The Roots' original lineup included Black Thought (MC vocals) and Ahmir "?uestlove" Thompson (drums), who were classmates at the Philadelphia High School for Creative Performing Arts. As they began to play at school and on the streets, they added another MC named Malik B., bassist Leonard Hubbardand keyboardist Scott Storch. Another MC, Dice Raw, frequently made album appearances with the group from 1995 to 1999 before leaving to record a solo album. Scott Storch also left to pursue career as a producer following the Do You Want More?!!!??! album, He produced songs such as Still D.R.E. by Dr Dre. The Roots filled his void with another keyboardist, Kamal who is still a member. A beatboxer named Rahzel also joined the group and contributed from 1995-1999. Alongside Rahzel was vocal turntablist, Scratch who greatly contributed to The Roots' sound, most notably in live concerts. He left the group in 2003. Malik B. left the group in 2000. A guitarist, Ben Kenney, enjoyed a short stint with the group and contributed to their Phrenology album, but left to join Incubus. A percussionist, Knuckles, was added in 2002 and guitarist, Kirk Douglas (a.k.a. "Captain Kirk") repleaced Kenney. A vocalist, Martin Luther toured with The Roots in 2003 and 2004 and contributed to their album The Tipping Point. The current members of The Roots are Black Thought (MC vocals), ?uestlove (drums), Hub (bass), Kamal (keyboard), Knuckles (percussion), and Captain Kirk (guitar).
The Roots' debut album, Organix released in 1993, was actually a live recording from a concert in Germany that the Roots sold at their shows. The album earned enough industry buzz to earn the Roots offers from major record labels, and they signed with DGC records, which at the time was better known for its grunge music releases.
The Roots' first album for DGC, Do You Want More?!!!??! (recorded live without the use of samples), was a moderate hit on alternative radio. Their 1996 release Illadelph Halflife was the group's first album to crack the Top 40 on Billboard's album chart, spurred in part by MTV's airplay of the video for "What They Do", a parody of rap video clichés such as the "beatdown shot," and "Clones" which was their first to single to reach the top five on the rap charts.
In 1999, The Roots released Things Fall Apart (named after a novel by Chinua Achebe), their breakthrough album. The track "You Got Me", duet with R'n'B singer Erykah Badu, earned them a Grammy award for Best Rap Performance By A Duo Or Group.
In 2000, Dice Raw left the group to record his solo debut album, Reclaiming the Dead.
The Roots' reputation as a hip-hop live band made Jay-Z call on them for his MTV Unplugged album in 2002. The album featured good recreations of many of his great songs, played by the band with a little help from female vocalist Jaguar Wright.
2002's Phrenology introduced a more mainstream sound for the Roots, earning a Grammy nomination for Best Rap Album. The album's sales were boosted by radio and TV airplay for two duets on the album, "Break You Off" (featuring Musiq Soulchild) and "The Seed 2.0" (featuring Cody ChestnuTT). The video for "The Seed 2.0" earned a nomination for the MTV2 Award at the 2003 MTV Video Music Awards. "The Seed" was also featured on the soundtrack to the Mandy Moore movie Chasing Liberty. Phrenology was certified gold (signifying U.S. sales of at least 500,000 units) in June 2003.
The Roots' 2004 release, The Tipping Point, took its name from a 2000 book by Malcolm Gladwell. The album earned two more Grammy nominations: one for Best Urban/Alternative Performance for the track "Star", and another for Best Rap Performance By A Duo Or Group for the track "Don't Say Nuthin'". The album was an immediate hit, debuting at #4 on the Billboard album chart and selling over 100,000 copies in its first week of release.
On November 15, 2005 The Roots released two compilation albums, Home Grown! The Beginner's Guide To Understanding The Roots, Volumes 1 & 2. These two separately sold discs are a compilation of past hits, live performances, and rare remixes compiled by ?uestlove himself. They also feature 70 pages of liner notes written by ?uestlove. These two albums marked the Roots' last releases on Geffen Records.
The Roots' album, Game Theory, was released on August 29, 2006. The album, which features a track that samples the song "You and Whose Army" by Radiohead, was released on Jay-Z's Def Jam.
The Roots next album 'Rising Down' was released on April 29th 2008. Features tracks with Common, Mos Def, Talib Kweli, Saigon, and other greats.
The Make Me Songfacts reports that The Roots' eleventh album, undun, is their first concept album. It tells the story of a man called Redford Stephens who died in 1999 at the age of 25. We hear Redford retelling his life post-mortem and attempting to deconstruct what led to his undoing.
The Roots are also the house band on Late Night with Jimmy Fallon airing first on March 2nd, 2009.
The Spark )
The Roots Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
The ears that I hear with, the eyes that I see with
The mouth that I talk with, the terror that I stalk with
Now it's time to spark shit
Yo, the feet that I walk with
The ears that I hear with, the eyes that I see with
The mouth that I talk with, the terror that I stalk with
Look God, I walk around a little edgy already
Y'all MC's come into my face, but my aim's steady
M-illitant is skilled in most strategic plan
I float across seas and, breezed across land
Standin', in these thoughts of murder within
The structure of this world that's corrupted with sin
I'm always hittin', to leave MC's guessin'
For any transgression, in my perimeter
There will be a blessing, and your explicit intoxicated
Buddha session, to stop stressin'
Me with the madness, puttin' niggaz on my had list
No sadness is felt, you shuffled and your cards get dealt
Jim Carrey ass niggaz start to melt
Impact like a buckle bein' swung from off a belt
Any help for shelter, when in the realms of a welter
My weight will tilt ya, hold alignments and change your filter
My attitude a product of society
So sometimes for gratitude, you know you can't rely on me
Niggaz eyein' me, with looks of they anxiety
Wonderin' what's in my heart, velocity or piety
Yo, it depends on which one, you bring to surface
At times I get trife, but what to worship is my purpose
Malik be blend with the tree, to spot an enemy
You cloggin' me up cat, now vacant the vicinity
Yo, the feet that I walk with
The ears that I hear with, the eyes that I see with
The mouth that I talk with, the terror that I stalk with
Now it's time to spark shit
Yo, the feet that I walk with
The ears that I hear with, the eyes that I see with
The mouth that I talk with, the terror that I stalk with
Now it's time to spark shit
I'm symbolic to a ballot, it's Abdul Malik
Don't approach with bullshit, I'm quick to call it invalid
Route through your district, we keep it simplistic
No need for the rapper to talk, put it on halt
Show me the vault, or the safe, cause I'm on the paper chase
Wade through route states for bout thirty down my waist
I'm tryin to get it, these rain bottlin' thoughts become acidic
With one in the chamber, ready to aim and spit it
A girlfriend and team made nigga cash just splintered
I take what you got to give, cause I got to live
The last hour, I bet your ass you act sour
Might act up, but I still can pass dowa
I'm usin' new ways to try to reach these better days
Instead of tryin' to take you under I just make you wonder
I still fast, make salaat, and pay zakaat
I didn't make Hajj yet, but that's my next project
Livin' two lives, one of turn and one with true lies
Keepin' a hoe, knowin' these hands into my do'as
In the quarters livin' modest with my nigga Trotter
I circle my foes, like tawaf around the kaba
I used to live life, like there was no mañana
Now I'm treatin' every breath, like it was your honor
I'm Mill-itill-itant with the Fifth that stand firm
Like a pillar, I'm I and T-L like Manilla
Yo, the feet that I walk with
The ears that I hear with, the eyes that I see with
The mouth that I talk with, the terror that I stalk with
Now it's time to spark shit
Yo, the feet that I walk with
The ears that I hear with, the eyes that I see with
The mouth that I talk with, the terror that I stalk with
Now it's time to spark shit
This is what it's all about
In The Roots's song "The Spark," the rapper Abdul Malik describes his mindset as a militant and strategic individual who is always prepared to take down anyone in his perimeter. He is well aware of the sins that plague the world, and his thoughts are consumed by thoughts of murder, driven by his anger towards the corrupt society he lives in. Malik is always on the lookout for enemies, blending with the trees to spot any suspicious activity. However, he also acknowledges the duality of his personality, as he is torn between his devout Muslim beliefs and his desire to succeed in this dog-eat-dog world. He is trying to stay grounded and focus on his purpose, which is to work towards a better future while still staying true to his values.
"The Spark" is a powerful song that touches upon themes of inner conflict, morality, and societal issues. The lyrics are vivid and painted with powerful metaphors that reflect the depth and complexity of Abdul Malik's character. The Roots have always been known for their thought-provoking lyrics that tackle themes beyond the surface-level, and "The Spark" is no exception.
Line by Line Meaning
Yo, the feet that I walk with
The singer is reflecting on the body parts that they use to navigate the world around them - their feet, ears, eyes, and mouth.
The ears that I hear with, the eyes that I see with
The singer places importance on how they perceive the world and process information through their senses.
The mouth that I talk with, the terror that I stalk with
The singer recognizes their own power to communicate and intimidate others in certain situations.
Now it's time to spark shit
The artist is ready to take action and start something new or confrontational.
Look God, I walk around a little edgy already
The artist is feeling on edge and anticipates confrontation or danger.
Y'all MC's come into my face, but my aim's steady
The singer is addressing their rap rivals and claims to have a focused and precise aim in their interactions with them.
M-illitant is skilled in most strategic plan
The singer describes themselves as militant and able to think strategically in most situations.
I float across seas and, breezed across land
The artist describes their mobility and ability to travel vast distances.
Standin', in these thoughts of murder within
The artist admits to having violent thoughts and tendencies.
The structure of this world that's corrupted with sin
The artist critiques the state of the world as being corrupt and sinful.
I'm always hittin', to leave MC's guessin'
The singer enjoys keeping their rivals on their toes and not entirely sure of their intentions or next move.
For any transgression, in my perimeter
The artist is protective of their personal boundaries and will not tolerate any transgressions within them.
There will be a blessing, and your explicit intoxicated
The singer warns that those who step out of line will face consequences and potentially lose access to blessings or opportunities.
Buddha session, to stop stressin'
The singer references a meditative session to manage stress and anxiety.
Me with the madness, puttin' niggaz on my had list
The singer admits to feeling madness within and keeping a mental list of those who cross them.
No sadness is felt, you shuffled and your cards get dealt
The artist is unapologetic and believes that those who suffer consequences for their actions have brought it upon themselves.
Jim Carrey ass niggaz start to melt
The artist is referencing Jim Carrey's role in The Mask and suggests that their rivals will melt or crumble when faced with their wrath.
Impact like a buckle bein' swung from off a belt
The singer describes their impact or influence as powerful and potentially violent.
Any help for shelter, when in the realms of a welter
The singer is questioning whether there is any help or protection when they are in a state of confusion or chaos.
My weight will tilt ya, hold alignments and change your filter
The artist's influence or pressure will cause others to shift their positions or perspectives.
My attitude a product of society
The artist acknowledges that their attitude and behavior is shaped by the society they live in.
So sometimes for gratitude, you know you can't rely on me
The artist recognizes their limitations and advises others not to depend on them for gratitude or support all the time.
Niggaz eyein' me, with looks of they anxiety
The singer notices that others are anxious or worried when looking at them.
Wonderin' what's in my heart, velocity or piety
Others are curious about what motivates the artist - is it their ambition and drive (velocity) or their moral convictions (piety)?
Yo, it depends on which one, you bring to surface
The singer suggests that their motivations and values vary depending on who they are interacting with or the situation at hand.
At times I get trife, but what to worship is my purpose
The singer acknowledges that they can be difficult or aggressive, but ultimately their purpose or goal is to figure out what to believe in or worship.
Malik be blend with the tree, to spot an enemy
The singer describes themselves as able to blend in with their surroundings and spot potential threats or enemies.
You cloggin' me up cat, now vacant the vicinity
The artist is annoyed by someone getting in their way or talking too much, and demands that they leave.
I'm symbolic to a ballot, it's Abdul Malik
The artist makes a play on words, saying that they are symbolic of a ballot (which represents democracy and voting), and gives their given name for emphasis.
Don't approach with bullshit, I'm quick to call it invalid
The singer is warning others not to approach them with any nonsense or lies, as they will quickly call it out as invalid.
Route through your district, we keep it simplistic
The singer describes their approach to moving through different areas as straightforward and uncomplicated.
No need for the rapper to talk, put it on halt
The artist believes that talk is cheap and that rappers shouldn't waste their time with it.
Show me the vault, or the safe, cause I'm on the paper chase
The artist is focused on acquiring money and asks where the valuable items are located.
Wade through route states for bout thirty down my waist
The artist is using a metaphor for carrying a gun (waistband) and suggests that they are willing to travel long distances to acquire their goals.
I'm tryin to get it, these rain bottlin' thoughts become acidic
The singer feels pressure to succeed and the stress is taking a toll on them mentally.
With one in the chamber, ready to aim and spit it
The artist is armed and prepared to use their weapon in order to achieve their goals.
A girlfriend and team made nigga cash just splintered
The singer had a girlfriend and a group of associates who have since parted ways or become less supportive due to money issues.
I take what you got to give, cause I got to live
The singer will take what they can get from others because they need to survive or succeed.
The last hour, I bet your ass you act sour
The singer believes that when time is running out or things are not going well, people will become negative or bitter.
Might act up, but I still can pass dowa
The artist acknowledges that they may behave badly or aggressively, but they still have faith and can pray for guidance.
I'm usin' new ways to try to reach these better days
The artist is experimenting with new methods or approaches in order to improve their life or situation.
Instead of tryin' to take you under I just make you wonder
The singer prefers to create intrigue or mystery rather than drag others down.
I still fast, make salaat, and pay zakaat
The singer is faithful and adheres to Islamic practices such as fasting, praying, and giving to charity.
I didn't make Hajj yet, but that's my next project
The artist has not yet made the pilgrimage to Mecca but has plans to do so in the future.
Livin' two lives, one of turn and one with true lies
The artist feels as though they are leading two different lives - one that is honest and one that is deceptive.
Keepin' a hoe, knowin' these hands into my do'as
The artist keeps a woman around for sex or companionship, but still prays and seeks guidance from God.
In the quarters livin' modest with my nigga Trotter
The singer is living humbly in simple accommodations with their friend, Trotter.
I circle my foes, like tawaf around the kaba
The artist describes their approach to dealing with enemies as circling around them like the pilgrims do around the Kaaba in Mecca.
I used to live life, like there was no mañana
The singer used to live recklessly and without regard for the future.
Now I'm treatin' every breath, like it was your honor
The singer has changed their perspective and now tries to appreciate every moment as if it were an honor or privilege.
I'm Mill-itill-itant with the Fifth that stand firm
The singer is militant and prepared to use their weapon (likely a firearm) to stand their ground.
Like a pillar, I'm I and T-L like Manilla
The artist is solid and unshakeable like a pillar, and identifies with their city (Philadelphia) and its nickname (Manilla).
Lyrics © Universal Music Publishing Group
Written by: THOMPSON, AHMIR K. / HUBBARD, LEONARD N. / SMART, MALIK / COLLINS, TARIK L. / GRAY, JIMMY
Lyrics Licensed & Provided by LyricFind
Mike Ball
on Proceed V (Da Beatminerz remix)
So after purchasing “Do You Want More” the day it dropped, my guy the upped me from jump (pass the popcorn obvi) found this join on a European release and pressed play…the rest is history. But there in lies my question…what IS the history, the story on how, where, when, this was created? I need to know for context. Drop a link if there is one out there PLEASE! V 5 is a masterpiece!