Little Help
Various Composers Lyrics

We have lyrics for 'Little Help' by these artists:

Nine Pound Hammer Self-righteous condemnation Against those who don't share m…
The BossHoss Wanna get the full devotion 'cause it's taking you higher Wa…
The BossHoss (feat. Mimi & Josy) Wanna get the full devotion 'cause it's taking you higher Wa…
The Bosshoss Feat. Mimi & Josy Wanna get the full devotion 'cause it's taking you higher Wa…
The BossHoss Mimi & Josy Wanna get the full devotion 'cause it's taking you higher Wa…
the bosshoss [feat. mimi & josy] Wanna get the full devotion 'cause it's taking you higher Wa…

We have lyrics for these tracks by Various Composers:

411 Tell me your fable A fable Tell me your fable Tell me your…

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Comments from YouTube:

Олег Omican Сутырин

5y↑36

0:20 Prelude
1:53 Romance
4:48 Sarabande
7:02 Mazurka
8:44 Valse
10:45 Pastorale

vanhouten64

4y↑4

Durey is probably the least well-known of this group but of these compositions, I think I like his best.

Luihi

5y↑7

I've only heard of milhaud and poulenc. Now there's more composers to use for my French composer obsession

Greg Capaldini

5y↑1

Honegger's music can be rough going but I can recommend some approachable works. The Concertino for piano is concise and peppered with jazz touches, as is the Sonatina for clarinet. Early on he wrote an oratorio (mostly vignettes connected by narration) on the life of King David from Hebrew Scriptures, published in both chamber and fully orchestrated versions. Later he wrote another huge oratorio called Joan of Arc at the Stake where the title character has vivid flashbacks on the day of her execution. Of the five Symphonies my favorite is #3, called "Liturgique," that juxtaposes the ills of war and mechanization with the serenity of the hereafter. Enjoy your explorations!

Greg Capaldini

5y↑5

NYTimes critic Harold Schonberg (d. 2003) said this in his book, Lives of the Great Composers: "It seems clear that [Poulenc] has emerged as the strongest and most individual member of Les Six. Nobody would have guessed it in the 1930s. The betting would have been on Milhaud or Honegger. [...] To the world Poulenc was the musical soft-shoe man, dancing away at his music-hall routines with not a care in the world, a grin permanently plastered on his face."