The Kingston Trio was formed in 1957 in the Palo Alto, California area by original lineup of Dave Guard (1934–1991), Bob Shane (1934–2020), and Nick Reynolds (1933–2008), who were just out of college. Greatly influenced by The Weavers, the calypso sounds of Harry Belafonte, and other semi-popular folk artists such as the Gateway Singers and the Tarriers, they were discovered playing at a college club called the Cracked Pot by Frank Werber, a local publicist then working at the Hungry i. He became their manager, and secured them a one-shot deal with Capitol Records.
Their first hit was a catchy rendition of an old-time folk song, "Tom Dooley", which went gold in 1958. It was so popular that it entered popular culture as a catchphrase: Ella Fitzgerald, for example, parodies it during her recorded version of "Rudolph the Red-Nosed Reindeer". It won them the first Grammy award for Best Country & Western Performance in 1959. The next year, they won the first Grammy Award for Best Ethnic or Traditional Folk Recording category for the album The Kingston Trio at Large.
At one point in the early 1960s The Kingston Trio had four albums at the same time among the Top 10 selling albums, a record unmatched for nearly 40 years. In spite of this, they had a relatively small number of hit singles.
The group's music was simple and accessible, with much use of tight vocal harmony, signature riffs (often played on the banjo), and repetitive choruses. Capitol producer Voyle Gilmore[1] enhanced their vocal sound to great effect with reverb and the relatively new process of doubletracking, in which the performers sang along with their own pre-recorded part to produce a stronger sound than with a single voice, in part due to a natural time gap of a fraction of a second between the original recording and the overdubbed part. At first pairs of tape recorders were used, then later multitrack recording machines, to produce the effect.
Guard left the band in 1961 as part of a disagreement over its musical direction. He formed the group Whiskey Hill Singers, and was replaced by John Stewart, who led the group through several more years of popularity until the arrival of The Beatles and British invasion rock bands pushed them from the charts.
In 1967 the Trio disbanded after a final performance at the Hungry i, June 17, 1967.
Shane, the lone member to resist the break-up of the Trio, started a new group, aptly named, "The New Kingston Trio," in 1969. Eventually, Shane was successful in reaching a contractual agreement with his former partners, Guard, Reynolds, and Werber, to secure and license once again, the original name, "The Kingston Trio" (unencumbered by the adjective new), in 1976.(Blake et al. 1986.) Shane still owns the property today, 2006.
For a number of years in the 1980s Reynolds, one of the original three members, rejoined Shane.
In 2004 Shane retired from the group due to health problems. He was replaced by Bill Zorn, who had been with Shane in an iteration of the group called The New Kingston Trio; Zorn also has been a member of The Limeliters.
In 2005 Bobby Haworth (a one-time member of The Brothers Four) left the group to be replaced by Rick Dougherty, who also had been a member of The Limeliters.
As of 2006, The Kingston Trio consisted of George Grove, Bill Zorn and Rick Dougherty.
in October 2017, Grove, Zorn, and Dougherty were replaced as the Trio by new licensees Reynolds and Marvin and their friend, Tim Gorelangton. In 2018, Josh Reynolds left the group and was replaced by Bob Haworth, who became a member of the band for the third time. At the end of 2018, Haworth left the group and was replaced by Don Marovich.
E Inu Tatou E
The Kingston Trio Lyrics
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Hara E inu tatou ite ava e
E inu tatou e
E inu tatou e
Hara E inu tatou ite ava e
E inu tatou e
A rave hoi oe
*A rave ite mau peu ri'i e
A rave e--ite mau peu ri'i mau ae te man
Ote vahine e.
The Kingston Trio's song E Inu Tatou E comes from the traditional Tahitian drinking chant, commonly used in Polynesian cultures during celebrations and social gatherings. The lyrics refer to the act of drinking "ava," a traditional beverage made from the root of the kava plant that has a sedative effect on those who consume it. The song starts with the repeated phrase "E inu tatou e," which means "let's drink together," inviting everyone to partake in the shared experience. The following line, "Hara E inu tatou ite ava e," can be translated to "let's drink together the ava" and emphasizes the community aspect of the drink.
The second part of the lyrics shifts into a call-and-response format, with one person singing "a rave hoi oe" and the others responding with the same phrase. This exchange is followed by "*A rave ite mau peu ri'i e," which can be interpreted as "let's dance the traditional dance of the people" and further emphasizes the communal aspect of the gathering. The final line of the song, "Ote vahine e," is a tribute to the women present at the gathering, recognizing their role in bringing people together.
Overall, the lyrics of E Inu Tatou E underscore the importance of community and shared experiences in Polynesian cultures, and highlight the way that drinking and dancing can serve as a means of bringing people together.
Line by Line Meaning
E inu tatou e
Let us drink together
Hara E inu tatou ite ava e
Don't worry, let's drink the ava
E inu tatou e
Let us drink together
E inu tatou e
Let us drink together
Hara E inu tatou ite ava e
Don't worry, let's drink the ava
E inu tatou e
Let us drink together
A rave hoi oe
You should dance
A rave hoi oe
You should dance
A rave ite mau peu ri'i e
Dance to the beat of the drums
A rave e--ite mau peu ri'i mau ae te man
Dance until the drums stop
Ote vahine e.
With the ladies.
Contributed by Jacob A. Suggest a correction in the comments below.