The Rolling Stones is an English rock band formed in London in 1962. Active… Read Full Bio ↴The Rolling Stones is an English rock band formed in London in 1962. Active for six decades, they are one of the most popular and enduring bands of the rock era. In the early 1960s, the Rolling Stones pioneered the gritty, rhythmically driven sound that came to define hard rock. Their first stable line-up consisted of vocalist Mick Jagger, multi-instrumentalist Brian Jones, guitarist Keith Richards, bassist Bill Wyman, and drummer Charlie Watts. During their formative years, Jones was the primary leader: he assembled the band, named it, got them gigs, and drove their sound and image. After Andrew Loog Oldham became the group's manager in 1963, he encouraged them to write their own songs. Jagger and Richards became the primary creative force behind the band, alienating Jones, who had developed a drug addiction that interfered with his ability to contribute meaningfully.

Rooted in blues and early rock and roll, the Rolling Stones started out playing covers and were at the forefront of the British Invasion in 1964, becoming identified with the youthful and rebellious counterculture of the 1960s. They then found greater success with their own material, as "(I Can't Get No) Satisfaction" (1965), "Get Off of My Cloud" (1965), and "Paint It Black" (1966) became international number-one hits. Aftermath (1966) – their first entirely original album – is considered by The Daily Telegraph to be the most important of their formative records. In 1967, they had the double-sided hit "Ruby Tuesday"/"Let's Spend the Night Together" and experimented with psychedelic rock on Their Satanic Majesties Request. They returned to their rhythm and blues roots with hit songs such as "Jumpin' Jack Flash" (1968) and "Honky Tonk Women" (1969), and albums such as Beggars Banquet (1968), featuring "Sympathy for the Devil", and Let It Bleed (1969), featuring "You Can't Always Get What You Want" and "Gimme Shelter". Let It Bleed was the first of five consecutive number-one albums in the UK.

Jones left the band shortly before his death in 1969, having been replaced by guitarist Mick Taylor. That year they were first introduced on stage as "The Greatest Rock and Roll Band in the World". Sticky Fingers (1971), which yielded "Brown Sugar" and included the first usage of their tongue and lips logo, was their first of eight consecutive number-one studio albums in the US. Exile on Main St. (1972), featuring "Tumbling Dice", and Goats Head Soup (1973), yielding the hit ballad "Angie", were also best sellers. Taylor was replaced by Ron Wood in 1974. The band continued to release successful albums, including their two largest sellers: Some Girls (1978), featuring "Miss You", and Tattoo You (1981), featuring "Start Me Up". Steel Wheels (1989) was widely considered a comeback album and was followed by Voodoo Lounge (1994), a worldwide number-one album. Both releases were promoted by large stadium and arena tours, as the Stones continued to be a huge concert attraction; by 2007 they had recorded the all-time highest-grossing concert tour three times, and as recently as 2021 they were the highest-earning live act of the year. From Wyman's departure in 1993 to Watts' death in 2021, the band continued as a four-piece core, with Darryl Jones playing bass on tour and on most studio recordings, while Steve Jordan became their touring drummer following Watts' death. Their 2016 album, Blue & Lonesome, became their twelfth UK number-one album.

The Rolling Stones' estimated record sales of 200 million make them one of the best-selling music artists of all time. The band has won three Grammy Awards and a Grammy Lifetime Achievement Award. They were inducted into the Rock and Roll Hall of Fame in 1989 and the UK Music Hall of Fame in 2004. Billboard magazine and Rolling Stone have ranked the band as one of the greatest of all time.

Full Wikipedia article: https://en.wikipedia.org/wiki/The_Rolling_Stones

Studio albums
The Rolling Stones / England's Newest Hit Makers (1964)
12 X 5 (1964)
The Rolling Stones No. 2 / The Rolling Stones, Now! (1965)
Out of Our Heads (1965)
December's Children (And Everybody's) (1965)
Aftermath (1966)
Between the Buttons (1967)
Their Satanic Majesties Request (1967)
Beggars Banquet (1968)
Let It Bleed (1969)
Sticky Fingers (1971)
Exile on Main St. (1972)
Goats Head Soup (1973)
It's Only Rock 'n Roll (1974)
Black and Blue (1976)
Some Girls (1978)
Emotional Rescue (1980)
Tattoo You (1981)
Undercover (1983)
Dirty Work (1986)
Steel Wheels (1989)
Voodoo Lounge (1994)
Bridges to Babylon (1997)
A Bigger Bang (2005)
Blue & Lonesome (2016)
Hackney Diamonds (2023)

Fannie Mae
The Rolling Stones Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Fannie Mae
Baby won't you please come home?
Fannie Mae
Baby won't you please come home?
I don't wanna, but Christ, that girl is gone

Well I hear her singin'
Way on down the line

Well I hear her singin'
Way on down the line
Well, she just keeps singin', just lovin' and lovin' and tryin', oh yeah

Won't somebody tell me, tell me what's wrong with me?
Won't somebody tell me, tell me what's wrong with me?
Since Fannie's been gone, my life has been misery

Oh, Fannie Mae
Baby won't you please come home?
Fannie Mae

Baby won't you please come home?
I'm in so much misery since that girl's been gone

Overall Meaning

The lyrics of "Fannie Mae" by The Rolling Stones convey a sense of longing and sadness over the absence of a woman named Fannie Mae. The singer pleads for Fannie Mae to come back home, expressing that without her presence, he is miserable. The repetition of the plea emphasizes the desperate longing for her return.

The initial lines of the song express the singer's plea for Fannie Mae to come back home, emphasizing his desire for her presence. The mention of not wanting to be alone suggests that he is feeling incomplete without her. The exclamation "Christ, that girl is gone" reinforces the magnitude of her absence.

The verses mention hearing Fannie Mae singing way down the line, which could symbolize a sense of distance between the two or the feeling of her presence lingering in the singer's thoughts. Her continuous singing is depicted as a symbol of love and determination. The repetition of the verb "lovin'" suggests that Fannie Mae was someone who wholeheartedly expressed her affections.

The singer then questions what is wrong with him since Fannie Mae left. The mention of misery hints at the emotional turmoil the singer is experiencing in her absence. The repetition of the plea for her return in the final lines underscores the impact her departure has had on the singer's well-being.

Overall, "Fannie Mae" by The Rolling Stones portrays a yearning for a lost love and reflects the emotional turmoil caused by her absence.

Line by Line Meaning

Fannie Mae
Oh Fannie Mae, the girl I desire

Baby won't you please come home?
Darling, won't you return to me?

I don't wanna, but Christ, that girl is gone
I don't want to admit it, but damn, that girl has left me

Well I hear her singin'
I can still hear her beautiful voice

Way on down the line
Even from a distance

Well, she just keeps singin', just lovin' and lovin' and tryin', oh yeah
She continues to sing, love, and make an effort, oh yes

Won't somebody tell me, tell me what's wrong with me?
Can't anyone explain to me, what is my problem?

Since Fannie's been gone, my life has been misery
Ever since Fannie left, my existence has been filled with pain

Oh, Fannie Mae
Oh, Fannie Mae, the girl I desire

I'm in so much misery since that girl's been gone
I am suffering immensely since she departed

Lyrics © BMG Rights Management, Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.
Written by: CLARENCE L LEWIS, MORRIS LEVY, WAYMON GLASCO

Lyrics Licensed & Provided by LyricFind

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