The band grew out of an earlier skiffle group formed by McNally, with his friends Brian Dolan (guitar) and Tony West (bass). When the other two members lost interst McNally was joined by his guitarist neighbour Mike Prendergast. They soon recruited Tony Jackson with his home-made bass guitar and amplifier and styled themselves Tony and the Searchers with Joe Kelly on drums. Kelly soon left to be replaced by Norman McGarry and it is this line-up—McNally, Pender (as he soon became known), Jackson and McGarry—that is usually cited as the original foursome.
McGarry did not stay long, however, and in 1960 his place was taken by Chris Crummey (who later changed his name to Curtis). Later that year Big Ron had a successful audition with Mecca and became a ballroom singer. He was replaced by Billy Beck, who changed his name to Johnny Sandon. The band had regular bookings at Liverpool's Iron Door Club as Johnny Sandon and the Searchers.
Sandon left the band in late 1961 to join The Remo Four in February 1962. The group settled into a quartet sharing the vocal lead and billed simply as The Searchers. They continued to play at the Iron Door, The Cavern, and other Liverpool clubs. Like many similar acts they would do as many as three shows at different venues in one night. They negotiated a contract with the Star-Club in the St. Pauli district Hamburg for 128 days, with three one-hour performances a night, starting in July 1962.
The band returned to a residence, at the Iron Door Club and it was there that they tape recorded the sessions that led to a recording contract with Pye Records with Tony Hatch as producer.
Hatch played piano on some recordings and wrote "Sugar and Spice"—the band’s second number one record—under the pseudonym Fred Nightingale; a secret he kept from the band at the time.
After scoring their monumental hit "Needles and Pins", bassist Tony Jackson went solo and was replaced by Hamburg pal Frank Allen of Cliff Bennett and the Rebel Rousers.
Chris Curtis left the band in 1966 and was replaced by the Needles and Pins-influenced John Blunt, who in turn was replaced by Billy Adamson in 1970.
As musical styles evolved, the Searchers could not keep up and as a result, the hits ran out and while they continued to record for Liberty Records and RCA Records, ended up on the British "Chicken in a Basket" circuit although they did score a minor US hit in 1971 with "Desdemona".
The group continued to tour through the 1970s and were rewarded in 1979 when Sire Records signed the band to a multi-record deal. Two albums were released by them, The Searchers and Play for Today (retitled Love's Melodies outside the UK). Both records garnered great critical acclaim but did not break into the charts. They did however revitalize the group's career. According to John McNally, the band were ready to head into the studio to record a third album for Sire when they were informed that due to label reorganization, their contract had been dropped.
In 1981, the band signed to PRT Records (formerly Pye, their original label) and began recording an album but only one single, "I Don't Want To Be The One" backed with "Hollywood", saw the light of day at that time. The rest of the tracks would be released as part of 2004's 40th Anniversary collection.
Soon after the PRT release, Mike Pender left the group amidst great acrimony and now tours as Hollywood. McNally and Allan recruited former First Class vocalist Spencer James to fill Pender's shoes.
In 1988, Coconut Records signed The Searchers and the album Hungry Hearts was the result. A very contemporary sounding release, it featured modern sounding remakes of "Needles and Pins" and "Sweets For My Sweets". While the album was not a major hit, it did keep the group in the public eye.
The band continues to tour with Eddie Rothe replacing Adamson on drums and is considered to be one of the most popular 1960s bands on the UK concert circuit.
for more info see
http://en.wikipedia.org/wiki/The_Searchers_%28band%29
Twist And Shout
The Searchers Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Twist and shout. (twist and shout)
C'mon c'mon, c'mon, c'mon, baby, now, (come on baby)
Come on and work it on out. (work it on out)
Well, work it on out, honey. (work it on out)
You know you look so good. (look so good)
You know you got me goin', now, (got me goin')
Well, shake it up, baby, now, (shake it up, baby)
Twist and shout. (twist and shout)
C'mon, c'mon, c'mon, c'mon, baby, now, (come on baby)
Come on and work it on out. (work it on out)
You know you twist your little girl, (twist, little girl)
You know you twist so fine. (twist so fine)
Come on and twist a little closer, now, (twist a little closer)
And let me know that you're mine. (let me know you're mine)
Ahhhhhhhhhh(low) Ahhhhhhhhhh(higher) Ahhhhhhhhhh(higher) Ahhhhhhhhhhh(high)
Baby, now, (shake it up, baby)
Twist and shout. (twist and shout)
C'mon, c'mon, c'mon, c'mon, baby, now, (come on baby)
Come on and work it on out. (work it on out)
You know you twist your little girl, (twist, little girl)
You know you twist so fine. (twist so fine)
Come on and twist a little closer, now, (twist a little closer)
And let me know that you're mine. (let me know you're mine)
Well, shake it, shake it, shake it, baby, now. (shake it up baby)
Well, shake it, shake it, shake it, baby, now. (shake it up baby)
Well, shake it, shake it, shake it, baby, now. (shake it up baby)
Ahhhhhhhhhh(low) Ahhhhhhhhhh(higher) Ahhhhhhhhhh(higher) Ahhhhhhhhhhh(high)
The Searchers's song "Twist and Shout" is a high-energy song about dancing and having a good time with a partner. The lyrics encourage the listener to shake it up, twist and shout, and work it on out, inviting them to let loose and have fun on the dance floor. The song is also about being attracted to and flirting with a potential partner, as the lyrics mention the little girl's fine twists and the desire for them to come closer and let the singer know that they're theirs.
Overall, the melody and rhythm of "Twist and Shout" add to the upbeat and joyful tone of the song, making it a classic dance hit that's still beloved today.
Line by Line Meaning
Well, shake it up, baby, now,
Encouragement to dance in an energized manner
Twist and shout.
Specific dance instructions to shake one's body in a twisting and shouting motion
C'mon c'mon, c'mon, c'mon, baby, now,
Further encouragement to dance with enthusiasm
Come on and work it on out.
Instructions to keep dancing and work out any tension or stress
You know you look so good.
Complimenting the person's appearance
You know you got me goin', now,
Acknowledging that the person's dance moves are having an effect on the singer
Just like I knew you would.
Expressing that the singer expected the person to be a good dancer
Well, work it on out, honey.
Another call to keep dancing and release tension
You know you twist your little girl,
Commenting on the person's dance specifically, using a pet name ('little girl')
You know you twist so fine.
Complimenting the person's dancing ability
Come on and twist a little closer, now,
Asking the person to dance closer to the singer
And let me know that you're mine.
Hinting at romantic interest by expressing desire to have the person as theirs
Ahhhhhhhhhh(low) Ahhhhhhhhhh(higher) Ahhhhhhhhhh(higher) Ahhhhhhhhhhh(high)
Vocalizations to further energize the song and dancing
Well, shake it, shake it, shake it, baby, now.
More encouragement to dance with vigor
Lyrics © Sony/ATV Music Publishing LLC, Downtown Music Publishing, Warner Chappell Music, Inc.
Written by: Bert Russell, Phil Medley
Lyrics Licensed & Provided by LyricFind
Bernie Kester
One of my favorite groups, great playing and smooth harmonies, thanks for posting this gem!!
Yesman 2
Searchers biggest mistake - losing Tony Jackson, one of the finest 60’s vocalists.
Carlos Manuel Reus
I like The Searchers' version of Twist and Shout. It is very bubbly.
Jayne County
Love this !
Silvio Brancaleone
Bene migliore che gli Beatles....molto migliore
J McL
As good as the Beatles'
Anthony O'Sullivan
Better than the Beatles.