Humphreys County, Mississippi - d. 31 January 1980) was a pioneer rockabilly singer and guitar player.
Smith was born to Ioda and Willie Warren Smith, who divorced when he was young. He was raised by his maternal grandparents in Louise, Mississippi where they had a small farm and dry goods store.
Smith took up the guitar to while away his evenings while in the United States Air Force stationed in San Antonio, Tx. By the time of his discharge from the service, he had decided to make a career of music. He moved to West Memphis, Arkansas and auditioned, successfully, to play the Cotton Club, a local hot spot. Steel guitarist Stan Kessler, who was playing at that nightclub with the Snearly Ranch Boys, immediately spotted Smith's potential and took him to Memphis' famed Sun Records, to audition for Sam Phillips with the Snearly Ranch Boys providing backup.
Phillips liked what he heard, and decided that "Rock & Roll Ruby", a song credited to Johnny Cash, would be Smith's first record. (Smith later claimed that "Rock & Roll Ruby" was actually written by George Jones and sold to Cash for $40.) Smith recorded that rock & roll classic on February 5, 1956. Phillips, who was hedging his bets over whether rock & roll would maintain its popularity, released that record with a country crooner, aptly named "I'd Rather Be Safe Than Sorry", on the flip side. By May 26, "Rock & Roll Ruby" had hit number 1 on the local pop charts. Smith's first record for Sun went on to outsell the first Sun releases by Elvis Presley, Johnny Cash and Carl Perkins.
In August 1956, Smith went back to the Sun Records studio to record his second release "Ubangi Stomp". This infectious rocker had a politically incorrect lyric including an African chief with the syntax of a movie Indian. For the B side, Smith recorded the classic ballad "Black Jack David". This song, which originated in early eighteenth century Britain and survived in various forms, in the mountains of the American south, may be the oldest song ever recorded by a rock & roll performer. Although a resounding artistic success, this record did not sell as well as Smith's debut.
Although Smith continued to make great rockabilly records for Sun, including a rocking cover version of Slim Harpo's "Got Love If Your Want It" (recorded in October 1957), these records did not do well commercially. Toward the end of 1958, Smith, seeing his future in country music, cut a final record for Sun, a cover version of Don Gibson's "Sweet Sweet Girl". In spite of a review in Billboard magazine calling it "ultra commercial" (high praise from a music business publication), this record also failed to sell. Smith decided to leave Sun Records.
In 1959, Smith and his wife and son moved from Mississippi to California, settling in Sherman Oaks, not far from Johnny and Vivian Cash. Cash offered Smith a spot on his show, but Smith turned it down, seeing himself as a headliner, not a supporting player. In early 1960, Smith signed with Liberty records, and immediately scored a hit with "I Don't Believe I'll Fall in Love Today", which went to #5 on Billboard's Country & Western chart. This record, and Smith's subsequent records, was produced by Joe Allison, and featured one of California's best country session musicians, Ralph Mooney, on pedal steel guitar. Smith scored again with his next record for Liberty, "Odds and Ends, Bits and Pieces", written by Harlan Howard. Liberty had Smith record several more tracks, mostly cover versions of recent country hits, to flesh out an album called "The First Country Collection of Warren Smith".
Smith continued to record with some success for Liberty, and to tour with his band, from 1960 - 1965. On August 17, 1965, Smith, had a serious car accident in LaGrange, Texas, suffering serious back injuries, from which it took him nearly a year to recover. By this time, his contract with Liberty had lapsed. Smith made several attempts to restart his career, first with a small, virtually amateur label called Skill records, then for Mercury Records, but, sadly, difficulties with addictions to pills and alcohol held him back. Eventually, Smith's drug problems led to an 18-month term in an Alabama prison for robbing a pharmacy.
After his release from prison, Smith continued to struggle to restart his career. In the late 1970s, he got a bit of a boost from the rockabilly revival then occurring. He was invited, in 1977, to appear at London's Rainbow Theatre, on a bill featuring Charlie Feathers, Buddy Knox and Jack Scott. To his shock, Smith was received in London with standing ovations. His reception in England boosted his spirits and, upon his return to the U.S., he began to perform with newfound vigor. In November 1978, Smith and fellow Sun alumnus Ray Smith toured Europe, again to great success.
In 1980, while preparing for another European tour, Smith died of a heart attack at 47 years of age.
Warren Smith's contribution to the rockabilly music has been recognized by the Rockabilly Hall of Fame.
Tee other Warren Smith :
The virtuoso percussionist, Warren Smith (b. 14 May 1934, Chicago, Illinois) has worked with diverse artists as Miles Davis, Charles Mingus, Sam Rivers, Aretha Franklin, Janis Joplin, Van Morrison, Bill Cole and Harry Partch, and he was a founding member, along with Max Roach, of the percussion group, M'Boom.
Dear John
Warren Smith Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
There was a note upon my door
Saying " Don't make me no coffee, Babe
Cause I won't be back no more"
And that's all she wrote
"Dear John", I sent your saddle home"
Daniel in the lion's den
I know a guy that didn't try to get along
And he won't get a chance again
That's all she wrote
"Dear John", I sent your saddle home"
She didn't forward no address
No she never said goodbye
All she said was "If you get blue
Just hang your little head and cry"
That's all she wrote
"Dear John", I sent your saddle home"
Now my gal's short and stubby
She's mean as she can be
If that little old gal of mine
Ever gets a hold of me
That's all she wrote
"Dear John", I fetched your saddle home"
Went down to the bank this morning
The cashier said with a grin
I'm sorry for you Little John
But your wife has done been in
That's all she wrote
"Dear John", I sent your saddle home"
That's all she wrote
"Dear John", I sent your saddle home"
The lyrics to Warren Smith's song "Dear John" depict a breakup note left by a woman for John. As he wakes up in the morning, he finds a note on his door that says she won't be back and he shouldn't make coffee for her. The note ends with "Dear John, I sent your saddle home." The phrase "Dear John" is commonly used to describe a letter ending a romantic relationship.
The second verse draws a comparison between John's situation and those in biblical stories. The singer mentions Jonah's time in the belly of the whale and Daniel's time with the lions. The implication seems to be that even in difficult or dangerous situations, those characters did not give up, whereas John did not try to salvage the relationship and now it's over for good.
Line by Line Meaning
When I woke up this morning
The start of another day like any other.
There was a note upon my door
A message left behind for me to find.
Saying ' Don't make me no coffee, Babe
She asked me not to make her coffee anymore.
Cause I won't be back no more'
She's not coming back, and this is goodbye.
And that's all she wrote
That's the end of the story.
'Dear John', I sent your saddle home'
This message was her farewell letter addressed to "John," and she sent back his saddle.
Now Jonah got along in the belly of a whale
A reference to the biblical story where Jonah survives in a whale's belly for 3 days.
Daniel in the lion's den
A reference to the biblical story where Daniel was thrown to the lions but remained unharmed.
I know a guy that didn't try to get along
A sad story of a guy who didn't make an effort to get along with his loved one.
And he won't get a chance again
Now that he's lost her, he won't get the opportunity to make things right.
She didn't forward no address
She didn't leave any forwarding address or contact information.
No she never said goodbye
Her parting was abrupt, and she didn't say goodbye.
All she said was 'If you get blue
She said that if he gets sad, he should cry it out.
Just hang your little head and cry'
She advised him to mourn and be sorrowful.
Now my gal's short and stubby
A description of his girlfriend's physical appearance.
She's mean as she can be
She has a harsh and unfriendly temperament.
If that little old gal of mine
Referring to his girlfriend.
Ever gets a hold of me
If she catches him, he'll likely suffer the consequences.
'Dear John', I fetched your saddle home'
This message was his reply to her farewell letter addressed to "John," and he went to her house and picked up his saddle.
Went down to the bank this morning
He went to the bank that morning.
The cashier said with a grin
The bank employee had a suggestive look on their face.
I'm sorry for you Little John
The bank employee expresses their condolences for him.
But your wife has done been in'
His wife has already been to the bank earlier that day.
'Dear John', I sent your saddle home'
He repeats her farewell message to him as he's still tormented by those words.
Lyrics © Universal Music Publishing Group
Written by: AUBREY A. GASS, TEX RITTER
Lyrics Licensed & Provided by LyricFind
Amauri Barbosa
Rockabilly Sun classic recording!