Invincible
Two Door Cinema Club Lyrics

Nights were young
The persona of the singer is reminiscent of youthful, careless nights. These nights were characterized by reckless behavior, in which risk-taking and a disregard for consequences were the norm.

I was invincible
During those youthful nights, the singer felt invincible, believing that their actions would have no consequences. This sense of invincibility led to the singer engaging in dangerous and self-destructive behavior.

I was living for myself
The singer's reckless behavior was motivated by a self-centered desire for pleasure and thrill. The singer was seeking personal gratification without considering the impact of their actions on others.

My survival, suicidal, cool
The artist's actions were both self-destructive and self-preserving. The artist was taking risks that could lead to physical harm or death, but at the same time, these risks made them feel cool and alive.

You can't live that way
The artist acknowledges that living a life filled with reckless behavior and no regard for consequences is unsustainable. Such a lifestyle will ultimately lead to negative consequences, and the artist realizes that change is necessary.

And I found myself begging you
Through an unspecified interaction with the addressee, the singer realized that they were in need of help and support. The singer sought out the help of the addressee in a moment of vulnerability.

I'd pretend I was good to you
The singer was not always honest with the addressee, pretending to care for them while their actions were self-centered and potentially harmful. The singer was not ready to confront their own issues and instead projected a facade of love and care for the addressee.

That you were always on my mind
Despite the artist's self-centered behavior, the addressee held a significant place in their thoughts. The artist may have acted selfishly, but the addressee was never far from their mind.

And for a moment, you believed it too
The addressee was not immediately aware of the artist's deceit, and for a time, believed that the artist cared for them. However, this illusion was short-lived.

But I can't lie forever
The deception couldn't last forever, and the artist realized that it was time to reveal their true intentions and feelings. The artist acknowledges that the truth will come out sooner or later.

And you found the truth haunting you
The truth was difficult for the addressee to confront, and its revelation left them with a lingering sense of unease and haunting.

I know you're leaving
It is clear to the artist that the addressee is leaving, likely due to their actions and deceit. The artist is expressing regret at their behavior and a desire to make amends before it is too late.

Cause I always take too long
The singer recognizes that they have been slow to act and address their issues, leaving the addressee to suffer and eventually leave. The singer acknowledges their own shortcomings.

Cause I always get it wrong
In addition to acting too slowly, the singer recognizes that they have made mistakes that contributed to the addressee's departure. The singer recognizes their role in the situation.

I'm a fool. I'm not defeated
The singer recognizes that they have made poor decisions, but they are not defeated. There is still an opportunity to make things right and build a better future.

You're the only one I love
The addressee is the only person the artist truly loves and values. They are expressing their true emotions and feelings for the addressee.

I've got to find a way
The artist recognizes the urgency and importance of finding a way to make things right with the addressee. They are committed to making amends.

To make things right with you
The singer's ultimate goal is to restore the relationship with the addressee, rectifying their mistakes and making amends for their behavior.

I never wanted you to save me
The singer never wanted the addressee to act as a savior or a rescuer, despite their own reckless behavior. They acknowledge that the addressee is not responsible for their own choices and actions.

Another question holding you
The addressee may have questions regarding the artist's behavior or motives, adding to their sense of unease and uncertainty. The artist acknowledges that their actions have consequences for the addressee.

We're late, it makes you mad.
The artist's procrastination in addressing their issues has caused a delay, frustrating the addressee. The artist acknowledges the addressee's frustration and its effect on the relationship.

Every day I see him beside you
The artist has observed the addressee with another person, likely a new partner. The artist may feel jealous or threatened by this new relationship.

Is he treating you alright?
The singer is worried about the addressee's well-being in their new relationship. They are expressing a genuine concern for the addressee's happiness.

The things I'd do if I was in his shoes
The artist is imagining themselves in the new partner's position and considering how they would act differently. The artist may be projecting their own desires onto the addressee's new partner.

No more taking for granted
The singer recognizes the value and importance of the addressee, realizing that they had previously taken them for granted. The singer acknowledges their own mistakes.

Everything I get from you
The singer recognizes that the addressee gives them everything they need in terms of love and support. The singer is expressing their appreciation and gratitude for the addressee.

Yeah, I admit it
The singer takes responsibility for their mistakes and transgressions, acknowledging that they were wrong.

But before you walk away
The artist is making a final plea to the addressee, asking them to stay and listen to their apologies and expression of love.

I only need a chance to tell you how I feel
The artist believes that they can convince the addressee to stay if given the chance to express their emotions and feelings. They believe that their love for the addressee is enough to salvage the relationship.

It's gonna be a lonely, lonely road ahead
If the addressee chooses to leave and not give the singer a chance, the singer recognizes that they will be alone and suffer for their mistakes.

If I can't find a way
The singer recognizes that it is up to them to find a way to make things right with the addressee. They are taking responsibility for their own mistakes and are committed to finding a solution.

Yeah, I admit it
The artist reiterates their admission of guilt and responsibility for the situation with the addressee. They are expressing humility and a sincere desire to make amends.

I'm not defeated
Despite their mistakes, the artist is not defeated. They are confident that they can find a way to make things right and restore the relationship with the addressee.

You're the only one I love
The addressee remains the only object of the artist's love and affection. Through all their mistakes and shortcomings, the artist knows that they truly love the addressee.

I've got to find a way
The singer is still committed to finding a way to make things right and rectify their mistakes. They recognize the importance of the addressee and are willing to do what it takes to rebuild their relationship.

To make things right with you
Ultimately, the artist's goal is to make things right with the addressee. They are committed to rebuilding the relationship and restoring trust and love between them.