To date, TMBG have released 22 studio albums. Flood has been certified platinum and their children's music album Here Come the ABCs has been certified gold. The band also won a Grammy Award in 2002 for their song "Boss of Me", which served as the theme to Malcolm in the Middle. The band has sold over 4 million records.
Linnell and Flansburgh (often nicknamed "the two Johns" or "John and John") first met as teenagers growing up in Lincoln, Massachusetts. They began writing songs together while attending Lincoln-Sudbury Regional High School but didn't officially form a band at that time. The two attended separate colleges after high school (Flansburgh attended Pratt Institute), and Linnell joined The Mundanes, a New Wave group from Rhode Island. The two reunited in 1981 after moving to Brooklyn (to the same apartment building on the same day) to continue their career.
Taking their name from the 1971 movie They Might Be Giants, the duo began performing their own music in and around New York City — Flansburgh on guitar, Linnell on accordion and saxophone, and accompanied by a drum machine and/or a prerecorded backing track on audio cassette. Their atypical instrumentation, along with their songs which featured unusual subject matter and clever wordplay, soon attracted a strong local following. Their performances also featured absurdly comical stage props such as oversized fezzes and large cardboard cutout heads of newspaper editor William Allen White. Many of these props would later turn up in their first music videos.
At one point, Linnell broke his wrist in a biking accident and Flansburgh's apartment was burgled, forcing them to take a break from performing. During this hiatus, they began recording their songs onto an answering machine, and then advertising the phone number in local newspapers such as The Village Voice, using the moniker "Dial-A-Song". They also released a demo cassette, which earned them a review in People magazine. The review caught the attention of Bar/None Records, who offered them a recording contract, which they accepted.
The duo released their self-titled debut album in 1986, which became a college radio hit. The video for "Don't Let's Start", filmed in the New York State Pavilion built for the 1964 New York World's Fair in Queens, became a hit on MTV, earning them a broader following. In 1988, they released their second album, Lincoln, named after the duo's hometown. It featured the song "Ana Ng" which reached #11 on the US Modern Rock chart.
In 1989, They Might Be Giants signed with Elektra Records, and released their third album Flood the following year. Flood earned them a gold album, largely thanks to the success of "Birdhouse in Your Soul" which reached number three on the US Modern Rock chart, as well as "Istanbul (Not Constantinople)".
In 1990, Throttle magazine interviewed They Might Be Giants and clarified the meaning of the song "Ana Ng": John Flansburgh said, "Ng is a Vietnamese name. The song is about someone who's thinking about a person on the exact opposite side of the world. John looked at a globe and figured out that if Ana Ng is in Vietnam and the person is on the other side of the world, then it must be written by someone in Peru." (Derek Thomas, Throttle, August 1990.)
Further interest in the band was generated when two cartoon music videos were created by Warner Bros. for Tiny Toon Adventures: "Istanbul (Not Constantinople)" and "Particle Man". The videos reflected TMBG's high "kid appeal", resulting from their often absurd songs and poppy melodies.
In 1991, Bar/None Records released the B-sides compilation Miscellaneous T. Though consisting of previously released material (except for the "Purple Toupee" b-sides, which were not available publicly), giving new fans a chance to hear earlier non-album work without having to hunt down the individual EPs.
In early 1992, They Might Be Giants released Apollo 18, a space-themed album which coincided with TMBG being named Musical Ambassadors for International Space Year. Singles from the album included "The Statue Got Me High", "I Palindrome I" and "The Guitar (The Lion Sleeps Tonight)". Apollo 18 was also notable for being one of the first albums to take advantage of the CD player's shuffle feature. The song "Fingertips" actually comprised 21 separate tracks — short snippets which could be listened to as one song, but could also be played in random order, interspersed between the album's full-length songs. Due to mastering errors, the UK and Australian versions of Apollo 18 contained "Fingertips" as one track.
Following Apollo 18, Flansburgh and Linnell decided to recruit a supporting band: Kurt Hoffman of the Ordinaires on reeds and keyboards, longtime Pere Ubu bassist Tony Maimone and drummer Jonathan Feinberg.
John Henry was released in 1994. Influenced by their more conventional lineup, this album marked a departure from their previous releases with more of a guitar-heavy sound. It was released to mixed reviews among fans and critics.
Their next album, Factory Showroom, was released in 1996 to little fanfare. The band had moved away from the feel of John Henry, and Factory Showroom includes the more diverse sounds of their earlier albums, despite the inclusion of two guitarists, the second being Eric Schermerhorn who provided several guitar solos.
They left Elektra after the duo refused to do a publicity show, amongst other exposure-related disputes.
In 1998, they released a mostly-live album Severe Tire Damage from which came the single "Doctor Worm", a studio recording.
For most of their career, TMBG have made innovative use of the Internet. As early as 1992, the band was sending news updates to their fans via Usenet newsgroups. In 1999, They Might Be Giants became the first major label recording artist to release an entire album exclusively in mp3 format. The album, Long Tall Weekend. is sold through eMusic.
Also in 1999, the band contributed the song "Dr. Evil" to the motion picture Austin Powers: The Spy Who Shagged Me. Over their career, the band has performed on numerous movie and television soundtracks, including The Oblongs, the ABC News miniseries Brave New World and Ed and His Dead Mother. They also performed the theme music "Dog on Fire", composed by Bob Mould, for The Daily Show with Jon Stewart. More recently, they composed and performed the music for the TLC series Resident Life, the theme song for the Disney Channel program Higglytown Heroes, and songs about the cartoons Dexter's Laboratory and Courage the Cowardly Dog.
During this time the band also worked on a project for McSweeney's, a publishing company and literary journal. The band wrote a McSweeney's theme song and forty-four songs for an album that was meant to be listened to with the journal, with each track corresponding to a particular story or piece of artwork. Labeled They Might Be Giants vs. McSweeney's, the disk appears in issue #6 of Timothy McSweeney's Quarterly Concern.
TMBG composed the single "Boss of Me" as the theme song to the hit television series Malcolm in the Middle, as well as to the show's compilation CD, bringing a new audience to the band. Another song to feature in the series was "Spiraling Shape". "Boss of Me" became the band's second top-40 hit in the UK which they performed on long running UK television programme Top of the Pops, and in 2002, won the duo a Grammy Award.
On September 11, 2001, they released the album Mink Car on Restless Records. It was their first full album release of new studio material since 1996, and their first since parting ways with Elektra. The making of that album, including a record signing event at a Manhattan Tower Records, was included in a documentary directed by AJ Schnack titled Gigantic (A Tale of Two Johns). The film was released on DVD in 2003.
In 2002 they released their first album "for the entire family", No! Using the enhanced CD format, it included an interactive animation for most of the songs. They followed it up in 2003 with their first book, an illustrated children's book with an included EP, Bed, Bed, Bed.
In 2004, the band created one of the first artist-owned online music stores, at which customers could purchase and download MP3 copies of their music, both new releases and many previously released albums. By creating their own store, the band could keep money that would otherwise go to record companies. With the redesign of the band's website in 2010, the store was relaunched.
Also in 2004, the band released their first new "adult" rock work since the release of No!, the EP Indestructible Object. This was followed by a new album, The Spine, and an associated EP, The Spine Surfs Alone. It was at this time that Dan Hickey was replaced by Marty Beller who had previously collaborated with TMBG. For the album's first single, "Experimental Film", TMBG teamed up with Homestar Runner creators Matt and Mike Chapman to create an animated music video. The band's collaboration with the Brothers Chaps also included several Puppet Jam segments with puppet Homestar, and the music for a Strong Bad email entitled "Different Town." More recently they recorded a track for the 200th Strong Bad e-mail, where Linnell provided the voice of The Poopsmith.
TMBG also contributed "Tippecanoe and Tyler Too", a political campaign song from the presidential election of 1840, to the 2004 Future Soundtrack For America compilation, a project compiled by John Flansburgh with the help of Spike Jonze and Barsuk Records. The compilation was released by Barsuk and featured high-profile acts such as Death Cab for Cutie, The Flaming Lips, and Bright Eyes. All proceeds went to progressive organizations such as Music for America and MoveOn.org.
Flansburgh and Linnell made a guest appearance in "Camp", the January 11, 2004 episode of the animated sitcom Home Movies, each lending their voices to two characters: a pair of camp counselors and two members of a strange hooded male bonding cult. On May 10, 2004, they appeared on episode 140 of Blue's Clues called "Bluestock" alongside several other stars, such as Toni Braxton, Macy Gray, and India Arie.
Following the Spine on the Hiway Tour of 2004, the band announced that they would take an extended hiatus from touring to focus on other projects, such as a musical produced by Flansburgh and written by his wife, Robin "Goldie" Goldwasser, titled People Are Wrong!.
2005 saw the release of Here Come the ABCs, TMBG's follow-up to the successful children's album No!. The Disney Sound label released the CD and DVD separately on February 15, 2005. To promote the album, Flansburgh and Linnell along with drummer Marty Beller embarked on a short tour, performing for free at many Borders Bookstore locations. In November 2005, Venue Songs was released as a two-disc CD/DVD set narrated by John Hodgman. It is a concept album based on all of the "venue songs" from their 2004 tour.
TMBG covered the Devo song "Through Being Cool" in the 2005 Disney movie, Sky High.
Since December 2005, They Might Be Giants have been releasing podcasts on a monthly, sometimes bi-monthly, basis. Each edition includes remixes of previous songs, rarities, covers, and new songs and skits recorded specifically for the podcast.
The band wrote fourteen original songs for the 2006 Dunkin' Donuts ad campaign, "America Runs On Dunkin'", including "Things I Like To Do", "Pleather" and "Fritalian". In the aired advertisement, Flansburgh sings "Fritalian" along with his wife, Robin Goldwasser. A 2008 commercial features the song "Moving".
The band have produced and performed three original songs for Playhouse Disney series: one for Higglytown Heroes and two for Mickey Mouse Clubhouse. They also recorded a cover of the Disney song, "There's a Great Big Beautiful Tomorrow" for the movie Meet the Robinsons and wrote and performed the theme song for The Drinky Crow Show. The band was recruited to provide original songs for the Henry Selick-directed movie of Neil Gaiman's children's book Coraline, but were dropped because their music was not "creepy" enough. Only one song, entitled "Other Father Song", was kept for the film with Linnell singing as the titular "Other Father".
Their twelfth album, The Else, was released July 10, 2007, on Idlewild Recordings (and distributed by Zoë Records for the CD version), with an earlier digital release on May 15 at the iTunes Music Store. Advanced copies were made available to stations by mid-June 2007. The album was produced by Pat Dillett (David Byrne) and The Dust Brothers (Beck, Beastie Boys). On February 12, 2009, They Might Be Giants performed the song "The Mesopotamians" from the album on Late Night with Conan O'Brien.
In the rest of 2007, They Might Be Giants wrote a commissioned piece for Brooklyn-based robotic music outfit League of Electronic Musical Urban Robots and performed for three dates at the event, and covered the Pixies "Havalina" for American Laundromat Records Dig For Fire - a tribute to PIXIES compilation.
The band's thirteenth album, Here Come the 123s, a DVD/CD follow-up to 2005's critically-acclaimed Here Come the ABCs children's project, was released on February 5, 2008. On April 10, 2008, They Might Be Giants performed the song "Seven" from the album on Late Night with Conan O'Brien. In 2009, the album won the Grammy Award for "Best Musical Album For Children" during the 51st Annual Grammy Awards.
The band's fourteenth album was Here Comes Science, a science-themed children's album. This album introduced listeners to natural, formal, social and applied sciences. It was released on September 1, 2009. On November 3, They Might Be Giants sent out a newsletter stating "The Avatars of They", a set of sock puppets the Johns manipulate for shows, will have an album in 2012, suggesting another kids album. However, a new adult album is also slated to be released in 2010.
The band took their name from the 1971 film They Might Be Giants (starring George C. Scott and Joanne Woodward), which is in turn taken from a Don Quixote passage about how Quixote mistook windmills for evil giants.
According to Dave Wilson, in his book Rock Formations, the name They Might Be Giants had been used and subsequently discarded by a friend of the band who had a ventriloquism act. The name was then adopted by the band, who had been searching for a suitable name.
[untitled]
They Might Be Giants Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Guy on Phone: I don't know, Gloria, I just do--
Gloria: Some kind of singing. They sound like all kinds of people, right?
Guy on Phone: Yeah.
"Another child is born in India every time you call this number," right?
Guy on Phone: Yeah, right.
Gloria: Does that make any sense to you?
Guy on Phone: No, it doesn't make no sense to me.
Gloria: Bu--and the guy that spoke--I don't know who he is.
Guy on Phone: Yeah.
Gloria: But that--that--it doesn't sound like no answering machine, right?
Guy on Phone: No, it ain't an answering machine
because they're not saying anything; they just--
Gloria: But what does he get--how does he make money on this?
Whatever he's advertising in the paper.
This is the part that don't make no sense.
Guy on Phone: Oh, he's advertising this in the paper you saw it.
Gloria: In the Village Voice, yeah.
They got--that's where the Kiss Clinic,
but they give you another number if you wanna join it.
Then I got the "intellectuals meet with other intellectuals..."
Guy on Phone: Yeah.
Gloria: "...speak another language."
Guy on Phone: Yeah. Oh.
Gloria: They meet at La Met--La Maisonette restaurant.
They give you the price.
Then they give you another number to call if you're interested.
This guy... all you get is this here recording,
but u-w--I don't see how he makes money.
Guy on Phone: Yeah, yeah.
Gloria: You know what I'm saying? It's just....
They got the craziest things in that paper.
Guy on Phone: Yeah, yeah.
Gloria: They come over with all--they got the craziest things.
But this one here-- "There Must Be Giants," it's called.
And it says "call machine," and they got the phone number.
Guy on Phone: Yeah.
Gloria: But what kind of money does he make?
It don't make no sense. Well, he don't make any money, right?
Guy on Phone: No.
Gloria: But, that's--then he's a nut, right?
Do you see--do you see any sense to that? "There May Be Giants?"
That reco--that recording I have on.
The new one. Did you hear it? I changed it. I took off the intellectuals.
I put on There May Be Giants.
Guy in Background: What?
Gloria: Who's They May Be Giants?
Guy in Background: What are you talking about?
Gloria: That's what's on my--the phone,
There May Be G-- well I can't explain it, 'cause I don't know what it is.
Guy in Background:
(unintelligible muttering) you could make sense once in a while.
Gloria: Look in the paper! Don't blame me if the guy's a nut.
The lyrics to They Might Be Giants's song "[Untitled]" are a dialogue between two people, Gloria and a Guy on the Phone, discussing a mysterious recording that Gloria has come across. They speculate about the meaning and purpose of the recording, trying to make sense of its message. The conversation revolves around the recording's mention of a child being born in India every time the phone number is called, the confusion about who the singer in the recording is, and the lack of apparent profit-making by the person behind the recording. Gloria is perplexed by the whole thing and questions the sanity of the person responsible for the recording.
The song's lyrics present a humorous and absurd situation, highlighting the absurdities and random elements one can find in newspapers or advertisements. The narrative is open-ended, leaving the interpretation and understanding of the recording deliberately ambiguous. It explores themes of confusion, the gullibility of people, and the fascination with the inexplicable. The song captures the feeling of encountering something strange and puzzling, provoking curiosity and discussion but ultimately failing to provide clarity.
Line by Line Meaning
What do you think--what do you make out of that recording?
What is your interpretation or understanding of the content in that recording?
I don't know, Gloria, I just do--
I don't have a clear answer, Gloria, I just take it as it is.
Some kind of singing. They sound like all kinds of people, right?
It appears to be a form of singing where multiple voices imitate various individuals, correct?
Yeah.
Indeed.
And then it says, "Another child is born in India every time you call this number," right?
Furthermore, it states that a new child is born in India with each call made to this particular number, does it not?
Yeah, right.
Yes, that is correct.
Does that make any sense to you?
Do you find any logical meaning or coherence in this statement?
No, it doesn't make no sense to me.
No, it does not make any sense to me either.
Bu--and the guy that spoke--I don't know who he is.
But, I am uncertain about the identity of the person speaking in the recording.
Yeah.
Yes, I agree.
But that--that--it doesn't sound like no answering machine, right?
However, it doesn't resemble an answering machine, correct?
No, it ain't an answering machine because they're not saying anything; they just--
No, it cannot be considered an answering machine because it does not contain any actual spoken message; it simply...
But what does he get--how does he make money on this? Whatever he's advertising in the paper. This is the part that don't make no sense.
But what is the motivation behind this? How does he generate income through this particular activity? Whatever it is that he is promoting in the newspaper. This aspect lacks logical coherence.
Oh, he's advertising this in the paper you saw it.
Oh, he is promoting this through advertisements in the newspaper that you came across.
In the Village Voice, yeah. They got--that's where the Kiss Clinic, but they give you another number if you wanna join it.
In the Village Voice, yes. It is mentioned there alongside the Kiss Clinic; however, if one desires to participate, a different contact number is provided.
Yeah.
Yes, I understand.
Then I got the "intellectuals meet with other intellectuals..."
Additionally, I came across an advertisement stating that intellectuals have the opportunity to gather and converse with one another...
Yeah.
Indeed.
"...speak another language."
"...and engage in discussions using a different language."
Yeah. Oh.
Yes, that's interesting.
They meet at La Met--La Maisonette restaurant.
These gatherings take place at a restaurant called La Met--La Maisonette.
They give you the price.
The cost of participation is specified.
Then they give you another number to call if you're interested.
Furthermore, if one is interested in attending, they are provided with an alternative contact number.
This guy... all you get is this here recording, but u-w--I don't see how he makes money.
The individual behind this advertisement... all they offer is this recording, which raises the question of how they generate income through this method.
Yeah, yeah.
Yes, exactly.
You know what I'm saying? It's just.... They got the craziest things in that paper.
Do you understand what I'm trying to convey? It's simply.... The newspaper contains the most bizarre and unconventional advertisements.
Yeah, yeah.
Yes, exactly.
They come over with all--they got the craziest things.
They present an assortment of exceedingly eccentric and peculiar content.
But this one here-- "There Must Be Giants," it's called. And it says "call machine," and they got the phone number.
However, this particular advertisement reads as "There Must Be Giants" and instructs individuals to contact a designated phone number.
Yeah.
Indeed.
But what kind of money does he make? It don't make no sense. Well, he don't make any money, right?
But how does the advertiser profit from this endeavor? It lacks rationality. Well, it appears that he does not make any money, correct?
No.
No, that seems to be the case.
But, that's--then he's a nut, right? Do you see--do you see any sense to that? "There May Be Giants?" That reco--that recording I have on. The new one. Did you hear it? I changed it. I took off the intellectuals. I put on There May Be Giants.
So, in that case, he must be eccentric, correct? Can you comprehend or find any logical reason behind this? "There May Be Giants?" That's the name of the recording I possess. The recent one. Have you listened to it? I made modifications. I removed the intellectuals and replaced them with There May Be Giants.
What?
Pardon me?
Who's They May Be Giants?
Who are They May Be Giants?
What are you talking about?
What are you discussing?
That's what's on my--the phone, There May Be G-- well I can't explain it, 'cause I don't know what it is.
That's what I have on my phone, the recording titled There May Be G-- well, I am unable to provide an explanation as I myself am uncertain about its nature.
(unintelligible muttering) you could make sense once in a while.
(inaudible muttering) It would be beneficial if you occasionally made sense.
Look in the paper! Don't blame me if the guy's a nut.
Refer to the newspaper! Do not hold me responsible if the individual behind this advertisement is eccentric.
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
@warrenfriesner4940
@God's Liquor Cabinet exactly--this is best illustrated in "The end of the Tour".
The song begins from the POV of (my interpretation) the symbol for liberty/freedom--the Statue of Liberty (visible just a few minutes walk from where TMBG live (from the Brooklyn waterfront)
"There's a girl with a crown and a scepter
Who's on WLSD (yeah, it's a real radio station somewhere in the south, as I recall)
And she says that the scene isn't what it's been
And she's thinking of going home" because
"it's old and it's totally over now..."
The narrative then shifts to the perspective of a tour bus filled with disgruntled band members; it contains one of my all time fave TMBG lines describing a fantasized tour-ending accident with another vehicle from the perspective of the bus:
"Never to part since the day we met
Out on Interstate 91
I was bent metal you were a flaming wreck
When we kissed at the overpass"
The chorus shifts back to a frustrated band member wishing to be able to see his friends/loved ones at the end of the tour, for the road to finally "disappear" and lamenting that the tour is booked "till the end of the world".
The narrative shifts one last time to a neutral observer in conversation with the tour bus (or so it seems) describing the fantasized accident above.
"This was the vehicle these were the people
You opened the door and expelled all the people
You let them go"
@majofaz4900
[Lyrics]
I'm your only friend
I'm not your only friend
But I'm a little glowing friend
But really I'm not actually your friend
But I amBlue canary in the outlet by the light switch
Who watches over you
Make a little birdhouse in your soul
Not to put too fine a point on it
Say I'm the only bee in your bonnet
Make a little birdhouse in your soul
I have a secret to tell
From my electrical well
It's a simple message and I'm leaving out the whistles and bells
So the room must listen to me
Filibuster vigilantly
My name is blue canary one note* spelled l-i-t-e
My story's infinite
Like the Longines Symphonette it doesn't restBlue canary in the outlet by the light switch
Who watches over you
Make a little birdhouse in your soul
Not to put too fine a point on it
Say I'm the only bee in your bonnet
Make a little birdhouse in your soul
I'm your only friend
I'm not your only friend
But I'm a little glowing friend
But really I'm not actually your friend
But I amThere's a picture opposite me
Of my primitive ancestry
Which stood on rocky shores and kept the beaches shipwreck free
Though I respect that a lot
I'd be fired if that were my job
After killing Jason off and countless screaming Argonauts
Bluebird of friendliness
Like guardian angels its always nearBlue canary in the outlet by the light switch
Who watches over you
Make a little birdhouse in your soul
Not to put too fine a point on it
Say I'm the only bee in your bonnet
Make a little birdhouse in your soul(and while you're at it
Keep the nightlight on inside the
Birdhouse in your soul)Not to put too fine a point on it
Say I'm the only bee in your bonnet
Make a little birdhouse in your soulBlue canary in the outlet by the light switch (and while you're at it)
Who watches over you (keep the nightlight on inside the)
Make a little birdhouse in your soul (birdhouse in your soul)Not to put too fine a point on it
Say I'm the only bee in your bonnet
Make a little birdhouse in your soulBlue canary in the outlet by the light switch (and while you're at it)
Who watches over you (keep the nightlight on inside the)
Make a little birdhouse in your soul (birdhouse in your soul)Not to put too fine a point on it
Say I'm the only bee in your bonnet
Make a little birdhouse in your soul
@ajstamps2513
I'm your only friend
I'm not your only friend
But I'm a little glowing friend
But really I'm not actually your friend
But I am
Blue canary in the outlet by the light switch
Who watches over you
Make a little birdhouse in your soul
Not to put too fine a point on it
Say I'm the only bee in your bonnet
Make a little birdhouse in your soul
I have a secret to tell
From my electrical well
It's a simple message and I'm leaving out the whistles and bells
So the room must listen to me
Filibuster vigilantly
My name is blue canary one note* spelled l-i-t-e
My story's infinite
Like the Longines Symphonette it doesn't rest
Blue canary in the outlet by the light switch
Who watches over you
Make a little birdhouse in your soul
Not to put too fine a point on it
Say I'm the only bee in your bonnet
Make a little birdhouse in your soul
I'm your only friend
I'm not your only friend
But I'm a little glowing friend
But really I'm not actually your friend
But I am
There's a picture opposite me
Of my primitive ancestry
Which stood on rocky shores and kept the beaches shipwreck free
Though I respect that a lot
I'd be fired if that were my job
After killing Jason off and countless screaming Argonauts
Bluebird of friendliness
Like guardian angels its always near
Blue canary in the outlet by the light switch
Who watches over you
Make a little birdhouse in your soul
Not to put too fine a point on it
Say I'm the only bee in your bonnet
Make a little birdhouse in your soul
(and while you're at it
Keep the nightlight on inside the
Birdhouse in your soul)
Not to put too fine a point on it
Say I'm the only bee in your bonnet
Make a little birdhouse in your soul
Blue canary in the outlet by the light switch (and while you're at it)
Who watches over you (keep the nightlight on inside the)
Make a little birdhouse in your soul (birdhouse in your soul)
Not to put too fine a point on it
Say I'm the only bee in your bonnet
Make a little birdhouse in your soul
Blue canary in the outlet by the light switch (and while you're at it)
Who watches over you (keep the nightlight on inside the)
Make a little birdhouse in your soul (birdhouse in your soul)
Not to put too fine a point on it
Say I'm the only bee in your bonnet
Make a little birdhouse in your soul
@campingwithsteve
Ahh, this takes me back
@thelongspring
Now you’re rocking with Steve
@jeneethompson8210
Wayyyyy back. 💗
@beans2752
Uhhh hi Steve!!
@peterlabrada9840
Woah!!! your vids are cool man
@heyodi3092
Weird. I randomly came upon your channel recently and have also been on a major TMBG kick. Funny to see you in their comments.
@jimmyjimmy17
I drove these guys in 1990 when i was a chauffeur funniest blokes i ever met .great week total nutters lol
@yaboi6851
nice
@ObjectsInMotion
Imagine name dropping from something that happened 30 years ago
@jimmyjimmy17
@Objects in Motion cest la vie old bean