Wilco's music has been inspired by a wide variety of artists and styles, including Bill Fay and Television, and has in turn influenced music by The National and Cherry Ghost. The band continued in the alternative country of Uncle Tupelo on its debut album A.M. (1995), but has since introduced more experimental aspects to their music.
Wilco garnered media attention for its fourth album, Yankee Hotel Foxtrot (2002), and the controversy surrounding it. After the recording sessions were complete, Reprise Records rejected the album and dismissed Wilco from the label. As part of a buy-out deal, Reprise gave Wilco the rights to the album for free. After streaming Foxtrot on its website, Wilco sold the album to Nonesuch Records in 2002. Both record labels are subsidiaries of Warner Music Group, leading one critic to say that the album showed "how screwed up the music business [was] in the early twenty-first century." Yankee Hotel Foxtrot is Wilco's most successful release to date, selling over 590,000 copies. Wilco won two Grammy Awards for their fifth studio album, 2004's A Ghost Is Born, including Best Alternative Music Album.
The I Might Songfacts reports that Wilco's eighth album, The Whole Love (2011), marked the first ever release on the band's own label dBpm.
Formation
Wilco was formed following the breakup of the influential alternative country music group Uncle Tupelo. Singer Jay Farrar quit the band in 1994 supposedly because of a soured relationship with co-singer Jeff Tweedy. Both Tweedy and Farrar sought to form bands immediately after the breakup. Tweedy was able to keep the entire Uncle Tupelo lineup sans Farrar, including bassist John Stirratt, drummer Ken Coomer, and multi-instrumentalist Max Johnston. The band was tempted to keep the Uncle Tupelo name, but ultimately decided to rename the band. The group named itself "Wilco" after the CB radio voice procedure for "I Will Comply". [N.B. this term originates in World War 2 Battle of Britain Fighter pilot slang for will co-operate, if not earlier in the Royal Air Force]
A.M. and Being There
After collaborating with Syd Straw on a cover version of the Ernest Tubb song, "The T.B. is Whipping Me" (released in September 1994 on the Red Hot + Country compilation), Wilco began recording tracks for A.M., their first studio album, at Easley studio in June 1995. A demo tape from these recordings was sent to executives at Reprise Records, a subsidiary of Warner Brothers, and the label signed Tweedy to a contract. Although Tweedy stated that he wanted a more collaborative project than Uncle Tupelo, only his name appeared on the Reprise contract. Tweedy requested songwriting submissions from other members, but only one submission—John Stirratt's "It's Just That Simple"—appeared on A.M.. It was the last song Wilco ever released that was solely written by a member besides Tweedy.
Stylistically similar to Uncle Tupelo, the music on A.M. was considered to be straightforward alternative country rock in what Tweedy later described as "trying to tread some water with a perceived audience." A.M. peaked at number twenty-seven on the Billboard Heatseekers chart, considerably lower than the debut album of Jay Farrar's new band, Son Volt. The album was met with modest reviews though it would rank thirty-fourth in the Village Voice's 1995 Pazz & Jop critics poll. Critically and commercially paling in comparison to the reception of Son Volt's album, the Wilco members perceived A.M. to be a failure. Shortly after the release of the album, multi-instrumentalist Jay Bennett joined the band, providing the band with a keyboardist and another guitarist.
Wilco made its live debut on November 17, 1994 to a capacity crowd at Cicero's Basement Bar in St. Louis, Missouri (the band was billed for the occasion as "Black Shampoo").
During the two hundred-date tour supporting A.M., Tweedy began to write songs for a second album. The lyrical theme of the songs reflected a relationship between musical artist and a listener; Tweedy chose this topic because he sought to eschew the alternative country fan base. Ken Coomer elaborated:
"The whole No Depression thing was funny to us because people seemed to forget that Jeff was a bigger punk-rock fan than a country fan. It led to things like us all switching instruments on 'Misunderstood,' where I'm playing guitar."
A number of songs were recorded with this theme, including "Sunken Treasure" and "Hotel Arizona", however, Wilco also recorded a number of songs in the style of A.M. Wilco named the album Being There after a Peter Sellers film of the same name. The band went through some personnel changes during the recording sessions. Max Johnston left the band because he felt that his role in the band had diminished in favor of Bennett; he had also been replaced by violinist Jesse Greene on one track because the band felt that Johnston was unable to play the part. Bob Egan of Freakwater briefly joined the band in the studio, playing pedal steel guitar on "Far, Far Away" and "Dreamer in My Dreams", and then became an official member in September 1996.
Unlike the A.M. recording sessions, the band had no vocation for producing a hit song from their second effort. The recording sessions produced nineteen songs, too many for a single album release. Tweedy was concerned about the high retail price that a double album would be sold for (at least $30), so he asked Reprise Records to release it as a double album at a single album price ($17.98 or less). Reprise agreed to this on the terms that they received Wilco's share of the album royalties. It was estimated in 2003 that the band lost almost $600,000 on the deal, but Tweedy was satisfied. Being There was well-received by critics from several major media outlets, including Rolling Stone. The album reached #73 on the Billboard album charts, a significant improvement from A.M., and placed fourteenth on the Pazz & Jop Critics Poll for 1996.
Summerteeth and the Mermaid Avenue sessions
In November 1997, Wilco entered Willie Nelson's recording studio in Spicewood, Texas to record a third studio album. The album was lyrically inspired by the marital problems of Tweedy and his wife, as well as by twentieth-century literature. Tweedy relied heavily on Bennett to provide music for the singer's "bold, but depressing" lyrics. Wilco recorded several songs, including "Via Chicago" and "She's a Jar," but began working on another project before assembling the tracks into an album.
Nora Guthrie contacted singer-songwriter Billy Bragg in spring 1995 about recording some unreleased songs by her father, folk singer Woody Guthrie. Most of the songs were written late in Guthrie's life when he was unable to record due to the motor impairments of Huntington's disease. By the 1990s, Woody Guthrie had become a "relic" to the MTV generation, and Nora sought to establish a different legacy for the musician. To Nora, Bragg was "the only singer I knew taking on the same issues as Woody." Bragg was concerned, however, that his fans would not realize that the songs were written by Guthrie when he performed them on tour, so he decided to record the album with another band.
Bragg contacted Tweedy and Bennett about co-recording the album while Wilco was on the European segment of their Being There tour. Bragg was particularly fond of Being There because their influences extended farther back than the 1950s. Although Tweedy was indifferent to the offer, Bennett was enthused about recording songs of one of his idols—Bennett's previous band Titanic Love Affair was named after a Billy Bragg lyric. A recording contract between Bragg and Wilco was signed after a show at Shepherd's Bush Empire. Bragg mostly recorded the politically-charged lyrics, while Tweedy preferred to record lyrics that showcased Guthrie as a "freak weirdo." The recording of Mermaid Avenue began on December 12, 1997, and was the topic of BBC's Man in the Sand documentary film.
Tempers flared between Bragg and Wilco after the album was completed. Bennett believed that Bragg was overproducing his songs, a sharp contrast to Wilco's sparser contributions. Bennett called Bragg about the possibility of remixing Bragg's songs, to which Bragg responded with "you make your record, and I'll make mine, fucker." Eventually Bragg sent copies of his recordings to Chicago for Bennett to remix, but Bragg refused to use the new mixes on the album. The two parties were unable to establish a promotional tour and quarreled over royalties and guest musician fees.
Despite these conflicts, the album was released on June 23, 1998, and sold over 277,000 copies. The album received rave reviews from Robert Christgau and Rolling Stone, and was nominated for a Grammy Award for Best Contemporary Folk Album. It also placed fourth on the Pazz & Jop critics poll for 1998. After the album was released, Bob Egan was replaced by multi-instrumentalist Leroy Bach.
After the completion of the Mermaid Avenue sessions, Wilco returned to Spicewood to complete their third studio album, Summerteeth. Unlike previous Wilco and Uncle Tupelo recordings, the album featured a lot of overdubbing with Pro Tools. Stirratt and Coomer were concerned with the production, since it reduced their involvement in the music. According to Stirratt:"The story of Summerteeth is Jay bought a Mellotron and he was going to use it, no matter what. It was lovely, but it was overdone. Once they got going on the overdubs, they didn't stop. And nobody in the band stepped up to stop the madness … It reminds me of Heart of Darkness, where you knowingly extend the creative process for the purpose of exploration or redemption, or whatever it is you're looking for."
During 1999, Warner Brothers was looking to help repay a $16 billion debt acquired during the recent merger of parent company Warner Communications with Time Inc.. As a result, Warner's imprints were under pressure to produce musical acts that would yield hit records. The head of Reprise, Howie Klein, who had previously authorized the release of Being There as a double album, was willing to let Wilco produce Summerteeth without label input. When Klein played the album for Reprise's A&R department, however, they demanded a radio single for the album. Wilco agreed to do this "once and once only" and recorded a radio-friendly version of "Can't Stand It" at the request of David Kahne, the head of the A&R department. The single version of "Can't Stand It" failed to cross over from Triple-A radio to alternative rock stations. Consequently, the album sold only 200,000 copies, significantly less than Being There. This was despite critical acclaim; the album placed eighth on the Pazz & Jop critics' poll for 1999.
After the release of Summerteeth, the band resumed the Mermaid Avenue sessions. Although they had recorded enough material for a second release in 1998, Wilco recorded a few new songs for Mermaid Avenue Vol. II. "Someday Some Morning Sometime," featuring a vibraphone filtered through a space echo, was identified by Tweedy as being the "piece to the puzzle" towards the creation of their fourth studio album. The album was released on May 30, 2000, and was the last release from the sessions.
Yankee Hotel Foxtrot
Shortly after the recording sessions for Mermaid Avenue Vol. II, Wilco purchased a studio in Irving Park, Chicago, which they named the Wilco Loft. The band recorded some tracks in the studio in early 2000 for a fourth studio album. In May 2000, Jeff Tweedy requested to perform with Jim O'Rourke at a festival in Chicago; Tweedy was a fan of O'Rourke's Bad Timing. O'Rourke introduced Tweedy to drummer Glenn Kotche, and the trio enjoyed working together so much that they decided to record an album as a side project named Loose Fur. Wilco had recorded an entire album of music at this point, but Tweedy was unhappy with the drum parts. He enjoyed Kotche's contributions to Loose Fur so much that Tweedy brought him into the studio to re-record some demos. Some believe that Tweedy sought to make Wilco sound like Loose Fur after officially replacing Ken Coomer with Kotche in January 2001.
Although Bennett sought to act as both mixer and engineer for Yankee Hotel Foxtrot, Tweedy was unsure of Bennett's abilities against those of O'Rourke. Tweedy and Bennett frequently argued over whether the album should be accessible to a general listener, or attempt to cover new musical ground. Unbeknownst to Bennett, Tweedy invited O'Rourke to remix "I Am Trying to Break Your Heart", and the results impressed the other band members—even Bennett. Tensions grew between Bennett and O'Rourke because Bennett wanted to mix every song on the album. O'Rourke cut the contributions of other members on several of the songs; some songs, such as "Poor Places", only featured the Loose Fur trio. The album was completed in 2001, and Bennett left the band immediately afterwards. The recording of the album was documented by Sam Jones and released in 2002 as the film I Am Trying to Break Your Heart.
Time Warner, which owned Warner Brothers, merged with America Online in 2001, leading to more pressure on Warner's record labels to cut costs. Over 600 employees of Warner Music Group were fired, including Howie Klein, the president of Reprise Records. In absence of Klein, David Kahne became the interim head of Reprise. Kahne assigned Mio Vukovic to monitor the progress of Yankee Hotel Foxtrot and to offer suggestions. Music journalist Greg Kot claims that Vukovic disdained the album and was unhappy that Wilco ignored his suggestions. He brought the album to Kahne, who felt that there was no single on the album. In June 2001, the album was rejected by Reprise and Wilco was asked to leave the label.
Wilco managed to negotiate terms to a buy-out from Reprise. Music journalist Greg Kot claims that instead of financial compensation, the band agreed to leave the label with the master tapes of Yankee Hotel Foxtrot. The label was already receiving bad publicity for its treatment of the band and were willing to accommodate Wilco's request. However, Allmusic claims that Wilco "bought the finished studio tapes from Warner/Reprise for a reported $50,000 and left the label altogether" after Wilco was "unwilling to change the album to make it more 'commercially viable.'" To curb the negative publicity, Reprise began to invest more in bands such as The Flaming Lips. Lead singer Wayne Coyne once remarked: "We are benefiting from the label's regret over Wilco. We are living in the golden age of that being such a public mistake. The people on Warners said, 'we'll never have a band like Wilco feel we don't believe in them again.' They'd tell me that it would never happen to us. And what a great day for me!"
As the band searched for a new label to release the album, they decided to stream it at their official website to discourage illegal trading of low-quality MP3s. The band signed with Nonesuch Records, another Time Warner subsidiary, and the album was released in the spring of 2002. When it was released, Yankee Hotel Foxtrot reached number thirteen on the Billboard 200, Wilco's highest chart position to that date. Yankee Hotel Foxtrot sold over 590,000 copies, and to date remains Wilco's best selling album. Yankee Hotel Foxtrot was met with wide critical acclaim: it topped 2002's Pazz & Jop critics' poll, was named one of the 100 greatest albums of all time by Q Magazine, and was named one of the 500 Greatest Albums of All Time by Rolling Stone.
Down with Wilco, A Ghost Is Born, and Kicking Television: Live in Chicago
While waiting for the commercial release of Yankee Hotel Foxtrot, Wilco agreed to support R.E.M. collaborator Scott McCaughey for an album release by The Minus 5. They scheduled a recording session for September 11, 2001, but were distraught about the 9/11 terrorist attacks that day. Later that day, Wilco and McCaughey agreed to "create something good in the world right now" and record some material. Influenced by Bill Fay's Time of the Last Persecution, The Minus 5's Down with Wilco was released in 2003.
In November 2003, Wilco traveled to New York City to record their fifth album. Unlike Summerteeth and Yankee Hotel Foxtrot, A Ghost Is Born featured songs that were created with Pro Tools before ever performing them live. The album featured the song "Less Than You Think", which included a fifteen-minute track of electronic noises and synthesizers, which Tweedy called "the track that everyone will hate". Tweedy justified the inclusion of the song: "I know ninety-nine percent of our fans won't like that song, they'll say its a ridiculous indulgence. Even I don't want to listen to it every time I play through the album. But the times I do calm myself down and pay attention to it, I think it's valuable and moving and cathartic. I wouldn't have put it on the record if I didn't think it was great … I wanted to make an album about identity, and within that is the idea of a higher power, the idea of randomness, and that anything can happen, and that we can't control it."
Leroy Bach left the band immediately after the album's completion to join a music theatre operation in Chicago. Like Yankee Hotel Foxtrot, Wilco streamed the album online before its commercial release. Instead of using their own web page, the band streamed it in MPEG-4 form on Apple's website. Wilco sought to substantially change their lineup after Bach's departure, and added Mikael Jorgensen, who had engineered Down with Wilco, Pat Sansone of The Autumn Defense, and avant-garde guitarist Nels Cline to the lineup. Just as the band was about to tour to promote the album, Tweedy checked himself in to a rehabilitation clinic in Chicago for an addiction to painkillers. As a result, tour plans for Europe were canceled, and the release date for the album was set back several weeks. A Ghost Is Born was released on June 22, 2004, and became Wilco's first top ten album in the U.S. The album earned Wilco Grammy Awards for Best Alternative Music Album and Best Recording Package in 2005. It also placed thirteenth on 2004's Pazz & Jop Critics Poll.
In 2004, the band released The Wilco Book, a picture book detailing the creation of A Ghost Is Born. The book also contains writings and drawings from band members, as well as a CD with demos from the A Ghost Is Born recording sessions. Also that year, Chicago Tribune music critic Greg Kot released a biography of the band entitled Wilco: Learning How to Die. The new six-piece Wilco lineup debuted on Kicking Television: Live in Chicago, a two disc live album recorded at The Vic Theater in Chicago. Released on November 15, 2005, the album received high accolades from Spin, Billboard, and Entertainment Weekly. As of 2007, it has sold over 114,000 copies.
Sky Blue Sky
Wilco returned to their loft in Chicago to record a sixth studio album in 2006. Influenced by The Byrds and Fairport Convention, the band considered Sky Blue Sky to be less experimental than previous releases. Also unlike previous albums, the songs were created as collaborations.
Wilco streamed the album online on March 3, 2007, and offered the song "What Light" as a free MP3 download. To further publicize the album, Wilco licensed several songs from the Sky Blue Sky recording sessions for use in a Volkswagen advertising campaign. The move was criticized by both critics and fans; Wilco responded by noting that they had previously done advertising campaigns with Apple Computers and Telefónica Móviles (Movistar). The album was released on May 15, 2007, and was a commercial success: it sold over 87,000 copies in its first week and peaked in the top five in the U.S. album charts. It also was a top forty hit in seven other countries.
Reviewer James Brubaker states that Wilco “shines on a handful of the songs” on Sky Blue Sky, such as the “light, and straightforward” songs. While he calls the album “great traditional rock and folk album at times”, he states that “once you get past the handful of masterful and lovely performances… the rest of the record comes off at times as dull, and forced”. The allaboutjazz review also had mixed comments. While praising the album as “deceptively insinuating, almost intoxicating to listen to” and noting its “impeccable sound quality”, the reviewer claimed that “Sky Blue Sky becomes the first Wilco album that sounds too careful for its own good.”
Pabs Hernandez, a reviewer for Lost at Sea praised the album’s “breezy atmosphere and pacing”, and noted that it is not “easily judged upon first listen.” Overall, Hernandez stated that it “may be no masterpiece, but at worst it's a more than worthy entry into Wilco's laudable catalogue.” Reviewer Greg Locke praised the record as “one of the best albums of the year”, calling it a “timeless record, full of sweet, hopeful sophistication and class” and “a lean, mean, soulful album.” Like Hernandez, Locke acknowledged that the album could not be properly judged just on the first listening. The NPR review also had a positive take on the record. While the NPR reviewer stated that the recording “isn't groundbreaking”, they praised its “coherent musical expression” and emphasis on “solid songcraft without pretense” which created a “satisfying and melodically sound albu[m].”
Musical style and influence
Wilco's music is typically categorized as alternative rock and alternative country. Despite their career long association with a major record label, they are generally associated with indie rock. Wilco draws influence from bands from a variety of musical genres, but primarily from music created between 1966 and 1974. John Cale's Paris 1919 was credited by the band as providing a musical parallel. According to Tweedy, "It was eye-opening that I wasn't the only person that felt like these worlds had a lot more in common than they'd been given credit for—that experimentation and avant-garde theory was not directly opposed to beauty, y'know?"
Other recording artists from that timespan appreciated by the band include John Lennon, Neil Young, and Brian Wilson. For his thirty-fourth birthday, Tweedy received a private guitar lesson from Richard Lloyd of Television; Tweedy was a big fan of the group and was particularly fond of the guitar work, which he wanted to incorporate into his music. Uncle Tupelo was inspired by bands such as Jason & the Scorchers and The Minutemen, influencing the recording of Wilco's A.M.. Tweedy and O'Rourke enjoyed free jazz artists such as Ornette Coleman, Albert Ayler, and Derek Bailey; they also listen to mainstream jazz by artists such as Miles Davis and John Coltrane. The lyrical structure of Wilco's songs were dictated by classic literature and cadavre exquis—an exercise where band members take turns writing lines on a typewriter, but are only allowed to see the previously written line. Among the books that the band has cited as being stylistically influential include William H. Gass's In the Heart of the Heart of the Country, Henry Miller's Tropic of Cancer, and Harold Bloom's The Anxiety of Influence: A Theory of Poetry.
Some critics have dubbed Wilco the "American Radiohead", due to their stylistically diverse catalog. A critic from the New York Times argues that Wilco has a "roots-rock...[sound which] reached back to proven materials: the twang of country, the steady chug of 1960s rock, the undulating sheen of the Beach Boys, the honky-tonk hymns of the Band and the melodic symmetries of pop."
Rolling Stone described Wilco as "one of America's most consistently interesting bands" and "America's foremost rock impressionists." Despite critical acclaim, Wilco's influence on modern rock has been limited. Bands that have been influenced by Wilco include Derek Webb (of Caedmon's Call), The National, and Grace Potter and the Nocturnals. English indie rock band Cherry Ghost took its name from a lyric from the Wilco song "Theologians" (from A Ghost Is Born)—lead singer Simon Aldred is a self-proclaimed "massive Wilco fan". Pete Yorn's song "Crystal Village" was influenced by Wilco's "She's A Jar." On his 2004 album Live From New Jersey he introduces the song by saying, "Someone accused me of ripping off Cat Stevens. And I was like, 'That's bullshit, man. I would never rip off Cat Stevens.' I ripped off Wilco on that song."
http://www.wilcoworld.net
She
Wilco Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
With a heavy lid
My pop quiz kid
A sleepy kisser
A pretty war
With feelings hid
She begs me not to miss her
To light a fuse
We could use
A hand full of wheel
And a day off
And a bruised road
However you might feel
Tonight is real
When I forget how to talk, I sing
won't you please
Bring that flash to shine
And turn my eyes red
Unless they close
When you click
And my face gets sick
Stuck
Like a question unposed
Just climb aboard
The tracks of a trains arm
In my fragile family tree
And watch me floating inches above
The people under me
Please beware the quiet front yard
I warned you
Before there were water skies
I warned you not to drive
Dry your eyes, you poor devil
Are there really ones like these?
The ones I dream
Float like leaves
And freeze to spread skeleton wings
I passed through before I knew you
I believe it's just because
Daddy's payday is not enough
Oh, I believe it's all because
Daddy's payday is not enough
Just climb aboard
The tracks of a trains arm
In my fragile family tree
And watch me floating inches above
The people under me
She's a jar
With a heavy lid
My pop quiz kid
A sleepy kisser
A pretty war
With feelings hid
You know she begs me not to hit her
The lyrics to Wilco’s song She’s A Jar are richly layered with emotion and meaning, and open to various interpretations. At its heart, however, the song seems to be about a complicated relationship with a woman who is both alluring and elusive. The description of her as “a jar with a heavy lid” suggests that she is someone who is guarded and difficult to access emotionally. The reference to her as a “pretty war” suggests that she is someone who is simultaneously attractive and challenging to be with. Throughout the song, the singer seems to vacillate between feelings of love and anger towards this woman, suggesting that their relationship is fraught with tension and ambiguity.
One of the most compelling aspects of this song is its use of metaphor, particularly the references to trains and tracks. This imagery conjures up feelings of movement and direction, as well as a sense of being on a journey toward some unknown destination. The reference to a “fragile family tree” implies that the singer is struggling to find his place within a larger social context. Additionally, the lyrics seem to contain elements of nostalgia and regret, particularly in the lines “before there were water skies I warned you not to drive,” hinting at an earlier, simpler time that has since passed.
Overall, She’s A Jar is a haunting and evocative song that offers a glimpse into the complexities of human relationships, particularly those that are fueled by desire and longing. Through its use of vivid imagery and metaphor, the song offers a powerful meditation on the nature of human connection and the emotional landscapes that we navigate in pursuit of it.
Line by Line Meaning
She's a jar
She's like a jar with secrets, concealed emotions, and complexities that you can't see through the surface.
With a heavy lid
Her true self is locked beneath a tough exterior that takes some effort and patience to unravel.
My pop quiz kid
She's like a pop quiz, unpredictable, exciting, and tests your wits and intelligence when dealing with her.
A sleepy kisser
She's a lover who's hesitant and slow when it comes to intimacy and affection.
A pretty war
She's an attractive and alluring person, but her personality and character are in conflict with each other, resulting in inner turmoil.
With feelings hid
She's cautious about her emotions and doesn't reveal them easily, making it challenging for others to understand her.
She begs me not to miss her
She's afraid of being forgotten or left behind; she desires to be remembered and desired.
She says forever
She wants a long-lasting commitment and promises eternal love to her partner.
To light a fuse
She wants to stir up excitement, passion, and energy in the relationship.
We could use
She suggests that the relationship needs some added thrill, adventure, or excitement to rekindle the romance.
A hand full of wheel
A new direction or a fresh start in the relationship that both parties need to steer together.
And a day off
A break from the routine or regular life to indulge in a new experience together.
And a bruised road
A difficult or challenging path fraught with obstacles and uncertainties that takes courage to embark on.
However you might feel
Notwithstanding how you perceive the relationship right now, let's take these steps and make things better.
Tonight is real
Let's put aside our differences and focus on the present moment to rekindle our relationship.
When I forget how to talk, I sing
She uses music as a way to express herself when verbal communication is proving difficult.
Won't you please
An appeal or request to the audience to assist in expressing herself through music.
Bring that flash to shine
Produce a spark, excitement, or energy that can bring life to her creative expression.
And turn my eyes red
Express her passion and emotion through music and to evoke a response in the listener.
Unless they close
To evoke a deep emotional response that leaves one in awe, emotional, and closes their eyes in joy, peace, or contentment.
When you click
An acknowledgement of the connection between the singer and the listeners when the music is played.
And my face gets sick
To evoke a reaction so deep that one's physical expressions are affected.
Stuck
Paralyzed and stunned by the beauty and emotive expression conveyed through music.
Like a question unposed
The music evokes deep thoughts and reflections that are left unanswered or open to interpretation.
Just climb aboard
To be part of something great, exciting, and adventurous.
The tracks of a trains arm
To journey through life, family, relationships, or even music, one must climb aboard, and this journey will take you through various twists and turns.
In my fragile family tree
Acknowledge the complexity, diversity, and uniqueness of one's family and the need to cherish it.
And watch me floating inches above
To look up and appreciate the achievements, milestones, and growth of oneself and one's family.
The people under me
Acknowledge the people that supported, motivated, and enabled one's success and growth.
Please beware the quiet front yard
To be cautious of situations that may appear calm and peaceful, but harbor secrets, challenges, and issues that may lead to problems later.
I warned you
Advice or warning that didn't quite sink in or was ignored by the recipient.
Before there were water skies
Before the easy and effortless times, the singer gave advice or warning to the listener.
I warned you not to drive
To avoid certain actions or decisions that could have negative consequences.
Dry your eyes, you poor devil
Acknowledge the hardships, challenges, or disappointments faced by the listener and provide some comfort and consolation.
Are there really ones like these?
To express disbelief, skepticism or surprise at a certain idea or situation.
The ones I dream
To express one's deepest desires, wishes or hopes that are unrealistic or idealistic.
Float like leaves
To visualize one's dreams and desires as something light, beautiful, and colorful like autumn leaves floating around.
And freeze to spread skeleton wings
To capture the beauty of a fleeting moment and to make it immortal or never-ending.
I passed through before I knew you
The singer acknowledges that his life experiences and the journey that he's been through have shaped him to be the person he is now.
I believe it's just because
The singer suspects that there's a particular reason behind something.
Daddy's payday is not enough
The singer believes that money or material possessions are not the only determinants of happiness in life.
Just climb aboard
To embrace life's journey and to make the most of what one has.
The tracks of a trains arm
To acknowledge the presence of guidance, support, and protection that uplifts one's life and journey.
In my fragile family tree
Acknowledge the existence of support, love, and guidance that's provided within one's family.
And watch me floating inches above
To appreciate the journey of life and how far one has come in terms of growth, success, and achievements.
The people under me
Acknowledge the people that are instrumental, supportive, and loving in making progress and achievements possible.
She's a jar
To conclude the song, the singer affirms that the woman is complex, multifaceted, and multi-layered, just like a jar.
With a heavy lid
He acknowledges her complexity, mystery, and difficulty in opening up.
My pop quiz kid
He recognizes her unpredictability, and the tests she poses him, and how his intelligence is challenged when dealing with her.
A sleepy kisser
To finalize his description, he identifies her as a lover, with whom he has to be patient and work hard to get intimate.
A pretty war
He identifies the internal conflict and turmoil in her personality, and how they come in conflict with her external beauty, creating a kind of war.
With feelings hid
He ends by acknowledging her struggle to come to terms with her emotions, and how she guards them carefully and hides them from the world.
You know she begs me not to hit her
The final line of the song adds a dark twist, hinting at domestic abuse, where the woman begs not to be hit, further emphasizing how complex and multifaceted the woman is.
Lyrics © Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc., BMG RIGHTS MANAGEMENT US, LLC
Written by: JEFF TWEEDY, JAY BENNETT
Lyrics Licensed & Provided by LyricFind
oldfriendofmine
This is for me one of the most underrated songs ever. Everything about it is chilling. The craft of its writing (structure, arrangements, progressions, everything) is just remarkable to me. It should be all over magazine lists for best pop/rock songs ever, but I don't even think it's one of Wilco's ten most popular.
Geoffrey Gentry
I love how Jay Bennett uses the pitch bend on his Mellotron, especially at 1:47 when he plays a diminished chord and shifts it up at the same time. Brilliant.
AliciaMarieEnns
this is probably my favorite wilco song. Definitely summerteeth is in the top 10 best pop/rock albums ever. Great band. Thanks for uploading
TallFastLoud
I can't decide if that last line is really disturbing, or if Jeff Tweedy is just making "challenging art" by creating this sense of empathy with him, and then flipping it and talking about domestic abuse. Honestly, it seems like both. It takes some artistic guts to write such a pretty pop song and then unload that kind of line at the end of it.
Alex Grantham
Totally possible he's just swapping POVs throughout. A lot of word art during that time.
john sizer
Jeff Tweedy is a legend!! One of the most underrated singers and songwriters of all time. This is one of the best song and album I have ever heard!!!!
Angie thinksuramazing
October 2019, a friend on Twitter sent me this. Never heard it before.
It is in my head, I can't stop listening to it.
Sometimes a song just owns you.
Let go. Your theirs now.
Tom Preisler
I love what you said 🖤
Justin Simmons
Your friend has great taste. Summerteeth doesn't get enough recognition, next to yhf this is the most sincere Tweedy's ever sounded.
Ottorino Gentile
Uvre very young.