Named both in reference to the Russian Decembrist Revolt (they use the national anthem of the Soviet Union as an introduction at many concerts) and to the atmosphere associated with the month of December, the Decemberists write songs that range from upbeat pop to instrumentally lush ballads. They often employ instruments like the accordion, Hammond organ, Wurlitzer organ, and upright bass. In their lyrics, they eschew the angst and introspection common to modern rock, instead favoring a storytelling approach, as evidenced in songs such as "My Mother Was a Chinese Trapeze Artist" from the 5 Songs EP and "The Mariner's Revenge Song" on Picaresque. Their songs convey tales ranging from whimsical ("Here I Dreamt I Was an Architect") to epic ("The Tain") to truly dark ("Odalisque"). They often invoke historical events and themes from around the world. Early in their career, The Decemberists' musical and lyrical aesthetics frequently prompted critics to compare them to Neutral Milk Hotel. Since their debut, their sound has undergone a consistent evolution, most notably in the direction of progressive rock with a strong folk influence, though they have also been described as indie rock and, by Stephen Colbert, as "hyper-literate prog rock." For example, one song, "When the War Came", uses a little-known story from the Siege of Leningrad to describe the heroism of civilian scientists during warfare. The lyrics state: "We made our oath to Vavilov / We'd not betray the solanum / The acres of asteraceae / To our own pangs of starvation". Nikolai Ivanovich Vavilov was a Russian botanist whose laboratory, a seedbank containing 200,000 types of plant seeds, many of them edible, was preserved throughout the siege, during which hundreds of thousands of people died.
In March 2005, the Decemberists were reportedly the first band to distribute a music video via BitTorrent -- the self-produced "16 Military Wives" (from Picaresque). That same month, the band's equipment trailer was stolen; fans contributed to a replacement fund, and another fund-raiser was organized via an eBay auction, with buyers bidding for copies of Colin Meloy Sings Morrissey and original art work by Carson Ellis. They also received help from Lee Kruger, The Shins, The Dandy Warhols and other musicians. The Martin Guitar Company offered six- and twelve-string guitars on permanent loan. In early April, police discovered the trailer in Clackamas, Oregon, and a fair amount of the band's merchandise, but the instruments and equipment were not recovered.
On 12 December 2005, Meloy revealed to Pitchfork Media that they had signed to Capitol Records, and planned to begin recording their major label debut with producers Tucker Martine and Chris Walla, of Death Cab for Cutie fame, in April 2006. The Decemberists' first album on Capitol, and their first major label debut, The Crane Wife, was released on 3 October 2006. The release was accompanied by an appearance the same day on the world-wide syndicated TV talk show Late Night with Conan O'Brien when the track "O Valencia!" was performed. The Decemberists began their tour in support of The Crane Wife, with The Rout of the Patagons Tour, on 17 October 2006, at Portland, Oregon's Crystal Ballroom. Their opening act was Lavender Diamond. Later on in the tour, Alasdair Roberts opened for the band.
In July 2007 the Decemberists set out on a five-date tour with a full orchestral accompaniment. On 7 July, the tour put the group on the stage of the historic Hollywood Bowl for the first time in their career, and they were joined by the Los Angeles Philharmonic. On 15 July the group performed with The Mann Festival Orchestra at The Mann Center for the Performing Arts in Philadelphia, Pennsylvania. They then played a free concert in Chicago, Ilinois, at the recently developed Millennium Park with the Grant Park Symphony Orchestra. In September 2007 they also played at Austin City Limits Music Festival in Austin, Texas.
In October 2007, they began The Long and Short of It Tour. However, having completed the European portion of the tour and immediately after playing the Chicago dates, the rest of the tour was canceled due to illness.
On 24 March 2009, the band released The Hazards of Love, their fifth album. The album's first single, "The Rake's Song", was made available for free on the band's website. The album featured guest appearances from My Brightest Diamond, Becky Stark of Lavender Diamond, Robyn Hitchcock and Jim James. The album peaked at #14 on the Billboard 200.
On 11 January 2011, the band released their sixth album The King is Dead. The band released the first single "Down by the Water" for free on their website. The album debuted at #1 on the Billboard 200 album chart in the United States and is the highest charting album in the band's career. The second single, "This Is Why We Fight" was released on January 25, 2011.
There is another band with the same name:
(2). The Decemberists formed in Liverpool in 1984 when Andy Ford and Tom Gent from Swim Naked hooked up with Colin Pennington, who had just left The Tunnel Users. They played their first show at The Cavern in 1985 and then played extensively in their home city. After recording demo tapes which attracted attention from BBC Radio 1's John Peel and Rough Trade Records, they secured a residency at University Of London Union (ULU). Their first release was James Is (Still The Same) on the Discreet Campaigns compilation cassette tape alongside New Order and Cocteau Twins. After the appearance of Gift Horse on the Ways To Wear Coats compilation LP in 1987, the band changed their name to Hellfire Sermons.
James Is (Still The Same) was included on The Sound Of Leamington Spa Volume 6 in 2009. They are listed as ‘The Decemberists Of Liverpool 1985-87’ on this album to make a distinction from the famous 21st century group of the same name.
Isn't It A Lovely Night?
The Decemberists Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And so alive
With fireflies
Providing us their holy light
And here we made a bed of boughs
And thistle down
That we had found
And isn't it a lovely day
We got in from our play
Isn't it?
A sweet little baby
And wasn't it a lovely breeze
That swept the leaves
Of arbor reeves
And bent a brush of blushing knees
And here we died our little deaths
And we were left to catch our breaths
So swiftly lifting from our chests
And isn't a lovely way
We got in from our play
Isn't it?
A sweet little baby
The Decemberists' song "Isn’t It A Lovely Night?" is a poetic tribute to the beauty of nature and the way it can be experienced with a loved one. The lyrics describe a magical summer evening, where the air is full of fireflies that light up the night. The song takes poetic licence with language, including the idea of "holy light" provided by the fireflies. The singer and their partner sleep on a bed of boughs and thistle down, enjoying the gentle touch of the dewy ground. While the imagery in the lyrics is beautiful, it is the sense of connection between the singer and their partner that gives the song its emotional resonance. They play together, they rest together, and they share in the beauty of the natural world around them. In this way, the song celebrates not just the loveliness of the night, but the joy of being alive and connected with another person.
Line by Line Meaning
Isn't a lovely night
Isn't it a beautiful evening?
And so alive
It's full of energy.
With fireflies
The fireflies are lighting up the place.
Providing us their holy light
The fireflies are giving us their natural light.
And here we made a bed of boughs
We created a natural bed from branches.
And thistle down
We used thistle material.
That we had found
We located and used these materials.
To lay upon the Dewey ground
So we could sleep on the damp earth.
And isn't it a lovely day
Isn't it a great day?
We got in from our play
We finished playing and came back in.
Isn't it?
A rhetorical question asking if it is indeed lovely.
A sweet little baby
Perhaps a reference to a child or a term of endearment.
And wasn't it a lovely breeze
Wasn't the wind refreshing?
That swept the leaves
The wind moved the foliage around.
Of arbor reeves
These were probably trees in a specific area.
And bent a brush of blushing knees
The wind caused the knee-high plants to bend.
And here we died our little deaths
We had a small moment of pleasure or release.
And we were left to catch our breaths
After the moment of pleasure, we were left breathless and in a state of ecstasy.
So swiftly lifting from our chests
Our emotions were intense but fleeting.
And isn't a lovely way
Isn't this a fantastic way to spend our time?
We got in from our play
We returned after having some fun.
Isn't it?
A rhetorical question asking if it is indeed lovely.
A sweet little baby
Perhaps a reference to a child or a term of endearment.
Lyrics © BMG RIGHTS MANAGEMENT US, LLC
Written by: COLIN MELOY
Lyrics Licensed & Provided by LyricFind