Ruby Christine McGuire (July 30, 1926 – December 28, 2018), Dorothy "Dottie" McGuire (February 13, 1928 – September 7, 2012) and Phyllis McGuire (born February 14, 1931). Among their most popular songs are "Sincerely" and "Sugartime", both number-one hits.
The McGuire sisters were born in Middletown, Ohio, and grew up in Miamisburg near Dayton . Their mother, Lillie, was a minister of the Miamisburg First Church of God, where as children they sang in church at weddings, funerals, and revivals. When they started singing in 1935, the youngest sister, Phyllis, was four years old. Eventually, they sang at occasions outside church, and by 1949 were singing at military bases and veterans' hospitals, performing a more diverse repertoire than they had in church.
The McGuire Sisters signed with Coral Records in 1952. In the same year, they appeared on Arthur Godfrey's Talent Scouts, and Godfrey hired them for his other shows, where they remained for seven years. The November 1953 issue of Cosmopolitan called them "Godfrey's Merry McGuires". The sisters often were compared to the Andrews Sisters. Maxene Andrews said in an interview with Joe Franklin on WOR (AM) radio in 1979, "The McGuire Sisters were fine once they stopped imitating the Andrews Sisters." While working on the Godfrey show, the McGuires befriended the singer Lu Ann Simms and attended her wedding to the music publisher Loring Buzzell in July 1956. Buzzell's publishing firm, Hecht-Lancaster & Buzzell Music (co-owned by Harold Hecht and Burt Lancaster) provided two songs for the McGuire Sisters, "May You Always" and "Theme from The Unforgiven (The Need for Love)".
The McGuire Sisters and the Andrews Sisters met several times during their careers. Phyllis credited Patty, Maxene, and LaVerne Andrews during a television interview with Maxene in the 1990s, hosted by Sally Jessy Raphael, saying that her sisters and she met the Andrews Sisters in New York in the early 1950s and received important advice. The McGuires moved when they sang, often executing dance routines in lavish production numbers on countless television specials. The Andrews Sisters performed similarly in films in the 1940s, and were the first female vocal group to move when they sang, rather than just standing at a microphone. The sisters had mimicked that style, as well as those of the Mills Brothers and the Dinning Sisters ever since they were young, when they would perform short shows for family and friends in their parents' living room. Phyllis McGuire recounted that she and her sisters did not know any popular songs when they became famous (only the hymns taught to them by their mother), the trio imitated other singing groups long before their success.
They performed for five Presidents of the United States (Richard Nixon, Gerald Ford, Jimmy Carter, Ronald Reagan, and George H. W. Bush), and for Queen Elizabeth II. In 1958, their mother appeared as a guest challenger on the television game show To Tell the Truth. The sisters maintained a busy television schedule, making frequent appearances on popular variety programs hosted by Ed Sullivan, Dean Martin, Danny Kaye, Milton Berle, Andy Williams, Perry Como, and Red Skelton. The trio was dressed and coiffed identically and performed synchronized body movements and hand gestures with military precision. Their recordings of "Sincerely", "Picnic", and "Sugartime" all sold more than one million copies.
They retired from public appearances in 1968, giving their last performance that year on The Ed Sullivan Show. Phyllis McGuire continued to perform solo for a time. The demise of the group is often attributed to Phyllis' long-standing personal relationship with mobster Sam Giancana (although for years she claimed that their friendship was strictly platonic), which reportedly blacklisted the group.
During one of his 1960s court appearances for which Phyllis was subpoenaed, Giancana told reporters outside the courthouse, "Phyllis knows everything" about the rumored unethical behaviors of John F. Kennedy and his brother Robert. Phyllis has resided in a famously showcased mansion in Las Vegas for decades, boasting its own beauty parlor, a swan moat, and a replica of the Eiffel Tower which actually rose through the home's roof.
When asked by Barbara Walters during a 1980s ABC-TV 20/20 interview from within the mansion if any of the money to build the lavish home came from Giancana, Phyllis denied the innuendo, claiming that she invested heavily in oil when the sisters were at the height of their popularity. In the same interview, she acknowledged that her relationship with Giancana was in fact a love affair, saying, "When I met him, I did not know who he was, and he was not married, and I was an unmarried woman. And according to the way I was brought up, there was nothing wrong with that. And I didn't find out until sometime later really who he was, and I was already in love."[7]
The sisters reunited in 1986, performing at Toronto's Royal York Hotel for the first time since their retirement.[8] Numerous nightclub engagements followed in Las Vegas, Atlantic City, and New York City's Rainbow & Stars, showcasing the group and Phyllis' impersonations of Peggy Lee, Judy Garland, Pearl Bailey, Ethel Merman, and even Louis Armstrong.
Singing their greatest hits as part of their act, they were also featured performing specialty numbers such as the frantic "I Love a Violin", the a cappella "Danny Boy", and a segment during which Phyllis retired backstage as Christine and Dorothy shared the spotlight playing a concert arrangement of "The Way We Were" on twin pianos. Other highlights in the act were a comical Trinidad-flavored tune, a soft rendering of "Memory" from Broadway's Cats, and a "Money Medley", which they also performed live on the Jerry Lewis MDA Telethon in 1994. Since then, the sisters had made occasional public appearances together, including in 2004, when they reunited to perform in a PBS special Magic Moments: Best of '50s Pop. The sisters' command of their vocal cords and harmonious blend had not significantly diminished.
After their careers wound down, they opened a restaurant in Bradenton, Florida, calling it McGuire's Pub.
They were inducted into the National Broadcasting Hall of Fame in 1994, and in 2001, they were inducted into the Vocal Group Hall of Fame. They also have been inducted into the Coca-Cola Hall of Fame and the Headliners' Hall of Fame. They were inducted into the Hit Parade Hall of Fame in 2009.
Christine has two children, Herold and Asa; Dorothy had two, Rex and David. Phyllis has no children.
On September 7, 2012, Dorothy McGuire died at her son's home in Paradise Valley, Arizona, after suffering from Parkinson's disease and age-related dementia; she was 84. Dorothy's husband of 54 years, Lowell Williamson, died 6 months later on February 25, 2013, after sustaining a fractured back from a fall; he was 89.
Christine McGuire died in Las Vegas, Nevada in December 2018 at the age of 92.
The McGuire Sisters, and most especially Phyllis McGuire, who lives in Las Vegas, were the subjects of the 1995 HBO movie Sugartime, which depicted a romantic relationship between Phyllis and mobster Sam Giancana. Giancana was played by actor John Turturro, and Phyllis was played by actress Mary-Louise Parker.
The 1982 Robert Altman film Come Back to the Five and Dime Jimmy Dean prominently features the music of The McGuire Sisters. Their #1 single "Sincerely" is lip-synced by the film's stars Cher, Karen Black and Sandy Dennis as "The Disciples of James Dean."
They performed for five US Presidents - Richard Nixon, Gerald Ford, Jimmy Carter, Ronald Reagan, and George H. W. Bush), and for Queen Elizabeth II
In 1968, they retired from public performance apart from Phyllis who continued as a solo act but they reunited seventeen years later for a number of shows.
In 1994, they were inducted into the National Broadcasting Hall of Fame and In 2001, they were inducted into the Vocal Group Hall of Fame.
Discography
Year Single (A-side, B-side)
Both sides from same album except where indicated Chart positions Album
US CB US
AC UK[15]
1953 "Picking Sweethearts"
b/w "One, Two, Three, Four" — — — — Non-album tracks
"Toodle-Ooh Siana"
b/w "Miss You" — — — —
"Where Good Times Are"
b/w "Hey, Mister Cotton Picker" — — — —
"Are You Looking for a Sweetheart"
b/w "You'll Never Know Till Monday" — — — —
1954 "Uno, Due, Tre (The Italian Square Dance)"
b/w "Lonesome Polecat" (from Musical Magic) — — — —
"Pine Tree, Pine over Me" / 26 27 — —
"Cling to Me" — 49 — —
"Goodnight, Sweetheart, Goodnight"
b/w "Heavenly Feeling" (Non-album track) 7 8 — — By Request
"Muskrat Ramble" (see below)
b/w "Not As a Stranger" (Non-album track) — — — —
"Muskrat Ramble" / 10 9 — —
"Lonesome Polecat" 28 33 — — Musical Magic
"Christmas Alphabet"
b/w "Give Me Your Heart for Christmas" 25 34 — — Greetings from the McGuire Sisters
1955 "Sincerely" / 1 2 — 14 By Request
"No More" 17 — — 20
"Open Up Your Heart (and Let the Sun Shine In)"
b/w "Melody of Love" — — — —
"The Naughty Lady of Shady Lane"
b/w "Hearts of Stone" (non-album track) — — — —
"It May Sound Silly" / 11 14 — — Chris, Phyllis, Dottie
"Doesn't Anybody Love Me?" flip — — — Musical Magic
"Something's Gotta Give" / 5 4 — — Chris, Phyllis, Dottie
"Rhythm 'n Blues" flip 32 — — Teenage Party
"Kiss Me and Kill Me with Love"
b/w "If It's a Dream" — — — — Non-album tracks
"He"
b/w "If You Believe" 10 4 — — Greetings from the McGuire Sisters
"Give Me Love" / 95 30 — — Non-album track
"Sweet Song of India" — 34 — — Chris, Phyllis, Dottie
"Be Good To Me" / — 46 — — Teenage Party
"My Baby's Got Such Lovin' Ways" — 40 — —
"I'd Like to Trim a Tree with You"
b/w "The Littlest Angel" — — — — Greetings from the McGuire Sisters
1956 "Missing"
b/w "Tell Me Now" (non-album track) 44 36 — — Musical Magic
"Picnic" / 13 20 — — Chris, Phyllis, Dottie
"Delilah Jones" 37 36 — 24
"Weary Blues" / 32 42 — — Sugartime
"In the Alps" 63 — — —
"Ev'ry Day of My Life" / 37 33 — — Chris, Phyllis, Dottie
"Endless" 52 36 — —
"Goodnight, My Love, Pleasant Dreams"
b/w "Mommy" (from Children's Holiday) 32 23 — — Musical Magic
1957 "Kid Stuff"
b/w "Without Him" — 36 — — Musical Magic
"Blue Skies"
b/w "He's Got Time" (from Greetings from the McGuire Sisters) — — — — Do You Remember When
"Please, Don't Do That to Me"
b/w"Drownin' in Memories" — — — — Teenage Party
"Beginning to Miss You"
b/w "Rock Bottom" — — — —
"Around the World In 80 Days"
b/w "Interlude" 73 — — — Sugartime
"Kiss Them for Me"
b/w "Forgive Me" — — — —
"Santa Claus Is Comin' to Town"
b/w "Honorable Congratulations" — — — — Greetings from the McGuire Sisters
"Sugartime"
b/w "Banana Split" 1 7 — 14 Sugartime
1958 "Ding Dong"
b/w "Since You Went Away to School" 25 43 — —
"Volare"
b/w "Do You Love Me Like You Kiss Me" 80 — — — May You Always
"Sweetie Pie"
b/w "I'll Think of You" — — — —
1959 "May You Always"
b/w "Achoo-Cha-Cha" 11 21 — 15
"Summer Dreams" / 55 64 — — Sugartime
"Peace" 85 97 — — May You Always
"Red River Valley"
b/w "Compromise" (Non-album track) — — — — Showcase
"Some of These Days"
b/w "Have a Nice Weekend" (Non-album track) — — — —
1960 "Livin' Dangerously"
b/w "Lovers Lullaby" 97 — — — Non-album tracks
"Theme from The Unforgiven (The Need for Love)"
b/w "I Give Thanks" (Non-album track) — — — — Showcase
"The Last Dance"
b/w "Nine o'Clock" (Non-album track) 99 — — —
"To Be Loved"
b/w "I Don't Know Why (I Just Do)" — — — —
1961 "Just for Old Time's Sake"
b/w "Really Neat" (Non-album track) 20 17 — — Just for Old Time's Sake
"Tears on My Pillow"
b/w "Will There Be Space in a Space Ship" (Non-album track) 59 55 12 — Showcase
"Just Because" / 99 96 — —
"I Do, I Do, I Do" — tag — —
"I'm Just Taking My Time"
b/w "I Can Dream, Can't I" (Non-album track) — — — — Subways Are for Sleeping
1962 "Sugartime Twist"
b/w "More Hearts Are Broken That Way" 107 130 — — Showcase
"Mama's Gone, Goodbye"
b/w "I Really Don't Want to Know" — — — — Songs Everybody Knows
1963 "Summertime (Is the Time for Love)"
b/w "Cordially Invited" — — — — Non-album tracks
1964 "Now and Forever"
b/w "Never" — — — —
"Candy Heart"
b/w "Dear Heart" — — — —
"Ticket to Anywhere"
b/w "I'll Walk Alone" — — — —
1966 "Truer Than You Were"
b/w "Grazia" — — 30 — Right Now!
Phyllis McGuire solo singles
Year Single (A-side, B-side) Chart positions Album
US CB US
AC
1964 "I Don't Want to Walk Without You"
b/w "That's Life" 79 85 13 Non-album tracks
"Just a Little Lovin'"
b/w "You Don't Have the Heart to Tell Me" — — —
1965 "Run to My Arms"
b/w "Someone Else Is Taking My Place" — — —
1966 "My Happiness"
b/w "Vaya Con Dios" — — — Phyllis McGuire Sings
Delilah Jones
The McGuire Sisters Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Delilah needed seventeen phones
Don't phone her, there isn't anymore
Delilah, Delilah Jones
Her story is sad
The ending was bad
Delilah Jones, Delilah Jones
Delilah, weep for Delilah
The devil got a lease on her bones
Just a trumpet-playing bum from Biloxi
Delilah nicely gives him the cross
But Sammy, he blew some crazy notes
And whammy, Delilahs lost
That fiery dog turned into a moll
That he double-crossed
Delilah, Delilah
She let a no-good guy beguile her
Delilah was completely lost
That Sammy hopped a car and a chauffer
He robbed her of her sparkling stones
Then he left her when all the dough was gone
He dropped her, Delilah Jones
Delilah Jones, Delilah Jones
She filled him with lead until he was dead
And out of her bones
Delilah, Delilah
The gal was number two
She finally got her due
Delilah, Delilah
The McGuire Sisters' song "Delilah Jones" tells the tragic story of a woman named Delilah who falls for a "no-good guy" named Sammy. Delilah, who is described as a "high flying flootie" (which means she was a fashionable and stylish woman), falls for Sammy, a trumpet-playing bum from Biloxi. Delilah is initially resistant to Sammy's advances, but he wins her over with his music. However, things take a turn for the worse as Sammy turns out to be a double-crosser and robs Delilah of her money and jewels. Delilah, who is now completely lost and desperate, seeks revenge by filling Sammy with lead until he is dead.
The song presents a cautionary tale about the dangers of falling for the wrong person and the consequences of getting involved with someone who is not trustworthy. In this case, Delilah's decision to trust and love Sammy leads to her downfall, and she ultimately pays a heavy price for her mistake.
Overall, "Delilah Jones" is a poignant and powerful song that showcases the unique storytelling abilities of The McGuire Sisters. Through their lyrics, they are able to paint a vivid and engaging picture of Delilah's tragic story, and in doing so, they create a memorable and timeless piece of music.
Line by Line Meaning
Delilah was a high flying flootie
Delilah was a trendy and fashionable girl who enjoyed the high life.
Delilah needed seventeen phones
Delilah was so popular and in-demand that she required seventeen telephones to accommodate her many contacts.
Don't phone her, there isn't anymore
Sadly, Delilah is no longer among the living, so there is no point in attempting to contact her.
Delilah, Delilah Jones
Delilah is the ill-fated protagonist of this song.
Her story is sad
As we will see, Delilah's tale is one of misfortune and heartache.
The ending was bad
By the conclusion of the story, Delilah has met with a grim fate.
Delilah Jones, Delilah Jones
Repeating her name serves to emphasize the central role Delilah plays in the song.
She let a no-good guy beguile her
Delilah was seduced by a manipulative and dangerous man.
Delilah, weep for Delilah
The songwriters are urging Delilah to look back upon her unlucky life and shed tears for herself.
The devil got a lease on her bones
Delilah's association with this wicked man has left a permanent mark on her spirit and body.
Just a trumpet-playing bum from Biloxi
Sammy, the man who would ruin Delilah's life, was from Biloxi and played the trumpet.
Delilah nicely gives him the cross
Initially, Delilah rebuffed Sammy's advances politely and respectfully.
But Sammy, he blew some crazy notes
Sammy's abilities as a musician and his unconventional approach won Delilah over eventually.
And whammy, Delilahs lost
After succumbing to Sammy's charms, Delilah was caught in his spell.
That fiery dog turned into a moll
Sammy's romantic interest in Delilah transformed into something more nefarious and criminal.
That he double-crossed
Sammy betrayed Delilah's trust and used her for his own criminal ends.
She let a no-good guy beguile her
This repeated line serves to remind us of the attraction Delilah felt toward Sammy despite his true character.
Delilah was completely lost
Once Sammy's treachery was revealed, Delilah was completely dismayed and heartbroken.
That Sammy hopped a car and a chauffer
Feeling persecuted by the law, Sammy fled with the help of a driver.
He robbed her of her sparkling stones
Before he left, Sammy stole valuable jewelry from Delilah.
Then he left her when all the dough was gone
Sammy took all the money and other resources Delilah had to offer and then abandoned her.
He dropped her, Delilah Jones
As a consequence of Sammy's perfidy, Delilah Jones had hit rock bottom.
She filled him with lead until he was dead
Delilah enacted her vengeance upon Sammy and killed him.
And out of her bones
Delilah's anger and desire for revenge against Sammy was so strong, it consumed her entire being.
The gal was number two
Delilah's life has been characterized by disappointment and failure. She is second-best, forgotten and alone.
She finally got her due
Delilah, who had been ignored and mistreated, was finally able to inflict punishment on the one who had wronged her.
Delilah, Delilah
The song ends as it began, with a haunting repetition of Delilah's name.
Lyrics © Warner Chappell Music, Inc.
Written by: ELMER BERNSTEIN, SYLVIA FINE
Lyrics Licensed & Provided by LyricFind
Caitlín
Delilah was a high flying flootie
Delilah needed seventeen phones
Don't phone her, there isn't anymore
Delilah, Delilah Jones
Her story is sad
The ending was bad
Delilah Jones, Delilah Jones
She let a no-good guy beguile her
Delilah, weep for Delilah
The devil got a lease on her bones
Just a trumpet-playing bum from Biloxi
Delilah nicely gives him the cross
But Sammy, he blew some crazy notes
And whammy, Delilahs lost
That fiery dog turned into a moll
That he double-crossed
Delilah, Delilah
She let a no-good guy beguile her
Delilah was completely lost
That Sammy hopped a car and a chauffer
He robbed her of her sparkling stones
Then he left her when all the dough was gone
He dropped her, Delilah Jones
Delilah Jones, Delilah Jones
She filled him with lead until he was dead
And out of her bones
Delilah, Delilah
The gal was number two
She finally got her due
Delilah, Delilah
Candace Crocker
My mom played this record all the time! I still love it @ 71!
Peter William
Fun song
Aaron Granda
Dad had the 78 with a piece missing. I wore it out. A side is picnic.
Dave Hunt
The Woman with the Golden Arm
Tabasco cat
the Lyrics could be a modern gansta rap!
Reverb Twang
please dig my version cats and cat daddys ( travis nevels )