U.P. WILSON (1934.09.04/Shreveport, LA - 2004.09.22/Pari… Read Full Bio ↴U.P. Wilson
U.P. WILSON (1934.09.04/Shreveport, LA - 2004.09.22/Paris, France) was born on a farm in Catto Parish, Shreveport, Louisiana, to parents Carrie Lee and Tommy Wilson. Raised in West Dallas, Wilson learned the blues from ZuZu Bollin, Cat Man Fleming, Frankie Lee Sims, Mercy Baby and Nappy "Chin" Evans.
Wilson later relocated from Dallas to Fort Worth and formed a duo, the Boogie Chillun Boys, with drummer and vocalist Robert Ealey. Later he worked with Cornell Dupree before Dupree left to become a session musician. The Boogie Chillun Boys provided inspiration to fellow Texan singer and guitarist Ray Sharpe.
From 1967 onwards he raised his family, and worked in Fort Worth during the day as a school janitor. At night, Wilson performed as a sideman in local nightclubs. By the late 1970s, Wilson and Ealey played at a Fort Worth club named the New Bluebird, where they attracted crowds of Texas blues fans. By 1987, Wilson had began solo recording, and touring around Texas. However, he subsequently rejoined Ealey in his new band, The Lovers, the following year.
Music journalist, Tony Russell, noted that Wilson put on a show, playing one-handed while drinking, smoking and greeting his fans, but behind the tricks and the hyped language used in his billings ('Texas Tornado', 'Atomic Guitar' etc.,) Wilson was an musician with a talent for more than just getting boys to boogie down. His peculiar decision to sing in falsetto flawed his 1995 release This Is U.P. Wilson, but subsequent releases re-discovered his blend of Texas shuffles and low-down blues.
For most of the last decade of his life, Wilson toured both the European blues circuit and throughout the United States. Activities included appearances at the Chicago Blues Festival, and playing accompaniment to Albert Collins. Wilson was imprisoned for six months in the John R.L. Jacksboro State Penitentiary for cocaine possession between 1997 and 1998, and on his release moved to live in Paris, France.
Wilson went to hospital in Paris for surgery, and he died there on September 22, 2004, at the age of 70. His wife Rosie, predeceased him, and he was survived by two daughters and a son.
Paul Orta & The Kingpins
Paul Orta has fronted his band The Kingpins and various other bands over the years. Paul Orta has performed in the U.S.A., Spain, England, Germany, Italy, France, Ireland, Norway, Brazil, Belgium, Russia, Switzerland, Sweden, Portugal, Poland, Luxembourg, Denmark, Austria , The Netherlands , Argentina & Mexico.
Paul Orta has opened for B.B.King, Stevie Ray Vaughn, John Lee Hooker, Van Morrison, James Cotton, Buckwheat Zydeco just to name a few.
Paul Orta was born in Port Arthur, TX on September 6th 1957. Paul Orta began playing music at the age of 7. Paul Orta started his first pro band at the age of 16. In 1979 Paul Orta moved to Austin, TX. Paul Orta entered, upon arrival in Austin, TX, the University of Antones playing with blues greats suchs as Jimmy Rogers, Hubert Sumlin, Snooky Pryor, Eddie Taylor, Matt "Guitar" Murphy, Pinetop Perkins, Sunnyland Slim and many, many more.
Paul Orta can be heard on over 4 dozen different complilations & albums around the world.
Paul Orta is endorsed by Hohner Harmonicas, Shaker Mics, The Harp Depot, Kendrick Amps, Tony Ramos Harmonicas, Mauro Pionzio Harmonicas, Jimmy Gordon Harmonicas, Amp Room, Lone Wolf Blues Company & Blowsmeaway Productions.
For detailed bio see: Paul Orta Blues
RevebNation: Paul Orta & The Kingpins
Hideaway
U.P. Wilson With Paul Orta & The Kingpins Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Ruffled our feathers
When we tipped our hats to the dangers, yeah
Can we still be angels?
Dreaming in fables
You be the archetype
Make sure you throw that thing back to me
I'll shoot the shot just as long as the arc is right
My day was long as an Arkham night
People been driving me batshit
You pull me down, if I start a fight
Rilke might not let me finish one
Lolla was almost a hit and run
I was still whipping the '02
Thankfully, God let the engine run
I had to chill in the interim
Ready to go 'bout my way, now
Might just pop up in the Chi
Maybe head west to LA, now
Funny when you get the itch
That 9 to 5 thing 'bout a bitch
Maybe not meant to be rich
But I know that I'm meant to see more than this shit
How far will I get?
I know we seen brighter days
On the hunt for hideaways
When they sleep, I'm wide awake
Promise we gon find a way
Find a way, find a way
Promise we gon find a way
Find a way, find a way
Promise we gon find a way
Breathe in, if you still got it, life's short when you feel crowded
Hold me down, if I get wildin', hold me down, if I get, uh
Breathe in, if you still know me, death's long for the first OG
Y'all sittin' like it ain't closin', y'all just sittin', uh
It's a stray path under day's sun
Whole world chosen, pray that I never take one
At the wrong time, in my mind, the clay runs
Deep past the riverbeds, last bred 'till we won
Something that the ghosts shoulda never had
Between the coasts, so we never land
But we're broke, yoked and feelin' grand
So time it all, but if ball hard, then choosin' sand
Maybe next one will get us love
Y'all falling so hard and just because
I would never, ever let Jace finish one
So place your bets, but if brawl hard, then y'all become
Something like the worst of us: purse your lips, hold your fuss
Hold your tongue, hold 'em up, hold her close
(That's enough) I confess (that's enough) I'm the best
(That's enough) I confess (that's enough) I'm the best
Why you gotta be so easy?
You know I've never been, no, I've never been
Why it gotta be so hard?
You don't know my worth, you don't know my heart, you don't know my—
Everything feels so dreamy
That's enough, yo, that's enough, and I said
Can't you just play your part?
Just love me forever, then tear me apart, God
I know we seen brighter days
On the hunt for hideaways
When they sleep, I'm wide awake
Promise we gon find a way
Find a way, find a way
Promise we gon find a way
Find a way, find a way
Promise we gon find a way
The lyrics of "Hideaway" by U.P. Wilson With Paul Orta & The Kingpins touch upon various themes, including the complexities of being human, personal struggles, and the desire for something more in life.
The opening lines, "Our halos got angles, Ruffled our feathers, When we tipped our hats to the dangers," suggest that even angels or those who are considered virtuous and good can have flaws and encounter challenges. It highlights the idea that even the most angelic beings can experience turbulence and uncertainty.
The line "Can we still be angels, Dreaming in fables" suggests a longing to hold onto innocence and the possibilities of dreams amidst the realities of life. It reflects a desire to retain one's imagination and capacity to believe in something greater.
The lyrics continue with references to personal struggles and battles, such as feeling driven to the point of madness and being pulled down into fights. The mention of Arkham night and Batman's fictional asylum "Arkham Asylum" may signify feelings of being trapped or overwhelmed by overwhelming circumstances, as if living in a constant state of chaos.
The mention of Lolla (possibly referring to Lollapalooza, a popular music festival) being "almost a hit and run" could symbolize missed opportunities or fleeting moments of success. The reference to "whipping the '02" suggests a sense of perseverance and determination, as the singer continues to keep going despite challenges.
The overall theme of the song seems to be about finding one's way in life and seeking something more meaningful. It expresses a longing to break free from a monotonous 9 to 5 routine and explore new possibilities, such as traveling to different cities like Chicago and Los Angeles. It reflects a desire to escape the mundane and experience life to the fullest.
The chorus is repeated throughout the song, emphasizing the idea of searching for hideaways, whether physical or metaphorical. It suggests a feeling of restlessness and a thirst for adventure and exploration. The repeated promise to find a way implies a determination and hope for a brighter future, even in the face of challenges.
The latter part of the song delves into themes of self-worth and the complexities of relationships. The line "That's enough, I confess, I'm the best" could indicate a need for validation and recognition. It highlights the internal struggle of wanting to be loved and accepted while grappling with personal insecurities.
The lyrics also touch upon the dichotomy of easy and hard aspects of life and the challenge of understanding one's true worth. The desire for love and connection is evident, along with the fear of being torn apart emotionally. It suggests a plea for love and acceptance, despite the vulnerabilities and complexities that come with it.
Overall, "Hideaway" portrays the human experience through various struggles and aspirations. It touches upon themes of self-discovery, the pursuit of happiness, and the search for meaning in life.
Line by Line Meaning
Our halos got angles
Our virtuous image is not perfect, we have flaws and imperfections
Ruffled our feathers
We became disturbed or agitated by something
When we tipped our hats to the dangers, yeah
Acknowledging the risks or threats we face
Can we still be angels?
Questioning if we can still be morally pure or good
Dreaming in fables
Having unrealistic or idealistic dreams
You be the archetype
You can be the perfect example or model
Make sure you throw that thing back to me
Ensure that you reciprocate or return what I give you
I'll shoot the shot just as long as the arc is right
I'll take a chance or make an attempt, as long as the conditions are favorable
We ain't got nothing to argue, right?
We have no reason or need to engage in an argument
My day was long as an Arkham night
My day was mentally or emotionally exhausting, similar to the dark and chaotic environment of Arkham
People been driving me batshit
People have been causing me to feel extremely irritated or crazy
You pull me down, if I start a fight
If I initiate a conflict, you bring me back to reality or discourage me from continuing
Rilke might not let me finish one
I might not have the opportunity to complete something, just like poems by Rilke
Lolla was almost a hit and run
My experience at Lolla (likely referring to Lollapalooza music festival) was nearly a sudden and temporary success
I was still whipping the '02
I was still driving or using a vehicle from the year 2002
Thankfully, God let the engine run
Thankfully, there were no mechanical issues with the vehicle I was using
I had to chill in the interim
I had to relax or stay calm during the intervening period
Ready to go 'bout my way, now
Ready to continue on my journey or pursue my own path
Might just pop up in the Chi
I might suddenly appear in Chicago (referring to the city's nickname 'the Chi')
Maybe head west to LA, now
Perhaps I'll travel to Los Angeles in the western part of the country
Funny when you get the itch
Amusing or peculiar when you have a strong desire or impulse
That 9 to 5 thing 'bout a bitch
The conventional and repetitive work schedule can be challenging or frustrating
Maybe not meant to be rich
Perhaps not destined to acquire wealth or financial abundance
But I know that I'm meant to see more than this shit
But I know that I'm destined to experience or witness something greater or more significant than my current situation
How far will I get?
How successful or influential will I become?
I know we seen brighter days
I am aware that we have witnessed happier or more prosperous times
On the hunt for hideaways
In search of secluded or secret places to find solace
When they sleep, I'm wide awake
While others are resting or unaware, I'm fully alert and active
Promise we gon find a way
I assure you that we will discover a solution or achieve our goals
Breathe in, if you still got it, life's short when you feel crowded
Take a breath, as long as you still have the ability, because life feels brief and suffocating when you feel overwhelmed
Hold me down, if I get wildin', hold me down, if I get, uh
Support me or keep me grounded if I become overly enthusiastic or reckless
Breathe in, if you still know me, death's long for the first OG
Take a breath, as long as you still remember or recognize me, because death feels distant or far away for the original gangster
Y'all sittin' like it ain't closin', y'all just sittin', uh
You all are acting as if the end or conclusion is not imminent, you are simply idling or staying inactive
It's a stray path under day's sun
It's an unconventional or divergent path that is exposed to the scrutiny of daylight
Whole world chosen, pray that I never take one
The entire world seems to be selected or preferred by others, but I hope I never have to eliminate or harm anyone
At the wrong time, in my mind, the clay runs
In my thoughts, the opportunity or potential slips away at an inopportune moment
Deep past the riverbeds, last bred 'till we won
Beyond the depths of the riverbeds, we persevered until we achieved victory
Something that the ghosts shoulda never had
Something that the spirits or souls should never possess or experience
Between the coasts, so we never land
In the areas between the coastlines, so we never settle or establish a permanent residence
But we're broke, yoked and feelin' grand
But we're financially drained, interconnected, and still feeling great or proud
So time it all, but if ball hard, then choosin' sand
So control or manage everything, but if you excel or succeed, then it's worth taking risks
Maybe next one will get us love
Perhaps the next attempt or opportunity will bring us affection or admiration
Y'all falling so hard and just because
You all are falling deeply or intensely, and simply due to circumstance or external influences
I would never, ever let Jace finish one
I would never allow Jace to accomplish or complete something
So place your bets, but if brawl hard, then y'all become
So, place your wagers, but if you fight or struggle intensely, then all of you transform
Something like the worst of us: purse your lips, hold your fuss
Resemble the least desirable characteristics among us: purse your lips (indicating disapproval), hold back your complaints or objections
Hold your tongue, hold 'em up, hold her close
Refrain from speaking negatively, raise them (likely referring to hands), hold your loved ones tightly
(That's enough) I confess (that's enough) I'm the best
(That's enough) I admit (that's enough) I'm the most outstanding or superior
Why you gotta be so easy?
Why do you have to be so uncomplicated or straightforward?
You know I've never been, no, I've never been
You know I have never been that way, no, I have never been like that
Why it gotta be so hard?
Why does it have to be so difficult?
You don't know my worth, you don't know my heart, you don't know my—
You are unaware of my value, you are unaware of my emotions, you are unaware of my—
Everything feels so dreamy
Everything feels ethereal or surreal
That's enough, yo, that's enough, and I said
That's sufficient, yes, that's sufficient, and I said
Can't you just play your part?
Can't you simply fulfill your role or responsibility?
Just love me forever, then tear me apart, God
Just love me unconditionally, and then destroy me emotionally, God
Promise we gon find a way
I assure you that we will discover a solution or achieve our goals
Find a way, find a way
Discover a solution, find a method or approach
Promise we gon find a way
I assure you that we will discover a solution or achieve our goals
Find a way, find a way
Discover a solution, find a method or approach
Promise we gon find a way
I assure you that we will discover a solution or achieve our goals
Lyrics © O/B/O DistroKid
Written by: Justin Martin, Zach Nickels, Zachary Nickels
Lyrics Licensed & Provided by LyricFind