Černý remembered seeing a talented and charismatic bassist named Palo Horváth playing in a band called Mentol so they decided to visit him at his flat in a quarter of Bratislava called Dúbravka. The three hit it off and decided to jam together for the first time, eventually, they decided to form a band together. The three began practicing and writing songs on the fourth floor of Ďurinda's campus building until Ďurinda finished his schooling. With more and more songs being written, the trio wanted to sing in a style that everyone could relate to so they approached Martin Sarvaš, who was a student of architecture and good friend of Ďuro Černý to help write lyrics. Sarvaš was a lyricist for a band Černý was previously in.
The band began to perform in bars on most evenings around Bratislava and became quite popular amongst the crowds. Eventually they made a demo tape, gave it to Sarvaš and began shopping around for a record label. Sarvaš became their manager and created the image of their band. While getting intoxicated in Veľkí Františkáni, Černý and Ďurinda thought of their band name. Černý wanted to call the band TUBLAT (which means Bad Monkey a reference to Tarzan) but this name was mocked by crowds while they played. They eventually decided on Tublatanka as a combination of TUBLAT and Moravanka (a former local band they admired).
On January 30, 1983, there was a festival of the amateurish bands in PKO Bratislava ( park of culture and relaxation) that was organized by Richard Müller under the title of "Mladá vlna 82", where TUBLATANKA had an opportunity to appear as an opening band. The band had a notable unexpected success and the director of the Slovak Record Label OPUS, Milan Vašica, who was sitting among audience offered the boys to record theirfirst big Self-Titled LP. The album sold over 100,000 in the first few months after it was released so OPUS records offered to record their second album which came out a year called entitled Skúsime to cez vesmír (Flying to the Universe). While recording that album, Ďurinda was called into his basic military service and reported to Klátov much to his dismay since he wanted to finish recording the album. Sales for Skúsime to cez vesmír charted at the number one spot and the band started their "30-years tour" that was organized by Jožo Šebo (now he is a manager of J.Kirschner.) The band was endowed by a wide range of fans in sold out concerts in the amphitheatres and the sport halls. The boys won their first performance on the television program Triangel with their song "O nás" (About Us).
The band recorded their third album Žeravé znamenie osudu (Bitter Destination) in 1988 and got the opportunity to recordthe album in OPUS record's new digital studio. The album sold 250,000 copies in the first few months and received the Zlatý erb OPUS-u (Gold Shield of Opus). Tublatanka then did concerts all over Czechoslovakia and the song "Láska, drž ma nad hladinou"(Support Me, My Love) was in first place of Czechoslovak chart of Formula Pop for several months. In November 1988, the band was invited to play in a music festival in Moscow that was held at the stadium Lužianky where ten shows were held with an attendance of 14-15 thousand of people in attendance.
On September 16, 1989, the band had a big concert at the amphitheatre of Bratislava, that was recorded by professional film crew. In November 1989, when the "Velvet Revolution" broke out and the first demonstrations against the Communist Party for democracy began to appear, Ďurinda provided his guitar equipment and he installed a sound system in SNP square in Bratislava by four reproboxes and 2 amplifiers during the first three days of revolution. The song "Pravda víťazí"(The Truth Wins) became an unwritten anthem of Velvet Revolution. Repeatedly was this song was in first place of music chart on the television program called Triangel and even a videotape under the title "Pravda víťazí" that represented the successful concert at the amphitheater in Bratislava, appeared at the Christmas market. The concert tape was completely sold out.
In 1990, the band left for Jevan to a studio of L.Steidl in Czech Republic to record their fourth album "Nebo-peklo-raj" (Heaven-Hell-Paradise). Andy Hryc, an actor who prepared also an intro to the song "Démon pomsty" (Devil of Revenge), christened the album at a significant debut where thousands of people were present. In 1992 the next album was released, entitled "Volanie divočiny" (Call of the Wild) in which not only featured the lyrics of Sarvaš, but also of Whisky (a Slovak musician who was also a good friend of Ďurinda's).
In 1993, the relations between Ďurinda and Horváth began to diminish due to creative differences. After a show in Karlsruhe, Germany, Horváth left Tublatanaka due to creative differences with Ďurinda. As Ďurinda couldn´t find anybody who would replace Horváth for a long time, he had to take over bass while he and Černý recorded their 1993 Christmas album "Poďme bratia do Betlehema" (Let´s go to Bethlehem, My Brothers) that appeared at the Christmas market and it became extremely popular around that time. This album was christened by Silvia Lakatošová, the last Miss Czechoslovakia. At that time, Ďuro Černý became addicted in drugs after trying them with his friends from a band called Slobodná Európa (which he played often apart from Tublatanka with) offered him them. Černý was no longer able to play with Tublatanka and left to be cured.
Maťo stayed alone and had to look for new musicians. The advertisment in a newspaper Nový Čas was useless, two interviews took place but nobody from mroe than 60 musicians were suitable to his liking. So he discovered a guitarist and singer named Jozef "Dodo" Dubán, a graduate of law who became available because he left his band "Money Factor", as well as a bass guitarist Juraj Topor (designer of a fashion show), who, as the guitar technician, helped Maťo to prepare the concerts and before he had played together with the band "If."
In August 1994, the band attended a music show in the Polish city of Sopoty with its song "Ja sa vrátim"(I will Return). For the first time a drummer, Dušan Giertl, and their new band manager at the time managedthe band from 1993 until 1997. So the new lineup of Tublatanka was formed and they began to prepare a new album and started practicing a new concert repertoire. Even a partly cured Ďuro Černý re-joined the band and there was recorded a new CD "Znovuzrodenie"( Rebirth). At the beginning of 1994, the band won a competition on STV and in March they left to represent Slovakia in a great festival "Veľká cena Eurovízie"(Grand award of Eurovision or Eurovision Song contest) in Dublin, Ireland with their song "Nekonečná pieseň" (Neverending Song). This festival was watched live with a total of 300 million viewers. The band was placed at the 17th place of 25, so after their return to Slovakia only negative press and bad reviews welcomed them.
Ďuro Černý left the band once again in 1995 due to problems with drugs that led to severe health problems. Martin Uherčík replaced Černý in 1995. Shortly after this the band took a very long break from recording and released two greatest hits CDs that contained a few english versions of their songs originally intended for English Versions of their classic albums "Skúsime to cez vesmír" and "Žeravé znamenie osudu."
In 2001, the band finally recorded and released a new album entitled "Pánska jazda" (Stag Party). This album did not feature and lyrics by their usual lyricist Martin Sarvaš, instead, Ďurinda took over that job. The album transitioned Tublatanka into a more mainstream sound as opposed to their earlier work.
Martin Uherčík quit the band after "Pánska jazda" and was replaced by Peter Schlosser. Sadly, Jozef "Dodo" Dubán tragically died by suicide in 2002. Ďurinda never replaced him but instead to continue on as a rock trio once again. After another long successful run of touring, Tublatanka released "Patriot" in 2005 which contained 14 new songs and contained some lyrics by Martin Sarvaš once again. A year after it was released, Tublatanka released their second Christmas album Vianočný deň to much critical acclaim. Currently the band continues to tour all over Slovakia and Czech Republic.
Prometheus
Tublatanka Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Aj keď sa snažím neviem sa pohnúť ruky mám skamenené
Oči ma pália dívam sa dolu na nič sa nespomeniem
G
Spomienky matné ma sledujú jak čierne supy obletujú
B:Za tmavej noci lásku a dážď ukradol som pre ľudí ja som si sámnenechal nič a nik ma neprebudí
Nebom aj zemou sudenýsmädný a bezbrannýaj tak nič nezradímku svojej skale pribitý
A každý večer supy sa zídu vytrhnúť čo ešte mám
Niet čím sa brániť ruky sú v putách až ráno sa spamätám
Pritom nič nemám len silu skál nikdy nič som nedostal
The song Prometheus by Tublatanka is a reflection of the loneliness and isolation experienced by the singer who is living in the mountains. It starts with the line "Kto si ma volá ktosi to zkúša niekomu naozaj nechýbam" which translates to "Someone is calling me, trying to convince me that I am really missed". The singer is waiting for someone while being firmly planted with his predetermined destiny, being unable to move. The lyrics express the feeling of being trapped, with the line "aj keď sa snažím neviem sa pohnúť ruky mám skamenené" meaning "even though I try, I cannot move my arms, they are petrified". The pain of loneliness is apparent in the line "oči ma pália dívam sa dolu na nič sa nespomeniem" which means "my eyes are burning, I look down and I remember nothing".
The singer expresses a sense of detachment and solitude from the world, with the line "Bohmi som spútaný od ľudí vzdialený" meaning "I am tied up by God, distant from people". The lyrics convey a sense of being stranded, with no one to turn to and nothing to hold onto. The singer is helpless and vulnerable, which is expressed in the line "a každý večer supy sa zídu vytrhnúť čo ešte mám" meaning "every evening the crows gather to take away what little I have". The song keeps repeating that the singer is attached to a rock with nothing to betray, nothing to use to defend himself, and nothing to call his own.
Line by Line Meaning
Kto si ma volá ktosi to zkúša niekomu naozaj nechýbam
Someone is calling me, testing if I am really missed by someone.
Stále ma čaká a pritom nevie že vysoko v horách bývam
Someone is waiting for me, but they do not know that I live high up in the mountains.
že som tu pevne prikovaný s osudom dávno vyrovnaný
I am firmly tied to this place, with my fate long ago settled.
Aj keď sa snažím neviem sa pohnúť ruky mám skamenené
Although I try, I cannot move my hands, they are petrified.
Oči ma pália dívam sa dolu na nič sa nespomeniem
My eyes burn, I look down but I cannot recall anything.
Spomienky matné ma sledujú jak čierne supy obletujú
Faint memories follow me like black vultures circling above.
Za tmavej noci lásku a dážď ukradol som pre ľudí ja som si sám
In the dark night, I stole love and rain for people, I was alone.
nenechal nič a nik ma neprebudí
I left nothing behind, and no one can wake me up.
Bohmi som spútaný od ľudí vzdialený
I am bound by God and distant from people.
Nebom aj zemou sudený
I am destined by heaven and earth.
smädný a bezbranný
I am thirsty and helpless.
aj tak nič nezradím
Still, I will not betray anything.
ku svojej skale pribitý
Nailed to my rock.
A každý večer supy sa zídu vytrhnúť čo ešte mám
Every evening, the vultures gather to take away whatever is left of me.
Niet čím sa brániť ruky sú v putách až ráno sa spamätám
I have nothing to defend myself with, my hands are tied, and I only wake up in the morning.
Pritom nič nemám len silu skál nikdy nič som nedostal
Yet, I have nothing except the strength of the rocks; I have never received anything.
Contributed by Elena T. Suggest a correction in the comments below.
@YAESUMEN
Nemá chybu. Vrací mě to ve vzpomínkách na koncert Tublatanky v Ově-Vítkovicích na sklonku minulé éry. To se nedá zapomenout, byl to zážitek. Prostě topka.
@milanalexander5343
Milujem tuto skladbu a starú zostavu Tublatanky, Palko Horvát, Duro Černý, Mato Durinda, vyrastal dom na tejto hudbe. Veľké super 💪👍
@Ttrriixxoonn
Perfektné.....super..,.dnes sa už taká hudba nerobí ..skoda
@dominikacavojska
Pali Horváth je borec ✊❤️
@shamanzezula8467
Je to z albumu Žeravé znamenie osudu. Večná škoda, že Paľo nedostal v Tuble viac priestoru.
@agentikjawak4345
Konečně se tu to video objevilo znova 😍🤟
@ondrejsekera385
Neviem prečo od zlatého slávika v '89 začali vystupovat na playback... Obidvaja vedeli aj hrat a spievat...
@vladdracool3255
perfektný spev
@ondrejsekera385
Toto bude rok 88' 89'...
@katerinakotisova2092
🌈🍓