Stampfel explained the origin of the name in the webzine Perfect Sound Forever:
We kept changing the name. First it was the Total Quintessence Stomach Pumpers. Then the Temporal Worth High Steppers. Then The Motherfucker Creek Babyrapers. That was just a joke name. He was Rinky-Dink Steve the Tin Horn and I was Fast Lightning Cumquat. He was Teddy Boy Forever and I was Wild Blue Yonder. It kept changing names. Then it was the Total Modal Rounders. Then when we were stoned on pot and someone else, Steve Close maybe, said Holy Modal Rounders by mistake. We kept putting out different names and wait until someone starts calling us that then. When we got to Holy Modal Rounders, everyone decided by accumulation [sic] that we were the Holy Modal Rounders. That's the practical way to get named.
Stampfel and Weber were introduced to each other by Greenwich Village figure Antonia, who also wrote or co-wrote many of their songs. Their first album, The Holy Modal Rounders, released in 1964, contained their version of "Hesitation Blues", the lyrics of which included the first use of the term psychedelic (here pronounced "psycho-delic") in popular music. Shortly after the release of their second album, The Holy Modal Rounders 2, in 1965, they joined Ed Sanders and Tuli Kupferberg in the Fugs for a short time. Their 1965 recordings with the Fugs are on the albums The Village Fugs, Virgin Fugs, and Fugs 4, Rounders Score. Weber wrote the cult classic "Boobs a Lot" for the Fugs, which the Rounders later recorded on the album Good Taste Is Timeless.
After leaving the Fugs, the Rounders re-formed with Sam Shepard and Lee Crabtree to record their third album, Indian War Whoop, and appeared in Shepard's play Forensic. Their fourth album, The Moray Eels Eat the Holy Modal Rounders, recorded in 1968, included "Bird Song" (essentially Ray Price's "You Done Me Wrong" with altered lyrics), which was featured in Dennis Hopper's film Easy Rider. In 1968 the band performed "You've Got the Right String but the Wrong Yo Yo" on the TV series Laugh-In, with appearances by the park-bench oldtimers played by Ruth Buzzi and Arte Johnson.
In 1970, Robin Remailly and Dave Reisch joined the band, which relocated to Boston and then Oregon, adding Ted Deane, Roger North, and Jeff "Skunk" Baxter. Stampfel stayed in New York but played and recorded with the band on occasion. The band's fifth album, Good Taste Is Timeless, was released by Metromedia in 1971, and their sixth, Alleged in Their Own Time, was released by Rounder Records in 1975.
Stampfel formed the short-lived Unholy Modal Rounders (1975–1977) with Kirby Pines, Charlie Messing, Jeff Berman and Paul Presti. The group was part of the collaboration Have Moicy!, with Michael Hurley and Jeffrey Frederick and the Clamtones.
After releasing Last Round in 1978, the Holy Modal Rounders broke up once again. Stampfel and Weber reunited briefly to record Going Nowhere Fast (1980).
While working for his wife, Betsy Wollheim, as submissions editor of DAW Books Stampfel formed the Bottle Caps, releasing Peter Stampfel and the Bottlecaps (1986), The People's Republic of Rock n' Roll (1989), and an album of standards, You Must Remember This (1994). He won a Grammy in 1998 for writing part of the liner notes for the CD reissue of the Anthology of American Folk Music. When asked if he had plans for his award, he was quoted in the New York Times as saying "I'm going to put honey on mine and lick it off."
The Holy Modal Rounders continued for 20 years without Stampfel, as the band relocated to Portland, Oregon, while Stampfel stayed in New York. The band toured the United States and Scandinavia but remained rooted in Portland, still billed as the Holy Modal Rounders. Some fans have nicknamed them "The Electric Rounders", since like many other bands they changed their acoustic sound to attract larger audiences.
Stampfel and Weber reunited again under the Rounders name for Too Much Fun in 1999. Since then, Stampfel has released records with the Du-Tels (No Knowledge of Music Required, 2001) and the Bottle Caps (The Jig Is Up, 2004). He continues to be active musically, playing with a number of groups, largely in New York City. Some of the performances from a 2008 tour of the Pacific Northwest were scheduled to be released by Frederick Productions in 2009. In 2010 he released his Dook of the Beatniks album.
Weber is reportedly working on solo material. He recently released Steve Weber and the Holy Modal Rounders, B.C. A number of Rounders live albums have also surfaced in recent years.
In 2006 a documentary film, The Holy Modal Rounders: Bound to Lose, was released, directed by Paul Lovelace and produced by Sam Douglas. The film offers insight into the lives of Weber and Stampfel and their career as The Holy Modal Rounders. However, after the movie was released Weber went on record saying the film grossly misrepresented him and saying that the film makers deliberately got him drunk to make a fool out of him. Weber has said the movie destroyed the Holy Modal Rounders, strained the relationship in the band, and made any future reunion impossible.
Euphoria
The Holy Modal Rounders Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And dad's in the living room, grousing and a-bitching
And I'm out here, kicking the gong for euphoria
Euphoria, when your mind starts wheeling and a-walking
Your inside forces start squealing and a-squaking
Floating around on a belladonna cloud, singing euphoria, euphoria
He sat making faces at a union label
You know he picked his ears, he rolled his eyes and whispered euphoria
Euphoria, when your mind starts wheeling and a-walking
Your inside forces start squealing and a-squaking
Floating around on a belladonna cloud, singing euphoria, euphoria
I pinched Eve on the bottom, patted Adam on the back
I just smiled at the serpent and he smiled back
I took a bite from the apple with two bites gone
And shouted euphoria!
Euphoria, when your mind starts wheeling and a-walking
Your inside forces start squealing and a-squaking
Floating around on a belladonna cloud, singing euphoria, euphoria
The lyrics to The Holy Modal Rounders' song "Euphoria" depict a scene of domestic life where the singer's mother is busy cooking in the kitchen while his father is complaining in the living room. The singer is instead finding joy through drug use and sings about the feeling of euphoria that it brings. He describes the sensation as a mind-altering experience where his thoughts are spinning and his inner voice is screaming. The use of belladonna, popular in illicit circles, enhances the surreal nature of the experience.
The song also introduces the listener to a cast of characters, including a man hiding under a table mocking a union label, and the singer's interaction with biblical characters such as Eve and Adam, as well as a serpent. The euphoric sensation the singer feels seems to be an escape from the mundanity of his everyday life, as well as a way to connect to others who share in the same indulgence.
Line by Line Meaning
Ma's out there, switching in the kitchen
Mother is in the kitchen, busy doing household chores.
And dad's in the living room, grousing and a-bitching
Father is in the living room, complaining about something.
And I'm out here, kicking the gong for euphoria
I am outside, playing music to achieve a state of euphoria.
Euphoria, when your mind starts wheeling and a-walking
Euphoria is a state of mind where your thoughts and emotions are in a state of flux.
Your inside forces start squealing and a-squaking
Your internal energies begin to vibrate and create sensations throughout your body.
Floating around on a belladonna cloud, singing euphoria, euphoria
Your mind and body are transported to a state of bliss, like floating on a cloud and singing in joy.
There's a man in the corner sitting underneath the table
There's a person in the corner sitting in an unusual spot.
He sat making faces at a union label
He is making an expression of disapproval towards a union label.
You know he picked his ears, he rolled his eyes and whispered euphoria
He is behaving strangely, covering his ears and muttering the word euphoria.
I pinched Eve on the bottom, patted Adam on the back
I playfully touched Adam and Eve inappropriately in reference to the biblical story.
I just smiled at the serpent and he smiled back
I have positive interactions with the serpent from the biblical story.
I took a bite from the apple with two bites gone
I tried to reenact the biblical story by taking a bite from the apple.
And shouted euphoria!
I shouted the word euphoria, indicating my excitement and joy.
Writer(s): George C. Remaily
Contributed by Caden K. Suggest a correction in the comments below.