He was born at Kingston's Victoria Jubilee Hospital, and was one of six children. Originally from Waterhouse, Kingston, he was raised in the Waterford district in the community Portmore, Jamaica. Adidja attended Calabar High School in Kingston but was expelled as a teenager. Determined to continue his education, he completed his studies at a tutorial technical school.
He was exposed to a wide variety of music from a tender age by two uncles who were themselves aspiring musicians. Every weekend he was treated to new musical offerings, on his uncle's old component set, ranging from Sam Cooke to country and western ballads to Ninja Man, who became one of his musical heroes.
At 10 his favorites included artists as diverse as Ninja Man, Papa San, Charlie Chaplin, Will Smith and KRS-1, all of whose lyrics he would study word-for-word, performing them later for friends.
He decided he wanted to be a deejay and began writing his own lyrics when he was 11. Eager to flaunt his skills, Adidja and his friends frequented the weekly Gong Talent Show at the Coney Amusement Park on the outskirts of Kingston. To their chagrin, they were always gonged off when they got a chance to perform.
Undeterred by his weekly failure to impress the talent show audience, Adidja decided to hone his skills and concentrate on winning over his own community of Waterford until he was ready for bigger things. With that goal in mind, on weekends he would practise on neighborhood sound systems Soul Signal and Electric Force.
In 1993, Adidja recorded his first single, "Love Fat Woman," for Alvin Reid's One Heart Label under the name Adi Banton, a name he chose in tribute to a role model, Buju Banton. He recorded several more tracks for local producers, perfecting his craft.
In 1996 he and two friends, Mr. Lee and a singer called Escobar, decided to form a group. One night, after watching a movie about Pablo Escobar and his infamous cartel, Adidja came up with a name for his trio: Vibes Cartel.
Vybz Kartel's new role as Killer's protege caught the attention of the public and led to a meteoric career rise, first as a ghost-writer for Bounty, Elephant Man and other members of the Scare Dem Crew, followed by collaborations with Bounty Killer, such as "Gal Clown" and "Girls Like Mine (Liquid Riddim)."
He came into his own with early hits like "Gun Clown," "Guns Like Mine (Trafalga Riddim)," "Badman (Panty Raid Riddim)," "Bus Mi Gun Like Nuttn," "Most High (Mexican Riddim)" and "War Organizer (Clappas Riddim)." He also had a string of successful collaborations with Wayne Marshall, including "New Millennium (Mad Antz Riddim)," "Why (Krazy Riddim)" and "Why Again (Good To Go Riddim)." This unprecedented debut led to Vybz Kartel being crowned 2002 Deejay of the Year at Stone Love's 30th anniversary, a feat unmatched by any new artist in dancehall.
Kartel has--aside from incredible rhymes and subtle, clever pop culture references--a unique lyrical flow all his own. It is to be noted that Kartel rarely does dance "chunes" along the lines of Elephant man or Beenie Man. Nevertheless, he has already had several high-profile collaborations with international hip-hop and pop stars, and is being touted as the next big thing in dancehall.
In terms of singles sold, he has had the second-best year on the 2003 reggae charts, outsold only by Elephant Man, and has released two albums this year for UK label Greensleeves. He was featured twice on the Def Jamaica project, and nominated for Source, VIBE and UK MOBO awards. His MOBO nominations, along with those of Beenie Man, Elephant Man and Sizzla, were subsequently withdrawn over concerns of homophobia, a common issue with dancehall reggae in general.
His video for "New Millennium/Why," with Wayne Marshall, though decidedly low-budget, has seen play on MTV. His underground following is so large that a bootleg version of, in his own words, "a very, very low budget film" made in 2001 has begun circulating. He has two albums, several mixtapes and a prolific library of singles.
In 2005, Vybz and Bountkiller fell out after Vybz preformed a song with Di Angel, Beenie's former girl, "Yuh Know Yuh Baby Father." Vybz walked out of the Alliance. Aidonia also left, because he took Vybz side, falling out with Busy Signal and making the song "Adid A Mi Daddy Who Wa Vex Wan Vex." It was said Vybz took side with Beenie by showing up at his wedding. Vybz said Beenie was his artist and would not and that's as far as it went. Afterwards, he and Movado which led to throwing of words through songs like "Movado di Failla," "Them Start War and Dead" and "Them a Pu@#* Pon di Battle." But this mis happas only made Mr.Palmer express his war side.
Vybz is the head of the territorial gangland in Portmore known as the Gaza and Mavado is the same for the Gully. Due to their feud a physical war arose between people in the two areas. Fans loyal to each artist have taken part as well. Their fan base in the youths has been seen, as entire schools claiming to be Gully or Gaza supporters have been known not just in Jamaica but in other Caribbean countries such as Trinidad to break out into physical war resulting in stabbings and street fights.
Following the 2009 Summit of the Americas the Jamaican government called a meetings between Vybz Kartel and Mavado calling on them to end the war. Since its conclusion both artists have turned away from war songs and focused on different topics, Kartel on women and Mavado on uplifting the people, although both still make songs of all types.
Following differences with record label Greensleeves, Vybz Kartel changed his name to Addi Di Teacha near the end of 2006. All new material he produces will be released under this name. Greensleeves will continue to release his older, unreleased material under the name Vybz Kartel.
He now owns the label Portmore Empire, founded in 2007, on which releases new deejays' music. To clear up why this was done he had an interview with Antony Miller. "If I had join Moffia House, I would be taking side which I said I would not do," he said.
He owns a rum called STREET VYBZ as well as a condom line called DAGGERING.
Recently, he collaborated with artists like D.I. aka Daniel and Di Angel--Beenie man's former wife. But that's another story...
In 2011 Kartel has recently come under fire for bleaching his skin, something that is frowned upon in Jamaican culture and even Kartel spoken against it in past songs. He has come under even more fire for his rumored involvement in devil worship with a satanic group known as the Illuminati, which is known to have other popular musicains such as Jay-Z, Kanye West, Rihanna.
Love Pussy Forever
Vybz Kartel Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Pussy, pum pum or vagina
Me love it for forever
Could a African gyal, could a white
Could a China it no matter if you young
And it no matter if you old
This a the greatest love story ever told
Jamaica
Me love pussy forever and ever
And ever and ever and ever and ever no man
Love pussy forever and ever
And ever and ever and ever and ever hold on
Teacha can't deny that
Gyal say she waan fuck, me say why not? (oh)
And although me get pussy free
Me will take out me money and buy that
Whine 'pon cocky till you sweat
Like the time hot
She live far, me a drive and find that
And if me a go and me see another hot gyal
Me a look, me no care, me no blind bat then
Me gi' black women love
From the day me born me never cuss mama (oh)
From Teacha a youngster
Pussy and pum pum was me first grammar
Drop your draws and tun wrong first danna
Pun this cocky a way tougher
Than a rust hammer
Go ask every gyal inna every go-go club
Dem say me a dem favourite costumer
Me love pussy forever and ever
And ever and ever and ever and ever no man
Love pussy forever and ever
And ever and ever and ever and ever
Gyal come for the cock load
Lemme beat up your pussy with the black board
Big up the gyal dem way sell
Dem fat pum pum a Portland, me say backroad
Man a walk, man a drive, me see truckload
Woman see song stars, woman inna fuck mode
Sperms full up inna a belly till you gut load
And me still nah diss you tomorrow
When me see 'pon the road
Me gi' black women love (oh)
From the day me born me never cuss mama (oh)
From Teacha a youngster
Pussy and pum pum was me first grammar
Drop your draws and tun wrong first danna
Pun this cocky a way tougher
Than a rust hammer
Go ask every gyal inna every go-go club
Dem say me a dem favourite costumer
Me love pussy forever and ever
And ever and ever and ever and ever no man
Love pussy forever and ever
And ever and ever and ever and ever
In "Love Pussy Forever" by Vybz Kartel, the lyrics express the artist's unapologetic and everlasting love for female genitalia. The song celebrates the various terms used to refer to the female reproductive organ ("pussy, pum pum or vagina") and states that it doesn't matter the race or age of the woman, love for this part of the female body transcends boundaries. The lyrics suggest that this love story is the greatest ever told, emphasizing its importance to the artist and possibly highlighting the significance of sexual pleasure in his life. The song also touches on the artist's appreciation for black women and the fact that he has never disrespected his mother, showcasing a sense of respect for women.
Overall, the song is explicit in nature and focuses primarily on sexual desire and pleasure. It reflects a straightforward and unrestricted expression of Vybz Kartel's love for the female genitalia without any inhibition or societal norms.
Line by Line Meaning
Call it what you call it
No matter the name you give it
Pussy, pum pum or vagina
Whether you refer to it as pussy, pum pum, or vagina
Me love it for forever
I love it eternally
Could a African gyal, could a white
No matter if you're African or white
Could a China it no matter if you young
No matter if you're from China or young
And it no matter if you old
And it doesn't matter if you're old
This a the greatest love story ever told
This is the greatest love story ever told
Jamaica
In Jamaica
Me love pussy forever and ever
I love pussy forever and ever
And ever and ever and ever and ever no man
For eternity, without a doubt
Love pussy forever and ever
Love pussy forever and ever
And ever and ever and ever and ever hold on
And ever, never letting go
Teacha can't deny that
The teacher cannot deny it
Gyal say she waan fuck, me say why not? (oh)
When a girl says she wants to have sex, I say why not?
And although me get pussy free
Even though I can get pussy for free
Me will take out me money and buy that
I will still spend money to buy it
Whine 'pon cocky till you sweat
Grind on my penis until you sweat
Like the time hot
Like when it's really hot
She live far, me a drive and find that
Even if she lives far, I will drive to find her
And if me a go and me see another hot gyal
And if I'm going and I see another attractive girl
Me a look, me no care, me no blind bat then
I will still look, I don't care, I'm not blind to it
Me gi' black women love
I give black women love
From the day me born me never cuss mama (oh)
Since the day I was born, I never disrespect my mother
From Teacha a youngster
From when I was a young student
Pussy and pum pum was me first grammar
Pussy and pum pum were my first language lessons
Drop your draws and tun wrong first danna
Lower your pants and become my first partner
Pun this cocky a way tougher
Challenge this penis, it's much stronger
Than a rust hammer
Than a rusty hammer
Go ask every gyal inna every go-go club
Go ask every girl in every go-go club
Dem say me a dem favourite costumer
They say I'm their favorite customer
Gyal come for the cock load
Girls come for the load of my penis
Lemme beat up your pussy with the black board
Let me engage in sexual activity with your vagina vigorously
Big up the gyal dem way sell
Give credit to the girls who sell
Dem fat pum pum a Portland, me say backroad
Those with large vaginas in Portland, I say the less frequented areas
Man a walk, man a drive, me see truckload
Whether walking or driving, I see a multitude
Woman see song stars, woman inna fuck mode
Women experience pleasure and sexual desire
Sperms full up inna a belly till you gut load
Sperms fill up inside until the belly is swollen
And me still nah diss you tomorrow
And I still won't disrespect you tomorrow
When me see 'pon the road
When I see you on the road
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
@llemonVar
2023 it still knocking GAZA 4EVER
@senjanescavar6408
All in 2023 this still a play
@vendetta9792
so di 17 people who Nuh like diss ah batty man right
@ibiparkar6614
Yes lol chi chi man
@ricardojohnson6354
25 now, booowwy🔫🔫🔫🔫
@shevornsmith3589
Lol 25 it reach now dem ppl deh fi just stop live god nah tek dem ina him place
@sexykim1633
It look suh
@ricardojohnson6354
@@sexykim1633 dwl 27 now
@just-bants-bludddd
Still banging this chune ina 2022 💥💥
@marlondavey8024
What’s Di Riddim Name??