Written by: IAN ROBERT ASTBURY, WILLIAM HENRY DUFFY
Lyrics Licensed & Provided by LyricFind
@ralfcarstensen8803
Yeah right.
Fully completely with ya on this.
Seen m in 86 when they started up. I live in the south of the Netherlands and we've got the oldest each year returning pop - rock festival .
It's in the guineas book.of records
PINKPOP
Well thing is the chief of the fest gotten famous about that concept if him.
Asking Bands later on, in their carrier to come and play again.
1991 THE CULT as finishing act never ever gonna forget that live gig.
Forgot the singers name.
Well it wasn't that he had a tempor.
Or being in a bad mood on the contrary.
He was fucking wild.
This cult gì went into the statistics of Pinkpop lime the fuck here and fuck there gig
Each third word he s been using was fuck fuck off and he didn't wanna stop 1 a.m is tops.
So the concert chief Jan Smeets
Pulled the plug on.them., lol him this went on for another half an hour chief.pulling it out the singer back plugging it in again woah heavy and heavy in ways.
I heard two of the loudest gigs ever
Mostly finishing acts.
But.well THE CULT 91 WAS ONE . PINKPOP MOVED MORE SOUTH IN 87 AFTER 17 YEARS HERE IN GELEEN
THEY NEEDED TO NO ROOOM LEFTGOTTRN BIGGER AND BIGGER
HOWEVER NOE THEY ARE ON SN OLD HORSE RACETRACK
800 METERS MINIMUM.
IT WAS AT THE END SO F... HARD THE SOUND NEEDED TO MOVE TILL THE END OF THE TRACK AND STILL BLASTI G HARD
THE OTHER TE WAS IN BELGIUM
ROCK WERCHTER
THIRD LAST CLOSING BAND AND IMSGING STONG AFTER THIS GIG
THE RED HOT CHILI PEPPERS
CAME IN TOO LATE HUNDRED THOUSENDS IN FRONT OF ME GETTINNG DARK
ALSO NRVER FORGET AS WELL 91 IN THE BEGINNING YEARS WITH THEIR DISTINGUISHED SOCK ACT TOTALLY NACKED ONLY WEARING S SOCK ON THEIR PROVATE PSRTS AND AGAIN THE BELGIUM PEOPLE ARE SO RELAXT THEY TURNED THE VOLUME UP
I WAS SHACKING ON FLEAS BASS.
ON THE END OF THE FIELD AMAZING AND THEY FINISHED ON THREE HENDRIX SONG THESE WERE THE WILDEST HARDEST GIGS I EVER SAW AND HEARD
LOVE AND LIGHT
@dragonflyflutterby2952
The most underrated, under appreciated band in Rock/Hard Rock etc... Amazing band and awesome synchronization. Love their sound-style all of it. Greatest musicians who deserved better. As long as there’s fans there will always be The Cult music passed down to each generation. Let’s keep that going ♥️ 🎸 🎤 🎵 🔥 🌟 🎶 🕯 ✨ ☘️ 🆒
@josueleonel2415
Totally agree... Underrated like no one...
@J.R.Graham
💯👍🎼🍻🎛
@MarkSmith8357
Amen to that!
@ralfcarstensen8803
Yeah right.
Fully completely with ya on this.
Seen m in 86 when they started up. I live in the south of the Netherlands and we've got the oldest each year returning pop - rock festival .
It's in the guineas book.of records
PINKPOP
Well thing is the chief of the fest gotten famous about that concept if him.
Asking Bands later on, in their carrier to come and play again.
1991 THE CULT as finishing act never ever gonna forget that live gig.
Forgot the singers name.
Well it wasn't that he had a tempor.
Or being in a bad mood on the contrary.
He was fucking wild.
This cult gì went into the statistics of Pinkpop lime the fuck here and fuck there gig
Each third word he s been using was fuck fuck off and he didn't wanna stop 1 a.m is tops.
So the concert chief Jan Smeets
Pulled the plug on.them., lol him this went on for another half an hour chief.pulling it out the singer back plugging it in again woah heavy and heavy in ways.
I heard two of the loudest gigs ever
Mostly finishing acts.
But.well THE CULT 91 WAS ONE . PINKPOP MOVED MORE SOUTH IN 87 AFTER 17 YEARS HERE IN GELEEN
THEY NEEDED TO NO ROOOM LEFTGOTTRN BIGGER AND BIGGER
HOWEVER NOE THEY ARE ON SN OLD HORSE RACETRACK
800 METERS MINIMUM.
IT WAS AT THE END SO F... HARD THE SOUND NEEDED TO MOVE TILL THE END OF THE TRACK AND STILL BLASTI G HARD
THE OTHER TE WAS IN BELGIUM
ROCK WERCHTER
THIRD LAST CLOSING BAND AND IMSGING STONG AFTER THIS GIG
THE RED HOT CHILI PEPPERS
CAME IN TOO LATE HUNDRED THOUSENDS IN FRONT OF ME GETTINNG DARK
ALSO NRVER FORGET AS WELL 91 IN THE BEGINNING YEARS WITH THEIR DISTINGUISHED SOCK ACT TOTALLY NACKED ONLY WEARING S SOCK ON THEIR PROVATE PSRTS AND AGAIN THE BELGIUM PEOPLE ARE SO RELAXT THEY TURNED THE VOLUME UP
I WAS SHACKING ON FLEAS BASS.
ON THE END OF THE FIELD AMAZING AND THEY FINISHED ON THREE HENDRIX SONG THESE WERE THE WILDEST HARDEST GIGS I EVER SAW AND HEARD
LOVE AND LIGHT
@guramnone1158
Группа уникальная. Шедевральная.
@Jamaiceltable
At their peak, this band could match anyone. They were just AWESOME. Yet so underrated.
@lindamackie674
They overshadowed everyone NOW,check out the World Tour, fantastic!!
@sandrafisherhayes3219
This word...underrated...it is becoming a tad overused tbh! They are not in any way underrated by those who love their music. I certainly don't believe they are underrated! Maybe by the music press but Ian or Billy never really cared about what the media thought anyways. They were slated for nearly every album they released since their Love album. Who cares what the music media think, we, their benefactors know how good they are and that's all that matters ❤❤🖤🖤🤘✌CFFC✌🤘🖤🖤❤❤
@DocThunderfoot
true!