The March Violets are an English post-punk/gothic rock band formed in 1981 … Read Full Bio ↴The March Violets are an English post-punk/gothic rock band formed in 1981 in Leeds, incorporating singers of both sexes, drum machine rhythms and echo-laden electric guitar, much in the style of fellow Leeds band the The Sisters of Mercy. Seven March Violets singles reached the UK Indie Chart; the Natural History collection also was an indie hit (hitting No. 3 in 1984).

History
The March Violets formed in December 1981, meeting at Leeds University. The original band members were Tom Ashton (guitar), Laurence "Loz" Elliot (bass), Simon "Detroit" Denbigh (vocals) and Rosie Garland (vocals). Percussion was provided by a drum machine, nicknamed "Dr. Rhythm", a feature they had in common with many of the bands in the Leeds scene at the time. Fellow student Andrew Eldritch, lead singer of The Sisters of Mercy, released the band's debut 7", the four-track "Religious as Hell" EP, on his Merciful Release label on 28 August 1982. A second single on Merciful Release, "Grooving in Green", followed on 27 November 1982.

The band then established their own Rebirth record label, releasing the "Crow Baby" single on 30 April 1983. Cleo Murray joined as second female vocalist for the next single, "Snake Dance", issued in December 1983. The song was a club hit, and is considered a classic of the gothic rock genre. Garland left after "Snake Dance", and Murray took over as sole female singer for "Walk Into the Sun", issued 4 August 1984. That October, the band released their first compilation album, Natural History, which collected the first four singles plus two tracks from a 1983 BBC Peel Session.

The March Violets shifted towards a more pop-oriented sound, and Denbigh left the band in early February 1985, prior to the band's first American tour in March 1985. Denbigh did appear on the next single, "Deep", released 11 May 1985 but recorded prior to his departure. A second compilation album, Electric Shades, was issued in the US by Relativity Records that year; it collected the contents of the "Snake Dance", "Walk Into the Sun" and "Deep" singles, including a piano-laden remix of "Snake Dance".

The band then signed to major label London Records, adding drummer Andy Tolson to the lineup. The "Turn to the Sky" single was released 24 February 1986 on London, although still bearing the Rebirth imprint. The song (and their cover of "Miss Amanda Jones" by the Rolling Stones) was featured on the soundtrack to the 1987 film Some Kind of Wonderful, which included a live performance by the band of "Turn to the Sky." They broke up later that year.

In 1993, the band's first CD compilation, The Botanic Verses, was released by Jungle Records in the UK and Cleopatra Records in the US; it covered their entire 1982-1984 catalogue.
Other projects

Before the band's split, Ashton had guested as live guitarist for The Sisters of Mercy and the Danse Society. In 1991, he joined Clan of Xymox for their Phoenix US tour, and relocated there. He later composed indie film soundtracks. Ashton now produces various bands in the South East USA, including Vision Video and Tears for the Dying.

Murray briefly fronted the band Lovecraft in the early 1990s, releasing two 1993 singles, "Hungry" and "Medicine".[9]

Denbigh formed the Batfish Boys and D-Rok.

Garland became a poet and cabaret performer, performing under the name Rosie Lugosi. Later, she was the victim of a stalker, with the 2007 court case featured as a lead article in the Manchester Evening News.[20] Following several poetry collections, Garland's debut novel, The Palace of Curiosities, was published by HarperCollins in 2013, earning several awards and a longlisting for the Desmond Elliott Prize.

Reformation and subsequent activity
On 8 October 2007, the March Violets played a one-off reunion gig in Leeds with original members Denbigh, Garland and Ashton, plus Mat Thorpe (Isolation Division) standing in on bass. Although the show was a success, plans for further shows were put on hold whilst Garland was ill with throat cancer in 2009.

Once Garland was fully recovered, the March Violets restarted their live reformation with a secret warm-up show at Whitby in October 2010. On 13 November 2010, the March Violets played their first London show in 25 years, at O2 Academy Islington with new bassist Joanna Moy (previously of Screaming Banshee Aircrew).

In November 2010, the band embarked on a project to make their first proper album using Pledge Music (as opposed to the previous compilation albums of their singles and EPs). Over 600 fans pledged support and they raised 196% of the money required. In addition to raising money for the recording of the album, the band provided funds to charities (Friends of the Earth, Cloth Cat and Macmillan Cancer Support). During the recording of the album, they released several promotional items, including a digital-only promo release of "Tokyo Flow" and a remix of "Dandelion King", as well as a "gigeo" (a combination of a gig in Leeds where they shot the promo video with members of the audience) of "Dandelion King".

In 2012, they did a small live tour that showcased some of the new tracks.

The album Made Glorious was released in April 2013 as a digital download to all fans who had pledged support. The album primarily consisted of original tracks, with some material being remixes of tracks from the Trinity and Love Will Kill You EPs. Physical hard copies, T-shirts, an A4 booklet (featuring lyrics, artwork and photos) and posters were distributed to those who had pledged support in June 2013. Pledgers received a special 2-CD pack featuring 12 additional remixes including two tracks not included on the original album ("Liam Hits Seven" and "Black Heart").

To support the new album, the band performed gigs in October and November 2013, and a short tour in April 2014, including a headlining slot at the Convergence 20 festival in Chicago, the first US appearance of the reformed lineup. This was followed by a return tour of the West Coast in June 2014.

In August 2015, the band confirmed that Moy had officially left the band. The following month, they announced an American tour with William Faith on bass, scheduled for October.

In early October, the band announced that after completing the Mortality tour, they would record a new album of the same name. It was funded via PledgeMusic and achieved 167% funding, with 10% of the funding going to Macmillan Cancer Support. The initial version of the Mortality album was released for download by Denbigh on Christmas Day to those who had supported its development. This version consisted of 10 tracks; all except the title track were "re-forged" versions of older songs. Mars Williams of the Psychedelic Furs provided additional saxophone on several tracks. The physical release of the album was planned to include additional remixes and extended versions but never made it to fruition.

After releasing the first remix to pledgers in early 2016, Denbigh suffered a stroke and was hospitalised for a long period.

On the 16th of July 2021, the band released a limited edition double vinyl album, Big Soul Kiss: The BBC Recordings via Jungle Records.[26] This was a special for Record Store Day in the UK and also available as a standard release in other territories. It sold out within three weeks of release. A repressing was made in 2022, alongside a new compilation Play Loud Play Purple and a five-CD box set that included two CDs of unreleased material, The Palace of Infinite Darkness

On October 7 2022, the band announced on a new website that they were having a reunion for tours and new recordings in 2023/24. The reunion lineup is Rosie Garland, Tom Ashton and William Faith, all survivors from their previous live activity in 2015.

Discography
Studio albums

Made Glorious (2013), self-released
Mortality (2015), self-released

Singles and EPs

"Religious as Hell" 7" (1982), Merciful Release
"Grooving in Green" 7" (1982), Merciful Release
"Crow Baby" 7"/12" (1983), Rebirth
"Snake Dance" 7"/12" (1984), Rebirth
"Walk into the Sun" 7"/12" (1984), Rebirth
"Deep" 7"/12" (1985), Rebirth
"Turn to the Sky" 7"/12" (1986), Rebirth
Trinity EP CD EP (2007), self-released
Love Will Kill You CD EP (2011), self-released

Compilation albums

Natural History (1984), Rebirth
Electric Shades (1985), Relativity Records
The Botanic Verses (1993), Jungle Records/Cleopatra Records
Big Soul Kiss: The BBC Recordings (2021), Jungle Records
Play Loud Play Purple (2022), Jungle Records
The Palace of Infinite Darkness (2022), Jungle Records

Lights Go Out
The March Violets Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Living in a place
Where the sex beat stutters
All night long see the change in
In a strange man's eyes
Feel the tension
Memories so intense
Crystal walls shut out the fear
Deliriously happy here

He opened the wrong door
With the love of money
He opened the wrong door
The love of money
The lights go out

Try to find
A way to lie
Try to find
A place to hide
The love of money
As his lights go out

I won't cry
Oh the right one
Oh my hazy days
I won't find
Oh the right one tell me
In the microwave
I won't lie
Oh the right one
They're such lazy days
I won't hide
From the right one
My purple hazy days

Money love honey money

Money money money money
When the lights go out

Overall Meaning

The March Violets's "Lights Go Out" is a song that appears to be about the negative effects that money and power can bring to someone's life. The song begins by describing a place where the "sex beat stutters," and we see the change in a strange man's eyes. The singer feels tension, but the provocative environment seems to be a safe place for them. The crystal walls act as boundaries that shield them from the outside world's fears. Even though the singer seems deliriously happy in this place, something terrible happens; the man opens the wrong door with the love of money. The love of money corrupts him, and the lights go out. The next verse is portraying the man's attempts to find a way to lie and a place to hide due to the corruption he has experienced because of the love of money. The chorus repeats the phrase "The love of money" as a reminder of the song's main theme.

The following verses talk about the singer who tries to find the right one, but somehow they end up in haziness. They are not sure about their feelings and their ability to be honest. The last line of the song, "Money love honey money, money, money, money when the lights go out," serves as a conclusion to the whole story, summarizing the destructive nature love of money can have.

Line by Line Meaning

Living in a place
Existing in a location

Where the sex beat stutters
In a place where the rhythm of sexual activity is irregular

All night long see the change in
Throughout the entire night, observe the shift in

In a strange man's eyes
The expression in the eyes of an unfamiliar person

Feel the tension
Experience the strain

Memories so intense
Vivid recollections

Crystal walls shut out the fear
Transparent barriers eliminate the dread

Deliriously happy here
Ecstatically content in this place

He opened the wrong door
He accessed the improper entrance

With the love of money
Motivated by greed

The love of money
The infatuation with wealth