∎ The Philadelphia band's first album on A&M, self entitled THE REDS, produced by David Kershenbaum, showed the band's impressive sound — a blend of Rick Shaffer's guitar and Bruce Cohen's keyboards into an interestingly textured drone, short guitar and keyboard figures, rising then disappearing back into the drone, while Shaffer's voice provides the punch and definition for their overall sound. The album was supported with live appearances with The Police, Joe Jackson, Blondie, The Ramones, The Psychedelic Furs, and Public Image. An EP, GREEN WITH ENVY, followed featuring The Doors song, "Break On Through," which suggests some of the band's roots. (Universal Music digitally re-released The Reds, and Green With Envy, August 2012.) In 1980 A&M released a compilation album, Propaganda, that included tracks from The Reds, The Police, Joe Jackson, The Granati Bros, Bobby Henry, Shrink, David Kubinec, and Squeeze.
∎ After leaving A&M, The Reds® went forward with two indie albums, STRONGER SILENCE and FATAL SLIDE (Stony Plain/RCA), that continued The Reds® sound, receiving critical acclaim internationally. They next recorded a tense and powerful album for Sire/WB entitled, SHAKE APPEAL, produced by Mike Thorne (Blur, Soft Cell, Wire). This forcible record led the band to work with director/producer, Michael Mann. Mann incorporated numerous songs by The Reds® into episodes of Miami Vice, then hired Shaffer and Cohen to write songs and score for two motion pictures, Band Of The Hand (Tri-Star) and Manhunter (De Laurentiis), based on the novel "Red Dragon." Soundtrack albums from both films were released on MCA, a Manhunter CD, with an added Reds® track, “Jogger’s Stakeout”, was released by Intrada Records (2010), and Universal Music digitally released both albums (2012).
∎ During this time, solo projects for Cohen were writing score for the productions, "Dr. Jekyll & Mr. Hyde" and "Down The Road" at Philadelphia's Walnut Theatre; "The Speckled Band," starring Quentin Crisp, and Charles Busch' play, "Vampire Lesbians Of Sodom" for NYC's Pulse Theatre Company; and a forty minute electronic film noir piece, "Goodbye Johnny Staccato." While solo projects for Shaffer included recording guitar tracks on a Marianne Faithfull album (Island); Hilly Kristal's, "Mad Mordechai" (Stereo Society); Peter Murphy's, "Holy Smoke" (Beggars Banquet/BMG); and Marc Almond's, "Fantastic Star" (Some Bizarre/Mercury). While Shaffer wrote and recorded, "Looking For Right," for director Michael Mann"s film, "Collateral."
∎ The Reds® next album, CRY TOMORROW reunited them with British producer Mike Thorne. It captures the driving intensity of earlier albums and the ambient, atmospheric feel from their film scores, resulting in a stark, surreal album, with a sense of mood and mystery. The pulsing opening track, "Terror In My Heart," was featured in the film, "Nightmare On Elm Street 2" (New Line), directed by Jack Sholder, along with a searing non-stop groove of the Stones' "Gimme Shelter."
∎ In 2007, FUGITIVES FROM THE LAUGHING HOUSE was written and produced by The Reds®. The album is a straight forward raw nerve reflection of life in America. The Reds® February 2009 release, EARLY NOTHING, was also written and produced by Shaffer and Cohen. The album has a hypnotic quality, that leaves the listener free to let their subconscious play itself out, no matter where it goes. With the release of Early Nothing, The Reds®, shamans of dark, brooding, loud rock continued to explore and define their sound.
∎ At this point in time, both Shaffer and Cohen began releasing solo albums. Bruce released ONE BC in 2009, and Rick released NECESSARY ILLUSION in 2010. Although they have been recording separately, a new album by The Reds is still a possibility as soon as Shaffer and Cohen can be in the same location at the same time. See their entire discography below.
■ PLEASE NOTE: The Reds® is a Registered Trademark, with the first use date of March 17, 1977.
THE REDS® OFFICIAL WEBSITE is TarockMusic.com
DISCOGRAPHY
∎ RICK SHAFFER
2017 • STOLEN MOMENTS (Tarock Music #TM-CD15)
2016 • OUTSIDE OF TIME (Tarock Music #TM-CD13)
2015 • JITTERBUG SHAKE (Tarock Music #TM-CD11)
2014 • HARD TIMES SIXTY — Single (Tarock Music)
2014 • LINK — Single (Tarock Music)
2014 • MISADVENTURE (Tarock Music #TM-CD10)
2013 • STACKED DECK (Tarock Music #TM-CD9)
2012 • IDIOT FLATS (Tarock Music #TM-CD8)
2011 • HIDDEN CHARMS (Tarock Music #TM-CD6)
2010 • NECESSARY ILLUSION (Tarock Music #TM-CD5)
1971 • JUST THE BEGINNING — RICK SHAFFER & FREIGHT TRAIN (Fly By Night #LPFBN1001
∎ BRUCE COHEN
2017 • FOUR BC (Tarock Music #TM-CD14)
2015 • THREE BC — IN A TRANCE (Tarock Music #TM-CD12)
2014 • BIG FUN 3 — FADEOUT Bruce Cohen, Peter ”Babe” Lucas, Tony Foster (RopeADope #N/A)
2013 • BIG FUN 3.2 — Bruce Cohen, Peter ”Babe” Lucas, Tony Foster (RopeADope #N/A)
2011 • TWO BC (Tarock Music #TM-CD7)
2010 • BIG FUN 3 — Bruce Cohen, Rik Myers, Brandon Cruz (RopeADope #N/A)
2009 • ONE BC (Tarock Music #TM-CD4)
∎ THE REDS®
2009 • EARLY NOTHING (Tarock Music #TM-CD3)
2007 • FUGITIVES FROM THE LAUGHING HOUSE (Tarock Music #TM-CD2)
2001 • CRY TOMORROW (Stereo Society #SS004)
1992 • CRY TOMORROW (Tarock Music #TM-CD1)
1986 • MANHUNTER — FILM SOUNDTRACK (MCA #6182)
1986 • BAND OF THE HAND — FILM SOUNDTRACK (MCA #6167)
1986 • WAITING FOR YOU — SINGLE (Music Action - France #N/A)
1985 • SHAKE APPEAL (Music Action - France #MAP9009)
1984 • SHAKE APPEAL (Sire/Warner Bros #21-04261)
1983 • FATAL SLIDE (Helter Skelter - Italy #HS93CD26)
1982 • FATAL SLIDE (Stony Plain - Canada #SPL10481981)
1981 • STRONGER SILENCE (Helter Skelter - Italy #HS93CD26)
1981 • STRONGER SILENCE (Stony Plain - Canada #SPL1037)
1981 • STRONGER SILENCE (Kingdom - UK #KVL90051981)
1981 • THE DANGER / DO YOU PLAY THE GAME — SINGLE (Kingdom - UK #KV8019)
1981 • STRONGER SILENCE — EP (Ambition #AM1981)
1980 • PROPAGANDA (A&M #SP4786)
1979 • GREEN WITH ENVY — EP (A&M #SP3301)
1979 • WHATCHA′ DOIN' TO ME — SINGLE (A&M #N/A)
1979 • WHATCHA′ DOIN' TO ME — GREEN VINYL (A&M - UK #N/A)
1979 • JOEY / VICTIMS — SINGLE (A&M #SP3178)
1979 • THE REDS — GREEN VINYL (A&M #SP4772)
1979 • SELF REDUCTION / VICTIMS — SINGLE (EKE #N/A)
1977 • JOEY / AUTOMATIC BOY — SINGLE (Go Go #00011971)
You Don
The Reds Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Don't you wait no more
또 왜, 너 망설이니?
Don't you wait no more
또 왜, 너 망설이니?
Don't you wait no more
또 왜, 너 망설이니?
Don't you wait no more
Don't you wait no more
Don't you wait no more, don't
더 가까이 올래? 전부 말해 줘 다
(니 입 모양만 계속 바라봐)
살짝 오다 멈칫 원을 그린 니 팔
(또 기지개만 피는 니 어깨)
두 눈빛이 또, 또 마주치는 너와 나
우리 두 사람 이 담엔 어떡해야 해
(나 궁금해서 잠도 못 잤어)
자꾸 머뭇대는 너를 위해 영화 보다 잠이 든 척
살짝 기대 눈을 감을까? (Yeah)
아님 별거 아닌 얘기로 니 귓가에 속닥속닥 간지럽게
속삭여볼까?
들어 봐봐
또 왜, 너 망설이니? (Ay)
Don't you wait no more
또 왜, 너 망설이니?
Don't you wait no more (내게 와줘)
또 왜, 너 망설이니? (Ay)
Don't you wait no more
또 왜 (내게 와줘)
Don't you wait no more (내게 와줘)
Don't you wait no more
Don't you wait no more
Don't you wait no more, don't (내게 와줘)
Don't you wait no more
Don't you wait no more
Don't you wait no more, don't
공기가 달라 딱 감이 와
(내 얼굴에 다 모두 써있어)
살짝 닿은 내 손 우연 아닌 진짜 맘
(나 용기 내서 스쳐본 거야)
너처럼 매일 한 발 한 발 나도 가
속돌 올려 줘 내 맘을 향해 따라와 봐 난
(늘 너 보라고 반짝 신호를 줘)
니가 미친 듯이 두근대게 살금살금 걸어가서
와락하고 놀래켜볼까? (Hoo)
너무 음악소리 크게 들려 목소리가 안 들린다
속삭이며 가까이 갈까? (Yeah)
들어 봐봐
또 왜, 너 망설이니? (Ay)
Don't you wait no more
또 왜, 너 망설이니?
Don't you wait no more (내게 와줘)
또 왜, 너 망설이니? (Ay)
Don't you wait no more
또 왜 (내게 와줘)
Don't you wait no more (내게 와줘)
Don't you wait no more
Don't you wait no more
Don't you wait no more, don't (내게 와줘)
Don't you wait no more
Don't you wait no more
Don't you wait no more, don't
다른 남자들과 넌 좀 달라
(망설이니? Don't you wait no more)
날 아끼는 걸 다 알지만
(너 망설이니? Don't you wait no more)
때론 넓은 니 품에 쏙 (oh woah)
이젠 너만을 믿어 난 you (oh woah) (너 망설이니? Don't you wait)
더 다가와도 괜찮아
또 왜, 너 망설이니?
Don't you wait no more, ha
엄청 빤히 보다 나를 보면 괜히 한 번 웃어 주고
콧소리로 질문해볼까? (Yeah)
아님 카페모카 마실 때 실수인 척 입술 위로
휘핑크림 묻게 해볼까? (Oh)
들어 봐봐
또 왜, 너 망설이니? (Ay)
Don't you wait no more
또 왜, 너 망설이니?
Don't you wait no more (내게 와줘)
또 왜, 너 망설이니? (Ay)
Don't you wait no more
또 왜 (내게 와줘) (yeah, ha)
Don't you wait no more (내게 와줘)
또 왜, 너 망설이니?
Don't you wait no more
또 왜, 너 망설이니?
Don't you wait no more (내게 와줘)
또 왜, 너 망설이니? (Ay)
Don't you wait no more
또 왜 (내게 와줘) (yeah)
Don't you wait no more (내게 와줘)
Don't you wait no more
Don't you wait no more
Don't you wait no more, don't (내게 와줘)
Don't you wait no more
Don't you wait no more
Don't you wait no more, don't
The song "You Don't Know" by The Reds is a song about a person who is tired of waiting and wants their love interest to stop hesitating and come to them. The repeated line "Don't you wait no more" is a plea for the other person to take action and make a move. The lyrics describe the singer's frustration with their love interest's indecision, and their desire for a closer relationship. They want the other person to open up and share everything with them, even their hidden feelings.
The verse "늘 너 보라고 반짝 신호를 줘" (Always give you a sparkling signal to look at me) suggests that the singer has been giving the other person hints and signals to show their interest, but now they are tired of waiting and want a more direct approach. The chorus repeats the request for the other person to stop hesitating and come to them. The bridge, which includes the lines "날 아끼는 걸 다 알지만" (You know that I cherish you), and "이젠 너만을 믿어 난 you" (Now, I only believe in you) shows that the singer is truly invested in this relationship and is willing to take a chance on love.
Line by Line Meaning
또 왜, 너 망설이니?
Why are you hesitating again?
Don't you wait no more
Don't delay any longer
Don't you wait no more, don't
Don't delay any longer, don't
더 가까이 올래? 전부 말해 줘 다
Do you want to come closer? Tell me everything
(니 입 모양만 계속 바라봐)
(I keep looking at your lips)
살짝 오다 멈칫 원을 그린 니 팔
Your arm drew a small circle as if it wants to come closer and stopped
(또 기지개만 피는 니 어깨)
(And your shoulders just shrug)
두 눈빛이 또, 또 마주치는 너와 나
Our eyes meet again and again
우리 두 사람 이 담엔 어떡해야 해
What should we do this time, the two of us?
(나 궁금해서 잠도 못 잤어)
(I was curious and couldn't even sleep)
자꾸 머뭇대는 너를 위해 영화 보다 잠이 든 척
I pretended to fall asleep while watching a movie to make it easier for you
살짝 기대 눈을 감을까? (Yeah)
Should I lean my head and close my eyes a little? (Yeah)
아님 별거 아닌 얘기로 니 귓가에 속닥속닥 간지럽게
Or should I whisper something trivial to your ear, softly and ticklish?
속삭여볼까?
Should I whisper?
들어 봐봐
Listen
공기가 달라 딱 감이 와
The air is different, I can feel it
(내 얼굴에 다 모두 써있어)
(It's written all over my face)
살짝 닿은 내 손 우연 아닌 진짜 맘
My slightly touched hand, it's not a coincidence but my true feelings
(나 용기 내서 스쳐본 거야)
(I summoned my courage and tried it out)
너처럼 매일 한 발 한 발 나도 가
Like you, I take one step at a time every day
속돌 올려 줘 내 맘을 향해 따라와 봐 난
Speed up and bring your heart towards me, come and follow me, I'm waiting
(늘 너 보라고 반짝 신호를 줘)
(I always give you a signal to look at me)
니가 미친 듯이 두근대게 살금살금 걸어가서
You walk stealthily, making my heart pound like crazy
와락하고 놀래켜볼까? (Hoo)
Should I surprise you all of the sudden? (Hoo)
너무 음악소리 크게 들려 목소리가 안 들린다
The music is too loud, I can't hear your voice
속삭이며 가까이 갈까? (Yeah)
Should we whisper and get closer? (Yeah)
다른 남자들과 넌 좀 달라
You're different from other men
(망설이니? Don't you wait no more)
(Are you hesitating? Don't delay any longer)
날 아끼는 걸 다 알지만
You know that you treasure me
(너 망설이니? Don't you wait no more)
(Are you hesitating? Don't delay any longer)
때론 넓은 니 품에 쏙 (oh woah)
Sometimes, I fit snugly into your broad chest (oh woah)
이젠 너만을 믿어 난 you (oh woah) (너 망설이니? Don't you wait)
Now, I only trust you, you (oh woah) (Are you hesitating? Don't you wait)
더 다가와도 괜찮아
It's okay to come closer
Don't you wait no more, ha
Don't delay any longer, ha
엄청 빤히 보다 나를 보면 괜히 한 번 웃어 주고
When you see me staring at you, you just give me a smile for no reason
콧소리로 질문해볼까? (Yeah)
Should I ask a question in a nasal voice? (Yeah)
아님 카페모카 마실 때 실수인 척 입술 위로
Or should I pretend it's a mistake when drinking cafe mocha and get some whipped cream on my lips?
휘핑크림 묻게 해볼까? (Oh)
Should I try to get whipped cream on my lips? (Oh)
또 왜 (내게 와줘) (yeah, ha)
Why again (Come to me) (yeah, ha)
또 왜 (내게 와줘) (yeah)
Why again (Come to me) (yeah)
Lyrics © BMG Rights Management, Universal Music Publishing Group, Warner Chappell Music, Inc.
Written by: Dwayne Abernathy, Katarina Garcia, Seo Jeong, Ryan Sewon Jhun, Taylor Parks
Lyrics Licensed & Provided by LyricFind
Raised by the TV
Best scene in the movie
So lovely, personal, and captivating
Angel Castaneda 98
Best Director winner Warren Beatty. Hell yes.
Fabinho Dantas Flappers
Masterpiece!
Alexis Menjabar
I love these movie clips
Evil shrek
Movie clips is the best
F-22 猛禽
DOn't leave me, take me wit you
Harry Lancuba
She kinda pretty tho 😏
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😆 💓 👏
victoria del carmen ayala meregildo
it's cute
zakaria elgharsi
👶☕🍼🍌🍳🍗