The Litter was a psychedelic and garage rock band formed in 1966 in Minneap… Read Full Bio ↴The Litter was a psychedelic and garage rock band formed in 1966 in Minneapolis, Minnesota. Today they are best remembered for their 1967 debut single Action Woman.
"The Litter" was originally formed from two popular Minneapolis bands in 1966, "The Tabs" (Dan Rinaldi, Bill Strandlof) and "The Victors" (Denny Waite, Jim Kane). Tom Murray was plugged in after auditioning for the group at the Minnesota State Fair.
The name "The Litter" was presented to the band by Jim Kane and chosen over several other suggestions including "The Mustys". The original connotation of "The Litter" referred to a "litter" of puppies NOT trash or garbage as many people have assumed over the years. The album title $100 Fine was in part responsible for perpetuating this misconception.
Tom "Zip" Caplan replaced Bill Strandlof in 1967 after Bill had recorded Action Woman, Legal Matter and Soul Searchin' for the Distortions album. The album was finished with "Zip" playing lead on the rest of the tracks.
In the early days "The Litter" would learn songs from English albums imported to Jim Kane from a friend. Not yet released in the United States, these songs were mistaken by audiences for original "Litter" tunes.
"The Litter" was the first group in the Mid-West to use lights and strobes in their stage act
Dan Rinaldi was the first musician in "The Litter", and in fact in the entire Mid-West, to smash his equipment on stage.
"The Litter" as a group was the first band in the Mid-West to use fire and smoke as well as wrecking their equipment as part of their stage show.
Contrary to popular belief it was "The Litter" not "The Electras" (later renamed "Twas Brillig" for the national release of Warren Kendrick's Dirty Old Man) who recorded Action Woman first in Nov. 1966. "The Electras" recorded their own version for Kendrick in the spring of 1967, but this 45 rpm was never released and is extremely rare. "The Litter" 45 rpm of Action Woman also commands big bucks on todays collectors market.
The song Action Woman written by Warren Kendrick, was a major regional hit, but never made the national charts.
Action Woman was re-released in 1968 with Whatcha Gonna Do About It? on the flip side. Due to a very limited pressing this 45rpm is also extremely rare.
Action Woman has been covered over the years by "The Lime Spiders" on their album The Cave Comes Alive - Virgin Records - Vinyl LP - 1987, "The Hypstrz" on their picture sleeve vinyl EP - Bogus Records - 1979 and by "Naz Nomad and The Nightmares" (formerly "The Damned") on the British album Give Daddy The Knife Cindy - Big Beat Records - Vinyl LP - 1984. and The Tall Boys on the compilation album Single Minded - Big Beat Records - CD - WIKD109. All of these records are out of print with the exception of the "Naz Nomad" which is available on CD.
Action Woman has been covered live by "The Replacements", Ken Hyland and "Jordan and the Half Transplants", the latter two are East Coast bands. The original version of the song appears on the soon to be released The Litter - Live at Mirage - 1990 and was updated in 1992 by "The Litter" for the new studio album Re-Emerge.
The song Soul Searchin' from the album Distortions, was originally titled (Just A Little) Soul Searchin' on the 45 rpm and was recorded first by "The Electras", another Warren Kendrick group. It has since been covered by "The Cynics" (Get-Hip GH-1000) on the album Blue Train Station.
The instrumental The Mummy which follows Substitute on the album Distortions was arranged by "Zip" Caplan and keyboardist Bernie Bomberg in 1963 after hearing it in the 1932 Boris Karloff film The Mummy.
Jim Kane not Denny Waite recorded the Hammond Organ parts on The Mummy for the album Distortions, Denny Waite played the parts on stage.
The title Distortions was Warren Kendrick's idea after he realized that almost every song on the album utilized fuzz tone guitars.
Every sound effect heard on I'm A Man from the Distortions album was created by a musical instrument and to keep the vocals in character with these strange and wild sounds, Denny Waite sang through a filter.
The little "ditty" heard at the very end of the K-Tel re-issue of Distortions was played by Denny Waite as a joke between takes and was recorded by accident. Excluded from the original Distortions it is untitled on the re-issue. Denny, who wrote it while in High School, calls it Harpsichord Sonata #1.
Contrary to popular belief, the second "Litter" album $100 Fine, had fewer copies pressed (1000), than its predecessor Distortions with 2000 copies.
The album name $100 Fine was "Zippy" Caplan's idea after he saw a sign on the highway during a road trip to Chicago with the warning "No Littering - $100 Fine".
Unable to come up with an idea for the $100 Fine album cover, "Zippy" Caplan suggested to Warren Kendrick that a color photo of Denny Waite's face be blown up to dot information proportions but Kenrick used a picture of one of Murrays' drums instead.
Blues One from the $100 Fine album was the first original song exclusively written by "Litter" members.
In order to fill out time on Side 1 of the $100 Fine album, the last track was added by Warren Kendrick after the album was finished. Calling it Apologies to 2069 Warren put it together in the studio using parts of Action Woman slowed down and parts of Tallyman and Kaleidoscope played backwards. Mixed with electronic sound effects, he used to say it was his way of apologizing to the people of the future for the crude recording technologies of the 1960's.
The song Kaleidoscope from the album $100 Fine was the first American made recording to use the then new phasing technology thanks to Warren Kendrick.
The version of "The Zombies" She's Not There used on the $100 Fine album was arranged by "Zippy" Caplan and guitarist friend Randy Resnick ("John Mayall Group") and presented to "The Litter" by Caplan. The idea for the arrangement came to the two guitarists while they were experimenting with the song after being influenced by the "Doors'" Light My Fire and "Quicksilver's" Gold and Silver.
The album $100 Fine was #10 on the Twin Cities album charts in 1968 and received a major write-up and review in the Star and Tribune.
"The Litter" recorded a song called Angelica while in Texas recording $100 Fine in 1968. Since the vocalist was J. Frank Wilson (Last Kiss fame) this song was excluded from the album's final version. Due for release by J. Frank Wilson, it was pulled after (a very similar type song) Honey (Bobby Goldsboro) hit the charts big. This cut, to date, has not appeared on any "Litter" album or compilation and is the rarest "Litter" recording.
Angelica, written by the well known songwriting team of Cynthia Weil and Barry Mann, was originally released by Barry Mann on Capital in July 1966 and later re-released in 1971 by Ed Ames on RCA. Neither version became a hit song.
"The Litter" recorded 8 songs with Larry Loofbourrow and Ted Dooley at Goldstar Studios in California during the late 60's. Also involved in these recording sessions were Roy Hensley ("The Castaways") David Z. (formerly David Rivkin - "The Chancellors" and Prince's chief engineer), and Bruce Pedalty ("The Accents") on keyboard. These songs are as yet unreleased. Loofbourrow was a "Litter" songwriter in the 1960's - Morning Sun, Confessions (of a Traveler Through Time) and The Egyptian. Later he penned Coming Down for "White Lightning".
Dan Rinaldi took center stage and sang the lead vocal on only one song at live "Litter" performances. "The Music Machine's" Talk Talk brought down the house every time. (This song can be heard for the first time ever on the album The Litter - Live At Mirage 1990 - soon to be released.)
"The Litter" was the No. 1 draw in Chicago clubs in the late 1960's with the main venue being The Electric Theatre.
Aaron Russo (Bette Midler's long time manager) owned The Electric Theatre and wanted to manage the group. He was turned down.
In 1968 Electra Records made an offer to sign the group after their performance at the famed Cheetah Club in LA. with "Genesis" and "The Iron Butterfly".
In August 1968 "The Litter" recorded 7 songs live at The Electric Theatre for the movie "Medium Cool". The band was paid $500 for the days shooting, but when the movie was released to theatres the scenes of "The Litter" on stage were intact but the soundtrack was Frank Zappa.
In 1969 The Electric Theatre in Chicago held a contest to see which band was louder, "The Litter", or "Blue Cheer". "The Litter" won hands down.
ABC Probe Records signed "The Litter" sight unseen to a recording contract and the album Emerge - The Litter was recorded in Michigan. Although the record was charting in Billboard and the group was touring the U.S. with acts like "The Who", unavailability of their albums due to distribution problems, plagued the group everywhere they appeared.
The album Emerge - The Litter is the only album by the group to chart in Billboard magazine.
The album Emerge - The Litter was #1 in Puerto Rico and successful as well in the European market.
The single Silly People (flip side Feeling) from the album Emerge - The Litter was picked as a Special Merit Spotlight in Billboard magazine, but was banned from airplay by some radio stations because of the lyrics.
"The Litter" often played on a double bill with ("White") "Lightning".
All the albums by "The Litter" have been bootlegged on vinyl and/or CD since the early 80's. Their quality is fair to poor at best.
The bootlegged record The Litter - Rare Tracks is NOT a "Litter" album. Only 5 of the 14 songs are actual "Litter" recordings. The remaining tracks are by other real groups and not by "The Litter" using alias recording names, as stated in the albums liner notes.
For a period of time in the 1980's a band was touring certain European cities calling themselves "The Litter" It is unknown if anyone realized this group was a phony.
The K-Tel Re-Issue of Distortions made the Top 10 List of album Re-Issues for 1991 as reported by "Flashback", a music industry trade publication.
The K-Tel Re-Issue of $100 Fine received notice and a write-up in Billboard Magazine's "GrassRoots" column
"The Litter" has toured all over the United States and Canada playing such venues as The Electric Theatre - Chicago, The Peppermint Lounge - New York, "Cheetah" Club in L.A. and the Chicago Amphitheater among many others. They also appeared on an East Coast syndicated Top 40 TV show, the locally syndicated B-Sharp Beat and the famous network TV Rock Variety Series "Hullabaloo". The band has been billed with such famous acts as "The Who", "Brian Augar", "Canned Heat". "The Iron Butterfly", "Genesis", "Eric Burdon & War", "Blue Cheer", "Joe Cocker", "Grand Funk Railroad" "Led Zeppelin" and "Cream" to mention just a few.
"The Litter" has been written up in countless books and magazines including "Billboard", "Cream Magazine" - Detroit, "Kansas City Free Press", "Pulse", "Goldmine", "New Music Report", "Mpls. Star & Tribune", "St. Paul Pioneer Press", "Chicago Tribune", and "Twin Cities Reader". Articles on the group can be found in the books "The Acid Trip - A Complete Guide to Psychedelic Music" published in the U.K. in 1988, Joel Whitburns "Top Pop Albums 1955-1996", Tom Tourvilles "Minnesota Rocked - The 1960's" (all 4 editions), "The Guinness Encyclopedia of Popular Music" Vol. 4 L-P, "The Rolling Stone Illustrated History of Rock and Roll" - 1997- Random House and numerous Record Price Guides and Music Listing Editions.
There have been 12 different versions of "The Litter" from 1966-2000.
"The Litter" was originally formed from two popular Minneapolis bands in 1966, "The Tabs" (Dan Rinaldi, Bill Strandlof) and "The Victors" (Denny Waite, Jim Kane). Tom Murray was plugged in after auditioning for the group at the Minnesota State Fair.
The name "The Litter" was presented to the band by Jim Kane and chosen over several other suggestions including "The Mustys". The original connotation of "The Litter" referred to a "litter" of puppies NOT trash or garbage as many people have assumed over the years. The album title $100 Fine was in part responsible for perpetuating this misconception.
Tom "Zip" Caplan replaced Bill Strandlof in 1967 after Bill had recorded Action Woman, Legal Matter and Soul Searchin' for the Distortions album. The album was finished with "Zip" playing lead on the rest of the tracks.
In the early days "The Litter" would learn songs from English albums imported to Jim Kane from a friend. Not yet released in the United States, these songs were mistaken by audiences for original "Litter" tunes.
"The Litter" was the first group in the Mid-West to use lights and strobes in their stage act
Dan Rinaldi was the first musician in "The Litter", and in fact in the entire Mid-West, to smash his equipment on stage.
"The Litter" as a group was the first band in the Mid-West to use fire and smoke as well as wrecking their equipment as part of their stage show.
Contrary to popular belief it was "The Litter" not "The Electras" (later renamed "Twas Brillig" for the national release of Warren Kendrick's Dirty Old Man) who recorded Action Woman first in Nov. 1966. "The Electras" recorded their own version for Kendrick in the spring of 1967, but this 45 rpm was never released and is extremely rare. "The Litter" 45 rpm of Action Woman also commands big bucks on todays collectors market.
The song Action Woman written by Warren Kendrick, was a major regional hit, but never made the national charts.
Action Woman was re-released in 1968 with Whatcha Gonna Do About It? on the flip side. Due to a very limited pressing this 45rpm is also extremely rare.
Action Woman has been covered over the years by "The Lime Spiders" on their album The Cave Comes Alive - Virgin Records - Vinyl LP - 1987, "The Hypstrz" on their picture sleeve vinyl EP - Bogus Records - 1979 and by "Naz Nomad and The Nightmares" (formerly "The Damned") on the British album Give Daddy The Knife Cindy - Big Beat Records - Vinyl LP - 1984. and The Tall Boys on the compilation album Single Minded - Big Beat Records - CD - WIKD109. All of these records are out of print with the exception of the "Naz Nomad" which is available on CD.
Action Woman has been covered live by "The Replacements", Ken Hyland and "Jordan and the Half Transplants", the latter two are East Coast bands. The original version of the song appears on the soon to be released The Litter - Live at Mirage - 1990 and was updated in 1992 by "The Litter" for the new studio album Re-Emerge.
The song Soul Searchin' from the album Distortions, was originally titled (Just A Little) Soul Searchin' on the 45 rpm and was recorded first by "The Electras", another Warren Kendrick group. It has since been covered by "The Cynics" (Get-Hip GH-1000) on the album Blue Train Station.
The instrumental The Mummy which follows Substitute on the album Distortions was arranged by "Zip" Caplan and keyboardist Bernie Bomberg in 1963 after hearing it in the 1932 Boris Karloff film The Mummy.
Jim Kane not Denny Waite recorded the Hammond Organ parts on The Mummy for the album Distortions, Denny Waite played the parts on stage.
The title Distortions was Warren Kendrick's idea after he realized that almost every song on the album utilized fuzz tone guitars.
Every sound effect heard on I'm A Man from the Distortions album was created by a musical instrument and to keep the vocals in character with these strange and wild sounds, Denny Waite sang through a filter.
The little "ditty" heard at the very end of the K-Tel re-issue of Distortions was played by Denny Waite as a joke between takes and was recorded by accident. Excluded from the original Distortions it is untitled on the re-issue. Denny, who wrote it while in High School, calls it Harpsichord Sonata #1.
Contrary to popular belief, the second "Litter" album $100 Fine, had fewer copies pressed (1000), than its predecessor Distortions with 2000 copies.
The album name $100 Fine was "Zippy" Caplan's idea after he saw a sign on the highway during a road trip to Chicago with the warning "No Littering - $100 Fine".
Unable to come up with an idea for the $100 Fine album cover, "Zippy" Caplan suggested to Warren Kendrick that a color photo of Denny Waite's face be blown up to dot information proportions but Kenrick used a picture of one of Murrays' drums instead.
Blues One from the $100 Fine album was the first original song exclusively written by "Litter" members.
In order to fill out time on Side 1 of the $100 Fine album, the last track was added by Warren Kendrick after the album was finished. Calling it Apologies to 2069 Warren put it together in the studio using parts of Action Woman slowed down and parts of Tallyman and Kaleidoscope played backwards. Mixed with electronic sound effects, he used to say it was his way of apologizing to the people of the future for the crude recording technologies of the 1960's.
The song Kaleidoscope from the album $100 Fine was the first American made recording to use the then new phasing technology thanks to Warren Kendrick.
The version of "The Zombies" She's Not There used on the $100 Fine album was arranged by "Zippy" Caplan and guitarist friend Randy Resnick ("John Mayall Group") and presented to "The Litter" by Caplan. The idea for the arrangement came to the two guitarists while they were experimenting with the song after being influenced by the "Doors'" Light My Fire and "Quicksilver's" Gold and Silver.
The album $100 Fine was #10 on the Twin Cities album charts in 1968 and received a major write-up and review in the Star and Tribune.
"The Litter" recorded a song called Angelica while in Texas recording $100 Fine in 1968. Since the vocalist was J. Frank Wilson (Last Kiss fame) this song was excluded from the album's final version. Due for release by J. Frank Wilson, it was pulled after (a very similar type song) Honey (Bobby Goldsboro) hit the charts big. This cut, to date, has not appeared on any "Litter" album or compilation and is the rarest "Litter" recording.
Angelica, written by the well known songwriting team of Cynthia Weil and Barry Mann, was originally released by Barry Mann on Capital in July 1966 and later re-released in 1971 by Ed Ames on RCA. Neither version became a hit song.
"The Litter" recorded 8 songs with Larry Loofbourrow and Ted Dooley at Goldstar Studios in California during the late 60's. Also involved in these recording sessions were Roy Hensley ("The Castaways") David Z. (formerly David Rivkin - "The Chancellors" and Prince's chief engineer), and Bruce Pedalty ("The Accents") on keyboard. These songs are as yet unreleased. Loofbourrow was a "Litter" songwriter in the 1960's - Morning Sun, Confessions (of a Traveler Through Time) and The Egyptian. Later he penned Coming Down for "White Lightning".
Dan Rinaldi took center stage and sang the lead vocal on only one song at live "Litter" performances. "The Music Machine's" Talk Talk brought down the house every time. (This song can be heard for the first time ever on the album The Litter - Live At Mirage 1990 - soon to be released.)
"The Litter" was the No. 1 draw in Chicago clubs in the late 1960's with the main venue being The Electric Theatre.
Aaron Russo (Bette Midler's long time manager) owned The Electric Theatre and wanted to manage the group. He was turned down.
In 1968 Electra Records made an offer to sign the group after their performance at the famed Cheetah Club in LA. with "Genesis" and "The Iron Butterfly".
In August 1968 "The Litter" recorded 7 songs live at The Electric Theatre for the movie "Medium Cool". The band was paid $500 for the days shooting, but when the movie was released to theatres the scenes of "The Litter" on stage were intact but the soundtrack was Frank Zappa.
In 1969 The Electric Theatre in Chicago held a contest to see which band was louder, "The Litter", or "Blue Cheer". "The Litter" won hands down.
ABC Probe Records signed "The Litter" sight unseen to a recording contract and the album Emerge - The Litter was recorded in Michigan. Although the record was charting in Billboard and the group was touring the U.S. with acts like "The Who", unavailability of their albums due to distribution problems, plagued the group everywhere they appeared.
The album Emerge - The Litter is the only album by the group to chart in Billboard magazine.
The album Emerge - The Litter was #1 in Puerto Rico and successful as well in the European market.
The single Silly People (flip side Feeling) from the album Emerge - The Litter was picked as a Special Merit Spotlight in Billboard magazine, but was banned from airplay by some radio stations because of the lyrics.
"The Litter" often played on a double bill with ("White") "Lightning".
All the albums by "The Litter" have been bootlegged on vinyl and/or CD since the early 80's. Their quality is fair to poor at best.
The bootlegged record The Litter - Rare Tracks is NOT a "Litter" album. Only 5 of the 14 songs are actual "Litter" recordings. The remaining tracks are by other real groups and not by "The Litter" using alias recording names, as stated in the albums liner notes.
For a period of time in the 1980's a band was touring certain European cities calling themselves "The Litter" It is unknown if anyone realized this group was a phony.
The K-Tel Re-Issue of Distortions made the Top 10 List of album Re-Issues for 1991 as reported by "Flashback", a music industry trade publication.
The K-Tel Re-Issue of $100 Fine received notice and a write-up in Billboard Magazine's "GrassRoots" column
"The Litter" has toured all over the United States and Canada playing such venues as The Electric Theatre - Chicago, The Peppermint Lounge - New York, "Cheetah" Club in L.A. and the Chicago Amphitheater among many others. They also appeared on an East Coast syndicated Top 40 TV show, the locally syndicated B-Sharp Beat and the famous network TV Rock Variety Series "Hullabaloo". The band has been billed with such famous acts as "The Who", "Brian Augar", "Canned Heat". "The Iron Butterfly", "Genesis", "Eric Burdon & War", "Blue Cheer", "Joe Cocker", "Grand Funk Railroad" "Led Zeppelin" and "Cream" to mention just a few.
"The Litter" has been written up in countless books and magazines including "Billboard", "Cream Magazine" - Detroit, "Kansas City Free Press", "Pulse", "Goldmine", "New Music Report", "Mpls. Star & Tribune", "St. Paul Pioneer Press", "Chicago Tribune", and "Twin Cities Reader". Articles on the group can be found in the books "The Acid Trip - A Complete Guide to Psychedelic Music" published in the U.K. in 1988, Joel Whitburns "Top Pop Albums 1955-1996", Tom Tourvilles "Minnesota Rocked - The 1960's" (all 4 editions), "The Guinness Encyclopedia of Popular Music" Vol. 4 L-P, "The Rolling Stone Illustrated History of Rock and Roll" - 1997- Random House and numerous Record Price Guides and Music Listing Editions.
There have been 12 different versions of "The Litter" from 1966-2000.
I'm A Man
The Litter Lyrics
We have lyrics for 'I'm A Man' by these artists:
(1 сезон 2 серия) Black Strobe Now, when I was a little boy At the age of…
1-06 I am what I am before the gram damned at…
5.12 - Black Strobe Now, when I was a little boy At the age of…
6.1 スピードあげて昨日感じた やなコトなんて風に全部流した 君が待つ街へ急ぐ 高速乗って 普段よりもかなりすいてる 道も街も…
Adam Lambert I'm a man So I'm an elegant man I'm a man Satin bows…
April Wine Well my daddy sent a message, got these whiskers on…
Beef Barons Hey baby I'm a man Come as close as you can I…
Black Honey Get me off til I get there (consent) Don't resist let…
Black Strobe Now, when I was a little boy At the age of…
Bo Diddley Muddy Waters Little Walter Maybellene Maybellene, why can't you be true? Oh Maybellene…
Bo Diddley & Muddy Waters Now when I was a little boy, At the age…
bo diddley & muddy waters & little walter Maybellene Maybellene, why can't you be true? Oh Maybellene…
Bo Diddley Little Walter Muddy Waters Maybellene Maybellene, why can't you be true? Oh Maybell…
Bo Diddley Muddy Waters Little Walter Maybellene Maybellene, why can't you be true? Oh Maybellene…
Bob Schneider i got big baby eyes they're my only disguise i'm late…
Bobby Comstock A man should be mentally, physically, spiritually, and emoti…
British Invasion All-Stars Well, you pretty women Standing in line Make love to you, …
CeeLo Green Well, I'm all flesh and bone, Hmm, I'm a man. Cool and…
Charlie Winston Well my pad is very messy, got whiskers on my…
Charm Farm Pops took a hike when I was only five Sometimes I…
Chicago Well my pad is very messy, got whiskers on my…
Chuck Berry & Bo Diddley Now when I was a little boy At the age of…
Clapton - Beck - Page I'm waiting for my man Got twenty-six dollars in my hand Up…
Clapton Beck Page You pretty women, Standing in line, Make love to babe, In…
Colin Hodgkinson Well my pad is very messy, got whiskers on my…
Cool Ricky Well my middle name is Fitzpatrick But my family calls me…
Curtis Knight & the Squires The morning is dead And the day is, too There's nothing left…
DAVIS GROUP SPENCER Well, my pad is very messy And there's whiskers on my…
DJ Andy Smith Well, my pad is very messy and there's whiskers on…
Eddie Howell & The Rock-A-Byes Yeah, yeah Listen, love is love Love a woman Love your broth…
Emerson Keith Well my pad is very messy, got whiskers on my…
Eric Clapton You pretty women, Standing in line, Make love to babe, In my…
Eric Clapton & Steve Winwood Well, my pad is very messy And there's whiskers on my…
Eric Clapton and Yardbirds Well, you pretty women Standing in line Make love to you, ba…
Fabian Now when I was a little boy, At the age of…
Gary Dranow So let the waters cool, the passions rise As we uncover…
H.B. Barnum I'm the one you want Better if you don't Girl I'm hard…
ian page & the affair Well my pad is very messy, got whiskers on my…
Jake Isaac I couldn't find noone to replace you but I really don't…
Jake Issac I could not find no one to replace you But I…
Jeff Beck You pretty women, Standing in line, Make love to babe, In my…
Jeff Beck -The Yardbirds Well, you pretty women Standing in line Make love to you, ba…
Jeffrey Wright Now when I was a little boy At the age of…
Jens Fischer Well my pad is very messy, got whiskers on my…
Jerry Garcia and Friends I'm your man Would you take me As I am You won't shake…
Jimi Hendrix Now when I was a little boy, At the age of…
Jobriath I maman So I'm an elegant man I'm a man Clara bowes and…
Joe Tex If I were a guitar, I'd like to be played…
John E Sharpe and The Squires The morning is dead And the day is, too There's nothing left…
John Hammond Now when I was a little boy, At the age of…
Keith Emerson Well my pad is very messy, got whiskers on my…
King Aiden Da Da da da Da da da Da Da da da Da da…
KUWATA BAND Was standing in a field Surrounded by the fog and haze A…
Los Lonely Boys Well my pad is very messing And there whiskers on my…
mac de marco Creeping around up in downtown Got the late night shift rol…
Mac DeMarco Creeping around up in downtown Got the late night shift roll…
Macho Body (body), wanna feel my body, baby? (Wanna feel my body,…
Malo' Someday I promise To never forget you To never lie to you An…
Marius Bear Yeah, I′m a man With a special attitude Oh, your eyes, girl …
Marvin & Johnny If you told me that you loved me, I would…
MC5 If you live Live your life You know you would miss all…
Michelle Branch Pay the bills, take the pills Buy the house, make the…
MISSION X Well, My Pad Is Very Messy And There's Whiskers On…
Muddy Waters I wonder who, gonna be your sweet man when I'm…
Muddy Waters & Bo Diddley Now when I was a little boy, At the age…
Muddy Waters Bo Diddley & Little Walter Maybellene Maybellene, why can't you be true? Oh Maybell…
Muddy Waters Bo Diddley Little Walter Maybellene Maybellene, why can't you be true? Oh Maybellene…
Muddy Waters Little Walter & Bo Diddley Maybellene Maybellene, why can't you be true? Oh Maybell…
Muddy Waters/Muddy Waters/Little Walter The gypsy woman told my mother Before I was born I…
Original Television Soundtrack Now when I was a little boy At the age of…
Ö¥¼Ó¸çºÏ³ªÍÅ(Chicago) Written by Stevie Winwood and Jimmy Miller Lead Vocals by Te…
Papa Jupe's T.C. Well, my name is Jock Stewart, I'm a canny gun…
Pete York Well my pad is very messy, got whiskers on my…
Pulp Laid here With your advertising sliding past my eyes Like ca…
Q-Tip Feat. Al Kapone [Chorus: Repeat 3X] Drank in my cup, blunt in my hand Hoes…
Q65 I was a little boy Age of five Got somethin' in my…
Reset I cannot believe All the things you say to me What about…
Rolling Stones & Muddy Waters I wonder who, gonna be your sweet man when I'm…
Ron Wood & Bo Diddley Now when I was a little boy At the age of…
S.Davis Well, my pad is very messy And there's whiskers on my…
S.K.A. 저리비켜찬챙인 I'm the man 꺼저버려 겁쟁인 I'm the man 모두덤벼 나머진 I'm…
S.L. Troopers Bitch, I'm the man, I, I, I'm the man Got no…
Sam & Dave I'm gonna wash that man right outa my hair, I'm gonna…
Sham 69 Do you ever wonder to yourself If you're a man or…
Silver Disco Explosion I'm your boogie man that's what I am I'm here to…
Smoove Well my Daddy sent a message 'bout the whiskers on my…
Spencer Davis Well, my pad is very messy And there's whiskers on my…
Spencer Davis Pete York Colin Hodgkinson Well my pad is very messy And there's whiskers on my…
Spencer Group Davis Well, my pad is very messy And there's whiskers on my…
St. John & Crew I'm a steady rollin' man, I roll both night and…
Starlite Rock Revival Now when I was a little boy, At the age of…
Steve Winwood Well, my pad is very messy And there's whiskers on my…
Stolle & Band If you told me that you love me, I would…
T.C. Matic Well, my name is Jock Stewart, I'm a canny gun…
Tay Da Prince Ima man, I’ll do everything I can I’m gonna make it…
The 88 It’s life like mine It’s a dope-sick play It’s a…
The Affair Well my pad is very messy, got whiskers on my…
The B. Goodes Georgia, Georgia The whole day through (the whole day throu…
The Blue Van Come on baby, Come on darling, Feel my love come onto you…
The Charms Pops took a hike when I was only five Sometimes I…
The Countdowns I'm your boogie man, that's what I am. I'm here to…
The Doors I was a young boy I was just about five I had…
The Glimmers Well my pad is very messy, got whiskers on my…
The Kubes Now when I was a little boy At the age of…
The Sonics McDaniel Now when I was a little boy, At the age…
The Spencer Davis Group Well, my pad is very messy And there's whiskers on my…
The Spiders Go back to Kansas so tired of being alone and now I'm…
The Wannadies (cover version of the Spencer Davis Group song, from 'How…
The Who Now when I was a little boy 'bout the age…
The Yardbirds Well, you pretty women Standing in line Make love to you, ba…
The Yardbirds (With Jeff Beck) You pretty women, Standing in line, Make love to babe, In…
The Yardbirds / Jeff Beck Well, you pretty women Standing in line Make love to you, ba…
The Yardbirds [feat. Eric Clapton] You pretty women, Standing in line, Make love to babe, In my…
The Yardbirds You pretty women, Standing in line, Make love to babe, In…
The Yardbirds. Eric Clapton Jeff Beck Jimmy Page Well, you pretty women Standing in line Make love to you, ba…
Tipp & V.P. スピードあげて昨日感じた やなコトなんて風に全部流した 君が待つ街へ急ぐ 高速乗って 普段よりもかなりすいてる 道も街も…
Tom Petty and The Heartbreakers My name's Joe, I'm the CEO Yeah I'm the man makes…
Ty Segall Well, my pad is very messy And there's whiskers on my…
V.A. スピードあげて昨日感じた やなコトなんて風に全部流した 君が待つ街へ急ぐ 高速乗って 普段よりもかなりすいてる 道も街も…
Various Artists I am a man of constant sorrow I've seen trouble all…
Who Now when I was a little boy 'bout the age…
Winston Charlie Well my pad is very messy, got whiskers on my…
Yardbirds You pretty women, Standing in line, Make love to babe, In…
Yardbirds feat. Eric Clapton Well, you pretty women Standing in line Make love to you, ba…
♪ Black Strobe Now, when I was a little boy At the age of…
オフコース 愛し方 間違えていたのか? 突然の君のサヨナラ どしゃぶりの雨に 飛び出した 夜更けの扉から I'm a man. An…
We have lyrics for these tracks by The Litter:
A Legal Matter I told you why I changed my mind I got caught…
Action Woman Hey, Miss High and Mighty I've had all I can take Walkin'…
Blue Ice I had this bitch, you see She made lies to me Her…
Cod'ine The achin' in my stomach got created in my head I…
Codine The achin' in my stomach got created in my head I…
Feeling No matter what I say or do I just can't seem…
For What It's Worth The end of the century I said my goodbyes for what…
Here I Go Again Here I go again, I feel the need I need a little…
Hey Joe Hey Joe, where you goin' with that gun of your…
Little Red Book I just got out my little red book The minute that…
Silly People Well, look at all the silly people Wanting to find out Wel…
Somebody Help Me Somebody help me, yeah, Somebody help me, now, Won't somebod…
Soul Searchin' To err is only human Forgivin′ is divine Please forgive me b…
Substitute You think we look pretty good together You think my shoes…
Whatcha Gonna Do About It I want you to know that I love you, baby. Want…
Whatcha Gonna Do About it ? I want you to know that I love you, baby. Want…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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shelley Ganz
Most rocking version...Really Kills!!
Parme C
Amazing guitar's distortion, echoes, glissandi, feedback
Bob Rhoads
Always thought this was the best version of the song!
shelley Ganz
You were correct, for sure!! Super...
WillieGarvin66
Apocalyptic ending !! Great smashin' version, indeed !!
Slitch Aguirre
The Litter. Hard Rock Minnesota band from the 60`s---This was the song they ended there live shows with!!!
ItWasn'tMeBoningBivvy
I used to drop acid with my girlfriends and we would go down to the West Bank (University of Minnesota) and go to Dania Hall and dance all night to The Psychedelic Litter (as they were known then) and Crow. Miss those days!
Tralfaz666
best ever-version of this song...
Kristoff Taylovoski
love how this mutates/de-evolves total Velvet Underground in later part of song
brian p
What a fucking meltdown guitar!!! Brilliant.