Original personnel were singer/guitarist Hugh Cornwell (from Kentish Town, London), keyboardist/guitarist Hans Wärmling (from Sweden, replaced within two years by Brighton-born keyboardist Dave Greenfield), London-born bass guitarist Jean-Jacques Burnel and drummer Jet Black (real name Brian Duffy), a native of Ilford, Essex.
They began as a sinister sounding, hard-edged pub rock group, but eventually branched out to explore other styles of music. The Stranglers were, beginning in 1976, tangentially associated with punk rock, due in part to their opening for The Ramones' first British tour. The Stranglers were also associated with new wave music as well as gothic rock, but their idiosyncratic approach never fit completely within a musical genre.
In August 1990, founding member Cornwell left the band to pursue a solo career. In his autobiography, Cornwell states that he felt the band was a spent force creatively, and cited various examples of his increasingly acrimonious relationship with his fellow band-members, particularly Burnel. The remaining members recruited two replacements, including John Ellis, who had opened for the band in the 1970s as a member of The Vibrators, and singer Paul Roberts.
Interest in The Stranglers resurfaced when, in 2001, singer Tori Amos covered their song "Strange Little Girl" and titled the album it was featured on Strange Little Girls. "Golden Brown" was also used in the hit film Snatch by film director Guy Ritchie and extensively in the Australian film He Died With A Felafel In His Hand. Their hit "No More Heroes" was covered by Violent Femmes and used for the film Mystery Men. "Peaches", finally, also appears prominently in another British movie, Sexy Beast by director Jonathan Glazer.
The Stranglers had a critical and popular renaissance in 2004 (together with their first top 40 hit for 14 years - "Big Thing Coming") with the acclaimed Norfolk Coast album and a subsequent sell-out tour. The follow-up album, Suite XVI, was released in September 2006 (the title is a pun on "Sweet 16" and also a reference to the fact that it is the band's 16th studio album).
During the recording of Suite XVI Paul Roberts left the band to pursue his solocareer. Guitarist Baz Warne, who replaced John Ellis in 2000, became the main vocalist.
A quite rare Hugh Cornwell audio interview may be listened to on http://www.jasonwrightonline.com/
Long Black Veil
The Stranglers Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
On a cold dark night
Someone was killed
'Neath the Town Hall light
Few were at the scene
But they all did agree
The slayer who ran
The judge said, "son
What is your alibi?
If you were somewhere else
You won't have to die"
Well I spoke not a word
Although it meant my life
For I had been in the arms
Of my best friend's wife
She walks these hills
In a long black veil
She visits my grave
When the night winds wail
Nobody knows, nobody sees
Nobody knows but me
The scaffold was high
And eternity near
She stood in the crowd
And shed not a tear
But sometimes at night
When the cold wind moans
In a long black veil
She cries o'er my bones
She walks these hills
In a long black veil
She visits my grave
When the night winds wail
Nobody knows, nobody sees
Nobody knows but me
Nobody knows, nobody sees
Nobody knows but me
The Stranglers's song Long Black Veil tells the story of a man who is arrested for a murder he did not commit, but due to his silence, is sentenced to death. The song takes place ten years after the murder, where the singer is reflecting on what had happened. On the night of the murder, he was with his best friend's wife, and although he could have used this as his alibi, he chose to remain silent and accept the punishment. Throughout the song, the singer tells of how the woman continues to visit his grave in a long black veil, mourning the loss of what could have been.
The lyrics of the song explore themes of guilt, betrayal, loyalty, and loss. The singer is plagued with guilt for not speaking up at the trial and allowing himself to be punished for a crime he did not commit. The betrayal of his best friend is also evident in the fact that he had been sleeping with his wife. The loyalty of the woman to the singer is also illustrated in her continuous visits to his grave.
Line by Line Meaning
Ten years ago
This event happened ten years ago, setting the context of the song.
On a cold dark night
The night of the crime was cold and dark, creating a somber atmosphere.
Someone was killed
A murder occurred that night, creating the conflict of the song.
'Neath the Town Hall light
The murder took place under the light of the town hall, providing a specific setting.
Few were at the scene
There were not many people present during the murder, making it difficult to identify the killer.
But they all did agree
Those who were present could agree on one thing - that the killer looked like the singer of the song.
The slayer who ran
The person identified as the killer fled the scene, adding to the suspicion.
Looked a lot like me
The singer is confessing that he is the one who was identified as the killer.
The judge said, "son
The court case began, and the judge addresses the defendant.
What is your alibi?
The judge wants to hear the defendant's alibi - an explanation of where he was at the time of the murder.
If you were somewhere else
If the defendant had an alibi, he wouldn't have to face the death penalty.
You won't have to die"
The judge is convinced that the defendant is guilty and will sentence him to death if he doesn't provide a solid alibi.
Well I spoke not a word
The defendant chooses not to tell the truth or provide an alibi, even though his life depends on it.
Although it meant my life
The defendant realizes that staying quiet means he will be found guilty and sentenced to death.
For I had been in the arms
The defendant reveals that he was having an affair with his best friend's wife.
Of my best friend's wife
The person the defendant was having an affair with was his best friend's wife, providing a motive for the murder.
She walks these hills
The woman the defendant was having an affair with haunts him by stalking his grave.
In a long black veil
The woman he was having an affair with wears a long black veil, adding to her mystery and ghostly presence.
She visits my grave
The woman visits the grave of the man she helped to kill.
When the night winds wail
Her visits are accompanied by the sound of the wind, adding to the eerie atmosphere.
Nobody knows, nobody sees
The woman visits the grave secretly, and no one else knows about it.
Nobody knows but me
The defendant is the only one aware of the woman's grave visits, adding to his guilt and sense of unease.
The scaffold was high
The defendant faces the death penalty and will be executed by hanging.
And eternity near
The defendant is faced with the reality of his impending death.
She stood in the crowd
The woman who helped kill the defendant watches the execution alongside the other onlookers.
And shed not a tear
Despite her involvement in the murder, the woman shows no emotion during the defendant's execution.
But sometimes at night
The woman still thinks about the murder and her role in it.
When the cold wind moans
Her memories are triggered by the sound of the wind, which creates a melancholic atmosphere.
She cries o'er my bones
The woman feels remorse for her actions and grieves over the defendant's grave.
Nobody knows, nobody sees
Her grief and guilt are her own, and no one else knows about them.
Nobody knows but me
The defendant is the only one who understands the woman's feelings of regret and sorrow.
Lyrics © Universal Music Publishing Group
Written by: Danny Dill, Marijohn Wilkin
Lyrics Licensed & Provided by LyricFind
@grassstaggers8560
Love this song. Probably Robert’s best performance on a studio original imo.
@fuzzfacelogic789
These numbers keep turning up and surprising me with their quality.
@wi11moreno
Whenever I look at Paul or baz songs theres always two sets of people, the ones who love them for “revitalizing” the band and the ones who hate them because they’re not Hugh. I used to be the second group simply because they’re not hugh but then I actually listened to them and absolutely love Paul now. Still not a fan of baz but I saw him live and he was astounding. Though I’m only 17 and from the US so I never saw Hugh or Paul live. I also don’t necessarily think they revitalized the band, it is a completely different sound in all stranglers generations even those with Hugh. But that’s the great thing about the stranglers: how different every album is, and the fact that they almost never disappoint. My top 4 albums are (in no specific oder) feline, rattus, coup de grace, and dark matters. Every variation of the stranglers have been pure class and I will be forever thankful for them. The one thing about the stranglers and music in general is that it never disappoints, unlike life. I’ve just gone through my first serious relationship and breakup, she told me she was gay after I got back from Europe. Hadn’t even been back in the US for 12 hrs. It stung a lot, still does insanely so. Now, I firmly believe that the stranglers are the greatest band ever, and not just with Hugh or Paul or baz, but with everyone. The lyrics, the music, and of course the greatest keyboard playing of all time. Whenever I feel down I just listen to them and it helps, a lot. So to every strangler there ever was: thank you.
@oliverowen1078
Hey man, nice to see another young stranglers fan! I'm 18 and have been listening since 2019, my dad was a fan in the 80s and he played No More Heroes on CD and that's what made me a huge fan, and that's still my favourite album. I was lucky to see them live earlier this year and I thought Baz was awesome at playing all the classic songs that used to be sang by Hugh. Hope you're well and doing better since your breakup, i have been in an identical situation to yours and it gets better!
@wi11moreno
@@oliverowen1078 Thank you, I’m doing a bit better. It is great to hear from another young stranglers fan though! When I saw them live there were maybe 10 people under 35 but hey everyone was rocking which was super awesome! Unfortunately for me nobody I know really knows or cares much about the stranglers though I have gotten some friends kinda into them. But I totally agree about Baz doing a great job live. I said before that I still wasn’t really a fan but I very much am, I just meant that I think the other iterations of the band came out with some better stuff. But also like I said everything they’ve ever made is truly amazing! I hope you’re doing well too and are maybe able to see them live again someday! (Also I’m sorry, I kinda write too much)
@fuzzfacelogic789
Comparisons are odious.
@lorettabibby214
Been Listening to the Stranglers Since 70s. 🌹 Favourite Album? GUESS ? 👽💜💙❤❤✌ LIVERPOOL. ENGLAND. 6th Septembwr 2022 👻
@maifred2824
Enfin une chanson en hommage à Simone
@lorettabibby214
The Stranglers ❤ 💜💙❤ 5. 10 2022. Norfolk Coast.
@bernardnussbaum2625
Tasty!!!