JPA989
Thomston Lyrics

It was new for the both of us
This experience of crossing rivers and conversing with the other person was something unfamiliar to both the singer and the person they were with.

Crossing over rivers and shaking the dust
The singer and the other person were traveling over obstacles and leaving behind the past.

From our shoes, talking to you
While on this journey, the singer and the other person engaged in conversation with one another.

You held on to the sleeve on my shirt
The other person physically clung to the artist as they traveled, possibly out of comfort or security.

But it was you that had me hanging onto all of your words
Although the artist was physically leading the other person, they were captivated by their words and ideas.

Drove fast, my foot on the gas
As they traveled, the singer drove at a high speed, possibly fueled by excitement or adrenaline.

And on that night so humid, I could barely breathe
On a particular humid night, the singer struggled to breathe properly.

You drifted up so damn close to me
Despite the artist struggling to breathe, the other person moved closer to them.

And the rest, it unfolded so rapidly
What happened next after the other person moved closer to the artist happened quickly and without much warning.

Put your hands on me
The other person physically touched or held onto the artist in some way.

I like to drive around when it's late
The singer enjoys driving at night, possibly using it as a way to escape or clear their mind.

I like the night so you stay awake with me, baby
The other person stays up with the artist during these night drives, possibly to keep them company.

Watching the glass fog up
The singer and the other person were watching as the windows of their car fogged up, possibly due to their breath.

Outside, doesn't matter to us
The singer and the other person are not concerned with their physical surroundings, but rather with each other.

We'll go somewhere quiet and far away
They plan on traveling to a remote location where they can be alone and undisturbed.

You know what I like and you know what to say to me, baby
The other person is familiar with the artist's preferences and needs, and is able to communicate with them in a way that meets those needs.

As our breath drowns out the suburbia
Their breathing inside the car is drowning out the sounds of the mundane suburban environment around them, possibly adding to their feeling of escape.

It was quick but you broke my fall
Something happened quickly, but the other person was able to support or help the singer through it.

And I'm feeling kinda childish but I wanted to call you mine
The singer is feeling somewhat immature for wanting to claim the other person as their own, but they are still strongly attached to them.

Would that be alright?
The artist is seeking the other person's approval for their desire to be in a committed relationship with them.

I cut you a key, make a home in me
The artist has given the other person access to their personal space and wants them to feel at home with them.

You don't have to worry 'bout wearing your welcome out
The other person doesn't need to worry about overstaying their welcome or being a burden to the artist in any way.

You're always allowed
The other person is always welcome or allowed to be with the singer.

All these nights so humid, we can barely breathe
The humid nights that they spend together are becoming a recurring pattern in their relationship.

And I'm savin' up the words I'm too afraid to speak
The singer is holding back important things they want to say to the other person, likely out of fear or anxiety.

But I think I wanna give you the best of me
Although hesitant, the singer is considering opening up to the other person and showing them their true self.

And I don't wanna go to sleep
The singer wants to continue spending time with the other person and doesn't want the night to end.