Originally a blues-based band noted for their signature "rave-up" instrumental breaks, the Yardbirds broadened their range into pop, pioneering psychedelic rock and early hard rock; and contributed to many electric guitar innovations of the mid-1960s. Some rock critics and historians also cite their influence on the later punk rock, progressive rock and heavy metal trends. Following the band's split in 1968, Relf and McCarty formed Renaissance and guitarist Jimmy Page formed Led Zeppelin - the latter of which was initially intended as a direct successor to the Yardbirds.
The band was inducted into the Rock and Roll Hall of Fame in 1992. They were included at number 89 in Rolling Stone's list of the "100 Greatest Artists of All Time" and ranked number 37 on VH1's 100 Greatest Artists of Hard Rock.
The Yardbirds re-formed in the 1990s, featuring drummer Jim McCarty and rhythm guitarist Chris Dreja as the only original members. Dreja left the band in 2012, leaving McCarty as the sole original member of the band in the present lineup.
The band formed in the south-west London suburbs in 1963. Relf and Samwell-Smith were originally in a band named the Metropolitan Blues Quartet. After being joined by Dreja, McCarty and Top Topham, they performed at Kingston Art School in late May 1963 as a backup band for Cyril Davies. Following a couple of gigs in September 1963 as the Blue-Sounds, they changed their name to the Yardbirds. McCarty claims that Relf was the first to use the name; he may have got it from Jack Kerouac's novel On the Road, where it referred to rail yard hobos. He adds that Topham identified it as a nickname for jazz saxophonist Charlie "Yardbird" Parker.
The quintet achieved notice on the burgeoning British rhythm and blues scene when they took over as the house band at the Crawdaddy Club in Richmond, succeeding the Rolling Stones. Their repertoire drew from the Chicago blues of Howlin' Wolf, Muddy Waters, Bo Diddley, Sonny Boy Williamson II and Elmore James, including "Smokestack Lightning", "Good Morning Little School Girl", "Boom Boom", "I Wish You Would", "Rollin' and Tumblin'", "Got Love if You Want It" and "I'm a Man".
Original lead guitarist Topham left and was replaced by Eric Clapton in October 1963. Crawdaddy Club impresario Giorgio Gomelsky became the Yardbirds manager and first record producer. Under Gomelsky's guidance the Yardbirds toured Britain as the back-up band for blues legend Sonny Boy Williamson II in December 1963 and early 1964, recording live tracks on 8 December and other dates. The recordings would be released two years later during the height of the Yardbirds popularity on the album Sonny Boy Williamson and the Yardbirds.
After the tours with Williamson, the Yardbirds signed to EMI's Columbia label in February 1964, and recorded more live tracks on 20 March at the legendary Marquee Club in London. The resulting album of mostly American blues and R&B covers, Five Live Yardbirds, was released by Columbia nine months later, and it failed to enter the UK Albums Chart. Over time, Five Live gained stature as one of the few high-quality live recordings of the era and as a historical document of both the British rock and roll boom of the 1960s and Clapton's time in the band.
Along with John Mayall's Bluesbreakers, The Yardbirds were part of the British blues scene of the 1960s. As the blues rock genre developed, some acts like Chicken Shack were playing a louder and more aggressive style, while the Yardbirds emphasized instrumental textures and extended instrumental improvisations. They covered blues classics like Howlin' Wolf's Smokestack Lightning (1956) and Bo Diddley's I'm a Man (1955) which had a repetitive structure where instrumental solos were brief breaks between repetition of verses. The Yardbirds often extended these instrumental sections into "heavy jams".
Aint Done Wrong
The Yardbirds Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And my baby caught that train and gone.
Oh the bells have tolled,
And my baby caught that train and gone.
Well it's all my fault,
I must have done somebody wrong.
Well it's all my fault,
Yes it's all my fault,
And I just can't explain.
Gonna get me a new (doctor? / doll?),
So maybe my luck will change.
My baby's (treating me that my luck would change?)
I've been goin' around,
And now look at me,
Done somebody wrong,
Well it's all my fault,
I must have done somebody wrong.
The opening stanza of The Yardbirds's song Ain't Done Wrong speaks of the departure of the singer's partner, epitomized by the sound of bells. The indication of the bells suggests that the departure caused by death, an idea blunted by the use of a train sounds. The second stanza speaks of the guilt of the composer/singer as being the reason for his partner leaving, serving as an anticipation to the chorus line. The chorus itself repeats the idea that it is the singer's fault that his partner left, because he has wronged someone, and that he cannot explain himself. The final stanza speaks of the consequences of the singer's wrongdoings, suggesting that he will seek a new partner or make an effort to turn his fortunes around.
The lyrics of "Ain't Done Wrong" have a consistent rhyme scheme, which adds to the melodic and lyrical flow of the song. This rhyme scheme is known as AABB, where the first and second lines rhyme, as do the third and fourth lines. Furthermore, the line "Gonna get me a new (doctor? / doll?)" is ambiguous due to the unclear word, and the context of the song is not clear if the singer is seeking a new medical practitioner or a new girlfriend.
Line by Line Meaning
Yeah the bells have tolled,
The sound of a bell has just rung, indicating that something significant is happening.
And my baby caught that train and gone.
The singer's significant other has left by train without any intentions of returning.
Oh the bells have tolled,
The singer hears the sound of a bell again.
And my baby caught that train and gone.
The artist's significant other has left by train without any intentions of returning.
Well it's all my fault,
The artist takes responsibility for their actions that led to the loss of their loved one.
I must have done somebody wrong.
The singer acknowledges that their actions have had negative consequences on someone.
Well it's all my fault,
The singer reiterates their guilt for the situation.
And I just can't explain.
The artist cannot seem to find the words to describe what led to the situation.
Yes it's all my fault,
The artist continues to take responsibility for the situation.
And I just can't explain.
The artist still cannot explain what happened.
Gonna get me a new (doctor? / doll?),
The singer will try to start over and find a new love interest.
So maybe my luck will change.
The artist hopes that a new relationship will bring good fortune.
My baby's (treating me that my luck would change?),
The singer believes that their significant other leaving might be a sign of bad luck.
I've been goin' around,
The singer has been trying to find a new partner.
And now look at me,
The singer is still in a bad place despite their efforts to move on.
Done somebody wrong,
The artist is aware that their actions have caused harm to someone else.
Well it's all my fault,
The artist again takes responsibility for their actions.
I must have done somebody wrong.
The singer concludes with the belief that their actions were the cause of the negative situation.
Contributed by Brooklyn S. Suggest a correction in the comments below.
Anonymous
on Boom Boom
Please note: All the lyrics below were taken from the actual album 1988 Eric Clapton Crossword.
Enjoy
Anonymous
on Boom Boom
01 Eric Clapton and The Yardbirds - Boom Boom Lyrics - From the Album - CD01 1988 - Eric Clapton - Crossroads
Boom, boom, boom, boom
I'm gonna shoot you right down
Knock you off your feet
And take you home with me
Put you in my house
Boom, boom, boom, boom
Boom, boom, boom, boom
Yeah, yeah, yeah, yeah
I love to see you strut
When you're walking to me
When you're talking to me
That knocks me out
Now let's go
Musical Interlude
Boom, boom, boom, boom
You know I like it like that
With your baby-talk
Oh and the way that you walk
You know it knocks me right down
Knocks me off my feet
Boom, boom, boom, boom
Yeah, yeah, yeah, yeah
Oh, oh, oh, oh
How, how, how, how
Yeah, yeah, yeah, yeah
Now, now, now, now
Musical Outro
Anonymous
on Boom Boom
02 Eric Clapton and The Yardbirds - Honey In Your Hips Lyrics - From the Album - CD01 1988 - Eric Clapton - Crossroads
When I get out on the dancing floor,
There ain't no stopping for an hour or more,
I go rocking up and down and around and round,
I go reeling to the beat of that crazy sound.
I can't stop, I want to kiss your pretty lips,
'Cause I know, pretty babe, you got honey in your hips.
I can't stop my feet and I can't stop my hands,
When I hear the sound of a rock 'n' roll band.
Gotta rock, gotta roll, gonna jump and shout;
Nobody better come and turn me out.
I'm staying all night till I get my kicks,
'Cause you know, pretty babe,
You got honey in your hips.
Musical Interlude
I want you and you want me,
We're gonna dance all night till we both feel free,
We'll shake and we'll shimmy right across the floor,
When it gets late, we'll dance out the door.
You better get ready with your pretty lips,
'Cause you know, pretty babe, you got honey in your hips.
Musical Outro
Anonymous
on Boom Boom
03 Eric Clapton and The Yardbirds - Baby What's Wrong? Lyrics - From the Album - CD01 1988 - Eric Clapton - Crossroads
Oh baby, honey what's wrong with you?
Well now baby, honey what's wrong with you?
Well, you don't treat me, baby, like you used to do.
I can't help it, baby, if I'm acting strange.
I'm just hoping, baby, I'm not going insane.
Well baby, honey what's wrong with you?
Well now, you don't treat me, baby, like you used to do.
Musical Interlude
I can't help it, baby, if I'm acting strange.
I'm just hoping, baby, I'm not going insane.
Well baby, honey what's wrong with you?
Well now, you don't treat me, baby, like you used to do.
Oh baby, honey what's wrong with you?
Well now baby, honey what's wrong with you?
Well, you don't treat me, baby, like you used to do.
Musical Outro
Anonymous
on Boom Boom
04 Eric Clapton and The Yardbirds - I Wish You Would Lyrics - From the Album - CD01 1988 - Eric Clapton - Crossroads
Early in the morning, 'bout the break of day,
That's when my baby went away.
Come back, baby, I wish you would,
Try and love me, you won't do no good.
Walking and a-kissing late at night;
I tell you now baby, I feel just right.
Come now baby, whatcha trying to do?
Trying to love me and some other man, too.
Come now baby, give me one more chance.
You know I still love you, want to give you romance.
Yeah romance, all night long, in my arms, woah yeah.
Musical Interlude
Early in the morning, 'bout the break of day,
That's when my baby went away.
Come back, baby, I wish you would,
Try and love me, you won't do no good.
You know baby that I love you so.
You know, pretty baby, it hurts me to see you go.
Oh yeah, oh yeah.
Anonymous
on Boom Boom
05 Eric Clapton and The Yardbirds - A Certain Girl Lyrics - From the Album - CD01 1988 - Eric Clapton - Crossroads
There's a certain girl I've been in love with a long, long time.
(What's her name?) I can't tell you. (No!)
I can't reveal her name until I've got her.
(What's her name?) I can't tell you. (No!)
Well, I've tried to get her time and time again.
We just end up as nothing but friends.
And there's a certain girl I've been in love with a long, long time.
(What's her name?) I can't tell you. (No!)
Well, there's a certain chick I've been sweet on since I met her.
(What's her name?) I can't tell you. (No!)
I can't repeat her name until I get her.
(What's her name?) I can't tell you. (No!)
Well one day, I'm gonna wake up and say,
"I'll do anything just to be your slave."
And there's a certain girl I've been in love with a long, long time.
(What's her name?) I can't tell you. (No!)
Musical Interlude
Well, I've tried to get her time and time again.
We just end up as nothing but friends.
And there's a certain girl I've been in love with a long, long time.
(What's her name?) I can't tell you. (No!)
There's a certain chick I've been sweet on since I found her.
(What's her name?) I can't tell you. (No!)
I can't reveal her name until I get her.
(What's her name?) I can't tell you. (No!)
Well now one day, get her time and time again.
We just end up as nothing but friends.
And there's a certain girl I've been in love with a long, long time.
(What's her name?) I can't tell you. (No!)
I can't tell you. (No!)
I can't tell you. (No!)
I can't tell you.
Anonymous
on Boom Boom
06 Eric Clapton and The Yardbirds - Good Morning Little Schoolgirl Lyrics - From the Album - CD01 1988 - Eric Clapton - Crossroads
Good morning, little schoolgirl
Good morning, little schoolgirl
Can I go home with you
Won't you let me go home with you
So I can hug, hug, squeeze, squeeze
If you let me I can tease you baby
Hey, hey hey hey. Hey hey hey hey. Hey, yeah
Let's dance, little schoolgirl
Let's dance, little schoolgirl
Won't you let me take you to the hop, hop
Have a party at the soda shop
So we can do the twist, do the stroll
To the music of the rock 'n' roll
Hey, hey hey hey. Hey hey hey hey. Hey, yeah
Musical Interlude
Good morning, little schoolgirl
Good morning, little schoolgirl
Can I go home with you
Won't you let me go home with you
So I can hug, hug, squeeze, squeeze
If you let me I can tease you baby
Hey, hey hey hey. Hey hey hey hey. Hey, yeah
Good morning, little schoolgirl
Good morning, little schoolgirl
Can I go home with you?
Won't you let me go home with you?
Tell your mama and your papa that I love you
Tell your sisters and your brother that I love you
Hey, hey hey hey. Hey, hey hey hey
Hey, hey hey hey. Hey, hey hey hey
Anonymous
on Boom Boom
07 Eric Clapton and The Yardbirds - I Ain't Got You Lyrics - From the Album - CD01 1988 - Eric Clapton - Crossroads
I got a Maserati G.T.
With snakeskin upholstery.
I got a charge account at Goldblatt's
But I ain't got you.
I got a closet full of clothes,
But no matter where it goes,
It keeps a ring in the nose,
But I ain't got you.
I got a tavern and a liquor store.
I play the numbers, yeah, four forty-four.
I got a mojo, yeah, don't you know,
I'm all dressed up with no place to go.
I got women to the right of me.
I got women to the left of me.
I got women all around me,
But I ain't got you.
No, I ain't got you.
Musical Interlude
I got a tavern and a liquor store.
I play the numbers, yeah, four forty-four.
I got a mojo, yeah, don't you know,
I'm all dressed up with no place to go.
I got women to the right of me.
I got women to the left of me.
I got women all around me,
But I ain't got you.
No, I ain't got you.
No, I ain't got you
Anonymous
on Boom Boom
08 Eric Clapton and The Yardbirds - For Your Love Lyrics - From the Album - CD01 1988 - Eric Clapton - Crossroads
For your love.
For your love.
For your love.
I'd give you everything and more, and that's for sure.
For your love.
I'd bring you diamond rings and things right to your door.
For your love.
To thrill you with delight,
I'll give you diamonds bright.
There'll be things that will excite,
To make you dream of me at night.
For your love.
For your love.
For your love.
For your love, for your love,
I would give the stars above.
For your love, for your love,
I would give you all I could.
For your love.
For your love.
For your love.
I'd give the moon if it were mine to give.
For your love.
I'd give the stars and the sun 'fore I live.
For your love.
To thrill you with delight,
I'll give you diamonds bright.
There'll be things that will excite,
To make you dream of me at night.
For your love.
For your love.
For your love.
For your love.
Anonymous
on Boom Boom
09 Eric Clapton and The Yardbirds - Got To Hurry Lyrics - From the Album - CD01 1988 - Eric Clapton - Crossroads
This is an Instrumental