Thomas Quasthoff (born in Hildesheim, Germany, November 9, 1959) is a Germa… Read Full Bio ↴Thomas Quasthoff (born in Hildesheim, Germany, November 9, 1959) is a German bass-baritone generally regarded as one of the finest singers of his generation. Although his reputation was initially based on his performance of Romantic lieder, Quasthoff has proven to have a remarkable range from the Baroque cantatas of Bach to solo jazz improvisations.
Quasthoff was born with serious birth defects caused by his mother's exposure during pregnancy to the drug thalidomide which was prescribed as an antiemetic to combat her morning sickness. Thomas Quasthoff is unusually short (about four feet tall) due to shortening of the long bones in his legs, and he has phocomelia of the upper extremities with very short or absent long bones and flipper-like appearance of his hands.
Quasthoff was denied admission to the music conservatory in Hannover, Germany due to his physical inability to play the piano, then a requirement for entry to the conservatory. He chose to study voice privately. He also studied law for three years. Prior to his music career, he worked six years as a radio announcer for NDR. He also did voice-over work for television.
His music career was launched in 1988 when he won an important competition in Munich, earning praise from the baritone Dietrich Fischer-Dieskau. In 2003, he made his staged operatic debut as Don Fernando in Simon Rattle's Beethoven's Fidelio at the Salzburg Festival. His San Francisco Symphony debut took place September 2004.
Thomas Quasthoff won the Grammy Award for Best Classical Vocal Performance in 2000. It was for his performance together with the soprano Anne Sofie von Otter of Mahler’s Lieder aus "Des Knaben Wunderhorn". They were accompanied by the Berlin Philharmonic conducted by Claudio Abbado. He won the Grammy Award for Best Classical Vocal Performance for the second time in 2004. It was for Schubert: Lieder with Orchestra which Quasthoff performed with von Otter and the Chamber Orchestra of Europe conducted by Abbado. Quasthoff won the Grammy Award for Best Classical Vocal Performance for the third time in 2006 with Rainer Kussmaul leading members of the RIAS Chamber Choir of Berlin Baroque Soloists in their recording of J.S.Bach: Cantatas.
Additionally, Quasthoff's recordings of the songs of Brahms, Liszt and Schubert accompanied by pianist Justus Zeyen were nominated for the Grammy in 2000 and 2001. Thomas Quasthoff records for Deutsche Grammophon.
Quasthoff is a full-time voice professor and performs only about 50 times a year. He was a professor at the music academy of Detmold, Germany. He currently teaches at the Hanns Eisler School of Music in Berlin.
For the 2006-2007 concert season, Quasthoff was one of Carnegie Hall's "Perspectives" artists. However, illness forced him to cancel his first two appearances in that capacity.
In 2006 he took his first jazzalbum, "The Jazzalbum - Watch what happens", with Till Brönner, Alan Broadbent, Peter Erskine, Dieter Ilg and Chuck Loeb.
In the spring of 2012, Quasthoff announced his retirement at the age of 52. During an interview with the German magazine, Der Spiegel, Quasthoff said that his retirement was due to grief at the death of his brother, as well as a recent bout of laryngitis. He also went on to speak that he was now satisfied that the world had not just listened to his art due to his physical challenges, but that his art was truly respected for itself.
Quasthoff was born with serious birth defects caused by his mother's exposure during pregnancy to the drug thalidomide which was prescribed as an antiemetic to combat her morning sickness. Thomas Quasthoff is unusually short (about four feet tall) due to shortening of the long bones in his legs, and he has phocomelia of the upper extremities with very short or absent long bones and flipper-like appearance of his hands.
Quasthoff was denied admission to the music conservatory in Hannover, Germany due to his physical inability to play the piano, then a requirement for entry to the conservatory. He chose to study voice privately. He also studied law for three years. Prior to his music career, he worked six years as a radio announcer for NDR. He also did voice-over work for television.
His music career was launched in 1988 when he won an important competition in Munich, earning praise from the baritone Dietrich Fischer-Dieskau. In 2003, he made his staged operatic debut as Don Fernando in Simon Rattle's Beethoven's Fidelio at the Salzburg Festival. His San Francisco Symphony debut took place September 2004.
Thomas Quasthoff won the Grammy Award for Best Classical Vocal Performance in 2000. It was for his performance together with the soprano Anne Sofie von Otter of Mahler’s Lieder aus "Des Knaben Wunderhorn". They were accompanied by the Berlin Philharmonic conducted by Claudio Abbado. He won the Grammy Award for Best Classical Vocal Performance for the second time in 2004. It was for Schubert: Lieder with Orchestra which Quasthoff performed with von Otter and the Chamber Orchestra of Europe conducted by Abbado. Quasthoff won the Grammy Award for Best Classical Vocal Performance for the third time in 2006 with Rainer Kussmaul leading members of the RIAS Chamber Choir of Berlin Baroque Soloists in their recording of J.S.Bach: Cantatas.
Additionally, Quasthoff's recordings of the songs of Brahms, Liszt and Schubert accompanied by pianist Justus Zeyen were nominated for the Grammy in 2000 and 2001. Thomas Quasthoff records for Deutsche Grammophon.
Quasthoff is a full-time voice professor and performs only about 50 times a year. He was a professor at the music academy of Detmold, Germany. He currently teaches at the Hanns Eisler School of Music in Berlin.
For the 2006-2007 concert season, Quasthoff was one of Carnegie Hall's "Perspectives" artists. However, illness forced him to cancel his first two appearances in that capacity.
In 2006 he took his first jazzalbum, "The Jazzalbum - Watch what happens", with Till Brönner, Alan Broadbent, Peter Erskine, Dieter Ilg and Chuck Loeb.
In the spring of 2012, Quasthoff announced his retirement at the age of 52. During an interview with the German magazine, Der Spiegel, Quasthoff said that his retirement was due to grief at the death of his brother, as well as a recent bout of laryngitis. He also went on to speak that he was now satisfied that the world had not just listened to his art due to his physical challenges, but that his art was truly respected for itself.
Myrten Op. 25: No. 1 Widmung
Thomas Quasthoff Lyrics
We have lyrics for these tracks by Thomas Quasthoff:
Ac-Cent-Tchu-Ate The Positive You′ve got to accen-tuate the positive Eli-minate the negati…
Have A Little Faith In Me When the road gets dark And you can no longer…
I Can't Stand The Rain I can't stand the rain Against my window Bringing back…
In My Solitude In my solitude You haunt me With dreadful ease Of days go…
Kissing My Love Whoa now When I'm kissing my love Yeah thump a thumping in…
My Funny Valentine My funny valentine Sweet comic valentine You make me smile…
Secret Love Once I had a secret love, That lived within the heart…
What Are You Doing the Rest of Your Life I want to see your face in every kind of…
What are you doing the rest of your life? I want to see your face in every kind of…
You And I Here we are on earth together It's you and I God has…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Boaz Johnson
Du meine Seele, du mein Herz,
Du meine Wonn’, o du mein Schmerz,
Du meine Welt, in der ich lebe,
Mein Himmel du, darein ich schwebe,
O du mein Grab, in das hinab
Ich ewig meinen Kummer gab!
Du bist die Ruh, du bist der Frieden,
Du bist vom Himmel mir beschieden.
Dass du mich liebst, macht mich mir wert,
Dein Blick hat mich vor mir verklärt,
Du hebst mich liebend über mich,
Mein guter Geist, mein bess’res Ich!
Boaz Johnson
You my soul, you my heart,
You my rapture, O you my pain,
You my world in which I live,
My heaven you, to which I aspire,
O you my grave, into which
My grief forever I’ve consigned!
You are repose, you are peace,
You are bestowed on me from heaven.
Your love for me gives me my worth,
Your eyes transfigure me in mine,
You raise me lovingly above myself,
My guardian angel, my better self!
Luis Rodríguez Imaz
1 Widmung
Du meine Seele, du mein Herz,
Du meine Wonn', o du mein Schmerz,
Du meine Welt, in der ich lebe,
Mein Himmel du, darein ich schwebe,
O du mein Grab, in das hinab
Ich ewig meinen Kummer gab.
Du bist die Ruh, du bist der Frieden,
Du bist vom Himmel mir beschieden.
Daß du mich liebst, macht mich mir wert,
Dein Blick hat mich vor mir verklärt,
Du hebst mich liebend über mich,
Mein guter Geist, mein besser Ich!
(Friedrich Rückert 1788 - 1866)
Melodious Heart
Such a wonderfully controlled, rich, and profound voice that moves me deeply! Thank you for this beautiful share.
Souss Ibrahim
Du bist der Frieden... 🙏🌷👏
er38
Thank you!
Stephen Hunt
Has there ever been a finer interpretation? All the sentiment needed, but no sentimentality. Quasthoff's low notes are things of the utmost beauty. A fine pianist too. Many thanks to er38 particularly since Quasthoff has now retired.
er38
+Stephen Hunt Thanks for your comment, Stephen
Mariya Kotenko
Wow! So much love and respect to him! He has the most amazing voice! I hope he’s living his best life! Good on him!
er38
True!
F Ferrer
Una gran interpretación, una magnifica voz y una obra sublime
Diana Lopszyc
Maravillosos!!
William Ridenour
I've listened to German Lieder for 50 years---and loved it above all other art forms. Lots of recordings of this on youtube---IMO THIS is the best interpretation---and a wonderful voice. LOVE IT!