In 2010 his song, "El Amor", written with Joan Ortiz Espada, was awarded Latin Song of the Year by the American Society of Composers, Authors and Publishers (ASCAP). He was awarded Songwriter of the Year at the 2011 ASCAP.
Musical Career
As Héctor & Tito
Tito and his partner released a number of hit songs in their native Puerto Rico, including "Amor de Colegio" (ft. Don Omar), "Felina", "Baila Morena" (ft. Glory), and "No Le Temas a Él", a song which not only raised their popularity, it helped raise popularity for the then up-and-coming Trebol Clan. After years of working together, they separated, but not before releasing a final album, Season Finale, which featured some of their greatest hits. The duo broke up due to Tito's belief of disloyalty from Hector.
As solo artist
After much delay, his first solo album was released, Top of the Line. The album was a hit, reaching #1 in Puerto Rico and knocking RKM & Ken-Y's album, Masterpiece to #2.
Top of the Line featured 20 new songs, with collaboration from artists such as Daddy Yankee, Don Omar and Beenie Man. It featured quite a number of hits, such as "Caile", "Mía" (ft. Daddy Yankee), "Tu Cintura" (ft. Don Omar), "Flow Natural" (ft. Beenie Man and Deevani) "Secreto", "Máximo", "Tuve Que Morir" and "Me Da Miedo" among others.
Since then, he has released five studio albums:
• Top of the Line (2006)
• It's My Time (2007)
• El Patrón (2009)
• Invencible (2011)
• Invícto (2012)
Tito's official website is: http://titoelbambinoelpatron.com/
A Que No Te ATreves
Tito "El Bambino" Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Na na na na na na na na na
El patrón
Chencho
Sin miedo (come on)
A que no te atreves
A bailar conmigo
Y decirle a él que somos más que amigos
A que no te atreves
Írtele de frente
Y decirle a él que tú me perteneces
Que tú eres mía (el patrón)
Tú y yo
Bailando hacemos el amor con ropa
Tú y yo (come on, come on)
Tú y yo
Bailando hacemos el amor con ropa (simplemente)
Tú y yo
De lejos se nota la química
Las ganas son verídicas
Aquel mundo se entere que tú eres única
Atracción física, triplicar la rítmica
A tu sentido provoca atender mi necesidad
Y cuando nos vamos aparte
Le digo cositas que enamoren
Y si es posible regalo flores eso le gusta
Y acompañarla con botellas de rose rose
Y cuando nos vamos aparte
Le digo cositas que enamoren
Y si es posible regalo flores eso le gusta
Y acompañarla con botellas de rose rose
Tú y yo
Bailando hacemos el amor con ropa
Tú y yo
Tu y yo
Bailando hacemos el amor con ropa
Tu y yo (come on, come on)
Me gusta tenerla cerca de mi y en la lenta acariciarla
Descontrolarla por la cintura agarrarla
Y torturarla (díselo chencho)
En un rincón hacerla duro, castigarla (el patrón)
Es como un duelo
Pa’ provocarme pone sus manos en el suelo
Y ahí es cuando más le pego y la anhelo
Y la deseo
Cuando la nena acelera no tiene freno (no, no, no)
Lo mío y lo de ella es más placer que amor
Difícil es olvidarse de su cuerpo y la manera de menearse
Y de entregarse, se lo disfruta y no quiere despegarse cuando
Tu y yo
Bailando hacemos el amor con ropa (solamente somos tu y yo)
Tu y yo
Tú y yo
Bailando hacemos el amor con ropa
Tú y yo
Chencho corleone
Con tito el bambino
El patrón
Oye regresamos porque tenían el género en déficit
Llegaron los del rating, el patrón
High society, chencho
La alta jerarquía
Leroy (hey)
Sencillamente la sociedad del dinero
Los ricos y famosos
Alta jerarquía
The song's opening verse by Tito "El Bambino" El Patrón, "A Que No Te Atreves" is a classic love song that features the tension between two people who clearly share a strong attraction. The song portrays a man, the singer, expressing his interest in a woman and elucidating how he is willing to go the distance to get her. The chorus, "A que no te atreves bailar conmigo y decirle a él que somos más que amigos, tú y yo," is enticing and inviting with its "come on, come on." The lyrics invite the woman in the song to dance with him and tell her current male partner that they're more than friends. The line, "bailando hacemos el amor con ropa," is suggestive, highlighting the sensuality between the couple as they dance together.
The song's second verse delivers a similar message, urging the woman to claim him as her own and face her current partner. The verse, "de lejos se nota la química, las ganas son verídicas, aquel mundo se entere que tú eres única," expresses the intensity of the singer's feelings as he encourages the woman to acknowledge their undeniable chemistry to the world. The bridge between verses and choruses amplifies the singer's desire to be close to the woman, to touch her, take care of her, and treat her like his own.
Line by Line Meaning
Na na na na na na na na na
Introducing Tito El Bambino and his collaborator Chencho
Sin miedo (come on)
Come on, don't be afraid
A que no te atreves
I bet you won't dare
A bailar conmigo
To dance with me
Y decirle a él que somos más que amigos
And tell him that we're more than just friends
Tú y yo (come on, come on)
You and me, let's go!
Írtele de frente
Confront him directly
Y decirle a él que tú me perteneces
And tell him that you belong to me
Que tú eres mía (el patrón)
That you're mine (The Boss)
Bailando hacemos el amor con ropa
We make love while dancing with clothes on
De lejos se nota la química
From afar, you can see the chemistry
Las ganas son verídicas
The desire is genuine
Aquel mundo se entere que tú eres única
Let the world know that you are unique
Atracción física, triplicar la rítmica
Physical attraction, triple the rhythm
A tu sentido provoca atender mi necesidad
It provokes your senses to attend to my needs
Le digo cositas que enamoren
I tell her things that make her fall in love
Y si es posible regalo flores eso le gusta
And if possible, I give her flowers, she likes that
Y acompañarla con botellas de rose rose
And accompany her with bottles of wine
Me gusta tenerla cerca de mi y en la lenta acariciarla
I like to have her close to me and slowly caress her
Descontrolarla por la cintura agarrarla
Grab her by the waist and lose control
Y torturarla (díselo chencho)
And torture her (tell them, Chencho)
En un rincón hacerla duro, castigarla (el patrón)
In a corner, make it hard for her, punish her (The Boss)
Pa' provocarme pone sus manos en el suelo
To provoke me, she puts her hands on the floor
Y ahí es cuando más le pego y la anhelo
And that's when I hit her the most and desire her
Cuando la nena acelera no tiene freno (no, no, no)
When the girl accelerates, she has no brakes (no, no, no)
Lo mío y lo de ella es más placer que amor
What we have is more pleasure than love
Difícil es olvidarse de su cuerpo y la manera de menearse
It's hard to forget her body and the way she moves
Y de entregarse, se lo disfruta y no quiere despegarse cuando
And when she surrenders, she enjoys it and doesn't want to disconnect when
Chencho Corleone
Introducing Chencho Corleone, the collaborator
Con Tito El Bambino y El Patrón
With Tito El Bambino and The Boss
Oye regresamos porque tenían el género en déficit
We're back because the genre was lacking
Llegaron los del rating, El Patrón
Here come the ones with the highest ratings, The Boss
High society, Chencho
High society, Chencho
La alta jerarquía, Leroy (hey)
The high hierarchy, Leroy (hey)
Sencillamente la sociedad del dinero
Simply the society of money
Los ricos y famosos
The rich and famous
Alta jerarquía
High hierarchy
Lyrics © Sony/ATV Music Publishing LLC, Universal Music Publishing Group
Written by: EFRAIN FINES, EGBERT ROSA, ORLANDO J. VALLE
Lyrics Licensed & Provided by LyricFind
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