The primary members of the group were all the sons of Katherine and Joseph Jackson: Jackie Jackson, Tito Jackson, Jermaine Jackson, Marlon Jackson, Michael Jackson, and Randy Jackson (see Randy & The Gypsys). Joseph Jackson formed the band in 1964 and served as its manager, with Jackie, Tito, Jermaine, and unrelated youths Reynaud Jones and Milton Hite comprising its original lineup. Within a year, Michael and Marlon joined the band, and Michael became lead singer as the group developed a following in the eastern and midwestern United States during the mid-1960s. Signed to the Motown label from 1969 to 1975, and to CBS Records (as "The Jacksons") from 1975 until their disbanding in 1990, the Jackson 5 were one of the most popular groups of the era and became the first recording act to have their first four major label singles (I Want You Back, ABC, The Love You Save, and I'll Be There) reach the top of the American charts. Several future singles, among them "Mama's Pearl", "Never Can Say Goodbye" and "Dancing Machine", were Top 5 pop hits and number-one hits on the R&B singles chart. Most of the early hits were written and produced by a specialized songwriting team known as The Corporation™; later Jackson 5 hits were crafted chiefly by Hal Davis.
While not the first act considered a "boy band", The Jackson 5 is one of the earliest examples of the type as it is defined today: five adolescents specifically packaged and marketed by a record label for crossover pop success. Upon their departure from Motown for CBS in 1975, the Jacksons, were forced to change their name and trade Jermaine (who remained at Motown) for Randy. The group took control of their songwriting, production, and image, and their success continued into the 1980s with hits such as "Shake Your Body (Down to the Ground)" and "State of Shock", and a highly successful 1984 Victory tour. The Jacksons officially disbanded in 1990.
History
Early works
The Jacksons were a working-class family from Gary, Indiana. Katherine, being a Jehovah's Witness, raised the children as such, while their father, Joe, was not of that faith. Their father, a steel mill employee who often performed in an R&B band called "The Falcons" with his brother Luther, was a strict disciplinarian. Many of the Jackson children recall being severely beaten by Joe for misbehaving.
The children found an outlet in music, with elder brothers Jackie (born Sigmund Esco Jackson, 1951), Tito (born Toriano Jackson, 1953), and Jermaine (b. 1954) borrowing their father's guitar without his permission and playing along to the radio. Younger brothers Marlon (b. 1957) and Michael (b. 1958) were allowed to watch as long as they did not tell. Joseph eventually discovered that the older three boys were playing his guitar when one of the strings broke. Although he was furious at first, Joseph realized the boys had talent and began making plans to create a musical act for them.
In 1965, Jackie, Tito, and Jermaine began performing around the Gary area with two neighborhood children, Milford Hite (on drums) and Reynaud Jones (on keyboards), in a group called The Jackson Brothers. Joe Jackson served as the manager, at first only part-time, and then eventually quitting his job at the steel mill. Jermaine sang lead and played bass, and Tito played guitar.
In 1966, younger brothers Marlon and Michael, joined the group as its tambourine and bongo players. Already showing talent as a singer and dancer, Michael replaced Jermaine as lead vocalist by mid-1967. Shirley Cartman, Tito's junior high orchestra teacher, noticed the group's talents and served as an early mentor to the group, by then calling itself The Jackson Five.
During this period, the boys toured Indiana extensively, and after winning a major local talent show in 1966 with a rendition of The Temptations' "My Girl", led by Michael, they began playing professional gigs in Chicago, Illinois and across the mid-eastern U.S. Many of these gigs were in a string of black clubs and venues collectively known as the "chitlin' circuit", and the young kids sometimes had to open for strip teasers and other adult acts in order to earn money.
Shirley Cartman got the Jackson Five a record deal with Gordon Keith's local Steeltown label, and the group began making their first recordings in 1967. Their first single, "Big Boy", became a regional hit. During this period, Johnny Jackson (no relation) on drums and Ronnie Rancifer on keys replaced Milford Hite and Reynaud Jones.
The Jackson Five had a number of admirers in their early days, including Sam & Dave, who helped the group secure a spot in the famous Amateur Night competition at the Apollo Theater in Harlem. The group won the August 13, 1967 competition during the Amateur Night showdown at the Apollo, impressing Motown Records artist Gladys Knight of The Pips. Knight recommended the group to Motown chief Berry Gordy, but Gordy, who already had teenager Stevie Wonder on his roster, was hesitant to take on another child act because of the child labor laws and other problems involved.
The Jackson Five's sound was influenced by many of the biggest stars of the 1960s, especially including family funk bands Sly & the Family Stone and The Isley Brothers, soul pioneer Marvin Gaye, doo-wop boy band Frankie Lymon & the Teenagers, and soul shouters like Wilson Pickett, Jackie Wilson, Stevie Wonder and James Brown. At the time of their early success, soul and funk stars, especially coming from Motown Records, were among the most popular musicians; Motown had launched the careers of dozens of the decade's biggest stars, most notably Smokey Robinson & the Miracles, Stevie Wonder, Marvin Gaye, The Temptations, and Diana Ross & the Supremes.
Influences
From these sources, The Jackson Five developed many of their vocal arrangement styles and dance movements. The group's multi-lead vocal style was inspired by that of The Family Stone, while young Michael adapted Jackie Wilson and James Brown's impassioned singing and dancing styles into his own.
Joining Motown
By 1968, the Jackson 5 were a headlining act for the All Star Floor Show at Chicago's The Guys' and Gals' Cocktail Lounge and Restaurant. From July 12 - 27, 1968, the Jackson 5 opened for Motown group Bobby Taylor & the Vancouvers at Chicago's Regal Theater. Taylor was also very impressed with the boys, and he decided to make the commitment to bring them to Detroit and Motown. Joseph and the Jackson Five stayed on the floor of Bobby Taylor's Detroit apartment the night of July 22, while Taylor and Motown executive Suzanne de Passe arranged for the Jackson Five to audition for the label.
On July 23, the Jackson Five had their Motown audition, for which they performed James Brown’s then current hit "I Got the Feelin’". Berry Gordy was not in attendance, but the audition was videotaped and sent to him in Los Angeles. Gordy's initial reluctance to sign the group disappeared when he finally saw the boys perform. Gordy decided to sign the Jackson Five to Motown, and hosted a party at his Detroit mansion on November 25, 1968 to introduce them to the Motown staff and stars.
Motown began negotiations to buy out the Jackson Five's Steeltown contract, completing the deal in March 1969. By the summer, Bobby Taylor began producing the group's first recordings at Motown's Hitsville U.S.A. recording studio in Detroit. The early Taylor-produced Jackson Five records were all covers of both contemporary hits and Motown-standards, including Sly & the Family Stone's "Stand!" and their famous rendition of The Miracles' "Who's Lovin' You", written by Smokey Robinson.
In mid-August 1969, Gordy moved the Jackson Five and Joseph to California, and he and Suzanne de Passe began the process of grooming them as the label's next big act, while the rest of the family remained in Gary. While looking for a house in California, Joseph, Jermaine, Tito, and Jackie lived with Berry Gordy, while Michael and Marlon lived with Motown star Diana Ross.
Time Waits For No One
The Jacksons Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Sad and weary, persevering for love
Sad and weary, persevering
And I hope that she is thinkin' to come back to me
Is it possible she's thinkin' of me at all?
Have I gone ti far?
If only, I had shown her love
She'd be with me, deep inside me
And I hope that she is thinkin' to come back to me
And I pray that faith can bear
This suffering inside, 'til she arrives
And I hope that she is thinkin' to come back to me
And I'm scared there's someone sleepin' by her side
I can't hide, all the pain deep inside, is this love
Time waits for no one [Repeats: x4]
In this song by The Jacksons, the singer sings about his loneliness, sadness, and weariness as he waits for his lover's return. He is hoping and praying that she is thinking of him, but he fears that she may have moved on and is with someone else. He laments that if only he had shown her more love, she would still be with him deep inside his heart. The passage of time weighs heavily on him, and he knows that time waits for no one.
The lyrics of this song are poignant and relatable to anyone who has experienced heartbreak and the longing for a lost love. The sense of regret and the yearning for a second chance to show love and affection is palpable in the words. The chorus, with its repetition of "Time waits for no one," reinforces the message that life is short, and time is precious.
Line by Line Meaning
Lonely, in my darkened room
Feeling lonely and isolated in a place of darkness and sadness.
Sad and weary, persevering for love
Emotionally fatigued and tired, but still trying to find love.
Sad and weary, persevering
Continuing to push forward despite feeling sad and tired.
And I hope that she is thinkin' to come back to me
Wishing and longing for the return of a lost love interest.
Is it possible she's thinkin' of me at all?
Questioning whether the lost love interest even thinks about the artist.
Have I gone ti far?
Wondering if the singer's actions pushed the love interest away too much.
If only, I had shown her love
Regretting not expressing love or feelings to the love interest.
She'd be with me, deep inside me, my love
Believing that the lost love interest would still be with the artist if they had shown love.
And I pray that faith can bear
Hoping that the artist's faith will help them endure the pain of separation from the love interest.
This suffering inside, 'til she arrives
Experiencing pain and heartache until the love interest comes back.
And I'm scared there's someone sleepin' by her side
Feeling fearful and jealous that the love interest may be with someone else.
I can't hide, all the pain deep inside, is this love
Unable to conceal the pain and hurt inside, while questioning if this is what true love feels like.
Time waits for no one [Repeats: x4]
Reminding listeners that time never stops and moves on, with or without our loved ones beside us.
Lyrics © Kobalt Music Publishing Ltd.
Written by: JACKIE N JACKSON, STEVEN RANDALL JACKSON
Lyrics Licensed & Provided by LyricFind
@natthaphongeamsungnern7263
Lyrics
Lonely
In my darkened room
Sad and weary
Persevering for love
Sad and weary
Persevering
And I hope that she is thinking
To come back to me
Is it possible she's thinking of me at all
Have I gone too far
If only I had shown her love
She'd be with me
Deep inside me
My love, my love
She'd be with me
Deep inside me
And I hope that she is thinking
To come back to me
And I pray that faith can bear
This suffering inside
'Til she arrives
And I hope that she is thinking
To come back to me
And I'm scared there's someone
Sleeping by her side
I can't hide all the pain deep inside
Is this love
Time waits for no one
Time waits for no one
Time waits for no one
Time waits for no one
Time waits for no one
Time waits for no one
(No one)
Time waits for no one
Time waits for no one
@DarkandTwisted
I feel so sorry for the poor kids today; they have no idea what REAL music is!😭
@cool_cat007smoove3
Indeed
@ileanavicktoria978
Michael is without a doubt the owner of the most beautiful voice!😢
@tenofspdes
He certainly is. No doubt
@tenofspdes
This song is still FRESH❤
@PrincDeCurtis
Confermo
@rob_visual
absolutely
@RobertaMarciel
Beautiful and unique🥰
He is the Best!
@L3Nstrum3ntalz
One of the most overlooked and under rated songs of Michael's career. Hauntingly beautiful...
@chrisdancy6191
This song defined Michael as a spirit from another world. You can hear in him, the pain of growing old, being lonely, feeing disconnected. Long before the internet created time for us, Michael knew, time waited for no one.