Zevon's work has often been praised by well-known musicians, including Jackson Browne, Bruce Springsteen, Bob Dylan, and Neil Young. His best-known compositions include "Werewolves of London", "Lawyers, Guns and Money", "Roland the Headless Thompson Gunner" and "Johnny Strikes Up The Band," all of which are featured on his third album, Excitable Boy (1978). Other well-known songs written by Zevon have been recorded by other artists, including "Poor Poor Pitiful Me" (a top 40 hit by Linda Ronstadt), "Accidentally Like a Martyr," "Mohammed's Radio", "Carmelita", and "Hasten Down the Wind".
Along with his own compositions, Zevon recorded or performed occasional covers, including Bob Dylan's "Knockin' on Heaven's Door" and Leonard Cohen's "First We Take Manhattan". He was a frequent guest on Late Night with David Letterman and the Late Show with David Letterman. Letterman later performed guest vocals on "Hit Somebody! (The Hockey Song)" with Paul Shaffer and members of the CBS Orchestra.
He was born to a Russian Jewish father and a Mormon mother and soon moved to California. At the age of 12/13, Warren Zevon was a regular visitor to the home of Igor Stravinsky where he, along with Robert Craft, would study music.
He turned to a musical career early, including a stretch as part of a Sonny and Cher-type male/female duo called Lyme and Cybelle, and spent time as a session musician (notably as piano player for the Everly Brothers) and jingle composer. He wrote several songs for his White Whale label-mates the Turtles, though his participation in their recording is unknown. Another early composition ("She Quit Me") was included in the soundtrack for Midnight Cowboy, released in 1969. His first attempt at a solo album, Wanted Dead or Alive (1969), did not fare well, and his second effort, Leaf in the Wind, was scrapped (though release was considered just prior to his death). In the early 70s he toured regularly with the Everly Brothers as keyboard player and band leader/musical coordinator. His dissatisfaction with his career and the opportunities for a song-writer led him to move to Spain briefly, where he played in a small bar owned by a former mercenary. Together, they penned Zevon's classic "Roland the Headless Thompson Gunner."
In the mid-70s he moved to Los Angeles, and became associated with the then-burgeoning West coast music scene, including collaborations with Jackson Browne, who would produce and promote Zevon's self-titled major-label debut in 1976, The Eagles, who appeared on that first album, and Linda Ronstadt, who would record several early Zevon songs including a hit version of "Poor Poor Pitiful Me". Zevon's first tour in 1977 included guest appearances in the middle of Jackson Browne concerts.
In 1978 Zevon released his breakthrough album, Excitable Boy, to critical acclaim and popular success. Several tracks from this album received heavy FM airplay and the single release "Werewolves of London", which featured a relatively lighthearted version of Zevon's signature macabre outlook, was a top-ten hit.
For the next 20 years Zevon would continue to record and release albums sporadically and with varying levels of success, while fighting personal demons including an acknowledged battle with alcoholism and drugs. (His fourth album, Bad Luck Streak in Dancing School is dedicated to novelist Ross Macdonald, who crucially assisted Zevon during a particularly difficult episode in 1979.) Apparently success did not treat Zevon well, as evidenced by his movements (living on Philadelphia's Rittenhouse Square, etc.), well-documented stints in rehab, and withdrawal from the spotlight. After the release of The Envoy in 1982, Zevon effectively quit his career as a full-time occupation, appearing rarely and usually solo, without a band. He also collaborated with several members of R.E.M. to record as the Hindu Love Gods in 1990, though initial collaboration occurred during his "lost period" in 1984.
In 1987 Zevon made a comeback with a modest hit album Sentimental Hygiene, which featured collaborations with Neil Young, Bob Dylan, and members of R.E.M., among others including long-time collaborators Jorge Calderone and Waddy Wachtel. The follow-up album, Transverse City in 1989 also featured guests, including Jerry Garcia and David Gilmour. The tradition of collaborations with more famous musical talents was consistent throughout his career, from the appearance of Jackson Browne and The Eagles on his first album, to Bruce Springsteen on his last.
Zevon toured the US regularly during the 90s, often alone, with minimal accompaniment. He did conduct a tour with Odds, a band from Vancouver, Canada. Many tours started in Colorado to allow Warren an opportunity to visit with his long-time friend, Hunter S. Thompson. Warren was close to several prominent writers who also collaborated on song-writing, including Carl Hiassen. He also served as musical coordinator for an ad-hoc group called the Rock Bottom Remainders, a collection of writers performing rock and roll standards at book fairs and other events. This group included Stephen King, Dave Barry, and other popular writers.
In interviews, Zevon described a lifelong phobia of doctors and seldom received medical assessment. In 2002, after a long period of untreated illness and pain, Zevon was encouraged by his dentist to see a doctor; when he did so he was diagnosed with inoperable mesothelioma (a form of lung cancer associated with exposure to asbestos rather than smoking). He then began recording his final album, The Wind, with guest appearances from close friends including Bruce Springsteen, Don Henley, Timothy B. Schmit, Joe Walsh, David Lindley, Billy Bob Thornton, Emmylou Harris, Tom Petty and others.
On October 30, 2002, Zevon was featured on the Late Show with David Letterman as the only guest for the entire hour. Zevon performed several songs and spoke at length about his illness. Zevon was a frequent guest and occasional substitute bandleader on Letterman's television shows since Late Night first aired in 1982. It was this show where Zevon offered his insight on facing death: "enjoy every sandwich."
Zevon previously stated that his illness was expected to be terminal within months after the diagnosis in the Fall of 2002; however he lived to see the birth of twin grandsons in June of 2003 and the release of The Wind on August 28, 2003. When his diagnosis became public, he told the media that he just hoped to live long enough to see the next James Bond movie, a goal he also accomplished. Appropriately, the film was called Die Another Day.
Zevon died at his home in Los Angeles, California, on September 7, 2003. The Wind was certified gold by the RIAA in December of 2003 and Zevon received 5 posthumous Grammy nominations, including Song Of The Year for "Keep Me In Your Heart".
A tribute album titled Enjoy Every Sandwich: Songs of Warren Zevon was released October 19, 2004. His son, Jordan Zevon, did a large part of the work on the album and performed "Studebaker," a previously unreleased composition. A second tribute album, titled Hurry Home Early: the Songs of Warren Zevon (the lyrics "hurry home early" are from the song "Boom Boom Mancini," on Sentimental Hygiene) was released by Wampus Multimedia on July 8, 2005.
On February 14, 2006, VH1 Classic premiered a video from a new compilation, "Reconsider Me: The Love Songs of Warren Zevon." The video, titled "She's Too Good For Me," aired every hour on the hour throughout the day. The video was not well received among many of Zevon's fans, as evidenced by their responses on the official Bulletin Board.
Nighttime in the Switching Yard
Warren Zevon Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Get it out on the mainline
Listen to the rhythm of the train go by
Listen to the train whistle whine
Nighttime in the switching yard
See that train...
The midnight train runs both ways
Do it
Doot dat doot dat doot dadoot
Listen to the train whistle whine
Listen to the train
Listen to the track
The song Nighttime in the Switching Yard by Warren Zevon is a captivating and evocative track that paints a vivid picture of the atmosphere at night in the switching yard. The lyrics speak of the lure of the train and the thrilling feeling it evokes as it goes by, with the train whistle's melancholic wail and the sound of the wheels on the tracks. The song's opening lyrics, "Nighttime in the switching yard, get it out on the mainline," conjure up images of a bustling yard with trains passing through, and the sense that something is being moved or transported somewhere.
The second set of lyrics, "See that train, the midnight train runs both ways," suggest that the train is more than just a means of transportation but a metaphor for something else. The line "the midnight train runs both ways" implies that the train is traveling to unknown or otherworldly destinations, and the fact that it runs both ways adds a sense of ambiguity to the song's meaning. The repetitive doot dat doot dat doot dadoot underscores lyrical themes of rhythm, and the listener inevitably becomes part of the pulsing, relentless energy of the switching yard.
Line by Line Meaning
Nighttime in the switching yard
It's currently nighttime in the area where trains are switched from one track to another
Get it out on the mainline
The trains need to be moved to the main tracks
Listen to the rhythm of the train go by
Take a moment to hear the sound and movement of the trains passing by
Listen to the train whistle whine
Pay attention to the distinct sound of the train whistle
Nighttime in the switching yard
Reiterating that it's currently nighttime in the train switching yard
See that train...
Pointing out a specific train that is likely passing by
The midnight train runs both ways
The train is not limited to just one direction, but can go in either direction
Do it
A command to start taking action and moving things along
Doot dat doot dat doot dadoot
Mimicking the sound of the train passing by
Listen to the train whistle whine
Repeating the importance of paying attention to the sound of the train whistle
Listen to the train
Another reminder to focus on the sounds and movements of the train
Listen to the track
Paying attention to the path that the train is taking
Lyrics © Universal Music Publishing Group
Written by: Jorge A. Calderon, David Eric Lindell, Warren Zevon, Robert T. Wachtel
Lyrics Licensed & Provided by LyricFind
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RHINO
Warren Zevon is nominated in the Rock and Roll Hall of Fame class of 2023! We need your help getting him in. Cast your vote here: https://vote.rockhall.com/en/
Sussi Baki
One of the best Funk songs!! Long live Zevon!
blossie33
Love this!
I have his album with this track on it ❤ they are obviously miming to the record - love the way they are hamming it up for the video 😆
lunarpollen
When I saw Warren play in NYC in the early 1990's, some guy in the crowd shouted out the title of this track, and Warren just said "yeah right," and continued with his show... I doubt he ever played it live after 1978...
Anders Zettergren
Great.
The groove is a killer.
Michael Bierman
What a treasure!
Zork Work
This had been temporarily taken off..Glad it's back on...How dumb of whoever it was to remove something that makes us remember the wonderful ,Warren Zevon!!!
Zork Work
His nerd dancing just tickles my heart!!!! Such enthusiasm!!!!
Randall Snyder
Warren showing us his best Jagger moves ❤
Gary Spence
That's a bingo! He's actually prancing about..I dig it. Those were his drinking days. Not that he ever turned Mormon, but you catch my drift...